Late Night Retro Television Review: Baywatch Nights 2.20 “Hot Winds”

Posted on November 26, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, the world goes mad!

Episode 2.20 “Hot Winds”

(Dir by Parker Stevenson, originally aired on May 3rd, 1997)

A hot wind is blowing down from the hills and into Los Angeles.

People are going crazy in the streets. Strangers are attacking each other for no reason. Riots are breaking out. The world seems like it’s gone off its axis and no one knows how to react. Is the heat driving everyone mad or is it something else? Diamont Teague tells Mitch and Ryan that he suspects that something supernatural is happening. Mitch, as usual, argues that people in Los Angeles have always been crazy. Not like this! Diamont says.

Is Diamont correct? As he, Mitch, and Ryan leave the office, they run into an aggravated man who proceeds to beat on a brick wall until his hands are covered in blood. Mitch assumes that the man must be on drugs. Diamont says that they need to drive out to the desert so that they can find the source of the wind. Mitch is skeptical until he starts seeing a ghostly image of a robed man carrying a scythe.

It’s a long trip out to the desert, made even longer by the rioting and the madness all around. Mitch stops long enough to keep a woman from throwing her baby over a ledge. But, as soon as Mitch grabs away her baby, the woman jumps anyway. It’s quite a fall and somehow, the woman survives. Luckily, Mitch is there to render CPR while the crazed crowd watches. The world may going mad but Mitch is still a lifeguard, dammit.

Driving through the desert, Ryan wonders why she, Mitch, and Diamont aren’t going crazy like everyone else. It’s a good question. Seriously, last week was a lot of fun because it gave us a chance to watch the Hoff got possessed by a demon. It’s hard not to regret that he didn’t get a chance to go crazy in this episode.

In the desert, the robed man with the scythe dances. The scythe apparently is what sends down the hot air. If Mitch can get the scythe away from the man, the violence can stop. Who is the man? Apparently, he’s a devil worshipper. Ryan suspects that there might be hundreds of similar people out there. Maybe they’re the ones who are responsible for all the madness in the world! Has Ryan already forgotten that, a few episodes ago, it was established that the Knights Templar secretly controlled the world?

This episode was actually not bad. The scenes of people suddenly going mad were effective and the man in the desert was actually a pretty ominous image. Even the show’s overreliance on Dutch angles felt effective for once, drawing the audience into a world that was permanently off-balance. I enjoyed this episode and I’ll remember it the next time I see a stranger yelling on a street corner.

Retro Television Review: Fantasy Island 5.19 “Face of Love/Image of Celeste”

Posted on November 26, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week …. hey, where’s Tattoo!?

Episode 5.19 “Face of Love/Image of Celeste”

(Dir by Don Chaffey, originally aired on March 20th, 1982)

Once again, as I did with Miami Vice and CHiPs, I am going to save time by doing this review bullet-point style. It’s the holidays, after all.

After two (or was it three) weeks of just Roarke and Tattoo, this episode features only Julie as Roarke’s assistant. Apparently, Tattoo has been busy helping a guest fulfill a “Cinderella fantasy” but things have gone wrong. The carriage turned back into a pumpkin. The horses turned back into mice and are now running all over the Island. Tattoo is not seen in this episode, which is a shame because the last few episodes (featuring only him and Roarke) really did feel like a throw-back to the first two seasons of the show.
It’s been kind of weird during this season, continually hearing that various fantasies are going wrong. That’s not the Fantasy Island that we all know. Fantasy Island has previously been portrayed as a place where Roarke would never allow anything to truly go wrong.
Julie doesn’t really do anything as Roarke’s assistant in this episode. Roarke tells her who each guest is and gives her the details of their fantasy but that’s pretty much it.
Laura Jensen (Erin Gray) has spent her life with a face that was scarred during a housefire. She’s grown up to be bitter and angry. She’s just gotten out of prison and she’s brought to the Island by her parole officer, Ron (Monte Markham). Ron’s fantasy is for Laura’s scars to go away so that Laura can let go of her anger and live a norma;l life.
Though initially weary, Laura is amazed when Roarke gives her a magical cream that causes her scars to temporarily vanish. In fact, Laura appears to be ready to get on with her life and accept that she and Ron are in love. But then Laura’s sleazy ex (Larry Manetti) shows up and tempts her back to her old ways. Don’t worry. It all works out in the end and Ron and Laura leave as a couple. However, I get the feeling that Ron’s going to lose his job as a parole officer. Falling in love with a parolee and taking a tropical vacation with her seems like something that would go against every rule in the book.
The other fantasy was slightly more interesting, if just because it featured Paul Gauguin. When Celeste Vallon (Joanne Pettet) discovers that Roarke owns a Gauguin portrait of a woman who looks just like her, Celeste requests to go back to the past and be that woman. Roarke agrees, even though he warns her that she will also have to make a very serious decision, one that could change history.
Right away, this fantasy ran into a major stumbling block. The Gauguin painting looked absolutely nothing like something that Gauguin, one of the great post-impressionists, would have painted. Instead, it’s a very conventional painting.
The second stumbling block is that the legendary and charismatic Gauguin is played by the handsome but mild-mannered Robert Goulet.
What Celeste discovers is that she is directly descended from the woman in Gauguin’s painting. The woman was Gauguin’s mistress and was engaged, against her will, to marry a soldier (Christopher Stone). If Celeste agrees to remain with Gauguin, then Gauguin will never paint another painting. If Celeste agrees to return to France, her ancestor will lose the love of her life but Gauguin will continue to paint.
Celeste chooses not to change history. Good for her! Of course, that’s kind of an easy decision to make when Celeste isn’t the one who is actually going to have to live the rest of her life in Paris, dreaming of returning to Tahiti and Gauguin.
I wanted to like this episode more than I did. The parole officer bringing one of his parolees to the Island felt strange to me and the Gauguin story would have worked if the painter had been anyone other than the Paul Gauguin. If they had come up with a fictional painter, perhaps Goulet would have seemed more appropriate in the role. As it was, this episode felt bland and miscast.
Herve Villechaize was an accomplished painter so it’s a shame he wasn’t present for the Gauguin story. It’s previously been established that Tattoo is quite a painter himself so this episode definitely feels like a missed opportunity.

LAST OF THE DOGMEN – One of my favorites!

Posted on November 26, 2024 by Bradley Crain

I don’t hear a lot about LAST OF THE DOGMEN, the 1995 modern day western starring Tom Berenger, Barbara Hershey and Kurtwood Smith. I love the movie, and I have for years. My buddy Chuck, his son Carter, and I recently drove up the hill to Fayetteville to watch the Arkansas Razorbacks play football. We had a great day! We ate at the Catfish Hole for lunch and then watched the Razorbacks beat Louisiana Tech 35-14. It was fun (See picture below for the happy crew). We had about a 3-hour drive home so we were talking about things we both love, like the Andy Griffith Show. Out of nowhere, Chuck said, “Do you want to know a movie I love? It’s called the LAST OF THE DOGMEN.” It was the last thing I was expecting to hear. I also love the movie. We talked about it and had a good time, but I made a mental note to watch it again soon. So here we are.

LAST OF THE DOGMEN opens with Sheriff Deegan (Kurtwood Smith) trying to find three escaped convicts in Northwest Montana. Deegan calls in the best tracker he knows, Lewis Gates (Tom Berenger), to go into the mountains to find the convicts. The two men have a history as Gates was married to the sheriff’s daughter, and the daughter died. The sheriff clearly doesn’t like Gates and blames him for his daughter’s death, but he knows he’s the man for the job. With Gates and his genius dog Zip right on their tails, the convicts are mysteriously killed by a group of men on horses who shoot them with arrows. Gates see the men riding off through a fog and is convinced they are Indians. He ends up seeking out the help of Native American historian Lillian Sloan (Barbara Hershey) to help him understand what he may have seen. He’s able to convince Lillian to ride into the mountains with him because he needs a translator if he actually finds anyone, and the two head off into the Oxbow. After a week of roughing it, they’re about to give up when they suddenly find themselves surrounded by the Indian dog soldiers. They’re taken as prisoners to the Indian camp, where the leader of the dog soldiers, Yellow Wolf, has a sick son. It seems he was shot by one of the escaped prisoners. Gates heads back to town to get penicillin for the son, which ultimately saves his life. Gates and Lillian spend some time getting to know and respect this isolated Cheyenne tribe. Meanwhile, Sheriff Deegan, unable to forgive Gates for the death of his daughter, gathers a group of men and they head into the Oxbow to find Gates. Will the Indians be able to have peace and live their lives like they did in the 19th century, or will they be discovered and forced to live out the fates of their ancestors? Well, if you haven’t seen it, just watch and enjoy!

As I said earlier, I’m a big fan of LAST OF THE DOGMEN. I was initially interested in the movie because I like Tom Berenger as a leading man. His SHOOT TO KILL with Sidney Poitier is a big time personal favorite. I also like him in PLATOON, SOMEONE TO WATCH OVER ME, BETRAYED, MAJOR LEAGUE, SHATTERED, SNIPER and THE SUBSTITUTE. He had been a big sex symbol earlier in his career. By the time of this film, he’s getting a little too old and heavy to be a sex symbol. In THE LAST OF THE DOGMEN, he’s actually very funny, and I really enjoy watching him have fun on screen. I’ll also go ahead and say that I’ve never been a huge fan of the actress Barbara Hershey, but she keeps showing up in movies I love. Outside of this, she’s also in HOOSIERS, and it’s one of my favorites. While there’s something about her I don’t really like, she is pretty good, and I do like her chemistry with Berenger. When they finally share a big smooch towards the end of the film, I liked it. And what can I say about Gates’ Australian cattle dog Zip? He’s an integral part of the story and saves Gates & Lillian’s asses on multiple occasions. At one point in the story, Lillian says “it’s disconcerting to know that the smartest member in our expedition is a dog!” It’s true!

I think the thing I like the most about the LAST OF THE DOGMEN is the idea that a group of Cheyenne Indians could be living out their lives the way they did a century ago. Something about that is romantic and magical to me, and it gave me an emotional interest in the film. Isn’t that why we really love movies? The best ones can reach into our souls and find something that’s valuable to us. I love the idea of Cheyenne Indians living out their heritage and protecting it at all costs. There’s something simple and meaningful about that. Director Tab Hunter really leans into this emotional truth. It’s the only film he would direct, and it seems to share the one message that meant the most to him. Most of us would give anything to have an opportunity to share with the world who we really are. Hunter got that opportunity and shared this movie. That’s pretty cool to me.