The Martian Chronicles: Episode 3: The Martians (1980, directed by Michael Anderson)


Episode 2 of The Martian Chronicles ended with Sam Parkhill (Darren McGavin) helplessly watching as Earth was consumed by nuclear fire.  Episode 3 opens with Col. John Wilder (Rock Hudson) returning to Earth in 2006 and discovered that the entire planet is dead.  He had hoped to find his brother and rescue him but instead, all Wilder finds is a video of his brother being vaporized by an atomic blast.

Back on Mars, the planet is nearly deserted.  Most of the human colonizers were ordered to return to Earth before the war broke out and, as a result, they died in the atomic inferno.  Only a few humans remain on Mars.  One of them, Ben Driscoll (Christopher Connelly), is excited to discover another survivor named Genevieve (Bernadette Peters) but he abandons her when he discovers that she’s too high-maintenance for him.  He decides he’d rather live alone.  (Too mean-spirited to really be funny, this was the weakest short story in Rad Bradbury’s collection and it’s also the weakest segment of the miniseries.)  Wilder and Father Stone (Roddy McDowall) visit another survivor, a scientist named Peter Hathaway (Barry Morse).  Peter lives with his devoted wife and daughter but when he dies of heart attack, they barely notice because they’re robots.

The first hour of the final episode of The Martian Chronicles is considerably weaker than the two episodes that proceeded it.  After the effective scenes of Wilder exploring Earth, the series is suddenly taken over by Christopher Connelly, playing a character that we’ve never seen before and who isn’t very likable.  The Ben and Genevieve sequence is weak and never that funny, despite Peters’s skill with comedy.  The sequence with Dr. Hathaway and the robots feels like a dry run for something Ray Bradbury would have written for The Twilight Zone.

Fortunately, the final segment of The Martian Chronicles swoops in to save the series.  Col. Wilder and his family spend the day camping at the same ancient Martian city where, during the first episode, Spender tried to convince Wilder not to allow Mars to be colonized.  While walking around the ruins of the city, Wilder meets what is either the ghost or the future projection of a Martian.  They have a friendly and philosophical conversation.  They talk about how The Martian doesn’t know if he’s from the past or if he’s from the future but it doesn’t matter.  Returning to his family, Wilder looks at their reflection in Briggs Canal and he say that, with Earth gone, they are now the Martians.  With Earth in ruins and only a few humans left, it’s up to the survivors to combine the ways of Earth with the ways of Mars and create a new world.  Though Hudson is usually held up as being the epitome of a stuff actor, when he made The Martian Chronicles, he had the right amount of gravitas to make the final scenes work.

The Martian Chronicles is an uneven miniseries.  The first episode is so good that the two that follow struggle to keep up.  But just, as in Bradbury’s book, the ending is perfectly realized and it still work, ever after all these years later.

Werewolves Within (dir. by Josh Ruben)


Mention the name Ubisoft to most people, and most responses are about their videogames. Assassin’s Creed, Tom Clancy’s Rainbow Six, and my personal favorite, Tom Clancy’s The Division. Ubisoft also has a movie production arm to it, along with an effects division called Hybride. With all that, I’m surprised Ubisoft hasn’t tried to develop their own films before. “Werewolves Within” may be one of the better Videogame adaptations around.

Earlier this year, the film premiered on the Tribeca Film Festival’s “Tribeca at Home” digital offering. I was able to watch the film there (a total of 3 times – two because I enjoyed it, and a third to showcase the film to my cousin, who also liked it), along with a few other films.

Werewolves Within is the tale of Finn Wheeler (Sam Richardson, Veep, We’re the Millers) a Ranger taking on new duties in a snowy Vermont town. He’s a pretty nice fellow – he rides under the speed limit and is considerate of others. While he’s getting to know his new neighbors, they are all forced to hunker down during a major storm. Of course, things become a little weird in the form of power outages and quite possibly a werewolf running around town, but who better to have around you than your neighbors in such stressful times? Can Wheeler survive in the town and discover the mystery? The film moves like The Thing or The Beast Must Die in that the members of the town begin to suspect each other is the killer (or killers, like Scream) in question.

The film is peppered with familiar faces, such as Milana Vayntrub (NBC’s This is Us), Harvey Guillen (FX’s What We Do In the Shadows), Glenn Fleshler (HBO’s Barry), Wayne Duvall (The Hunt), & Catherine Curtin (Netflix’s Stranger Things). The banter between them all is fun to watch and each one brings a bit of comedy to the table. Richardson & Vayntrub in particular are the stand outs, though.

Where Werewolves Within really shines is the pacing. Most of the films at the Tribeca Film Festival have an average running time of about 100 minutes. How those minutes are used are important. Don’t believe me? Pair Tenet and WW84, which both have a running time of about 2:30 minutes (about as long as Avengers: Endgame) Werewolves Within moves from scene to scene at a pretty brisk pace. Fans of Ubisoft’s The Division may recognize the New York Shortbows in the movie, which officially makes them canon in the tale.

If the movie has any drawbacks, while there’s horror, the focus is more on the comedy. This isn’t terrible, but if you’re walking in expecting something like Dog Soldiers, Werewolves Within isn’t exactly that. It does handle it well. One other nitpick is that there’s an overused camera technique where the someone on screen does a really slow pivot, bringing their subject into our view. The first time is nice, but after about 3 times, you almost expect it. Again, not horrid, but a little odd. The movie also has it’s share of gore, but it’s a bit light compared to some other films.

Overall, Werewolves Within is a great late night treat that’ll have you laughing, with some nice jump scares.

Game Review: What Heart Heard Of, Ghost Guessed (2021, Amanda Walker)


What Heart Heard Of, Ghost Guessed is an entrant in 2021 Interactive Fiction competition.  Browse and experience all of the games by clicking here.

First, I need to warn you that there’s a SPOILER in this review.  It’s not a huge spoiler but it might effect how you react to certain things that you discover while playing this game.

In What Heart Heard Of, Ghost Guessed, you discover yourself in a large gothic mansion.  You have no memories of how you came to be there.  You also have a very limited set of actions available to you.  This is because, and this is the SPOILER, you’re a ghost and you no longer know how to communicate with the world of the living.  Fortunately, if you were smart enough to accept the game’s opening offer of “helpful information,” you’ll have a list of a few verbs that you can use to escape the room that you’ve found yourself in and explore the house.  As you explore, you learn how to do things in your ghostly form, which in game terms means that you learn new verbs.  You also start to remember the disturbing circumstances of what led to you becoming a ghost in the first place.

This is a long but rewarding game, a throwback to the type of Interactive Fiction that balanced solving puzzles with telling stories instead of favoring one over the other.  The game’s unique command system takes some getting used to but it pays off.  Fortunately, there’s not only a very helpful Hints system but there’s also a walk-through, in case you really get stuck.  I got stuck but I always struggle with IF puzzles.  This is a well-written and thought-provoking game and one of the best of the entrants that I’ve played.  I highly recommend it.

Play What Heart Heard Of, Ghost Guessed.

Horror Scenes That I Love: Irene Miracle Takes A Fateful Swim in Dario Argento’s Inferno


Inferno (1980, dir by Dario Argento)

For today’s scene that I love, here is the classic scene from 1980’s Inferno, Dario Argento’s follow-up to Suspiria. In this scene, Irene Miracle takes a fateful swim. I’ve seen this film several times and this sequence still creeps me out!

4 Shots From 4 Dario Argento Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the amazing Dario Argento!  It’s time for….

4 Shots From 4 Dario Argento Films

Deep Red (1975, dir by Dario Argento, DP: Luigi Kuveiller )

Suspiria (1977, dir by Dario Argento,DP: Luciano Tovoli )

Inferno (1980, dir by Dario Argento, DP: Romano Albani )

Dracula 3D (2012, dir by Dario Argento, DP: Luciano Tovoli )

 

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we’re nearly done with October and, traditionally, this is when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts (some of which we’ve watched on this very site), the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!

And remember, don’t stop for any hitchhikers!

And now, a word from Doc Bowman concerning the holidays….


Hi, everyone!

Doc Bowman here with a very special holiday message!

Tomorrow is Halloween, which my owners — the flame-haired one and the nice one — says is the greatest time of the year!  It’s the time when kids get candy, horror movies are on TV, and my owners get to play dress up or, if it’s anything like last year, barely get dressed at all.

But it’s also a time when stupid people do bad things.  I’m a black cat so both the flame-haired and the nice-one say that I’m not going to be allowed go outside at all tomorrow.  They say it doesn’t matter how much I beg, I’m staying inside.  I know they’re doing the right thing but I’m still going to beg and knock things off of tables and counters because I’m a cat and that’s what I do.  And they’re going to hopefully give me a lot of treats and pet me to keep me happy, even though they’ll probably have to lock me in the flame-haired one’s room to keep me from running for the front door every time they open it for a trick or treater.  That’s just the way thing go at the cat’s house.

Tomorrow night, please make sure that all your pets are safely inside.  It may sound like a silly concern but not everyone out there is as nice and wonderful as my owners and the people who read this site!

Have a safe and happy Halloween everyone!

Music Video of the Day: We’re So Close by Carly Simon (1979, directed by ????)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 116 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 96th video to premiere on MTV was this soulful clip of Carly Simon performing We’re So Close.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band
  79. Johnny and Mary by Robert Palmer
  80. Tomorrow by Shoes
  81. Prime Time by The Tubes
  82. Cruel You by Shoes
  83. Calling All Girls by Hilly Michaels
  84. I Was Only Joking by Rod Stewart
  85. Let’s Go by The Cars
  86. Do You Remember Rock’N’Roll Radio by The Ramones
  87. Ridin’ The Storm Out by REO Speedwagon
  88. You’re In My Heart by Rod Stewart
  89. So Long by Fischer Z
  90. I Don’t Want To Know by Robin Lane and the Chartbusters
  91. Go Back Home Again by Andrew Gold
  92. Time For Me To Fly by REO Speedwagon
  93. Rough Boys by Pete Townshend
  94. Dangrous Type by The Cars
  95. Turn It On Again by Genesis