Film Review: Money Monster (dir by Jodie Foster)


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In a perfect world, the new film Money Monster would feature a monster that was literally made out of money.  Its name would be Monblar and it would shamble down Wall Street and breathe coins made of fire.

Or, if not featuring a literal Money Monster, the film would at least open with the angry spirit of Andrew Jackson springing out of a twenty and seeking vengeance over being replaced by Harriet Tubman.  In order to defeat the bitter old president, it would be necessary to summon the spirits of both Tubman and currency hottie Alexander Hamilton.  Seriously, that would be a great movie!

Unfortunately, Money Monster is just another boring recession thriller.  I’ve lost track of how many bad movies have been released since 2008, all featuring saintly blue collar workers who are forced to resort to extreme measures as a result of losing all of their money due to corporate greed.  While they seek revenge by either pulling off a tower heist or an assault on wall street, villainous CEOs sit in their offices, smoke cigars, and laugh at the evil of it all.  In between the inevitable gunshots and the collapsing families and the evictions, there’s always time for a didactic speech or two.  And don’t get me wrong.  I’m not fan of Wall Street but I’m also not a fan of preachy movies.

George Clooney plays Lee Gates, who has a show called Money Monster where he tells people where they should invest their money.  Lee is charming.  Lee is glib.  Lee’s show features backup dancers, clips from old movies, and a rap theme song that is just so 2002.  At the start of the show, Lee even dances as Money Monster tries to convince us that Lee’s a hyperactive showman despite the fact that he’s being played one of the most laid back actors of all time.  Lee is totally unaware and/or unconcerned about the people who have occasionally lost their life savings due to his advice.

One of those people is a deliveryman named Kyle Budwell (Jack O’Connell) and we know he’s a good, honest guy because his name is Kyle Budwell as opposed to Kyle Evilguy.  Kyle follows Lee’s advice to invest his family’s savings in IBIS Global Capital.  (At first, I thought that the company was called ISIS Global Capital and I was like, “Hey, you betray your country, you pay the consequences…”)  One week later, the IBIS stock crashes, Kyle is suddenly dead broke, The Big Short only manages to win one Oscar, and Hillary Clinton defeats Bernie Sanders in the New York primary.  What other choice does Kyle have other than to go on Lee’s show, force Lee to wear a bomb vest, and demand answers!

Yawn.

There’s not a single surprising moment in Money Monster.  I was going to say that you immediately know that IBIS’s CEO is evil because he’s played by Dominic West but actually, you know he’s evil because he’s a CEO and he’s appearing in a movie called Money Monster.  Meanwhile, you know that Kyle isn’t really a bad guy because he looks like likable, clean-cut, and handsome Jack O’Connell.  If Money Monster had any guts, it would have cast some fat 60 year-old slob with bad teeth in the role of Kyle Budwell.  Money Monster ends with a twist that you’ll guess within the first few minutes of film.  It’s an annoying twist, if just because it seems to assume that the audiences can’t handle moral ambiguity.

(Then again, there’s really no reason to assume that audiences can handle moral ambiguity so maybe Money Monster has a point…)

I suppose I should mention that Julia Roberts is also in the movie but there’s really no reason for her to be there.  She plays Lee’s producer, Patty, and there’s nothing about the role that demands it be played by a star.  There is a subplot about how, up until the Kyle takes Lee hostage, Patty had been planning on quitting her job but … well, who cares?  Whenever Patty and Lee talked, I found myself cringing and thinking, “Do we really have to sit through this conversation?”

(In all fairness to Money Monster, that’s actually my reaction to most conversations…)

Money Monster was directed by Jodie Foster.  It’s funny how we always assume that just because someone is a good actor that they’ll also be a good director.  For instance, Angelina Jolie has directed three mediocre films and yet, with the announcement of each new Jolie-directed movie, we still continue to assume that she’s eventually going to win an Oscar for her work behind the camera.  (Remember when Unbroken and By The Sea were being touted as guaranteed Oscar nominees?)  George Clooney has directed five films and none of them are really that good.  (Confessions of a Dangerous Mind only works because of Sam Rockwell’s performance.  Goodnight and Good Luck is overrated.  Leatherheads is boring.  The Ides of March is tedious and The Monuments Men is one of the worst movies that I’ve ever seen.)  Money Monster is Foster’s fourth film as a director and it’s almost as much of a tonal mess as The Beaver.  Then again, The Beaver was at least weird.  Money Monster was just boring.  Foster is an incredibly compelling actress and an incredibly blah director.

That said, you would think that Foster would at least be able to get good performances out of the cast.  As good as they often are, both George Clooney and Julia Roberts have actorly tics that they tend to fall back on whenever they’re working in the absence of a strong directorial vision and let’s just say that this is a very tic-filled film.  Meanwhile, poor Jack O’Connell is running the risk of turning into Taylor Kitsch.

Amazingly enough, Money Monster was this week’s “big” release.  Personally, I would recommend seeing Captain America: Civil War for a second or third time.  Now that was a good movie!

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Madeleine LeBeau: Vive La France!


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I’ve mentioned many times before CASABLANCA is my all-time favorite movie. News came across the Atlantic today that Madeleine LeBeau, the last surviving cast member, passed away May 1, 2016 at age 92. Mademoiselle LeBeau’s early life reads like the CASABLANCA script, as she and her then-husband Marcel Dalio (who played the croupier in the film) fled Paris during the Nazi occupation to Portugal, receiving letters of transit in Lisbon. The letters turned out to be forgeries, and the couple were stranded in Mexico before emigrating to America, landing in Hollywood to resume their acting careers.

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Madeleine’s stateside credits are brief, and can be divided into pre- (HOLD BACK THE DAWN, GENTLEMAN JIM) and post- (PARIS AFTER DARK, MUSIC FOR MILLIONS) CASABLANCA films. After divorcing Dalio, she returned to Europe in 1947. She made movies in her native France (the all-star NAPOLEON and LA PARISIENNE with French cinema icons Charles Boyer and…

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6 Trailers That Will Make You Go Ape!


It’s Sunday and that means that it’s time for another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

For this week’s edition, we take a look at some very big monkeys!

A*P*E* (1976)

Konga (1961)

King Kong (1976)

King Kong vs. Godzilla (1962)

King Kong Lives (1986)

Monkey Shines (1988)

What do you think, Emma Nelson?

Damn straight, Emma!  Damn straight.

“and then all is madness”: PIT AND THE PENDULUM (AIP 1961)


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How have I ignored Roger Corman here for so long, save for a short “Cleaning Out the DVR” review of THE TERROR ?  The King of the Low Budget Quickies has long been a favorite filmmaker of mine, and has probably had more impact on American cinema than people realize. Well, now that TCM is running its month-long salute to AIP, I’m about to rectify that oversight. (By the way, Corman himself is cohosting the retrospective every Thursday night along with TCM’s own Ben Mankiewicz!)

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American International Pictures scored a hit with 1960’s HOUSE OF USHER, an Edgar Allan Poe adaptation starring Vincent Price and directed by Corman. Studio honchos James Nicholson and Samuel Z. Arkoff looked at the box office numbers and, realizing they had a cash cow on their hands, asked Corman to produce a follow-up.  Rapid Roger decided on PIT AND THE PENDULUM, shot in 15 days for less…

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A Tribute To Darwyn Cooke


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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The comics and animation worlds are reeling today with the announcement of the loss of Darwyn Cooke. At only 54 years of age, it’s a good-bye far too soon, and represents something of a “double-whammy” coming just a day after news of his fight with a very aggressive form of cancer had gone public. In a world where the term “visionary talent” is criminally overused, Cooke was exactly that, and reading through the many tributes to the man posted on social media by various comics creators, it’s uncanny how much they resemble the tone and substance of what many musicians had to say in the wake of Prince’s still-shocking passing a couple of weeks ago, essentially : he was the best of us.

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Cooke’s first foray into the world of comics was a brief one, with his artist’s “by-line” adorning a short story in DC’s New Talent Showcase #19 in…

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Congratulations! You survived Friday the 13th!


Congratulations!

Depending on where you live, Friday the 13th is either over or nearly over!  And, if you’re reading this, you survived!!!!!

Obviously, you listened to Crazy Ralph and you did not have sex, smoke weed, skinny dip, go out at night, take a boat trip to Manhattan, go into space, go to sleep, go out for firewood, ask any strange people if they needed help, go looking for your friends, strip down to your underwear so you could go run around in the rain, or have any fun whatsoever!

In other words, today was a boring day for you!  But you survived!

In honor of your survival, here’s the end theme from Friday the 13th.  This was composed by Harry Manfredini and, believe it or not, it’s actually a rather beautiful piece of music.  So, celebrate your survival by listening.

And be prepared to make up for lost time on Saturday the 14th!  Be bad…be very bad….

 

Here’s The Trailer For Incarnate!


Can someone please write another great role for Aaron Eckhart?  He’s such a good actor but it seems like whenever he actually gets to star in a movie, he ends up in stuff like I, Frankenstein.

Just judging from the trailer below, Incarnate might actually be worse than I, Frankenstein.  Time will tell!

(Then again, Incarnate is coming out in September so who knows?  Maybe it’s going to be an Oscar contender…)

(No, it’s not.)

(But it could be…)

(But it won’t.)

The World’s Ending Again! Here’s The Trailer For Into The Forest!


It’s interesting how many post-apocalyptic films have been released over the past few years.  People really do seem to be convinced that the world is on the verge of ending and who knows?  Maybe it is!

Oh well.  It has to end sometime, right?

Anyway, here’s the trailer for Into The Forest.  Ellen Page and Evan Rachel Wood play sisters who live in a house that’s on the edge of the forest.  When the world ends, they go into the forest and make a deal with Meryl Streep and … oh wait, that’s Into The Woods.

Okay, so there’s no Meryl Streep and that might actually be a good thing.  Both Ellen Page and Evan Rachel Wood are excellent actresses and they deserve a chance to shine.  Fortunately, Into The Forest is also a Canadian film and our longtime readers know how much I love the nation that gave us Degrassi.

So, prepare for the world to end with Into The Forest!