Quickie Review: Return of the Living Dead 5: Rave to the Grave (dir. by Ellory Elkayem)


There’s not much to say about Return of the Living Dead 5: Rave to the Grave other than it’s actually worse than the movie before it. Return of the Living Dead 4: Necropolis was really bad and not in the so bad it’s funny. What had been a cult horror franchise which had fun with the zombie genre in addition to putting some genuine scares in people, these last two Return of the Living Dead films should pretty much kill the franchise just when the zombie revival is still going on strong.

Ellory Elkayem does directing duty for this fifth installment. He also directed the fourth film. I had thought that not everything should be laid at Elkayem’s feet when it came to who to blame for the lackluster and awful film that was Necropolis, but after sitting through Rave to the Grave I have to say that whatever good will Ellory Elkayem built up with his funny take on the giant creature feature, Eight-Legged Freaks, has been wasted with his back-to-back filming of Necropolis and Rave to the Grave. Elkayem films both films one after the other and I am going to assume this was more to save on the budget than any sort of continuity with the actors hired to play recurring roles. If saving money was the main reason then it sure didn’t look like it. Except for a few hero-zombie (zombies given more screentime than most thus given a better make-up effect) scenes the film clearly shows it’s ultra low-budget pedrigree. I don’t have problems with low-budget horror movies as long as there’s a sense of energy and enjoyment by those making it, but neither Necropolis and Rave to the Grave showed any one of the two.

Rave to the Grave occurs one year after the events of Necropolis and the teenage survivors of that film have now graduated and attending college. The film never really makes it clear if they’re in back in the U.S. attending college or still in Eastern Europe where the previous film was set. Either way the survivors from the previous film seem to have moved on quite well from their horrific experiences in Necropolis. The fact that they don’t seem to recognize the newly found containment barrel marked with the label of 2-4-5 Trioxin just adds to the weird and huge plot hole between film four and five. One would think that these kids would have it etched forver in their minds that containment barrel with 2-4-5- Trioxin equals horror. Instead they naively investigate and research the barrel with one of their friends realizing he could turn the chemical leaking from the barrel into a new form of rave drug whose extreme hallucinogenic effects also hide a side-effect which basically turns anyone who partakes of the drug into a zombie.

The rest of the movie deals with the survivors finally realizing the crisis they’ve unleashed and instead of calling for police or military help decide to go to the same outdoor rave party where everyone is taking the drug to try and find the person who made the drug Z and stop him from taking them. Like I said earlier, the film really has major plot holes and most of the time doesn’t make much sense. What we get in the end is an excuse to have a huge set piece where the survivors get to shoot as many zombies as possible while at the same time allow for the random raver to suddenly become a zombie out of the blue. There’s also a subplot of a couple of bumbling Men-in-Black type agents whose job it is to recover the Trioxin barrel while remaining inconspicuous. The secret organization they belong to must be global since I could barely understand their lines with the heavy Russian accent used by both “actors”.

My disappointment in what could’ve been a nice follow-up to the first three Return of the Living Dead movies was compounded by the sheer Z-movie level of Rave to the Grave after the awful work that was Necropolis. For those wanting to see a good b-level zombie movie that’s bad but enjoyable at the same time should check out House of the Dead 2. Yes, the sequel to Uwe Boll’s rancid and awful House of the Dead ended up being better than the original and way more entertaining than Return of the Living Dead 5: Rave to the Grave. I wouldn’t even accept this film as a free dvd if someone gave it to me. In fact, I may end up punching that person as a reflex action.

Lisa Marie Has Returned With 6 More Trailers


 When last I posted, I was snowed in and I was still dealing with the trauma of seeing the Super Bowl half-time show.  Well, a week has passed.  The snow has melted, the half-time show has faded from memory, and I’m ready to start posting again.  And what better way to prove it than with a new edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers?

1) The Streetfighter

Earlier today, when I was talking about which trailers I was thinking of including in this edition, Jeff asked me if I had included any Sonny Chiba trailers.  The way he asked the question seemed to indicate that it was the most important thing he had ever asked so, understandably, I was a little nervous when I answered, “N-no, I don’t think so.”

Well, apparently, that wasn’t the right answer because Jeff’s eyes just about popped out of his head and he’s lucky that he’s s0 cute because I might otherwise have taken his reaction personally.  Instead of taking offense, I’m going to start this edition off with Sonny Chiba in The Streetfighter.

2) House of Whipcord

This one is from one of the great, unacknowledged directors of British cinema, Peter Walker.  I think it’s always strange for Americans to hear grindhouse dialogue being delivered in an English accent.

3) Witchery

This is a trailer for an Italian film that is also known as “House 4,” “Witchcraft,” “Ghost House,” and “Demons 5.”  In Italy, it was promoted as a sequel to Sam Raimi’s Evil Dead 2. For all I know, they may have tried to sell this as an installment in the Zombi series as well.  I saw this film a few years ago when I was first starting to explore the world of Italian horror and oh my God, it gave me nightmares.  Seriously, don’t let the presence of David Hasselhoff fool you.  This is a disturbing movie that was produced (and some day actually directed) by the infamous Joe D’Amato.

Apparently, the trailer is disturbing as well as I tried to show it to my sister Erin earlier and she asked me stop it around the time the gentleman with the weird mouth showed up. 

4) Fighting Mad

“Even a peaceful man…can get fighting mad!”  Peter Fonda looked good playing archer.  This is an early film from Jonathan Demme who directed one of my favorite films ever, Rachel Getting Married.

5) Rollercoaster

I’m scared to death of rollercoasters so I probably won’t be seeing this film anytime soon.  Still this film has a surprisingly good cast — George Segal, Richard Widmark, Henry Fonda — for a movie about a rollercoaster.

6) Big Bad Mama

Not to be confused with Crazy Mama or Bloody Mama, Big Bad Mama features Angie Dickinson, Tom Skerritt, William Shatner, and a lot of tommy guns.  It’s not a great film but it is a lot more fun than Public Enemies.

Review: Sands of Destruction for the Nintendo DS


So while I was happily killing an afternoon liking things over at Get Glue [http://www.getglue.com] and while I was ‘liking’ the zillions of RPG’s that I’ve played, a recommendation came back to me for a game called Sands of Destruction.  Made by Sega, it was originally released in Japan in the summer of 2008 and brought Stateside in early 2010.  Immediately I got my grubby little hands on a copy and away I went.

This game starts with a good premise:  Completely innocent rural lad goes off on a seemingly innocent mission only to discover that he’s the key to the destruction of the whole world.  And the girl that he’s destined to fall in love with wishes to accomplish just that because the beastmen that rule the humans are vile and, pardon the pun, inhumane.

A good premise, however, can’t always save how that premise is executed.  The story is slow paced in the beginning, and you’re lead around by the nose and unable to travel freely or explore for a good 2/3 of the game.  In a way it’s a lot like playing through a movie.  There is a plot twist in the middle, though, that speeds up the pace of the game and once you’re able to travel freely, then it’s pretty much on like Donkey Kong.  It’s only a shame that the game and its storytelling waits quite so long to be that good.  I’m happy that I stuck it out until the end, but I know a lot of gamers that aren’t quite so patient.

There’s also a bit of a learning curve with the mechanics of the game.  You can customize your equipment in smithy shops located in the towns you visit.  You can customize your character’s skills, although that isn’t explained fully either [I’m a student of the in-game tutorials, yeah, call me spoiled if you want to].  The game itself makes it too easy because once you’ve customized a certain style of attack, you can just use that one style of attack for the rest of the game, final boss included.  Outside of this, it is your standard wait-time RPG battles.

In all honesty, the good points and the bad points of this RPG balances the whole thing out.  I loved the story, and the different twists and turns that this story took.  But I’m not a fan of the learning curve, and the inability to freely explore during much of the game.  The game itself is a good idea, but I wish it had been better executed.  Still, if you’re looking for something to play until the next Kingdom Hearts / Final Fantasy / Dragon Quest arrives on your DS, then I can recommend this as a pretty good time-waster.  [3.5 out of 5 muffins – not as fresh as it could be, but it’s good if you’re hungry.]