2017’s Dark Image tells the story of two twins.
Jessica and Jayden Browne (April Eden) were two musical prodigies who spent their entire youth either practicing or performing under the guidance of their mother, Phyllis (Leslie Easterbrook). One night, while Phyllis was at the opera with her brother, Alex (John Aprea), someone broke into the house and murdered one of the twins. The surviving twin had a nervous breakdown and soon found herself in a mental hospital, where she was watched over by her uncle Alex.
Assigned to investigate the case was Detective Billy Watts (Thomas Downey), who quickly came to believe that the murderer was the groundskeeper, Ogden Edwards (Ed O’Ross). After one particularly grueling interrogation, Ogden left the police station, got drunk, and then drove to Watts’s home to confront him. Unfortunately, the drunk Ogden not only crashed his car on Billy’s lawn but he also ran over Billy’s son, who only wanted to stay up late so he could watch fireworks. When Ogden was acquitted of murder, Billy swore vengeance and was quickly suspended from the force by Captain Fanning (Eric Roberts).
Now, the surviving twin has finally stopped hearing voices and is planning on spending the weekend at the house where the murders took place. She’s hoping that staying at the house will lead her to remember something. Alex sends his daughter, Lindsey (Eve Mauro), along to keep an eye on the twin but that turns out to be a bit of a mistake as Lindsey is kind of a drunk. Alex also asks Billy to keep an eye on the house but, again, that plan falls apart when Billy sees Ogden Edwards stumbling around the property.
From the minute she and Lindsey arrive at the house, the surviving twin starts to hear voices and see shadows moving in the dark. When she and Lindsey go out to a bar, everyone in the place briefly appears to be a faceless demon. Could it perhaps be connected to a mysterious note that the twin found in the house, the one that featured a reference to Dante’s Inferno and suggested that the house itself might be a gateway to Hell? Well, that’s always a possibility!
There are plenty of things about Dark Image that don’t make much sense. For instance, the twin is continually freaking out and screaming about her visions but nobody around her ever seems to view that as being particularly strange. The twin’s plan for going back to the house doesn’t make much sense (though, to the film’s credit, it does offer up an explanation as to just why exactly the twin actually did decide to return) and it also doesn’t make sense that Lindsey would agree to accompany her. As soon as Lindsey arrives at the house, she’s drinking wine and joking about picking up men at the bar and you have to wonder why she’s apparently not creeped out about the idea of spending the weekend at the house where one her cousins was brutally murdered by a killer who was never captured. The fact that Lindsey’s an alcoholic can only excuse so much.
That said, though, Dark Image is entertaining as long as you don’t spend too much time worrying about the film’s logic. If you just watch it for the atmosphere and for April Eden’s intense performance, Dark Image is a perfectly serviceable horror thriller that has a decent number of twists and one effectively creepy scene where Eden is menaced by a shadowy figure while taking a shower. Ed O’Ross does a good job playing Ogden Edwards and the ending of the film is properly macabre. It’s an effective film when taken on its own terms.
As for Eric Roberts, he only appears in two scenes but it’s always fun to see him. He plays the somewhat sarcastic police captain who is constantly telling his detectives to do it by the book. Eric Roberts is always entertaining when he’s playing a character in a bad mood.
Previous Eric Roberts Films That We Have Reviewed:
- Star 80 (1983)
- Blood Red (1989)
- The Ambulance (1990)
- The Lost Capone (1990)
- Love, Cheat, & Steal (1993)
- Love Is A Gun (1994)
- Sensation (1994)
- Dark Angel (1996)
- Doctor Who (1996)
- Most Wanted (1997)
- Mr. Brightside (2004)
- Six: The Mark Unleased (2004)
- Hey You (2006)
- In The Blink of an Eye (2009)
- Enemies Among Us (2010)
- The Expendables (2010)
- Sharktopus (2010)
- Deadline (2012)
- Miss Atomic Bomb (2012)
- Lovelace (2013)
- Self-Storage (2013)
- This Is Our Time (2013)
- Inherent Vice (2014)
- Road to the Open (2014)
- Rumors of War (2014)
- Amityville Death House (2015)
- A Fatal Obsession (2015)
- Stalked By My Doctor (2015)
- Joker’s Poltergeist (2016)
- Stalked By My Doctor: The Return (2016)
- The Wrong Roommate (2016)
- Stalked By My Doctor: Patient’s Revenge (2018)
- Monster Island (2019)
- Seven Deadly Sins (2019)
- Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
- The Wrong Mommy (2019)
- Exodus of a Prodigal Son (2020)
- Free Lunch Express (2020)
- Her Deadly Groom (2020)
- Top Gunner (2020)
- Deadly Nightshade (2021)
- Just What The Doctor Ordered (2021)
- Killer Advice (2021)
- The Poltergeist Diaries (2021)
- A Town Called Parable (2021)
- My Dinner With Eric (2022)

Pingback: Lisa Marie’s Week In Review: 10/2/23 — 10/8/23 | Through the Shattered Lens
Pingback: October Positivity: Prayer Never Fails (dir by Wes Miller) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Clinton Road (dir by Richard Grieco and Steve Stanulis) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: The Dead Want Women (dir by Charles Band) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Black Wake (dir by Jeremiah Kipp) | Through the Shattered Lens
Pingback: October Positivity: The Mark (dir by James Chankin) | Through the Shattered Lens
Pingback: October Positivity: The Mark: Redemption (dir by James Chankin) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Bleach (dir by Michael Edmonds) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Top Gunner: America vs Russia (dir by Christopher Ray) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Savant (dir by Sherri Kauk) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Rebels of PT-218 (dir by Nick Lyon) | Through the Shattered Lens
Pingback: The Films of 2024: Scars (dir by Shaun Kosta) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Wolves of Wall Street (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Enemy Within (dir by Damian Chapa) | Through the Shattered Lens
Pingback: Lifetime Movie Review: The Wrong Life Coach (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bonnie And Clyde: Justified (dir by David DeCoteau) | Through the Shattered Lens
Pingback: January Positivity: Mercy Streets (dir by Jon Gunn) | Through the Shattered Lens
Pingback: Love On The Shattered Lens: Frank and Ava (dir by Michael Oblowitz) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Amazing Racer (dir by Frank E. Johnson) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: A Talking Cat!?! (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Runaway Train (dir by Andrei Konchalovsky) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Reliant (dir by Paul Munger) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Beyond The Trophy (dir by Daniel J. Gillin) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Devil’s Knight (dir by Adam Werth) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Night Night (dir by Niki Koss) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Las Vegas Story (dir by Byron Q) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Raptor (dir by Jim Wynorski) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: DC Down (dir by Geoff Meed) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Deadly Sanctuary (dir by Nancy Criss) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Assault on Wall Street (dir by Uwe Boll) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: 69 Parts (dir by Ari Taub) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Depth Charge (dir by Terrence O’Hara) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best II (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Dawn (dir by Nicholas Ryan) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Demonic Dead (dir by Rick Vargas) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Rideshare Killer (dir by Ashley Scott Meyers) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Sorority Slaughterhouse (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Space Sharks (dir by Dustin Ferguson) | Through the Shattered Lens
Pingback: October True Crime: The Company We Keep (dir by Jeff Edelstein) | Through the Shattered Lens
Pingback: October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens