Late Night Retro Television Reviews: Highway to Heaven 1.18 “A Child of God”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

For this week’s rather sad episode, Jonathan confronts a reverend who has lost his way.

Episode 1.18 “A Child of God”

(Dir by Michael Landon, originally aired on February 6th, 1985)

After spending years away, Marsha Stearns (Coleen Maloney) has returned home.  She wants her parents, Sarah Stearns (Patricia Smith) and Rev. David Stearns (William Window), to take care of her young daughter, Amy (Natalie Gregory).  The Reverend Stearns wants nothing to do with Marsha or his granddaughter because Amy was born out of wedlock.  He considers Marsha to be an embarrassment to his church and a sinner who cannot be forgiven.

(Yikes!  It looks like Rev. Stearns kind of missed all of the important stuff dealing with forgiveness.  “Judge not, and you will not be judged; condemn not, and you will not be condemned; forgive, and you will be forgiven.”  That’s Luke 6:37.)

What neither the Reverend nor his wife knows is that Marsha is terminally ill and only has a few weeks to live.  However, Marsha’s new neighbor — Jonathan Smith — does know and he confronts the Reverend and rather forcefully denounces him until Reverend Stearns forgives her daughter and visits her in the hospital right before she dies.

This was a pretty sad episode and it did bring some tears to my eyes, largely because it made me think about my mom.  That said, the most interesting thing about this episode was how angry Jonathan got at Reverend Stearns and his unforgiving attitude.  For the past 17 episodes, Jonathan has been a mellow and peaceful angel who has always recognized that everyone has some good in them.  But in this episode, when he confronts the Reverend, there is no way not to notice that Jonathan is truly pissed off.  For once, Jonathan doesn’t even hide the fact that he’s an angel.  He wants Rev. Stearns to know that he’s in trouble with Jonathan’s boss.  And really, it makes sense.  Why wouldn’t Jonathan be especially angry at a reverend who is failing in his duties?  He and Jonathan both work for the same company and Jonathan obviously sees the Reverend’s attitude as being a personal insult.  Jonathan is working hard and Rev. Stearns is screwing everything up.

Rev. Stearns does learn his lesson and embraces humility, though that doesn’t make up for all of the years that he refused to even acknowledge his granddaughter’s existence.  The episode ends with him giving a rather lengthy sermon, in which he suggests that maybe he got to hung up on the whole idea of condemning sin when he should have been focusing on loving everyone.  It’s a bit of a dull ending.  William Windom has the right look for the role but, whenever he has to pretend to preach, he comes across as being a bit dry and stiff.  Fortunately, Coleen Maloney is much more convincing and poignant as his estranged daughter.

Next week …. Scotty returns!

4 Shots From 4 Films: Special Tobe Hooper Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 81st birthday, the Shattered Lens pays tribute to Texas’s own, Tobe Hooper!

The Austin hippie who redefined horror and left thousands of yankees terrified of driving through South Texas, Tobe Hooper often struggled to duplicate both the critical and the box office success of The Texas Chainsaw Massacre.  It’s only been in the years since his death that many critics and viewers have come to truly appreciate his unique and subversive vision.

Down here, in Texas, we always believed in him.

It’s time for….

4 Shots From 4 Tobe Hooper Films

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

The Funhouse (1981, dir by Tobe Hooper. DP: Andrew Laszlo)

Poltergeist (1982, dir by Tobe Hooper, DP: Matthew F. Leonetti)

The Texas Chainsaw Massacre 2 (1986, dir by Tobe Hooper. DP: Richard Kooris)

Scenes That I Love: Charlie Comes Up With An Acronym in Whit Stillman’s Metropolitan


The Shattered Lens wishes a happy birthday to director Whit Stillman!

Today’s scene that I love comes from Stillman’s first film, 1990’s Metropolitan.  In this scene, Charlie (Taylor Nichols) explains why UHB is a much better term for their social class than preppy.  As usual, Nick (Chris Eigeman) is there to provide support in his own unique way.  Nichols and Eigeman were both perfectly cast in this film.

Retro Television Reviews: Acting Sheriff 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Acting Sheriff, which aired on CBS in 1991.  The entire show is currently streaming on YouTube!

Who is Brent McCord?

Why, he’s the acting sheriff!

Episode 1.1 “Pilot”

(Dir by Michael Lembeck, originally aired on August 17th, 1991)

At a small country jail in North Carolina, the staff is waiting the arrival of the new sheriff.

Dispatcher Helen Munson (Ruth Kobart) is grumpy and sarcastic, as all older characters were required to be in 1990s sitcoms.

Deputy Judith Mahoney (Diane Delano) is a blonde badass who can’t wait to enforce the law and lock up every criminal that she sees, despite the fact that there aren’t many criminals to be found in this small, rural county.

Deputy Mike Swanson (John Putch) is the smart, responsible deputy who ran for sheriff in the last election but lost, despite his years of hard work and his likability.

Who is the new sheriff?  Why, he’s Brent McCord (Robert Goulet), a former Hollywood star who went from starring in films like Get Al Capone and A Fistful of Courage to appearing in books with titles like Where Are They Now?  Brent once was a huge star but, after several failed television shows and a handful of divorces, he has returned home and …. run for sheriff, for some reason.

When he does show up at the jail, Brent swaggers around like John Wayne and says things like, “Is the slime infecting the streets waiting for me?”  Brent McCord doesn’t know anything about being a county sheriff but he does know how to act like a character in a movie.  He walks into the station, draws his gun, and accidentally fires it.

Deputy District Attorney Donna Singer (Hilary B. Smith) is not happy about the new sheriff.  She tells him that, “Someone should put a tent over you and charge admission!”  She’s even less happy when a banker robber (Lee Tergesen) escapes from the jail, largely due to the sheriff’s incompetence.  Fortunately, Deputy Mike remembers a scene from Get Al Capone where McCord’s character recaptured a bank robber by leaving more money around for him to steal.  Following the same strategy, Mike recaptures the bank robber but he allows Sheriff McCord to have all the credit.  Mike’s a good guy who doesn’t hold a grudge over a silly thing like losing an election to a B-actor.

This pilot, which was produced by Disney for CBS, aired once and that was it.  It didn’t lead to anymore episodes and, watching the pilot, it’s easy to see why.  The pilot struggles to combine the relatively realistic portrayal of a county jail with the over-the-top performance of Robert Goulet.  Occasionally, Goulet will get a laugh by delivering his pompous lines in the most self-serious manner possible.  But, far too often, the character is so cartoonish that the other actors don’t seem to know how to keep up with Goulet’s hammy performance.  (At times, Goulet seems to be copying William Shatner’s technique without any of Shatner’s charm.)  Probably the biggest problem is that pilot fails to answer the most obvious question that one would have while watching the show.  Why did Brent McCord run for sheriff?  Does he want to do a good job or was he just bored?  Does he care about the county or did he just want to see his name in the newspapers?  Is he well-intentioned or just buffoonish?  The pilot doesn’t seem to know and, as a result, audiences would never find out.