As with the first installment of this story, that red stuff is depicted in black and white, but honestly — Keck’s solid, thick-lined, “crunchy” art is best experienced with the full impact of his rich detail unobstructed by color. This is visceral work, to be sure, but cartoonishly so, which is to say that it hits home precisely due to the force of its aesthetic outlandishness. I could spend all day looking at this art if I didn’t…