A Movie A Day #299: Blame It On Rio (1984, directed by Stanley Donen)


When I was growing up in Baltimore, I used to go down to this independent video story every weekend and check out movies.  Every time that I stepped into the store, the first thing I saw was the poster for Blame It On Rio hanging over the front register.  The store did not actually have any copies of Blame It On Rio in stock and I don’t think anyone working there had ever seen it but it only takes one look at the poster to guess what they were thinking when they hung it at the front of the store.

Blame It On Rio is one of the films that Michael Caine made during that period when he was willing to accept any paycheck.  (The Jaws 4 years.)  Caine plays Matthew, who goes on a vacation to Rio with his 17 year-old daughter, Nikki (Demi Moore), his best friend Victor (Joseph Bologna), and Victor’s daughter, Jennifer (Michelle Johnson).  Both Matthew and Victor’s marriages are falling apart and Victor encourages Matthew to hit on every topless woman they see.  Instead, Matthew ends up fooling around with Jennifer.  When Victor discovers that his daughter to having an affair with an older, married man, he recruits Matthew to help him discover the man’s identity.  In between the scenes of all the action in Brazil, Matthew and Jennifer appear in interview segments that do no add up to much.

It may be hard to believe but this forgettable movie was co-written by Larry Gelbart and directed by the same director responsible for Singin’ In The Rain, Charade, and Two For The Road, Stanley Donen.  For a film about a 43 year-old man having a sexual relationship with a 17 year-old, Blame It On Rio is a hopelessly square movie.  Caine and Bologna walking along a topless beach and accidentally leering at their own daughters is about as funny as things get.  Michael Caine’s a trooper and does the best that he can but Michelle Johnson is bland as Jennifer.  She and Demi Moore should have switched roles.

 

An OMG Moment with The Ross Sisters


gary loggins's avatarcracked rear viewer

While laid up at home battling sciatic nerve pain (which is pretty damn painful!), I turned on TCM for relief, and started watching BROADWAY RHYTHM, a 1944 musical starring George Murphy, Gloria DeHaven, and Jimmy Dorsey, among others. The movie itself was no great shakes, but this scene featuring a trio known as the Ross Sisters singing and dancing to “Solid Potato Salad” grabbed my attention:

Holy pretzels, Batman! Who were these scat-singing, torso-bending ladies?? I did a little research and found out, because… well, because that’s what I do! Apparently, they were Betsy, Vicki, and Dixie Ross from West Texas, who performed under the stage names Aggie, Maggie, and Elvira. These show-biz kids were teens at the time, but already gaining steam for their acrobatic contortions and three-part harmonies. The sisters even performed before the King & Queen of England at the London Pallaidium in 1946. Imagine that!

Betsy…

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Music Video of the Day: The Riddle by Nik Kershaw (1984, dir. Storm Thorgerson)


It has come to an end. When I started this “30 Days Of Surrealism” thing, I really had one video in mind. This is that video. Nik Kershaw breaking into someplace, and getting pushed down into a giant question mark by The Riddler with nothing but surreal things around him as he tries to make his way to the end of it.

I could walk through the video pointing things out, but I don’t need to. Kershaw himself does that in the video below. It seems to be a truncated version of something where he did the whole video. It’s stil pretty good, and he talks about the song as well. The video should be there. It is just one of those that doesn’t want to show its thumbnail for some reason.

Most of the things in the video are easy to spot after a couple of watches. There is one that took me many viewings to spot. The teapot with multiple spouts. The first time you see it, it appears to only have one of them.

But when he passes by it, you can clearly see that there are two of them.

I wonder if it is covered up the first time or if they switched out the pots. I wouldn’t be surprised if they switched them. Maybe The Riddler did it.

Enjoy the video, and keep your eyes pealed because there’s something everywhere. Even the words on the head that Kershaw runs his hands over.

30 Days Of Surrealism:

  1. Street Of Dreams by Rainbow (1983, dir. Storm Thorgerson)
  2. Rock ‘n’ Roll Children by Dio (1985, dir. Daniel Kleinman)
  3. The Thin Wall by Ultravox (1981, dir. Russell Mulcahy)
  4. Take Me Away by Blue Öyster Cult (1983, dir. Richard Casey)
  5. Here She Comes by Bonnie Tyler (1984, dir. ???)
  6. Do It Again by Wall Of Voodoo (1987, dir. ???)
  7. The Look Of Love by ABC (1982, dir. Brian Grant)
  8. Eyes Without A Face by Billy Idol (1984, dir. David Mallet)
  9. Somebody New by Joywave (2015, dir. Keith Schofield)
  10. Twilight Zone by Golden Earring (1982, dir. Dick Maas)
  11. Schism by Tool (2001, dir. Adam Jones)
  12. Freaks by Live (1997, dir. Paul Cunningham)
  13. Loverboy by Billy Ocean (1984, dir. Maurice Phillips)
  14. Talking In Your Sleep by The Romantics (1983, dir. ???)
  15. Talking In Your Sleep by Bucks Fizz (1984, dir. Dieter Trattmann)
  16. Sour Girl by Stone Temple Pilots (2000, dir. David Slade)
  17. The Ink In The Well by David Sylvian (1984, dir. Anton Corbijn)
  18. Red Guitar by David Sylvian (1984, dir. Anton Corbijn)
  19. Don’t Come Around Here No More by Tom Petty And The Heartbreakers (1985, dir. Jeff Stein)
  20. Sweating Bullets by Megadeth (1993, dir. Wayne Isham)
  21. Clear Nite, Moonlight or Clear Night, Moonlight by Golden Earring (1984, dir. Dick Maas)
  22. Clowny Clown Clown by Crispin Glover (1989, dir. Crispin Glover)
  23. Black Hole Sun by Soundgarden (1994, dir. Howard Greenhalgh)
  24. Total Eclipse Of The Heart by Bonnie Tyler (1983, dir. Russell Mulcahy)
  25. Harden My Heart by Quarterflash (1981, dir. ???)
  26. Sweet Dreams (Are Made Of This) by Eurythmics (1983, dir. Jon Roseman & Dave Stewart)
  27. Far Side Of Crazy by Wall Of Voodoo (1985, dir. ???)
  28. Wide Boy by Nik Kershaw (1985, dir. Storm Thorgerson)
  29. Wouldn’t It Be Good by Nik Kershaw (1984, dir. Storm Thorgerson)

“Deadman” Walking


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

“But he SUCCEEDED, you fools! I’m DEAD! THAT’S why he must be punished! BECAUSE HE SUCCEEDED!”

“THIS — it’s ALMOST funny — when you think of it — HA HA — it’s silly — really.”

“GORDON? How did you survive the fall? ” “Good nutrition. Regular bowel movements. What do you use?”

“So — the sensei killed you not, swine. I knew it!”

Oh, yeah — dialogue that cringe-worthy can only mean one thing : Neal Adams is back!

Not content that his brand of narrative insanity has been well-represented enough in recent years with the flat-out indescribable Batman Odyssey and Superman : The Coming Of The Supermen, the one-time master is back, and back on one of his signature characters no less, in the new six-part Deadman mini-series from DC. You know what that means, right? Buckle in, because this shit is gonna get nuts.

Heck, truth be…

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A Movie A Day #298: Watch It (1993, directed by Tom Flynn)


In Chicago, three men all live in the same house and try to avoid growing up.  Rick (John C. McGinley) and Mike (Jon C. Tenney) are old friends while Danny (Tom Sizemore) works on stolen cars.  When Mike’s estranged cousin, John (Peter Gallagher), moves in with them, John is drawn into a steadily escalating game of pranks.  The game is called “Watch It” and the rules are simple.  No one can take anything personally and each prank must be followed by another, bigger prank.  While the four men takes turns trying to one up each other, they also deal with women who wish that they would all just grow up.  When John starts to date Mike’s ex-girlfriend, Anne (Suzy Amis), the men are forced to come to terms with their extended adolescence.

Watch It is an awkward combination of two stories.  One half of the film deals with the pranks, which get so outlandish that it is impossible to believe that a group of blue collar roommates in Chicago could pull them off.  One of John’s pranks involves imitating a police detective on a local news broadcast and saying that Danny has had a warrant issues for his arrest.  Even if John could pull that off, it seems like he would get in so much trouble that it would not be worth the effort.  (Never mind that the city of Chicago now thinks that Danny is wanted by the police.)  At the same time, Watch It also wants to be a fairly realistic relationship dramedy, with Suzy Amis and Cynthia Stevenson trying to get Gallgher and McGinley to grow up.  Despite some very good performances, Watch It is too uneven to work.  The best thing about Watch It is that it offers a chance to see actors like McGinley, Tenney, Sizemore, and Gallagher all playing quasi-normal, relatable people for once.

Music Video of the Day: Wouldn’t It Be Good by Nik Kershaw (1984, dir. Storm Thorgerson)


From what I can tell, this is the first time Kershaw and Thorgerson made a music video together. They would end up doing at least four of them. It’s not often that you come across a music video where the Wikipedia article describes the whole thing in detail. I guess it makes it easier for me.

The music video for “Wouldn’t It Be Good”, directed by Storm Thorgerson, was released in 1984 and received heavy rotation on MTV, which helped the song reach No. 46 on the US charts. It used chroma key technology to achieve the alien suit’s special effects.

The video opens with two men talking, followed by heavy breathing. Nik Kershaw, wearing a vintage white suit, crosses in front of an antique car, carrying a briefcase. He enters ornate doors, and the music starts to play. Kershaw climbs stairs inside the building, enters a room and leans against the door. He opens his hand and lets a rock fall. His clothing and haircut transform, becoming 80s fashion, and the suit plays vague scenes. He crosses to a bank of equipment, adjusts dials and then looks out the window. He begins to sing. Sitting down, he presses buttons on a bulky remote, and more definite video scenes begin to play on his white clothing, showing people, shoes, grass, a satellite dish and other items that illustrate what he sings.

Kershaw opens French doors and exits to a balcony, leans against a column to sing. Below him, a vagrant has built a fire in a steel drum to keep warm. Kershaw goes back inside the room, and something lights the window. He takes a tube from his equipment, leaves the room. In the hallway, a woman is amazed at the scenes playing on his suit. He meets a little girl with ponytails, bumps into a man on the stairs, while scenes related to them play on the suit. Outside, he looks around, sees a woman walking a dog and the two men who opened the video. He falls in the street and a crowd gathers around him. He crawls away, manages to get up and run. The scenes on his suit have stopped playing now, and the crowd watches him run away. The white clothing stands out as he runs into darkness toward a horizon that is only faintly lighted. He sees the transmission from a satellite dish, runs toward it. He stops at the dish and dissolves into static.

What am I supposed to add to that? How about this from an interview he gave to The Telegraph in 2014:

Q: What did your parents think about you leaving halfway through your A-levels?
A: I had one conversation with my father about it. He said: “Are you sure?” I replied yes and he just said: “All right then.” He knew I wanted to be in the music business and he himself was a frustrated architect working for the local council. He would have run away to the circus if he could. I ended up as a pop star and my brother ended up training dolphins.

The part about this song and others paying his kids way through school is more relevant, but I like that story. Yay, my father didn’t have a problem with me leaving mid-schooling. So, I ended up doing a music video where I was followed around a giant question mark by The Riddler and my brother went into training dolphins. I think I was also an alien who wore a bright white suit that was connected to a rock in another video.

I love his answer to the question about whether a “jetset lifestyle” came after his high period died down considering some people probably know him via Doc Hollywood:

No, I’m a country boy at heart and was never flash with money. I didn’t have a flash car until my mid-life crisis when I splashed out on a Porsche. I hate waste and hate having the p‑‑‑ taken out of me. That’s what happens when you have money: people take the p‑‑‑ out of the high fashion accessories and flash cars. I never felt the urge to go out and blow money.

I can also add that according to The London Salad, the video was shot inside the St. James’s Hotel. At the time it wasn’t in use, but it appears to be up and running again.

If you recognize the song, but not the video, then it’s probably because it was on the soundtrack for the movie Pretty In Pink (1986).

Enjoy!

30 Days Of Surrealism:

  1. Street Of Dreams by Rainbow (1983, dir. Storm Thorgerson)
  2. Rock ‘n’ Roll Children by Dio (1985, dir. Daniel Kleinman)
  3. The Thin Wall by Ultravox (1981, dir. Russell Mulcahy)
  4. Take Me Away by Blue Öyster Cult (1983, dir. Richard Casey)
  5. Here She Comes by Bonnie Tyler (1984, dir. ???)
  6. Do It Again by Wall Of Voodoo (1987, dir. ???)
  7. The Look Of Love by ABC (1982, dir. Brian Grant)
  8. Eyes Without A Face by Billy Idol (1984, dir. David Mallet)
  9. Somebody New by Joywave (2015, dir. Keith Schofield)
  10. Twilight Zone by Golden Earring (1982, dir. Dick Maas)
  11. Schism by Tool (2001, dir. Adam Jones)
  12. Freaks by Live (1997, dir. Paul Cunningham)
  13. Loverboy by Billy Ocean (1984, dir. Maurice Phillips)
  14. Talking In Your Sleep by The Romantics (1983, dir. ???)
  15. Talking In Your Sleep by Bucks Fizz (1984, dir. Dieter Trattmann)
  16. Sour Girl by Stone Temple Pilots (2000, dir. David Slade)
  17. The Ink In The Well by David Sylvian (1984, dir. Anton Corbijn)
  18. Red Guitar by David Sylvian (1984, dir. Anton Corbijn)
  19. Don’t Come Around Here No More by Tom Petty And The Heartbreakers (1985, dir. Jeff Stein)
  20. Sweating Bullets by Megadeth (1993, dir. Wayne Isham)
  21. Clear Nite, Moonlight or Clear Night, Moonlight by Golden Earring (1984, dir. Dick Maas)
  22. Clowny Clown Clown by Crispin Glover (1989, dir. Crispin Glover)
  23. Black Hole Sun by Soundgarden (1994, dir. Howard Greenhalgh)
  24. Total Eclipse Of The Heart by Bonnie Tyler (1983, dir. Russell Mulcahy)
  25. Harden My Heart by Quarterflash (1981, dir. ???)
  26. Sweet Dreams (Are Made Of This) by Eurythmics (1983, dir. Jon Roseman & Dave Stewart)
  27. Far Side Of Crazy by Wall Of Voodoo (1985, dir. ???)
  28. Wide Boy by Nik Kershaw (1985, dir. Storm Thorgerson)

CONGRATULATIONS TO THE HOUSTON ASTROS: 2017 WORLD SERIES CHAMPIONS!


CONGRATULATIONS TO THE HOUSTON ASTROS, THE 2017 WORLD SERIES CHAMPIONS!

It wasn’t always an easy journey.  When the Astros made the switch from the National League to the American League, it was not always a smooth transition.  But this season, the Astros have again and again proved themselves to be the best team in the American League.

And tonight, they are the best team in major league baseball.

It took them seven games to win.  The Los Angeles Dodgers proved to be a tough and worthy opponent.  Of all the World Series that I have watched, this has been one of the most exciting and unpredictable  When the Astros lost Game 6 on Halloween, no one gave them much of chance to win Game 7.  They were playing in Los Angeles and everyone said that the Dodgers couldn’t be beaten at home.

Tonight, the Astros did the same thing that they did during the regular season.  They played good baseball and the proved the doubters wrong.  Tonight, the Astros won their first World Series.  For the first time, the World Series has been won by a team from Texas.

Just as people underestimated the Astros this year, people have also underestimated Houston.  When Hurricane Harvey flooded the city, it was said that Houston and the people who lived there would never recover.  Just like the Astros, both Houston and Texas are proving the doubters wrong.

Congratulations to the Houston Astros!  Tonight, the Astros showed the world what it means to be Houston Strong!

 

A Movie A Day #297: Tommy (2017, directed by Gentry Kirby and Erin Leyden)


Tommy Morrison.  He came from Oklahoma and he was briefly one of the best-known heavyweights in the country.  He may be best remembered for playing Tommy “Machine” Gunn in Rocky V but he also fought everyone from Lennox Lewis to Ray Mercer to George Foreman.  He had the raw talent to be a contender but lacked the discipline to win his biggest fights.  They called him “The Duke” because Tommy claimed to be related to John Wayne.

Tommy’s career came crashing down when, in 1996, he tested positive for HIV.  Suspended from boxing, Tommy announced that he would never fight again and then spent the rest of his life trying to return to the ring.  In 2006, after serving time in prison on drug and weapons charges, Morrison claimed that the original test had been a false negative.  Morrison provided new test results that he said proved that he was HIV-negative.  Some believed him.  Most did not.  When Morrison returned to the ring, it was against lesser opponents than he fought in his heyday.  When he died of AIDS complications in 2013, he was 44 years old.

Produced for ESPN’s 30 For 30, Tommy examine the life of Tommy Morrison.  Featuring interviews with his family and trainers, Tommy starts with a 13 year-old Tommy Morrison using a fake ID to enter toughman contests in Oklahoma and follows him from the height of his boxing career to his eventual downfall.  Tommy emerges as sincere but undisciplined and tragically incapable of handling the sudden fame that was thrust on him as result of being the latest in a long line of great white hopes.  (In an interview, Ray Mercer says that he knew he would beat Tommy as soon as he saw the outbreak of acne of Tommy’s back, a sign that Tommy was using steroids and would run out of gas before their fight ended.)  Tommy spends his final days in denial about both his poor health and the end of his career.

I wish Tommy had gone into more detail about some aspects of Morrison’s story.  The documentary does not address the accusations that, during his comeback tour, Tommy presented doctored tests to attempt to prove that he was HIV-negative.  Tommy is still an interesting documentary, one that will mostly appeal to fans of boxing or anyone who wants to know more about the actor who played Tommy Gunn.