Wayne Storm | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, it’s a special two-hour episode of CHiPs!

Episodes 3.9 and 3.10 “Drive, Lady, Drive”

(Dir by Don Weis, originally aired on November 10, 1979)

The police at nearby Palma Vista are on strike and the state of California has agreed to allow some members of the Highway Patrol to patrol the town until the strike is over. Getraer assigns Baker, Ponch, Bear, and some new guy named Lenny (Leon Isaac Kennedy) to head over to the town, Baker is named the OIC, which I eventually figured out stood for “Officer in Charge.” Getraer knows better than to give the job to Ponch.

Ponch, by the way, is back! After being absent for two episodes due to Erik Estrada actually injuring himself in a motorcycle crash, Ponch returns in this episode and he goes through the entire episode with this huge grin on his face as if he’s saying, “You know you missed me.” Ponch’s return means that Baker is once again relegated to being the strong, silent partner who doesn’t really get to do anything. In fact, Baker crashes his motorcycle early on in this episode, as if the show was trying to tell us, “See? It could happen to anyone!”

The striking cops accuse Baker, Ponch, Bear, and Lenny of being scabs and strike breakers. I’m not really a fan of public sector unions. (When it comes to the police striking, my hero is Calvin Coolidge, who came to fame when he broke up a policeman’s strike in Massachusetts.) Still, it felt strange to watch the show’s heroes cross that picket line. That would definitely not happen on television today.

There’s a lot going on in Palma Vista. There’s some rich kids who keep joyriding in a dune buggy and who think they can escape prosecution by crossing the city limits. (Joke’s on them! The Highway Patrol has jurisdiction everywhere!) There’s some truck hijackers who are setting up a headquarters in town. There’s an angry city councilman (Michael Conrad) who doesn’t feel his children should be held accountable for their actions.

That said, the majority of this two-hour episode centered on a stock car race and one of the racers, Candi Wright (Kelly Harmon). Will Candi win the big race or will she lose to her friendly rival (and possible future romantic partner) Don Croyden (Jordan Clarke)? Will Ponch be able to both date her and do his job? And most importantly, will she be able to adopt a traumatized little girl (played by Tracey Gold) who Candi discovered outside of a burning house? That’s a lot of storylines for someone who wasn’t even a regular cast member and a part of me wonders if maybe this episode was meant to be a secret pilot for a Candi Wright television series. It would explain a lot.

This really was a basic episode of CHiPs, with the only real difference being that it was two-hours long for some reason. A lot of what happened in the episode, especially the racing footage, felt like filler. There was really no need for this to be a double-sized episode. It also doesn’t help that, as opposed to the lovely Los Angeles scenery that we usually see, this episode took place in a rather ugly town. There was some appropriately spectacular crashes but, in the end, this episode ran too long and felt a bit pointless. Get the Highway Patrol back on the highways!

So, I just gave the 1979 film Home Before Midnight a fairly negative review but I simply cannot end the 70s section of Embracing the Melodrama on such a negative note! So, before we move on to the 80s, allow me to suggest another film from 1979 that you could watch while you’re not watching Home Before Midnight!

Time After Time opens in London. The year is 1893. Writer H.G. Wells (Malcolm McDowell) is having a dinner party so that he can show off his latest invention, a time machine. Among his guests is a surgeon named John Stevenson (David Warner). What nobody at the party suspects is that Stevenson also goes by the name Jack the Ripper and that he enjoys killing prostitutes. When a detective from Scotland Yard shows up at Wells’s home, Stevenson jumps into the time machine and escapes into the future. Since Stevenson does not have the “non-return key,” the machine returns back to 1893 but Stevenson has apparently escaped.

Wells uses the machine to pursue Stevenson and soon finds himself in 1979 San Francisco. Wells had expected to find that the future would be a utopia but instead, he discovers the world of 1979 is loud, polluted, violent, angry, and dangerous. (Kinda like the world of 2015…) As Wells pursues Stevenson, he struggles to adjust to the world of the “future,” and he also meets a bank clerk, Amy Robbins (Mary Steenburgen).

Time After Time is probably the sweetest movie ever made about Jack the Ripper and that’s largely because of the romance between both Wells and Amy and the two actors who played them. After watching Time After Time, I was not surprised to learn that McDowell and Steenburgen got married shortly after appearing in this film. They were so incredibly sweet together!

Add to that, considering the he’s best known for playing villains and other menacing types, it’s interesting to see Malcolm McDowell plays such a gentle and nice character. Wells’ befuddlement is charming to watch. There’s a great scene where Amy calls Wells on a landline phone and Wells stares down at the receiver in frightened amazement.

Time After Time is a really good and likable movie. It’s sweet and it proves that even hunting for Jack the Ripper can be a romantic experience if it’s done with the right person. Watch it and enjoy!