Thousand Years of Dreams Day 04: In the Mind of a Captive


On the 4th Day of our Thousand Years of Dreams we find Kaim, the eternal warrior, remembering a particularly hopeless and spirit-sapping dream of a time when he was imprisoned during his thousand years of wandering the lands.

There’s something beyond just the horror of imprisonment and how it’s  effect on the mind and spirit of the imprisoned is more dangerous than to their body. While the dream is about one of the many time he has experienced such stagnation of the mind and spirit the very theme underlying the tale could be attached to one’s everyday life. One doesn’t have to be in an actual prison to have an idea of what Kaim speaks of.

This actual prison could be of one’s making as they go through life stuck in doing something which saps their creativity and spirituality. Anyone who has ever found themselves in a line of work which does nothing to encourage growth and foster enjoyment of life would understand what Kaim speaks of. Who here has seen themselves stuck in a job they hate, but unable to quit because they’ve lost sight of how to enjoy life thus work is all there is. Who here has found themselves in a relationship which has stagnated and afraid to free themselves because they don’t see themselves as able to find new friends and partners to enjoy life with.

It’s these prisons both real and of metaphorical which this dream tries to impart a lesson which Kaim tries to remember. That brief puff of air moving a welcome respite to the unchanging air or the change of scenery even if the briefest of moments helps in keeping one’s sanity and spirit from dying. It’s such little things that we try to remember to do to bring a semblance of change to our humdrum and locked in lives which brings people a step closer to freedom and fully enjoying once again.

I find this dream quite illuminating in how so many of us refuse to risk new things and attempt the unknown for fear of failure, embarrassment and ridicule. We’d rather keep ourselves safe and secure doing the same things over and over again and as each such day passes the more bricks we build around our own personal prisons.

In the Mind of a Captive

He knows that it is useless. But he can’t suppress the impulse that wells up from within his own flesh.

He needs to do it—to hurl his entire body against the bars. It does no good at all. His flesh simply bounces off the thick iron bars. “Number 8! What the hell are you doing?” The guard’s angry shout echoes down the corridor. The prisoners are never called by name, only by the numbers on their cells. Kaim is Number 8.

 

Kaim says nothing. Instead, he slams his shoulder against the bars.

The massive bars of iron never nudge. All they do is leave a dull, heavy ache in Kaim’s superbly conditioned muscles and bones.

Now, instead of shouting again, the guard blows his whistle, and the other guard come running from their station.

“Number 8! What’s it going to take to make you understand?”

“Do you want to be thrown into the punishment cell?”

“Don’t look at me like that. Start resisting, and all it will get you is a longer time in here!”

 

Sitting on the floor of his cell, legs splayed out, Kaim ignores the guards’ shouts.

He has been to the punishment room any number of times. He knows he has been branded a “highly rebellious prisoner.”

But he can’t help himself.

Something is squirming deep down inside him.

Some hot thing trapped inside there is seething and writhing.

 

“Some war hero you turned out to be!” says one guard.

“You can’t do shit in here. What’s the matter, soldier boy? Can’t do anything without an enemy staring you in the face?”

The guard next to him taunts Kaim with laughter.

“Too bad for you, buddy, no enemies in here? Nobody from your side, either. We’ve got you locked up all by yourself.”

After the guards leave, Kaim curls up on the floor, hugging his knees, eyes clamped tight.

 

All by myself—

The guard was right.

I thought I was used to living alone, in battle, on the road.

But the loneliness here in prison is deeper than any I’ve ever experienced before.

And more frightening.

Walls on three sides, and beyond the bars nothing but another wall enclosing the narrow corridor.

This dungeon was built so as to prevent prisoners from seeing each other, or even to sense each others’ presence.

 

The total lack of a change in the view paralyzes the sense of time as well. Kaim has no idea how many days have passed since he was thrown in here. Time flows on, that much is certain. But with nowhere to go, it simply stagnates inside him.

The true torture that prison inflicts on a man is neither to rob him of his freedom nor to force him to experience loneliness.

The real punishment is having to live where nothing ever moves in your field of view and time never flows.

The water in a river will never putrefy, but lock it in a jar and that is exactly what it will eventually do.

The same is true here.

 

Maybe parts of him deep down in his body and mind are already beginning to give off a rotten stench.

Because he is aware of this, Kaim drags himself up from the floor again and slams himself into the bars over and over.

There is not the remotest chance that doing so will break a bar.

Nor does he think he can manage to escape this way.

Still, he does it repeatedly.

 

He can’t help himself. He has to do it again and again.

In the instant before his body smashes into that bars—for that split second—a puff of wind strikes his cheek. The unmoving air moves, if only for that brief interval. The touch of the air is the one thing that gives Kaim a fragmentary hint of the flow of time.

The guards comes running, face grim with anger.

Now I can see human shapes where before there was only a wall. That alone is enough to lift my spirits. Don’t these guards realize that?

“All right, Number 8, it’s the punishment room for you! Let’s see if three days in there will cool your head!”

 

Kaim’s lips relax into a smile when he hears the order.

Don’t these guys get it? Now my scenery will change. Time will start flowing again. I’m thankful for that.

Kaim laughs aloud.

The guards tie his hand behind him, put chains on his ankles, and start for the punishment room.

“What the hell are you laughing at, Number 8?”

“Yeah, stop it! We’ll punish you even more!”

But Kaim just keeps on laughing; laughing at the top of his lungs.

 

If I fill my lungs with all new air, will the stench disappear?
Or have my body and mind rotted so much already that I can’t get rid of the stench so easily?
How long will they keep me locked up in here?
When can I get out of here?
Will it be too late by then?
When everything has rotted away, will I become less a “him” than an “it,” the way our troops count enemy corpses?

 

Kaim can hardly breathe.

It is as if the air is being squeezed out of his chest and the excruciating pain of it is drawing him back from the world of dreams to reality.

Was I once in a prison in the far, far distant past?

He half-wanders in the space between dream and reality.

He has had this dream any number of times—this nightmare, it might even be called. After waking, he tried to recall it, but nothing stays in his memory. One thing is certain, however: the appearance of the jail and of the guards in the dream if always the same.

 

Could this be something I have actually experienced?
If so, when could it have been?

There is no way for him to tell.

 

Once he is fully awake, those questions he asked between dream and reality are, themselves, erased from his memory.

He springs up with a scream, his breath labored, the back of his hand wiping the streams of sweat from his brow, and all that is left is the shuddering terror. It is always like this.

Now, too—

 

He mutters to himself as he attempts to retrieve whatever memory is left in a remote corner of his brain. “What kind of past life could I have lived through?”

End

Quick Review: Fright Night (dir. by Craig Gillespie)


I want to say great things about Craig Gillespie’s remake of Fright Night. I want to say that it was worth seeing and it was full of awesome moments. I also wanted to be able to write this review without making so many comparisons to the 1985 Original by Tom Holland. Not that the original was a masterpiece by any means, but I dozed off (just a little) on this film.

If there’s only one reason I could give for recommending Fright Night, it would be to get a taste of what Vampires should be. Don’t read me wrong on this. I own all four Twilight books in hardcover, read them repeatedly, and have seen the three films that came out in the theatre. It’s just nice to see a vampire movie that shows vampires more as predatory creatures than sparkling A&F models.  There’s an edge to this film that’s pretty fun in a lot of ways. Both Colin Farrell and David Tennant have great roles here and even Anton Yelchin holds his own, but there’s a weird breakdown that happens. Fright Night is a good film, as long as you don’t try to make any kind of direct comparisons to the source material.

The story focuses on Charlie Brewster (Yelchin), a teenager – the story being in Vegas this time –  who discovers he has a vampire named Jerry Dandrige (Farrell) living next door to him. When the vampire confronts Charlie, Charlie is forced to seek out help in the form of Peter Vincent (Tennant) to defeat him. While there were a few scenes that really stood out for me and I found myself smiling more often than rolling my eyes, the pacing of this was off. Other audiences may find that the movie moved well. I felt like they were just throwing things to say “Well, wouldn’t it be cool if they did this, and then that.”

The two problems I had with Fright Night were it’s pacing and Chris Mintz-Plasse. Chris is fun to watch at the start, and I’d love to see him do more, but someone really has to give him something where he’s not playing the “token geek”.  While I liked the movie overall, there’s a lot of verbal exposition in the beginning of the film, as Charlie doesn’t so much discover the truth about Jerry, but is pretty much told the entire scenario he’s in about 15 minutes into the start. I had a problem with that. Again, depending on the audience, the movie may move just fine.

Fright Night is one of those films could be a love it or hate it. I’m of the audience that will probably catch it again when it’s out on video, but it doesn’t feel like anything you really have to rush to the theatre for.

“Don’t You Forget About Me” — The Psych Version


Okay, so basically this is just a commercial for a show that I don’t watch but it’s just so adorable that I had to feature it.  The show, by the way, is called Psych and it’s on the USA network.  I know a lot of people who love this show but I’ve honestly never seen it, largely because I always forget just where exactly the USA network is located on AT&T U-verse.

But if I do end up tracking down the USA Network and watching an episode, it’ll be because of this commercial.  Seriously, it’s just so adorable!

 

6 Trailers That Will Change The Way The Trees Look At Midnight


It’s Saturday and that means its time for my favorite part of  the week — the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers!

1) The Losers (1970)

Not to be confused with the 2010 action film, this Losers has been described as the best “bikers-in-Viet-Nam film ever.”  It was directed by Jack Starrett and, like every other biker film from 1970, it stars William Smith.

2) The Girl on a Motorcycle (1968)

Continuing the theme of crazed bikers, this trailer is short but effective.  Especially when Alain Delon pulls down that zipper with his teeth….

3) Chatterbox (1977)

This is another short trailer, in fact, I think — at just 30 seconds — it might be the shortest trailer I’ve ever featured in this series.  Anyway, Chatterbox is a film about a woman whose vagina can talk and, apparently, sing.  I have never seen this film though I have seen a few isolated clips.  I hope if my vagina ever starts to speak, it 1) has a less annoying voice and 2) just displays a lot more wit and personality in general.  Anyway, the talking vagina is not featured in this trailer.  Anyway, you wouldn’t know any of that from watching the trailer, which I think is odd.  I mean, if you’re going to make a film about a talking vagina, shouldn’t the vagina be allowed to speak for itself?  Just saying…

4) Baba Yaga (1973)

Like all good things, this trailer comes to us from Italy.

5) Disco Fever (1978)

Wow!  Disco, a concorde, dirt bike racing, braless dancers, and a boring 40 year-old rock star with a cocaine-flecked beard.  Could this film be any more 70s?  “Disco Fever — Everything is perfect…until the music stops!”

6) American Fever (1978)

Okay, I’m either in a disco mood or else I’m running a fever because I just have to end things with a second disco film.  This is an Italian film.  Does anyone out there own the American Fever soundtrack?