Late Night Retro Television Review: Baywatch Nights 2.6 “The Cabin”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

This week, Baywatch Nights travels not to the beach but instead to a cabin in the woods!

Episode 2.6 “The Cabin”

(Dir by Reza Badiyi, originally aired on November 3rd, 1996)

The sixth episode of Baywatch Nights‘s second season opens with a young woman who is being terrified in a cabin in the woods.  The woman is dressed for the 1990s but she’s being chased by an axe-wielding man named Horse Calhoun (Dennis Burkley), who is dressed for the 1890s.  The woman manages to escape Horse and his axe and let’s get credit where credit is due.  It’s a truly well-done sequence, featuring Dennis Burkley giving a ferocious and scary performance as Horse.

Diamont hires Mitch and Ryan to investigate the cabin, specifically because he thinks that the cabin is haunted and he wants to get the opinion of two skeptics.  (Ryan believes in ghosts but thinks that they are rare.  Mitch does not believe in ghosts but says they still scare him.  I have to go with Mitch on this one.)  Diamont specifically tells Mitch and Ryan not to enter the cabin until he is able to join them later.  So, of course, as soon as they arrive, Mitch and Ryan go right into the cabin.

That turns out to be a mistake.  While Ryan keeps herself busy putting away groceries, Mitch explores the cabin and soon discovers that they’re not alone.  There’s a woman (Lisa Stahl) is a bathtub who encourages Mitch to “take off your clothes” and join her.  There’s a decadent, cigar-chomping man (Danny Woodburn) who seems to be very amused with himself.  And, of course, there’s Horse Calhoun, rampaging down hallways and throwing axes at Mitch’s head.

The cabin, it turns out, is home to a portal, one that leads back to a New York brothel in the 1890s.  One hundred years ago, an insanely jealous Horse Calhoun killed everyone at the brothel.  Can Mitch and Ryan return to their own time before Horse adds them to his list of victims?

This episode is an example of Baywatch Nights at its best.  The plot is totally ludicrous and the low-budget forces the show to keep things simple (it’s a rather rustic brothel) but the idea behind the plot is properly creepy and Woodburn, Stahl, and especially Burkley all do a good job bringing their undead characters to life.  (Heh heh….)  Burkley makes Horse into a fierce madman, one who throws his axes with the authority of someone who no longer cares who might get in the way of the blade.  Finally, this episode featured a lot of Hasselhoff/Harmon chemistry.  Harmon was earnest and determined while Hasselhoff …. well, he was the Hoff.  We’re lucky to have him.

The Cabin was Baywatch Nights as its best.

Retro Television Review: Fantasy Island 5.3 “Cyrano/The Magician”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

This week …. someone’s missing!

Episode 5.3 “Cyrano/The Magician”

(Dir by Dan Chaffey, originally aired on October 24th, 1981)

Hey, where’s Tattoo!?

Technically, Tattoo does appear in this episode but it’s only in the stock footage that appeared at the start of every episode.  Tattoo rings the bell and announces, “Da plane …. da plane!” but that’s it.  He does not meet Mr. Roarke outside of the bungalow.  He is not present to greet the guests.  He’s not present to say goodbye to the guests.  Tattoo is nowhere to be seen and, somewhat disconcertingly, no mention is made of why he’s missing.  Instead, Mr. Roarke and Julie handle the fantasies in this episode.

If I had to guess, I’d say that Herve Villechaize was having a salary dispute with the producers.  It seems obvious that Julie was brought in as a way to tell Villechaize that he was replaceable.  However, Tattoo’s absence is felt so strongly in this episode that it seems likely that all the producers did was prove Villechaize’s point about why he deserved more money.  Wendy Schaal is a likable performer but she had close to no real chemistry with Ricardo Montalban and Julie was such a blandly-written character that there was no way she could replace the enigmatic and rather cynical Tattoo.

Sad to say, one of this episode’s fantasies feels as if it would have been perfect for Tattoo’s commentary.  Marjorie Denton (Carol Lynley) is a bus driver who wants to go back to a time when men were at their most chivalrous.  She finds herself back in 17th century France, a time when men were chivalrous but woman had absolutely no rights.  At first, she is thrilled to be the subject of the attentions of both the handsome Gaston (Simon MacCorkindale) and the poetic Cyrano de Bergerac (John Saxon).  She is less thrilled to catch the eye of the Marquis de Sade (Lloyd Bochner).  It’s not a bad fantasy, though Cyrano and De Sade were not quite contemporaries.  But it’s hard not to think about how Villechaize was always at his best when dealing with wounded romanticism.  Since Cyrano himself turned out to be a guest having a fantasy, it’s hard not to regret that Tattoo was not around to encourage him.

As for the other fantasy, it’s one of those silly and kind of boring comedic fantasies that was obviously included for the kids.  (“Mommy, who is the Marquis De Sade?”)  Timothy Potter (Bart Braverman), no relation to Harry, is a bad magician who wants to be a great magician.  Mr. Roarke gives him a collection of old spell books and an assistant named Suva (Judy Landers), whom Timothy proceeds to fall in love with.  Unfortunately, Timothy doesn’t bother to study the books like Roarke told him to and he accidentally makes Suva disappear.  In the end, though, Roarke assures Timothy that he just sent her to Cleveland, which just happens to be his hometown.  There’s a chimpanzee in this fantasy and the chimp gives the most compelling performance.  The only thing that could have saved this fantasy would have been some snarky Tattoo commentary.

Is it possible to have Fantasy Island without Tattoo?  Based on this episode, the answer would be no.  Let’s hope he returns next week.

Music Video of the Day: Survive by Lindsey Stirling, featuring Walk Off The Earth (2024, dir by Lindsey Stirling and Stephen Wayne Mallet)


It’s always good to start your day with something from the wonderful Lindsey Stirling.  This video has the energy that we all desperately need right now.

Enjoy!