Shot in an around Paris, the music video for Depeche Mode’s Strangelove was considered to be so controversial that MTV refuses to broadcast the original version. The band offered up a re-edited version, in which some of the shots of the two models were replaced with shots of the band.
Director Anton Corbijn needs no introduction. Along with being a renowned photographer who has been responsible for countless album covers and music videos, Corbijn has also directed films like The American, Control, and A Most Wanted Man.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, the identity of the Ski Mask Rapist is revealed.
Episode 2.15 “Attack”
(Dir by Kevin Hooks, originally aired on February 22nd, 1984)
The Ski Mask Rapist is continuing to attack. Off-screen, a pharmacist is assaulted while trying to catch her train. In the hospital, a candy striper gets lost in the cavernous building and is attacked in a storage room. When Shirley Daniels enters the storage room, she’s startled by a man wearing a pest control outfit. She sprays him with her mace but is later told that the police do not believe that he was the rapist. Instead, he was just a man trying to steal drugs. When Fiscus tries to put together a list of men who will walk the women to their cars, Dr. Cavanero tells him that one of the men on his list could very well be the rapist.
Amongst themselves, the women who work at St. Eligius debate what they would do if they are attacked. Shirley carries her mace. Wendy says that she would use her keys as a weapon. Jacqueline Wade says that women who don’t struggle and just submit have a better chance of surviving. Dr. Cavanero dumps her insensitive boyfriend after he offers up a half-hearted, insincere apology for trying to force himself on her during the previous episode. The head of the hospital’s security gives a lecture and makes the women feel like the attacks are somehow their fault. “There’s no need to get hysterical,” he says.
(Myself, I carry mace. I’m always scared that I’ll accidentally spray myself in the face with it but still, I carry it.)
Kathy Martin turns down the offer of a rape whistle, saying that carrying it would give her the aura of a victim. As the episode ends, she’s attacked in the morgue. She manages to push up the ski mask, revealing the face of …. Peter White.
It’s not really a surprise that Peter turned out to be the rapist. I suspected it was him last week. Rape may be classified as a sex crime but ultimately, it’s about power. The weakest men are rapists and there’s no man on this show who is weaker than Peter White. Before Peter attacks Kathy, we see him with a prostitute who tells him that it’s okay that he couldn’t get it up. Peter mentions that it’s his anniversary. Peter is weak and, looking back at the the moment he first appeared during the first season (begging Dr. Morrison to cover for him), it’s obvious that the series has been building up to the moment that he loses control.
There were other things that happened during this episode. Geraldine Fitzgerald played a patient who Auschlander dated in his younger days. (Now, she’s a drug addict.) Victor and Roberta returned from their honeymoon, Victor with a painful sunburn and Roberta with a host of problems that she accidentally broadcast to the entire hospital while talking to her friend in the front office. (You have to make sure the PA is turned off before talking about your sex life, folks.) There was a humorous scene in which Dr. Ridley got into an argument with Roberta’s psychiatrist (Philip Sterling). Dr. Morrison tried to figure out why his latest patient (Dan Hedaya) was suffering from sudden bouts of blindness.
In the end, though, this was a grim episode and not always an easy one for me to watch. Honestly, if I had been a nurse or a doctor at that hospital, I would have walked as soon as it became apparent that the Ski Mask Rapist was someone inside the building. I would have gone home and refused to come back until they caught the guy.
Kathy saw Peter’s face as he attacked her. I fear what’s waiting for me on next week’s episode.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? Lucio Fucli’s Conquest!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Welcome to a special TV edition of 4 Shots From 4 Films!
4 Shots From 4 Shows
Degrassi: The Next Generation: Time Stands Still Part One (2004, dir by Stefan Scaini)
Lost: The End (2010, dir by Jack Bender)
Community: Modern Warfare (2010, dir by Justin Lin)
The Reaper is busy in today’s music video of the day. The Reaper collects souls, many of whom are friends and family of the members of Bones Thug-n-Harmony and takes them to the mountaintop. Everyone’s entering the afterlife with Eazy-E.
I remember this video was huge for a while in 1996. You could not turn on MTV without seeing Eazy-E ascending into the afterlife. (Once I learned that Bone Thugs-n-Harmony were proteges of Eazy-E’s and signed to his label, Eazy’s inclusion in this video made much more sense.) At the Video Music Awards, Tha Crossroads was nominated for Best Rap Video but lost to Coolio’s Gangsta’s Paradise.
There is some online confusion as to who directed the video. Wikipedia says Vaughan Arnell. The IMDb says Michael Martin. I am going with the IMDb on this. Martin is also credited with doing videos for Outkast, N.W.A., Jodeci, and LL Cool J. He directed the the films I Got The Hook Up and Da Game Of Life.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Mark is abandoned in the park.
Episode 4.13 “A Mother’s Love”
(Dir by Michael Landon, originally aired on January 6th, 1988)
It’s time for Jonathan and Mark to start a new assignment! This week, Jonathan gets to be a teacher (again!) and Mark gets to be …. homeless.
Seriously, Mark is dropped off in the park and told to live there. Eventually, Jonathan shows up and gives Mark a tent and some cooking supplies. That was nice of him but still, you have to wonder why Mark always seems to get assignments that are designed to aggravate him. “Thanks for giving up your independence to work with my angel,” the show’s version of God seems to be saying, “Now, here …. go live in the park.”
Also living in the park are four brothers whose mother has recently died. They’re living in a van and are trying to not get sent to foster care. Fortunately, there’s a teacher at Jonathan’s new school who regrets that she never had a family. Guess who is going to end up adopting four kids!
This was pretty much the epitome of Highway to Heaven, sweet-natured, sentimental, shamelessly manipulative, and so earnest that it worked even when it shouldn’t have. That said, I hope Jonathan will put a good word in for Mark. The guy deserves at least one easy week!
In this episode, freelance photographer Mike Kovac (Charles Bronson) receives a tip from reporter Mike Costigan (Frank Faylen) about a mysterious woman. Acting on the lead, Mike snaps a photograph of the woman, only to discover that she bears a striking resemblance to Helen Sprague (Tracey Roberts), a lady who was reportedly murdered by night club owner Howard Dorn (Don Durant). When she shows back up alive, the D.A. will have to drop the charges on Dorn, right? Well it’s not that easy as a punch-drunk ex-fighter Pete Montee (Karl Lukas) shows up at Mike’s house and insists that the woman in the photo is his girlfriend Connie Sawyer. It turns out that Costigan and Dorn are trying to cash in on Kovac’s honest reputation to get away with murder. When Mike gets wise to their plan, he becomes their next target for death!!
This episode of MAN WITH A CAMERA was directed by Gerald Mayer, who would direct 11 episodes of the series. It’s a solid “film noir” episode, with Bronson’s Mike Kovac getting caught up in a murder plot involving double-crossing bad guys, a duplicitous dame, and a dumb lug, where he’ll be lucky if he comes out alive. Of course, a young Bronson is the biggest draw in every episode of MAN WITH A CAMERA. Along with his magnetic screen presence, Bronson always knew how to throw a punch and he gets to engage in a couple of nice fisticuff sequences in “Double Negative.” It makes for good balance as his camera gets him into hot water at the beginning and his fists get him out of hot water at the end. I also want to throw some love Karl Lukas’ way as the ex-fighter, Pete Mantee. He’s clearly not the sharpest tool in the toolshed, but his performance is the most enjoyable of the series, outside of Bronson, up to this point. His combination of innocent, dumb, and unbelievably strong is a lot of fun.
Overall, “Double Negative” is one of the best episodes of MAN WITH A CAMERA so far. Bronson is at his best and I really like the film-noir feel. If you haven’t watched on episode on Amazon Prime yet, this would not be a bad place to start!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey help to stop an obscene phone caller.
Episode 1.3 “The Phoner”
(Dir by Teddy Sills, originally aired on October 28th, 1957)
Betty Hodges (Pat Englund) has been getting obscene phone calls. It’s the 1950s. That means there’s no caller ID, there’s no cell towers to ping signals off of, there’s no way to block a number, the phone rings until its answered, and every call is made and taken on a landline phone. This is the era when most calls were still connected by an operator. Terrified of the calls but determined not to be chased out of the city like so many other young women who have targeted by the so-called Phoner, Betty calls the police. Casey (Beverly Garland) moves in with Betty, pretending to be her sister. When the phone rings, it’s Casey who will answer and it’s Casey who will have to keep the guy talking for five minutes while the phone company traces the call.
We don’t ever learn the name of the man making the calls. In the credits, he’s listed as the Phoner. Played by Frank Sutton, the Phoner is a sweaty man who makes his calls from a phone booth and who brags about how many girlfriends he claims to have had. (He’s the 50s version of an incel.) We’re told that he says disturbingly obscene things over the phone but, this being a 50s show, we don’t hear any of them. Of course, we don’t have to hear them. Betty’s terrified reactions are all we need to see.
Eventually, Betty is attacked leaving work. She stumbles out of an alley, her face beaten and her clothes torn. And again, it’s the 50s. So all we hear is that Betty has been attacked but anyone watching would understand what had happened. In the hospital, Betty whispers to Casey. When Casey is asked what Betty said, Casey replies, “She wishes she was dead.”
Eventually, the Phoner calls Casey back. They set up a date in the park. The Phoner doesn’t show up at the park but he does show up at the apartment later. After a struggle, he’s subdued by Casey and the other cops watching the apartment. Even though common sense tells the viewer that nothing too bad is going to happen to the show’s lead character, it’s still a tense scene, largely because of Frank Sutton’s feral performance as the Phoner.
This is a poignant episode, even if it did obviously have to hold back due to the censorship rules of the time. Just as frightening as Sutton was as the Phoner, Garland was equally impressive as the determined Casey. If I did have any problem with this episode, it’s that when she’s initially confronted by the Phoner, Casey doesn’t recognize his voice. When a man threatens you, you never forget the voice.
This was a good episode. Hopefully, the Phoner died in prison.
Through the Shattered Lens 