French cartoonist Yvan Guillo, better known under his nom de plume of Samplerman, has a technique like no other — and it’s one that leaves me in a real quandary. Digitally manipulating pre-existing (primarily Golden Age, and most likely all public domain) comic book illustrations into hitherto-unforeseen, and uniformly bizarre, new shapes and formations and probably even realities is the part I “get,” but what sort of artist does that make Mr. Samplerman? Or, perhaps more specifically, what sort of art is it that he’s making? Is it “found” art? Is it “Pop Art”? Is it collage? Is it Lichtenstein- or Warhol-esque appropriation/theft?
Eventually, I settled on — re-mixing. What do we all think of that?
If his recently-issued collection, Fearless Colors (co-published by Kus!, Ediciones Valientes, and MMMNNNRRRG) proves one thing, it’s that some sort of musical comparison is in order, because while the “strips” in this book are a…
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