Okay, so, to get it out of the way first, if you’re wondering which of the two notable Francis Bacons that E.A. Bethea’s newest comic (her second with Domino Books), Francis Bacon, is purportedly “about,” it’s the 20th century British painter, but if you know Bethea’s work you’ll know that oftentimes where or who or what she starts with is simply a springboard, an “entry point” into a long, multi-faceted rumination on subjects various and sundry that always and ultimately bear some sort of tangential connection to the one that she was focused on at the outset, but those connections are uniformly of a highly personal, at times even intuitive, nature, so really — when you open this up, expect to be taken on a trip to places, physical and otherwise, that are far afield from what the title would lead you to believe you were in for.
Through the Shattered Lens 
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