Horror Scenes That I Love: Piper Laurie in Carrie


So far, this month, I’ve been doing these horror scenes that I love in alphabetical order based on who was featured in the scene.  Originally, today was going to be devoted to Boris Karloff but, last night, I read the news that the great Piper Laurie had passed away at the age of 91.

Have no doubt that Boris Karloff will be honored tomorrow but, for today, I would be remiss if I didn’t pay tribute to Piper Laurie.  Piper Laurie often said that, when she read the script for 1976’s Carrie, she at first didn’t understand the story’s tone until she realized that Margaret White was meant to be as comedic as she was frightening.  Piper Laure’s performance as Carrie’s mother resulted in an Oscar nomination and it also revived Laurie’s career.  (Laurie had semi-retired from Hollywood following her previously Oscar-nominated work in The Hustler.)

In the scene below, Margaret makes one last attempt to keep Carrie from going to the prom.  Her line, “They’re all going to laugh at you” comes back to haunt Carrie in a very big way.

One final bit of Piper Laurie horror trivia: In 1959, when Alfred Hitchcock was casting Psycho, Piper Laurie was his second choice, behind Janet Leigh, for the role of Marion Crane.

October True Crime: Winter of Frozen Dreams (dir by Eric Mandlebaum)


The 2009 film, Winter of Frozen Dreams, opens with a young woman named Barbara Hoffman (Thora Birch) in a Wisconsin courtroom in 1980.  She is on trial, having been accused of committing two murders.  The jury reads their verdict and the film flashes back three years to show us how how Barbara ended up in that courtroom.

It’s a bit of an odd way to open the film, one that robs the story of any suspense.  The story of Barbara Hoffman is a true one but, unlike other true crime stories, it’s not a commonly known one.  I had not heard of Barbara Hoffman until I watched this film and, after the film ended, I immediately went to Google to make sure that the film was actually telling the truth when it claimed to be based on a true story.  Barbara Hoffman and her trial apparently were a big deal in 1980.  (Her trial was the the first murder trial to ever be televised.)  But it is now so obscure that it doesn’t even have a Wikipedia entry.

As seen in the film, Barbara Hoffman was a genius.  She had a 145 IQ and was the valedictorian of her high school class.  She went to college to study chemistry and was doing quite well academically.  However, when she got a job answering the phones in a massage parlor, she realized that she could make a lot more money as a sex worker than as a chemist.  She dropped out of college before starting her final semester and went to work for a pimp named Ken Curtis (Dean Winters).

Barbara was engaged to two different men.  One was Harry Berge (Dan Moran), who has a taste for bondage and being ritually humiliated.  At first, his co-workers thought he was kidding when he started introducing the much younger Barbara as being his fiancée but Harry actually signed over all of his property to her and allowed Barbara to take out a life insurance policy on him.

It was Barbara’s other fiancé, a mild-mannered video clerk named Jerry Davies (Brendan Sexton III), who Barbara called on Christmas to tell him that she had discovered Harry’s dead and battered body in her bathroom.  Convinced that Harry had been murdered by Ken, Jerry helped Barbara to hide the body in the Wisconsin snow.  Of course, even while Jerry was helping Barbara cover up Harry’s death, Barbara was taking out a considerable life insurance policy on him.

After Jerry has an attack of conscience and leads the police to the body, it falls to the pipe-smoking Detective Lulling (Keith Carradine) and his partner (Leo Fitzpatrick) to figure out who was responsible for Harry’s murder.  Lulling’s instinct is to suspect Barbara but everyone else seems to think that either Ken or Jerry is the more obvious suspect.  After all, Barbara’s a genius.  Why would she kill someone?

It’s an interesting story, though Winter of Frozen Dreams is never quite as compelling as one might wish.  Some of that is because, despite her genius IQ, Barbara herself never becomes that interesting of a character and Thora Birch never seems to be that invested in her performance.  She delivers her lines in a rather flat manner, never really showing the charisma necessary to be convincing as a real-life femme fatale.  That said, you do feel sorry for the two men, especially Brendon Sexton III.  And Keith Carradine and Leo Fitzpatrick make for an amusing detective team.  I almost wish the two of them had starred in their own series, where they traveled the Pacific Northwest and solved small town murders.

Of course, the biggest problem with this movie is that it opens with the verdict so we already know what’s going to happen.  We know who is going to die and we know what’s going to happen to Barbara as a result.  There’s zero suspense as to how things are going to work out.  It’s an error on the part of the filmmakers and an unfortunate one.

4 Shots From 4 Horror Films: Special Joe Dante Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This month, we’re using 4 Shots from 4 Films to honor some of our favorite horror filmmakers!  Today, we honor the one and only Joe Dante!

4 Shots From 4 Joe Dante Films

Piranha (1978, dir by Joe Dante, DP: Jamie Anderson)

The Howling (1981, dir by Joe Dante, DP: John Hora)

Gremlins (1984, dir by Joe Dante, DP: John Hora)

Burying The Ex (2014, dir by Joe Dante, DP: Jonathan Hall)

Moments #10: The Alley Series


One day, I was exploring my town with my camera.  I found an alley sitting behind a row of store and I took pictures as the day passed.  Today, I look at these pictures and I think about the things that I did not consider while taking them.  What is behind the closed doors?  How does the difference of an hour change the way a place looks and feels?

Previous Moments:

  1. My Dolphin by Case Wright
  2. His Name Was Zac by Lisa Marie Bowman
  3. The Neighborhood, This Morning by Erin Nicole
  4. The Neighborhood, This Afternoon by Erin Nicole
  5. Walking In The Rain by Erin Nicole
  6. The Abandoned RV by Erin Nicole
  7. A Visit To The Cemetery by Erin Nicole
  8. The Woman In The Hallway by Lisa Marie Bowman
  9. Visiting Another Cemetery by Erin Nicole

Horror Film Review: The Alligator People (dir by Roy Del Ruth)


You know what the worst bayou is?

Bayouself.

Thank you!  I’ll be here all night and don’t forget to tip your server!

Anyway, the 1959 film, The Alligator People, largely takes place in the bayous of Louisiana.  Nurse Jane Marvin (Beverly Garland) is suffering from amnesia so she allows two psychiatrist to give her a dose of truth serum and then, when she’s in a hypnotized state, she proceeds to remember her former life as Joyce Webster.

Joyce married a handsome and seemingly perfect man named Paul Webster (Richard Crane) but, right when they were about to go on their honeymoon, he received a telegram that disturbed him.  After he made a phone call, he vanished from Joyce’s life.  Joyce did some research of her own and discovered that Paul’s former home was the Cypresses Plantation in the small town of Bayou Landing, Louisiana.

When Joyce travels down to Bayou Landing, she discovers that there’s really not much there, other than a bunch of hungry alligators.  She meets the owner of the plantation, Lavinia Hawthorne (Frieda Inescort).  She also meets the handyman, Manon (Lon Chaney, Jr.), a one-handed brute who spends most of his day shooting at alligators.  And, eventually, Joyce comes across her husband but Paul is no longer the man that she remembers.

Paul’s skin is scaly and he only comes out at night.  It turns out that Paul was, long ago, injected with a serum that would allow him to grow back a missing limb.  The serum worked as far as the limb was concerned but an unfortunate side effect is that Paul is now turning into an alligator!  Dr. Mark Sinclair (George Macready), the man who came up with the serum in the first place, is hopeful that he can reverse the process but, to do so, he’s going to need a lot of radioactive material.

Complicating things is that Manon has decided that he wants Joyce for himself and he’s certainly not going to compete with some alligator man for her attention.  Of course, Joyce despises Manon from the first moment she sees him but Manon’s not that smart.  Can Paul be cured before Manon destroys everything?

The Alligator People is one of those 1950s B-movies that is probably better-known for its name than anything else.  That said, when taken on its own terms, it’s an entertaining watch.  It was one of the final films to be directed by Roy Del Ruth, who had previously been one of Hollywood’s top directors of musicals and comedies.  There’s not much music or deliberate comedy to be found in The Alligator People but Del Ruth does manage to capture the humid stillness of the bayous.  As always, Beverly Garland gives a strong performance as a determined woman who isn’t going to be told what to do and Richard Crane is about as convincing as one can be while turning into an alligator.

As for Lon Chaney, Jr, he plays Manon as being a total monster and he gives a convincing performance, even if it is hard not to mourn the loss of the shadings that he brought to his monster roles while he was with Universal.  Manon is a rough and determinedly unintelligent character, one who exists only to destroy.  Significantly, he’s not one of the Alligator People.  Instead, he’s just a man who doesn’t care about anyone but himself.

The Alligator People is an effective B-movie, full of a bayou atmosphere.

Horror on the Lens: The Bat (dir by Crane Wilbur)


Today’s Horror on the Lens is 1959’s The Bat.  A simple case of bank embezzlement leads to a murder that may or may not be connected to a series of other murders that are apparently being committed by a mysterious killer known as “The Bat.”  The Bat is said to have no face and steel claws and, needless to say, everyone in town is worried about becoming the next victim.

Who is the Bat?  Is Dr. Malcolm Wells (Vincent Price), the shady scientist whose work has led to him doing experiments on bats?  Is it Victor Bailey (Mike Steele), the bank clerk who is a prime suspect in the embezzlement case?  Is it the butler (John Sutton) with a secret past?  Could it even be one of the cops (Gavin Gordon and Robert B. Williams) who has been tasked with capturing The Bat?  Can mystery novelist Cornelia van Gorder (Agnes Moorehead) solve the mystery before becoming The Bat’s next victim!?

The Bat is based on a play and it’s definitely a bit stagey but when you’ve got performers like Agnes Moorehead and Vincent Price onscreen, it really doesn’t matter.  The Bat is an entertaining and atmospheric mystery, featuring a Vincent Price playing another one of his charmingly sinister cads.

Enjoy!

Music Video of the Day: Prime Mover by Zodiac Mindwarp & The Love Reaction (1988, directed by ????)


In this music video, the members of Zodiac Mindwarp & The Love Reaction fly their mechanical airship to what appears to be a church school.  It’s ever parents worst nightmare.  The lyrics of the song features references to X-ray specs.  Zodiac Mindwarp, as far as their lyrics were often concerned, was not necessarily meant to be taken seriously.

Enjoy!