Late Night Retro Television Review: CHiPs 2.8 “The Grudge”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch and Baker face their greatest enemy …. frat boys with a grudge!

Episode 2.8 “The Grudge”

(DIr by John Florea, originally aired on November 11th, 1978)

When Baker and Ponch attempt the warn the driver of an RV about the fact that his vehicle won’t be able fit through a tunnel, the driver reacts by trying to speed away.  That’s because the driver is a frat boy and the RV is full of marijuana (or “Cannabis Rex!” as another frat boy puts it).  This leads to the RV not only crashing in the tunnel but also Baker and Ponch busting all of the frat boys for possession.

A few months later, the frat boys are horrified when, despite only getting probation, they are still suspended from college and their fraternity is kicked off campus.  The frat boys decide to get revenge on Baker and Ponch by playing a series of practical jokes.  They send Baker and Ponch mysterious letters.  They toss a bunch of fake money on the highway, causing a slow motion wreck.  They try to disrupt the CHiPs open house, over which Baker and Ponch have been put in charge.

This was a bit of a silly episode.  The frat boys somehow had the ability to always know exactly where Ponch and John were.  For some reason, Ponch and John didn’t do the obvious and bust the frat boys for violating their probation.  Sgt. Getraer, meanwhile, spends almost the entire episode being a jerk.  He puts Ponch and Baker in charge of the open house and then gets mad at them for working on it while on the clock.  Well, when are they supposed to work on it?

The episode did feature one good car crash.  In fact, not only were multiple vehicles destroyed but it all happened in slow motion.  That made up for a lot.  Still, in the end, The Grudge was just a bit too silly to really work.

Documentary Review: Brats (dir by Andrew McCarthy)


The documentary Brats opens with actor and travel writer Andrew McCarthy in New York City.

He’s obsessing over his film career, which featured him starring in several classic 80s films, like Pretty In Pink, Class, and Less Than Zero.  If you love those films as much as I do, you’ll be happy to know that, physically, McCarthy has aged well.  If he was adorably cute during his teen idol days, Andrew McCarthy now looks like a distinguished and handsome creative writing teacher.  McCarthy talks about how he was briefly a star and now, he has a busy career as a writer.  To be honest, it seems like everything should be going pretty well for Andrew McCarthy.

The only problem is that Andrew McCarthy has spent the last 30 years obsessed with an article that he feels led to him being labeled as one of the “Brat Pack,” along with Emilio Estevez, Rob Lowe, Judd Nelson, Molly Ringwald, Demi Moore, and Ally Sheedy.  Interestingly enough, McCarthy is only mentioned once in the article, when Nelson dismissively describes him as playing every role “with the same intensity.”  Still, McCarthy feels that the article led to him being unfairly labeled “a brat,” and it also led to his film career fizzling.

Over the course of the documentary, McCarthy travels to California and tracks down some of his co-stars (with both Ringwald and Nelson being notable for their absence) and he also talks to the author of the article.  He talks about what it means to be identified with the Brat Pack and how the label still haunts him.

Seriously, this is one of the most depressing documentaries I’ve ever seen.

It’s not just that McCarthy, who really does seem like he should be enjoying his second act as a successful and respected travel writer, is still obsessed with an article that came out 30 years ago.  It’s also the fact that, judging from the scenes in which he drops in on Estevez, Lowe, Moore, and Sheedy, it doesn’t appear that anyone has wanted to talk to McCarthy since they all did St. Elmo’s Fire.  Emilio Estevez, especially, seems to be uncomfortable with having McCarthy in his kitchen.  As for the others, Ally Sheedy is polite, Demi Moore comes across as if she’s visiting from another planet, and Rob Lowe is once again the most likable and laid back person in the room.  Everyone that McCarthy interviews has dealt with the Brat Pack legacy in their own different way.  The thing they all have in common is that they’ve all dealt with it better than McCarthy.

The saddest part of the film is that Molly Ringwald never returns Andrew McCarthy’s call.  Seriously, the main reason I watched this documentary was because I wanted to see Andie and Blane reunited.  Instead, I had to settle for Blane and Duckie having an awkward conversation.  It’s nice to see that McCarthy and Jon Cryer are apparently now on friendly terms (which apparently they weren’t during the filming of Pretty in Pink), but seriously, Molly is the one that most viewers will probably want to see reunited with Andrew.  That it doesn’t happen is kind of heart-breaking.

I hope someone gives Andrew McCarthy a good hug and tells him that we’re all Team Blane.  He deserves it.

Retro Television Review: Miami Vice 2.18 “French Twist”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett learns an important lesson about trusting the French.

Episode 2.18 “French Twist”

(Dir by David Jackson, originally aired on February 21st, 1986)

An infamous French drug dealer and terrorist named Bandi (Xavier Coronel) has escaped from a Canadian prison and  surfaced in Miami, where he murders an innocent hospital worker and takes off with a van full of morphine.  While Tubbs tries to protect the only witness, a rebellious teenage photographer named Cindy (Shari Headley), Crockett works closely with Danielle Hier (Lisa Eichorn), a French INTERPOL agent who has been sent to Miami by her boss, Zolan (played, in an odd cameo, by folk singer Leonard Cohen).

In fact, Crockett may be working a bit too closely with Danielle because he’s the only person who doesn’t seem to notice that there’s something suspicious about her.  Tubbs feels that there’s something that Danielle is not telling the Vice Squad and he’s right.  While Castillo is under orders to take Bandi alive so he can be sent to face prison in Canada, Danielle has been sent to assassinate Bandi on behalf of French Intelligence.

This is a typically cynical episode of Miami Vice.  The latter half of the first season and the majority of the second season have been full of episodes in which competing government agencies screw up Tubbs and Crockett’s efforts to clean up Miami.  This episode is unique in that the competing government agency is French but otherwise, the theme remains the same.  The War on Drugs can never be won because too many people are benefitting from it.  When watched today, it’s helpful to have some knowledge of what was going on in France from the 60s to the 80s.  Many French terrorist organizations — on both the left and the right — funded their activities through the heroin trade and it’s easy to see Bandi as a stand-in for the infamous ex-OAS drug lords of the era.  As for Danielle, it’s mentioned that one of her previous missions involved blowing up a Greenpeace boat, which is something that French Intelligence actually did around the same time that this episode aired.

This is yet another episode the ends with a fateful gunshot in the night.  In this case, it’s Crockett killing his lover to save his partner.  It’s an ending that doesn’t quite have the emotional resonance to it that it’s had when used during previous episodes, largely because there’s very little romantic or sexual chemistry between Don Johnson and Lisa Eichorn.  Eichorn, who was so good in Cutter’s Way, struggles a bit with her French accent and the final twist involving her character feels a bit too obvious.  It’s hard to believe that Sonny — world-weary Sonny who lives on a boat and whose best friend is a crocodile and who has experienced plenty of CIA duplicity in both Vietnam and Miami — wouldn’t have been able to see right through her.

This was a forgettable episode, one that went through the motions without making much of an impression.  It happens …. even in Miami.

Monday Live Tweet Alert: Join Us For The Rift and Blow Out!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1990’s The Rift!  Selected and hosted by Bunny Hero, this film stars Jack Scalia and it takes place underwater!  So, you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1981’s Blow Out!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Rift on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Blow Out, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Song of the Day: Atomic by Blondie (Happy Birthday, Debbie Harry)


Today, the Shattered Lens wishes a happy 79th birthday to the legendary Debbie Harry!

Our song of the day is my favorite of Blondie song (and, believe me, there were many to choose from), Atomic!  This song, which was subsequently covered for Trainspotting by Sleeper, is one that I often find myself not only quoting but also hearing in my head.

Uh huh, make me tonightTonight, make me rightUh huh, make me tonightTonightTonight
Oh, uh-huh, make it magnificentTonightRight
Oh, your hair is beautifulOh, tonightAtomic
Uh huh, make me tonightTonight, tonight
Oh, your hair is beautifulOh, tonightAtomic
Tonight, make it magnificentTonightMake me tonight
Your hair is beautifulOh, tonight
AtomicOh, atomicOh
Oh, atomicOh, atomicOh

Scenes That I Love: Karen Black Performs in Nashville


The great actress Karen Black would have been 85 years old today.

Karen Black does not receive a lot of screentime in Nashville but she definitely makes an impression as the driven, self-centered, and oddly likeable Connie White.  Here she is, performing one of the songs that she wrote herself for the film.  The audience was largely made up of actual Nashville residents, who reportedly very much appreciated Black’s performance.

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

89 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

The Electric Horseman (1979, dir by Sydney Pollack, DP: Owen Roizman)