Late Night Retro Television Review: Degrassi: The Next Generation 1.5 “Parents Day”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Emma goes on a crusade and Canada will never be the same.

Episode 1.5 “Parents Day”

(Dir by Eleanore Lindo, originally aired April 15th, 2002)

Its Parents Day at Degrassi!

Toby Isaacs is paranoid that his divorced parents are going to get into an argument as soon as they’re in a room together and that’s exactly what happens.  When Snake tells them that Toby could have the best grades in school if he only applied himself, his mom and his dad start blaming each other.  This scene always makes me cringe, largely because I was in the same boat in high school.  “Lisa is smart as a whip,” one of my teachers said during my junior year, “but she doesn’t focus in class and is easily distracted.”  “Lisa Marie,” my mother said, “did you hear that?”  “Hear what?,” I replied.

Anyway, Toby tells his parents that the reason he’s struggling is because they’re always fighting.  His parents apologize to him.  Awwwww!  That’s sweet.  It would never happen in real life but it’s still sweet.  (Having seen the entire series, it’s always a bit jarring to be reminded of how much the first season focused on Toby, someone who — in future seasons — would often just be a background character.)

Meanwhile, we meet Sean’s totally cool older brother and guardian, Tracker (Kris Holden-Reid).  How cool is Tracker?  His name’s Tracker!  Plus, he calls out Emma to her face.  Emma, in a sign of things to come, has written an editorial for the school paper in which she complains about a once-a-week broadcast called NAK (News About Kids).  She feels that NAK is just propaganda.  When Principal Raditch points out that NAK donated the school’s computer lab in return for the school showing their broadcast (and again, it’s like a 10-minute program that is shown ONCE a week), Emma writes that the school shouldn’t accept anything from NAK and students should just use their home computers.  When Emma overhears Tracker describing her editorial as being “garbage,” she gets mad at tells him that he’s an idiot.  Tracker points out that not all kids — like Sean, for instance — can afford a home computer.

Here’s the thing: Tracker’s correct.  Even when I first saw this episode as an idealistic teenager who agreed with Emma about NAK being propaganda, I thought Tracker was correct.  Not all kids can afford their own computer.  If showing a 10-minute, once-a-week broadcast that most students would probably end up talking through meant the school got a computer lab, it seemed like a reasonable compromise.

However, this episode introduced one of the themes that would become prominent on Degrassi in later seasons.  Emma is never wrong.  Even when it’s clear that Emma is totally wrong and is being unreasonable, the show will still end with someone telling Emma that she’s right.  This episode ends with Sean telling Emma that her editorial wasn’t garbage.  Emma smiles because she has a crush on Sean and that’s sweet and all but you know what?  That editorial was totally garbage!

My feelings were mixed on this episode.  I could relate to Toby’s embarrassment.  I could also relate to Paige’s over-the-top efforts to impress Toby’s mom, who we’re told is casting director.  But this episode also launched the whole “Emma-is-a-crusader” thing, which would eventually become one of the more annoying things about the show.  In the end, though, I guess the important thing is that everyone survived Parents Day.

Retro Television Review: Homicide: Life on the Street 4.6 “Hate Crimes”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Lewis solves a cold case.

Episode 4.6 “Hate Crimes”

(Dir by Peter Weller, originally aired on November 17th, 1995)

On the eve of Thanksgiving, a young man is killed outside of a gay night club.  Bayliss and Pembleton are investigating.  All of the witnesses say that the man was jumped by a group of skinheads.  While Pembleton, as usual, is set on capturing the guilty party, Bayliss is uncomfortable about the what he assumes to have been the victim’s identity.

Bayliss is a homophobe?  Really?

I guess this development doesn’t come totally out-of-nowhere.  There was an earlier episode where Bayliss was clearly uncomfortable dealing with an S&M-themed murder so he does have a history of getting weirded out by anything that goes against what he considers to be the straight and the conventional.  At the same time, it’s kind of hard to feel that Bayliss is often just whatever the writers need him to be at the moment.  For this episode, Pembleton needed a homophobe to deal with.  And, since Felton and Bolander are no longer on the show, the job fell to Bayliss, even though Bayliss — even at his most awkward and uncomfortable — has never been presented as being prejudiced before. For me, it’s hard not to feel that the episode would have been even more interesting if it was Pembleton — self-righteous, faith-struggling, Jesuit-trained Pembleton — was uncomfortable with the victim’s identity and if, for once, Bayliss could have been the tolerant one.  Pembleton’s a great character but occasionally, it’s hard not to feel that he’s almost too flawless.

That said, this storyline features a brilliant twist.  When Pembleton and Bayliss talk to the victim’s father (the great Terry O’Quinn), they ask him if he knew that his son was gay.  The father gets angry at them, says that if his son was gay then he deserved to die, and then kicks them out of the house.  Later, Bayliss and Pembleton learn that the victim was not gay.  Instead, the skinheads assumed he was gay and attacked him because he was outside of the nightclub.  Bayliss and Pembleton return to the victim’s father and tells him that his son wasn’t gay.  Only then does the victim’s father start to cry.  For him, his son was not worthy shedding a tear over until he was assured that his son wasn’t gay.  Of course, the father doesn’t realize that his prejudice is the same prejudice held by the skinheads who killed his son.  He’s stunned to hear his son was killed due to a mistake but it doesn’t occur to him that he rejected his son because he made the same mistake.

While that was going on, Lewis defied Howard and solved the Erica Chilton case.  (During the previous season, Howard was given the Chilton case after Crosetti committed suicide.  The since-departed Felton lost a key piece of evidence.)  When Erica Chilton’s daughter was brought to the office because she had been having dreams about her mother’s death, Lewis and Kellerman were the two detectives that talked to her.  Howard was not happy about this, saying that Lewis should have let her handle the interrogation.  Lewis. who has not been happy about Howard getting promoted to sergeant, told her to back off and to stop criticizing his former partner.  While the two of them were arguing, Kellerman got the little girl to remember that the murderer was wearing a monogrammed shirt and that his initials with “T.M.”  At the time of her murder, Erica was engaged to Tom Marans (Dean Winters).

Howard demanded that Lewis tell her before he interrogated Marans so that she could be in the Box.  So, of course, after Lewis and Kellerman tricked Tom into coming down to the station by telling him they needed him to look over some new evidence, Lewis proceeded to interrogate Tom without Howard being there.  With help of a new voice analysis machine, Lewis was able to get Tom to confess without much effort.  Lewis was also able to get a date with the voice analyst, Debbie Haskell (Allison Smith).  Sgt. Howard, meanwhile, got very, very pissed off.

Finally, Brodie (Max Perlich) — the cameraman who helped Lewis and Kellerman out a few episodes ago — got a new job when he was hired to help the Homicide Department film crime scenes.  I’m kind of amazed that they didn’t already have someone to do that.

This was a good episode, even if Bayliss’s homophobia did feel a bit forced.  While Andre Braugher and Kyle Secor were as great as always, I have to say that Clark Johnson really stole this episode as the cocky and rebellious Meldrick Lewis.  Howard is absolutely right about Lewis not treating her with the respect that she deserves.  At the same time, Lewis did finally solve the Chilton case.  So, maybe they’re even.

Probably not.

 

10 Films For The Week (9/14/25)


Welcome To The Dark Side Of Life

Ted K (2021) is a film about Ted Kaczynski, the overeducated loser who moved into a Montana cabin and who sent people bombs because of …. reasons, I guess?  I know that Ted had a big manifesto and that there are people who claim to have found some sort of genius in his ramblings but truth be told, Ted was a second-rate philosopher who has been embraced by third-rate people.  This film features Sharlto Copley at Ted and it takes an honest and unbiased look at him, his beliefs, and his crimes.  If you’re wondering how we got to where we are, this is one of the films to watch.  The film is on Tubi.

River’s Edge (1987) features Keanu Reeves, Crispin Glover, and Ione Skye as teenagers who learn that one of their friends (Daniel Roebuck) has murdered his girlfriend and who …. do nothing.  Eventually, one of them does go to the police and finds himself being targeted by his former friends.  Meanwhile, Roebuck hides out with a one-legged biker (Dennis Hopper).  This is a disturbing and well-acted true crime film.  We’ve all seen a lot of examples of bystander syndrome over the past few years.  This week, I’ve wondered why so many people, on that North Carolina bus, just walked away after Iryna was stabbed.  This is film examines an early example of that tendency.  It’s on Tubi.

Blue Caprice (2013) was a film made about the DC snipers.  It didn’t really get the attention that it deserved when it was initially released, largely due to the fact that 1) it starred Isaiah Washington and 2) it was such a disturbing movie that I imagine a lot of people had a hard time recommending it.  But if you want to see a film about how a madman can find ways to justify his amoral behavior, this film provides a lot of insight.  It’s on Tubi.

The Stanford Prison Experiment (2015) tells the true story of an infamous social experiment from the early 70s.  It examines just how quickly people will lose themselves in a situation.  While the students playing the prisoners feel as if they are literally fighting for their lives, the students playing the guards enjoy their power trip and never seem to consider that things are going too far.  This film features a great performance from Michael Angarano, as the most enthusiastic of the guards.  It’s on Tubi.

Finally, Christine (2016) tells the story of Christine Chubbuck, the Florida news anchor whose on-air suicide partially inspired the film, Network.  Christine is not a happy film but it does feature a great performance from Rebecca Hall.  It’s on Tubi.

Welcome To The Ligher Side Of The Life

Good news!  Monty Python and the Holy Grail (1975) exists!  This film, one of the funniest ever made and definitely one of my go-to comforts, is currently streaming on Tubi!

Ferris Bueller’s Day Off (1986) remains the ultimate teen fantasy.  Actually, it’s also probably the ultimate adult fantasy.  Everyone deserves a day off.  Ferris Bueller skips school and manages to fit a month’s worth of events into just 9 hours.  We should all be so lucky.  I love this film.  Alan Ruck deserved all the Oscars in the world.  The film is currently streaming on Netflix.

Burn After Reading (2008) never seems to get the respect that it deserves.  The Coen Brothers followed up the award-winning No Country For Old Men with an absurdist CIA comedy in which no one learned anything and nothing was accomplished.  It’s hilarious, as both a film and a concept.  John Malkovich, Brad Pitt, Frances McDormand, J.K. Simmons, David Rasche, and George Clooney are all wonderfully used.  Burn After Reading is currently on Prime.

Odds and Ends

12 Angry Men (1957) is a true rarity, a classic that everyone agrees is a classic.  Not only are all 12 of the angry men perfectly cast (Henry Fonda, Jack Warden, Ed Begley, Martin Balsam, Lee J. Cobb, E.G. Marhsall, Robert Webber, and all the rest …. I could go on for paragraphs about how brilliantly cast this film is) but it’s also still a thought-provoking look at the justice system.  Personally, I think the kid was guilty.  And I think that the men all deciding that the woman was too vain to admit that she wore glasses is a perfect example of why women should serve on juries.  Henry Fonda talked them into letting a murderer loose!  It’s still a great film though.  It’s streaming on Tubi.

The Philadelphia Story (1940) features James Stewart, Cary Grant, and Katharine Hepburn.  It also features a lot of great lines, a lot of funny moments, and — most importantly — Jimmy Stewart singing Somewhere Over The Rainbow!  What more could you ask for?  It’s streaming on Tubi.

4 Shots From 4 Films: Special George Waggner Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Any day is a good day to pay tribute to director George Waggner!  It’s time for….

4 Shots From 4 George Waggener Films

Horror Island (1941, dir by George Waggner)

Man-Made Monster (1941, dir by George Waggner)

The Wolf Man (1941, dir by George Waggner)

Red Nightmare (1957, dir by George Waggner)

Music Video of the Day: Unchained by Van Halen (1981, directed by Bruce Gowers)


Today’s music video of the day is an early one from Van Halen.  Coming from 1981, this video was a product of the time when videos were usually performance clips that focused on showing off the skills of the musicians.

As with all of the early Van Halen videos, this one balances the technical skills and talent of Eddie Van Halen with David Lee Roth’s sense of showmanship.  David Lee Roth and Van Halen had their conflicts but they were always at their best when they were performing together.

Director Bruce Gowers, who died in 2023, started directing music videos in the 70s and worked with everyone from the Rolling Stones to Queen to Journey, Michael Jackson, Toto, and Rod Stewart.  He was one of those directors who worked every everyone who was anybody.  He also directed a lot of television, doing countless MTV Movie Awards ceremonies and also working as a director for American Idol.

Enjoy!