Lisa Marie Review A Best Picture Nominee: Raiders of the Lost Ark (dir by Steven Spielberg)


I can hear you right now.

“Really? You’re reviewing Raiders of the Lost Ark for Horrorthon? That’s not a horror movie!”

Well, you’re right, it’s not. That said, it’s definitely a film that borrows from the genre even if it doesn’t embrace it. If you’ve got a thing about spiders, you’ll cringe when Indiana Jones (Harrison Ford) has to wipe all of those tarantulas off of that guy’s shirt while they’re exploring the Peruvian temple. If you’ve got a thing about snakes, you’ll share Indiana’s reaction when the cobra hisses at him. And don’t even get me started on the justifiably famous finale. “It’s beautiful!” Belloq (Paul Freeman) shouts right before the angels turn into skeletons. A man’s eyes pop out of his head. Another one melts. Another explodes. There are plenty of scary moments in Raiders of the Lost Ark, but it’s such a thrill ride that the fear doesn’t necessarily linger the way that it would need to for Raiders to actually be considered a horror film. We’re too busy cheering on Indy and Marion Ravenwood (Karen Allen) to duck behind the couch. That said, I think Raiders of the Lost Ark is still a perfect film for the Halloween month. Though it was released a little before my time, I imagine that Indiana Jones, with his hat and his bullwhip, was a popular figure when Halloween rolled around in 1981.

I rewatched Raiders of the Lost Ark on Tuesday and, as always, I found myself more than a little amazed at how well it holds up. There’s not a single wasted moment. The action scenes are still exciting. The moments of humor — that poor swordsman! — still make me laugh. There’s not a single weak performance to be found in the film’s large cast. Denholm Elliott is instantly lovable as Prof. Brody and John Rhys-Davies plays Sallah with just the right amount of gusto. Ronald Lacey and Wolf Kahler are thoroughly hissable as the Nazi villains and Paul Freeman brings just enough wit to the role of the duplicitous Belloq that you can understand why he and Indiana were once friends. Of course, the film truly belongs to Karen Allen and Harrison Ford. Karen Allen projects a toughness and an inner strength that keeps Marion from being just another damsel-in-distress. Harrison Ford was the perfect choice for Indiana Jones and he’s equally believable whether he’s running through the jungle, falling into a crypt, or teaching a class. (Indiana is so cute when he puts on his glasses!) My mom always used to say that she liked the way Indiana would smile in a semi-confused way before taking decisive action. For all the arguments about why the last two Indiana Jones movies failed, the answer is pretty simple. They forgot that an Indiana Jones movie is supposed to be about Indiana Jones, not Shia LaBeouf and certainly not some condescending Brit. Harrison Ford is Indiana Jones. He’s the reason we watch.

Raiders of the Lost Ark is a film that is so good that I think there’s a tendency to take it for granted. That’s why, much like with the best of the James Bond films, I think it’s important to rewatch it and re-experience just how good it is. Producer George Lucas and director Steven Spielberg sought to recreate the experience of watching the serials and the adventure films of their youth and they succeeded. Spielberg directs like a man in love with the movies and, as a result, it’s hard not to fall in love with this movie.

Raiders of the Lost Ark was, of course, a huge box office success. It was nominated for several Oscars, including Best Picture and Best Director. Harrison Ford was (unforgivably, in my opinion) not nominated for Best Actor. In the end, the Academy selected Warren Beatty over Steven Spielberg and Chariots of Fire over Raiders of the Lost Ark.

A Movie A Day #235: Twilight’s Last Gleaming (1977, directed by Robert Aldrich)


In Montana, four men have infiltrated and taken over a top-secret ICBM complex.  Three of the men, Hoxey (William Smith), Garvas (Burt Young), and Powell (Paul Winfield) are considered to be common criminals but their leader is something much different.  Until he was court-martialed and sentenced to a military prison, Lawrence Dell (Burt Lancaster) was a respected Air Force general.  He even designed the complex that he has now taken over.  Dell calls the White House and makes his demands known: he wants ten million dollars and for the President (Charles Durning) to go on television and read the contents of top secret dossier, one that reveals the real reason behind the war in Vietnam.  Dell also demands that the President surrender himself so that he can be used as a human shield while Dell and his men make their escape.

Until Dell made his demands known, the President did not even know of the dossier’s existence.  His cabinet (made up of distinguished and venerable character actors like Joseph Cotten and Melvyn Douglas) did and some of them are willing to sacrifice the President to keep that information from getting out.

Robert Aldrich specialized in insightful genre films and Twilight’s Last Gleaming is a typical example: aggressive, violent, sometimes crass, and unexpectedly intelligent.  At two hours and 30 minutes, Twilight’s Last Gleaming is overlong and Aldrich’s frequent use of split screens is sometimes distracting but Twilight’s Last Gleaming is still a thought-provoking film.  The large cast does a good job, with Lancaster and Durning as clear stand-outs.  I also liked Richard Widmark as a general with his own agenda and, of course, any movie that features Joseph Cotten is good in my book!  Best of all, Twilight’s Last Gleaming‘s theory about the reason why America stayed in Vietnam is entirely credible.

The Vietnam angle may be one of the reasons why Twilight’s Last Gleaming was one of the biggest flops of Aldrich’s career.  In 1977, audiences had a choice of thrilling to Star Wars, falling in love with Annie Hall, or watching a two and a half hour history lesson about Vietnam.  Not surprisingly, a nation that yearned for escape did just that and Twilight’s Last Gleaming flopped in America but found success in Europe.  Box office success or not, Twilight’s Last Gleaming is an intelligent political thriller that is ripe for rediscovery.

The Savior of the Universe: Flash Gordon (1980, directed by Mike Hodges)


Flash GordonLife on the planet Mongo is not easy.  Aided by Darth Vader wannabe Klytus (Peter Wyngarde) and the sadistic General Kala (Mariangela Melato), the evil Emperor Ming (Max Von Sydow) rules with an iron fist.  All of the citizens are heavily taxed and kept in a state of perpetual war in order to keep them from joining together and rebelling.  Those who attempt to defy Ming are executed.

There are many different races living on both Mongo and its moons. The Arborians, also known as the tree people, live in a jungle and are ruled by Prince Barin (Timothy Dalton).  Until Ming overthrew his father, Barin was the rightful heir to the throne of Mongo.  Barin is also one of the many lovers of Aura (Ornella Muti), Ming’s rebellious daughter.

Barin distrusts the Hawkmen, a group of winged barbarians.  Led by the boisterous Prince Vultan (the one and only Brian Blessed), the Hawkmen live in a palace that floats above Mongo.  Both Vultan and Barin share a desire to overthrow Ming but neither one of them can set aside their own dislike and distrust of each other.

Ming grows bored easily but Klytus has found him a new play thing, an obscure planet in the S-K system.  “The inhabitants,” Klytus says, “refer to it as the planet Earth.”

It all leads to this:

You may have been too busy listening to Queen’s theme song to notice (and I don’t blame you if you were) but I have always found it strange that, even though Ming had never heard of Earth before Klytus brought it to his attention, he still had a button labeled “Earthquake.”  Whenever I watch Flash Gordon, I wonder if I am the only one who has noticed this.

With Ming plaguing Earth with tornadoes, hurriances, and “hot hail,” it is up to three Earthlings to travel to Mongo  and defeat him.  Dr. Zarkov (Topol) is an eccentric scientist who was forced out of NASA because of his belief in Mongo.  Dale Arden (Melody Anderson) is a reporter.  And, finally, Flash Gordon (Sam J. Jones) is a professional athlete.  Because this movie is a fantasy, Flash Gordon is a superstar quarterback for the New York Jets.

The character of Flash Gordon was first introduced in a 1934 comic strip and was played by Buster Crabbe in several classic serials.  Among Flash’s many young fans was a future filmmaker named George Lucas, who would later cite Flash’s adventures as being a major inspiration for the Star Wars saga.  After the unprecedented success of Star Wars: A New Hope, it only made sense that someone would try to make a Flash Gordon film.

That someone was producer Dino De Laurentiis.  (Before writing the script for Star Wars, Lucas attempted to buy the rights for Flash Gordon from De Laurentiis.)  To write the script that would bring Flash into the 80s, De Laurentiis hired Lorenzo Semple, Jr.  Semple was best known for helping to create the 1960s version of Batman and he brought a similarly campy perspective to the character and story of Flash Gordon.  As a result, the film ended up with scenes like this one, where Flash interrupts one of Ming’s ceremonies with an impromptu football scrimmage:

It also led to Brian Blessed’s entire performance as Prince Vultan, which is especially famous for the way that Blessed delivered one line:

(That also makes for a great ringtone.)

Sam J. Jones and Melody Anderson often seem to be stranded by Semple’s script but Max Von Sydow, Topol, Brian Blessed, Peter Wyngarde, and Ornella Muti all get into the swing of things.  Seen today, Flash Gordon is entertaining but too intentionally campy for its own good.  On the positive side, the images still pop off the screen and the soundtrack sounds as great as ever.  When you listen to Queen’s theme song, you have no doubt that “he’ll save every one of us.”

As Flash Gordon himself put it after he saved the universe: “YEAAAAH!”

Yeah