Halloween Havoc!: Vincent Price in THE CONQUEROR WORM (AIP 1968)


gary loggins's avatarcracked rear viewer

British director Michael Reeves cemented his reputation in horror with three films before his untimely death from a barbiturate overdose at age 25, all featuring icons of the genre. The first was the Italian lensed THE SHE BEAST (1966) starring beautiful Barbara Steele. The second, 1967’s THE SORCERERS , headlined none other than Boris Karloff. Reeves’ third and final production, 1968’s THE CONQUEROR WORM (also know by the more apt WITCHFINDER GENERAL), saw Vincent Price give one of his greatest performances as the cruel torturer Matthew Hopkins.

1645: England is engaged in a bloody civil war between Charles I’s Royalists and Oliver Cromwell’s army. Amidst this unrest, Matthew Hopkins and his assistant Stearne roam the countryside, hunting down, torturing, and killing accused witches for profit. It’s “The Lord’s work and an honorable one”, states Hopkins, as he and Stearne commit acts of atrocity upon the helpless innocents. They arrive in Brandeston and target…

View original post 583 more words

A Movie A Day #279: The Ambulance (1990, directed by Larry Cohen)


Josh Baker (Eric Roberts) is an extroverted artist for Marvel Comics who meets Cheryl (Janine Turner) while walking around New York City.  Josh and Cheryl hit it off but when Cheryl suddenly collapses, she is picked up by a mysterious ambulance.  When Josh goes to the hospital to check on her, he is told that Cheryl was never brought in.  Soon, Josh discovers that people all over New York have been put into back of the ambulance and have never been seen again.  Unfortunately, nobody believes Josh.  Not the veteran NYPD detective (James Earl Jones) who Josh approaches with his suspicions.  Not the staff of the hospital.  Not even Stan Lee!  The only people willing to support Josh are an elderly investigative reporter (Red Buttons) and an inexperienced detective (Megan Gallagher).

Yes, Stan Lee does play himself.  While he had made a few cameo appearances on television and had previously narrated a French film, The Ambulance was Stan Lee’s first real film role.  Josh works at an idealized version of Marvel Comics, where the artists are well-paid, no one is pressured into producing substandard work, and Lee is an avuncular father figure.  It is the Marvel Comics that I used to imagine working at when I was growing up, before I found out about what actually happened to artists like Jack Kirby, Joe Simon, and Steve Ditko.

Idealized though it may be, the Marvel connection is appropriate because The Ambulance is essentially a comic book adventure.  It does not matter how many times Josh gets hit by a car or falls out of a window, he always recovers in time for the next scene.  When Josh does discover who is behind the ambulance, it turns out to be a villain who would not be out-of-place in a Ditko-era Spider-Man story.

The Ambulance is another one of Larry Cohen’s New York horror stories.  Like most of Cohen’s films, it is pulpy, cheap, and entertaining.  Eric Roberts is as crazy as ever and the movie is full of good character actors like James Earl Jones, Red Buttons, Richard Bright, and Eric Braeden.  The Ambulance may be dumb but it is always entertaining.

 

 

Horror Scenes that I Love: The Demon Arrives in Night of the Demon


Today’s horror scene that I love comes from the 1957 British film, Night of the Demon.

This is one of those films that deserves to be better known than it actually is.  Directed by Jacques Tourneur, this is a moody and intelligent horror film, one that’s full of atmosphere and features a surprisingly effective demon.  Reportedly, Tourneur didn’t want to show the actual demon in the film but he was overruled by the film’s producers.  Typically, I usually side with the directors whenever it comes to stories of behind-the-scenes conflict but, in this case, I think the film actually works better with the demon as an actual physical presence.

Enjoy!

4 Shots From 4 Films: Special Terence Fisher Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: one of the masters of Hammer horror, Terence Fisher!

4 Shots From 4 Films

The Curse of Frankenstein (1957, dir by Terence Fisher)

The Horror of Dracula (1958, dir by Terence Fisher)

The Mummy (1959, dir by Terence Fisher)

The Gorgon (1964, dir by Terence Fisher)

Horror on the Lens: Without Warning (dir by Greydon Clark)


For today’s horror on the Shattered Lens, we have 1980’s Without Warning.  

In this horror/sci-fi hybrid, humans are hunted by an alien hunter who uses a variety of weapons and … what was that?  No, we’re not watching Predator.  We’re watching Without Warning.  For the record, Without Warning and Predator may have almost exactly the same plot but Without Warning came out long before Predator.

(Interestingly enough, Kevin Peter Hall played the intergalactic hunter in both films.)

Anyway, Without Warning is probably the best film that Greydon Clark ever directed.  Some would say that’s not saying much but seriously, Without Warning is a surprisingly effective film.  It also has a large cast of guest stars, the majority of whom are killed off within minutes of their first appearance.  That alien takes no prisoners!  (I especially feel sorry for the cub scouts.)

Of course, the main characters are four teenagers.  One of them is played by David Caruso, which I have to admit amuses me to no end.

Enjoy!

Halloween Havoc! Extra: The Mind-Warping World of EC Comics!


gary loggins's avatarcracked rear viewer

William M. Gaines’ graphic and gruesome line of horror, crime, and science fiction comics helped turn America’s youth into mouth-foaming, homicidal Juvenile Delinquents until they met with a horror of another kind – Dr. Fredric Wertham and the U.S. Congress! These beasts effectively destroyed EC through censorship and propaganda, ending one of graphic arts’ most creative eras. But EC still lives in the hearts and minds of horror fans everywhere, so here’s gallery of ten spine-chilling covers from the Golden Age of EC Comics! Spa Fon!

View original post

Halloween On Amazon Prime 2017 : “Islamic Exorcist”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Well, shit — if the title of writer/director Faisal Saif’s early-2017 Indian horror Islamic Exorcist isn’t enough to grab you, then I don’t know what more it takes. But is there anything more to this film beyond an arresting name? Thanks to Amazon Prime’s streaming service, I’m pleased to report that I’m able to answer that question —

Before we get to all that, though, the basics : intrepid journalist Natasha Choudhary (played by an actress who goes only by the name of Meera) has taken a keen interest in a local family tragedy, that of Ayesha Khan (Kavita Radheshyam) and her husband, Sameer (Nirab Hossain), who adopted an infant child named Anna after Ayesha’s sole pregnancy ended in a miscarriage. The couple had plenty of love to give, and seemed to be getting ahead financially, so it looked like many fulfilling years were in store for one and all…

View original post 476 more words

Music Video of the Day: I Want Out by Helloween (1988, dir. ???)


I did Halloween last year. I figured I should do a Helloween video each October. Why not? It’s especially fitting this year since they released a new lyric video on the 12th in preparation for a Pumpkins United World Tour.

I love the cover of the single:

I don’t have a lot to say about this video because what I like about it is the editing, which is not exactly something that I can get across in words. It also doesn’t make any sense to try since the video is only 4 minutes and 44 seconds long. That said, it reminds me of those music videos from the 1960s that had the band acting like silent comedians in time with the song. In fact, it reminds me of the video for Sound Of The Screaming Day by Golden Earring, complete with the going into the mouth shot.

Sound Of The Screaming Day by Golden Earring (1967)

As for this:

you got me. Perhaps it has to do with then vocalist Kai Hansen wanting out of the band. That’s what Wikipedia says that he said in an interview that they were kind enough not to cite. Or it’s just a thrown pumpkin asking, “And so?” It’s probably the first one.

Enjoy!

Halloween On Amazon Prime 2017 : “Unwanted”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Here’s one I’m predisposed to like right off the bat : writer/director Paul Foster’s 2017 indie horror Unwanted, a well and truly “homemade” effort shot in Pittsbug (no “h”), Texas, earlier this very year for a whopping $8,900. My love for “micro-budget” filmmaking is well known around these parts, of course, but East Texas has held a special fascination for me for the past couple of decades ever since reading cartoonist Michael Dougan’s outstanding books I Can’t Tell You Anything and East Texas : Tales From Behind The Pine Curtain, both of which made this uniquely off-beat part of the country seem something of a world all its own. Surely, then, this one must have at least  something to recommend in its favor almost by default, right?

Still — there’s no point getting ahead of ourselves, is there? I mean, plenty of films with more going for them…

View original post 724 more words