Lisa Marie’s Week In Television: 1/22/23 — 1/28/23


Here are some thoughts on what I watched this week!

(I’ve got a headache coming on so excuse the bland intro.)

Accused (Tuesday Night, FOX)

The latest new legal show is Accused.  Based on a BBC series, Accused is an anthology series in which, each week, a different person is accused of a crime and, through the use of flashbacks, we see how they came to be accused.  Anthology series tend to be rather uneven and I have a feeling that’s going to be the case with Accused.

The first episode featured Michael Chiklis as a wimpy Dad who went from plotting to kill his son to giving his son a lot of money so his son could go on a trip to Iceland.  Of course, it turned out that his son was lying and he instead used that money to buy a bunch of guns and shoot up his school.  Chiklis was found to be irresponsible but not legally liable.  It was a bit of a bland episode but, reportedly, it set a record for the number of people who watched.  (Of course, it also aired right after the Cowboys/49ers game.)  Michael Chiklis was miscast as a father who was too meek to stand up to his obviously unstable son.  And even if the role had been perfectly cast, the father was still too much of wimp to generate much sympathy.

The second episode was directed by actress Marlee Matlin and it was a little bit on improvement over the first episode.  It dealt with a couple who discovered that their newborn was deaf and their surrogate, who was also deaf and felt that she had to intervene to keep the parents from subjecting the child to a surgical procedure.  Matlin’s direction elevated the episode, especially the opening scene in which Matlin showed the viewer what it was like to live in a world without sound.  That said, the anthology format still left me feeling as if the episode was a bit inconsistent.  Basically, an entire season’s worth of information was crammed into 45 minutes.  I didn’t quite buy the episode’s ending, either.

As far as the show as a whole is concerned, we’ll see.  I’ll probably watch the next few episodes, just to see if I’m correct in my assumptions.  Hopefully, the season will shape up to be better than I’m currently expecting.

American Auto (Tuesday Night, NBC)

I think that Tuesday night was the first time that I’ve ever watched American Auto and I hate to say it but I was so busy cleaning the house that I mostly just used it for background noise.  So, I really don’t have any thoughts on this show beyond the fact that Ana Gasteyer is funny.

The Bachelor (Monday Night, ABC)

Zach is the new bachelor and oh my God is he bland.  Zach met the women vying to become his wife and he also got some advice from former bachelor Sean Lowe.  The show is always happy to bring back Sean because, after 26 seasons, he is the sole Bachelor success story.  Anyway, Zach assured us that he is on the show for the right reasons and hopefully, he will find his future wife amongst the bachelorettes.

The Brady Bunch Hour (YouTube)

I wrote about the 2nd episode of the Brady Bunch Hour here!

Customer Wars (Wednesday Morning, A&E)

This show features footage of customers getting into fights with other customers and yelling at the employees of the stores where they shop.  Ugh.  A&E did a mini-marathon on Wednesday morning and I watched a few episodes because I was waiting for the new episode of Accused to drop on Hulu.  It was hella depressing.  There’s a lot of trashy people out there.

Personally, I’d rather see a show called Costumer Wars.

Football Game: Cowboys vs 49ers (Sunday Night, FOX)

I watched this game with Erin.  The Cowboys lost so I guess winter is going to last for another six months or something.  In the past, whenever the Cowboys lost, everyone in Dallas would be depressed for weeks afterwards but this year, no one seems to really care.  I guess everyone’s used to it.

Hell’s Kitchen (Thursday Night, FOX)

The first Black Jacket dinner service turned out to be an utter disaster as the Fab Five totally fell apart in the kitchen.  When Chef Ramsay kicks everyone out of the kitchen, does that mean all of the diners just have to go home without getting any food?  I’ve always wondered this.

Law & Order (Thursday Night, FOX)

I didn’t pay much attention to Law & Order this week.  I mostly just had it in for background noise while I was doing some stuff around the house.  I noticed that it was a murder trial and the accused was a teenager so I’m guessing the internet was to blame.  I also noticed that the judge really got into banging down that gavel.  Seriously, I jumped every time that I heard it.

The Most Comfortable Bra You Will Ever Own (Monday Night, Infomercial)

I’m pretty sure that I already have the most comfortable bra that I will ever own.

Neighborhood Wars (Tuesday Night, A&E)

This is a show about feuding neighbors.  Like most of A&E’s other true crime shows, it makes heavy use of footage taken from drones, cell phones, and home security cameras.  The episode that I saw was a look at the “ten most memorable moments of Neighborhood Wars.”  To be honest, it was kind of a depressing show to watch.  All of the people featured were trashy, stupid, ugly, and inarticulate.  “Get your fucking bitch ass out here!” one pregnant woman yelled at her neighbor.  Ugh.

Night Court (Tuesday Night, NBC)

Eh.  Is it really necessary for Abbi to be a recovering alcoholic?  Do people watch sitcoms to be depressed?

Parking Wars (Weekday Morning, A&E)

I watched two episodes on Tuesday morning while I was waiting for the Oscar nominations to be announced and, not surprisingly, Parking Wars was just as obnoxious as I remembered.  I know the show is over ten years old now and I hope that means that the Philadelphia Parking Authority finally did something about the ugly décor of the majority of their buildings.  If you don’t want people to think they’re living in an authoritarian nightmare, try not to work out of offices decorated in the mid-50s communist style.

Survivor: Redemption Island (Hulu)

This old season of Survivor, featuring Boston Rob and Russell Hantz and introducing the concept of Redemption Island, is now on Hulu.  I watched the first episode and it was kind of nice to be reminded of how much fun Survivor was before its post-COVID facelift.

Retro Television Reviews: California Dreams 3.12 “Harley and the Marlboro Man” and 3.13 “Rebel Without A Nerve”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

This week, it’s all about Jake trying to retain his cool.

Episode 3.12 “Harley and the Marlboro Man”

(Dir by Patrick Maloney, originally aired on December 3rd, 1994)

“You can’t hide your smoking behind tic tacs and old spice!”

Yes, it’s time for another TNBC anti-smoking episode.  In California Dreams, Jake Summers starts to smoke after he see his super cool Uncle Frank lighting a cigarette.  Soon, Jake is totally addicted.  He can’t stop!  It doesn’t matter how many times the members of the band make him look at a picture of a cancerous lung.  It doesn’t matter that Lorena won’t kiss him.  It doesn’t matter that no one wants to be a friend with a smoker.  After smoking for one week, Jake Summers is hopelessly addicted.  He’s got the nicotine monkey on his back!  But then Frank shows up and says, “I’m dying Jake.”

Good Lord, this was heavy-handed.  This is actually the second time that I’ve watched and written about this episode and my reaction to episode pretty much remains the same.  I simply cannot believe that Jake Summers, an aspiring rocker who has spent his entire life hanging out with motorcyclists, never smoked a cigarette until he saw his Uncle Frank light up.  The Dreams themselves acted as if smoking a cigarette was the most scandalous thing in the world.  So, I guess no one smoked weed in 1990s California?  No one did cocaine in 1990s California?  None of the other bands at the Battle of the Bands ducked behind Sharkey’s to have a cigarette?  Seriously, there’s a difference between not liking cigarettes and being unbelievably naïve.  At one point, Tiffani says that nicotine is more addictive than crack cocaine.  I’ve seen several David Simon-produced shows and I just don’t believe that.

Anyway, the Dreams deal with this problem in the same way that they deal with everything.  They throw a benefit concert at Sharkey’s.

Episode 3.13 “Rebel Without A Nerve”

(Dir by Patrick Maloney, originally aired on December 10th, 1994)

Jake Summers is afraid he’s losing his cool!

Not only is there a new kid at school who is talking about Jake behind his back but Jake has twice crashed his motorcycle!  With his confidence shaken, Jake decides that it would be safer to accept Principal Blumford’s offer to join the school safety patrol!  Just as he was in Budget Cuts, Blumford is played Earl Boen.  In this episode, there’s yet another shoutout to Boen’s role in the Terminator films when Boen tells a photographer that some people have mistaken him for Arnold Schwarzenegger.

Anyway, Jake eventually realizes how dorky he looks wearing the safety monitor sash so he decides to challenge the new kid to racing the infamous “Coolman’s Curve,” which is apparently the most dangerous road in California.  The new kid backs down and Jake is once again proclaimed the coolest student at Pacific Coast High.  Yay!

This episode was incredibly silly but, in its way, it worked.  Jake continually crashing his bike made me laugh a little more than it should have.  What made the joke work was that all of the accidents were due to an inconvenient speed dump that had been put in the parking lot by the safety patrol.  Safety Week turned out to be the most dangerous week in California.

The important thing is that Jake did not lose his cool and, as a result, was allowed to continue living his California dream.

Retro Television Reviews: The Brady Bunch Hour 1.2


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

Following the rating success of the pilot for the Brady Bunch Variety Hour, ABC decided to bite the bullet and the Bradys returned to the airwaves!

*Deep sigh*

Okay, let’s do this….

Episode 1.2 

(Originally aired on January 23, 1977, Dir by Jack Regas)

I’ve discovered that the dancers who performed on each episode of The Brady Bunch Hour were known as the Kroftettes.  (The show as produced by Sid and Marty Kroft and there is definitely nothing creepy about naming your performers after yourself.)  The second episode of the Brady Bunch Hour opened with the Kroftettes dressed in red, white, and blue and carrying small drums.  It would be a perfect look for the 4th of July but this episode aired in January.

The dancers eventually move off stage and the audience goes crazy as the announcer informs them that tonight’s episode not only stars the Bradys but also Lee Majors, Farrah Fawcett-Majors, Rip Taylor, Ann B. Davis, and …. Kaptian Kool and the Kong!  Well, who wouldn’t be excited by the Kong?  The Kong was apparently a musical group.  With a name like that, you would hope they would at least have the decency to dress up like gorillas but instead, they appear to have just been a typical 70s prog rock outfit.

The Bradys come out on stage and start awkwardly singing a rock version of Yankee Doodle Dandy.  The YouTube screenshot below isn’t the best but I think it gives you some idea of what this performance is like:

“Yankee Doodle …. Keep it up!” the family chants as the Kroftettes splash about in the pool.  The audience loves it.

With the song completed, the Brady Bunch introduce themselves.  Greg spends too long talking about himself and is sharply reprimanded by Carol.  Cindy explains that it is now 1977.  Thanks, Cindy!  Fake Jan smiles and tries not to cry as she jokes around with her new family.  Mike Brady explains that the Bunch has a new house.  “We have a terrific new show!” Mike says.  Sure you do, Mike.  Carol explains that the show will only be airing once a month.  “We’re only a few minutes in and we’ve already been canceled!?” Mike says.

After a reprise of Yankee Doodle Dandy, the show mercifully breaks for commercial.  When the show returns, the Bradys are stepping into their new home and discovering that they have no furniture!  The movers ran off with it!  Luckily, Alice the Maid randomly shows up with a bunch of sleeping bags.

“Well, Mike,” Carol says, “what do we do now?”

“The only thing we can do,” Mike replies, “is hit the sack.”

Every member of the Bunch hits their sleeping bag.  9 minutes in and this show is already giving me a migraine.

Fortunately, the moving man shows up.  Unfortunately, the moving man is played by a very 70s comedian named Rip Taylor.

Rip Taylor is playing Mr, Merrill.  Merrill refuses to take any blame for being late with the furniture.  Carol suggests that Mr. Merrill come back tomorrow.  Do they want their furniture or not?  Well, it really doesn’t matter because it turns out that Mr. Merrill has some other family’s furniture in his truck and the Brady furniture is still missing.  Mr. Merrill promises to have their furniture tomorrow.  “Let’s hit the sack,” Mike says and everyone hits their sleep bag and ….. ARRRRRRRGHHHHH!

Where was I?

Anyway, the Bradys then sing Razzle Dazzle from Chicago, with all the skill of a small town community theater chorus.

Back at the Brady House, Alice scolds Marcia for hoarding all of her dolls.  Alice tells her that everyone is having to give things up.  Uhmmm …. they’re just dolls, Alice.  And really, why is Alice giving Marcia orders?  Marcia imagines Alice as the Wicked Witch of the West and then imagines herself as Dorothy and performing Car Wash with her brothers and Rip Taylor …. wait, what?  Just watch for yourself.

Hey, who doesn’t love cocaine?

Fake Jan and Peter appear and explain that the Bradys eventually got their furniture.  “Look at what happened!” Peter says.  We cut to the family watching Mike hang an ugly painting over the fireplace.  Mike orders everyone to go to bed at 8 pm.  Greg objects and Mike threatens to kill him.

Alice explains that Mike wants the kids to go to bed so that he and Carol can make love in the living room.  No sooner have the children (and the maid) left than Rip Taylor shows up again and explains that he’s also the Bunch’s landlord.  He says that a lovely couple is going to be staying with the Bradys over the weekend.  Enter Lee Majors and Farrah Fawcett!  Lee is not amused to discover that Rip Taylor has double-booked the house. “Don’t hit me, you bionic bully!” Rip Taylor shouts.  When Lee explains that his other house is being fumigated, Carol says that Lee and Farrah are “welcome to stay here with us.”  RUN, LEE AND FARRAH!  RUN!

After a commercial break, Carol welcomes the audience back to the second half of the show.  Oh my God, there’s another 30 minutes of this?  “I like that we can show you the way we really are at home,” Carol says.

Back at home, the Brady kids are getting their breakfast and are stunned to discover Lee Majors and Farrah Fawcett asleep on the living room couches.  (Yes, they have separate couches.)  When Farrah and Lee wake up, Greg awkwardly asks for an autograph.  “I don’t carry a pen in my pajamas,” Lee explains.  Alice comes in and is struck speechless.

Cut to Marcia, explaining that “one of the great things about having our own show is that we get to showcase the individual talents of our family.”  Marcia introduced Fake Jan, who performs Your Song.  It’s the highlight of the episode because Geri Reischl, not being an original Brady, can actually sing.

Fake Jan is followed by Carol who sings Send In The Clowns, which is the type of song that is perfectly designed to bring out the worst tendencies in even the most talented of singers.  That certainly happens to Florence Henderson, who has a great voice but who also totally overdoes the bathos in her performance.

Greg catches Peter flirting with a Kroftette.  Greg shoves Peter in the pool.  Kaptain Kool and the Kong come out and perform a song called Names.  It’s not a bad song but I have to admit that I’m more worried about the possibility of Peter breaking his neck the next time his older brother throws him in the pool without warning.

It’s time for the finale and Mike asks Carol why the stage is decorated with hearts.  “It’s not Valentine’s Day,” Mike says, as if he and his family didn’t open this show by celebrating Independence Day in January.  Carol explains that the theme of the finale is “Young and Old.”  “Young and Old hearts?” Mike asks.  DAMMIT, MIKE, JUST SHUT UP AND SING!

Anyway, much as with the Wizard of Oz/Car Wash thing, this is one of those things that can’t really be described.  But it can be watched:

And then, thank God, it ends!

A huge flaw with this show is that the Bradys keep telling us how much they love being a family but we know they’re not a family.  We know this because they brought in a substitute Jan.  As such, the sentimental moments fall flat.  “We’re so proud of our sister,” the kids say before Jan comes out to sing but seriously, we know that’s not Jan.  I would much rather listen to Geri Reischl sing than any other member of the Bunch but it doesn’t change the fact that we know that’s not their sister.

Another flaw is that there’s not really any point to the show, other than the Bradys have somehow managed to get their own variety show.  The whole thing with Lee Majors and Farrah Fawcett is perfect example of this show’s approach to storytelling.  Lee and Farrah show up at the house unannounced but it’s fine because the Bradys live in a world with zero conflict.  Lee and Farrah show up.  The kids are shocked.  Alice is shocked.  And …. well, that’s it!  So much for that plotline.

Oh well.  Only 7 episodes left!

Retro Television Reviews: City Guys 3.17 “Angels of Harlem” and 3.18 “Rollin’ With The Homies”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Roll with the city guys!

Episode 3.17 “Angels of Harlem”

(dir by Frank Bonner, originally aired on November 20th, 1999)

Ms. Nobel’s church is celebrating its 100th birthday so, of course, her students are roped into helping to decorate because who cares about keeping the church out of school and all that other stuff.  It turns out that the church is going to be torn down by a real estate developer and that developer is …. CHRIS’S FATHER!

Chris and Dawn chain themselves to the church and …. well, look, this was a dumb episode and it featured way too much church stuff for my tastes.  Let’s move on.

Actually, before I move on, I guess I should mention that Jamal starts dating Ashley in this episode and, unlike Jamal’s other girlfriends, it appears that Angela is actually going to be featured in multiple episodes.  Ashely is played by Trina McGee, who also played Angela on Boy Meets World.  Oddly enough, Trina was already two years into Boy Meets World when she did City GuysBoy Meets World was also an ABC show whereas City Guys was an NBC show.  It’s just a bit odd to see her pop up on this show.

Episode 3.18 “Rollin’ With The Homies”

(dir by Frank Bonner, originally aired on November 20th, 1999)

“Alright, alright, alright!” Jamal announces as he shows up at Manny High for another day of learning, “Only a few days to Christmas break!  A brother can’t wait for Christmas vacation!”  

Anyway, it’s time for the Winterfest Dance, which Cassidy explains is a dance on the roof in the middle of winter.  And since this is an episode of City Guys, it’s also time for Ms. Nobel to show up and tell everyone to get a Christmas job working at a toy store.  Did Ms. Nobel not have any other students to whom she could give these assignments?

The owner of the toy store informs Jamal, Chris, and L-Train that they’ll be working as delivery boys.  The first delivery is a bunch of video games to the owner’s house.  He explains that his son is home from boarding school and that the games are for him.  “Are you interested in adopting a young black child?” Jamal asks.

Al, Dawn, and Cassidy are assigned to be salespeople.  They get into a competition to see who can win the sales contest.  Yawn.  At least this episode acknowledges that Dawn and Al are now a couple.

Jamal, Chris, and L-Train make friends with the boss’s son, Tommy.  Tommy is in a wheelchair and his father is superprotective.  At first, Tommy is upset to discover that Jamal, Chris, and L-Train are getting paid extra to hang out with him but then Jamal makes it up to him by taking him out of the house without his Dad’s permission.  When Tommy’s Dad finds out, he fires Jamal, Chris, and L-Train.  Meanwhile, Tommy gets mad at everyone for treating him like he can’t take care of himself.

The next day, in school, Ms. Nobel decides to get involved because she doesn’t have a life outside of church and school.  She tells Jamal to treat Tommy like he would treat anyone.  Apparently, treating Tommy like everyone means throwing the Winterfest Dance in Tommy’s house.  Tommy gets a date with Cassidy.  Tommy’s father is a bit upset about the dance being moved to his house but Ms. Nobel talks him out of it.  Because Ms. Nobel can do anything.

I’m just being snarky.  By City Guys standards, this was actually a pretty good episode.  Al and Dawn are a cute couple and I’m glad Tommy had a good Christmas.

Retro Television Review: The Love Boat 1.22 “A Selfless Love / The Nubile Nurse / Parents Know Best”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

All aboard!

Episode 1.22 “A Selfless Love / The Nubile Nurse / Parents Know Best”

(Dir by Roger Duchovny, originally aired on February 25th, 1978)

The week’s cruise begins with the walking HR nightmare known as Dr. Adam Bricker announcing that he’s hired a new nurse and she’s a former Las Vegas showgirl!  Gopher and Isaac are excited to learn this but no one is more excited than Doc, who quickly makes it clear that he’s hoping that she’ll be more than just his nurse.

However, it turns out that Dawn Delaney (Elaine Joyce) not only takes nursing very seriously but she would also rather do her job than make out with her boss.  Needless to say, this upsets the doctor.  It also turns out that she knows about all of the latest medical developments.  This also upsets Doc Bricker because it leads to him getting upstaged.  The final straw is when Dawn manages to cure Captain Stubing’s hiccups.  Bricker gets upset but then Dawn explains that she actually wants to be a doctor but, because she’s a former showgirl, no medical school is willing to accept her.  Bricker promises to use his contacts to got her admitted and then they share a long passionate kiss.  And that’s the end of that story.

As I watched Doc react to his nurse, it occurred to me that this show was very lucky that Bernie Kopell agreed to play the role because Doc, to be honest, is a terrible doctor who violates his Hippocratic oath on every cruise.  In the real world, Doc Bricker would be unemployable.  On The Love Boat, everyone loves him and the reason that we believe he would be so popular is because Bernie Kopell was so naturally likable that it made it easy to overlook all of the character’s shady behavior.

While Doc hit on his new nurse, two parents (Monty Hall and Janis Page) tried to hook their dorky son (Mark Shera) up with a girl (Laurie Prange) on the cruise.  What the parents didn’t know is that the girl was actually their son’s girlfriend and the entire cruise was an elaborate ruse to get them to finally meet.  Seriously, that was the entire story.  It was a bit forgettable.

Finally, Harry Morrison (Leslie Nielsen) is an old friend of Captain Stubing’s.  He’s going to Mexico with his much younger girlfriend, Laura (Lynda Day George) and they plan to get married.  However, Harry starts to worry that Laura is too young for him and Laura starts to worry that Harry would rather hang out with people his own age.  She makes a reference to Donnie and Marie Osmond and Harry admits to not knowing who they are.  Agck!  Fear not, though.  After talking about it, Harry and Laura decide to get married anyways.  It was a predictable story but how can you not like watching the future stars of The Naked Gun and Pieces acting opposite each other?

It was a bit of an odd episode.  The Doc/Nurse storyline was cringey.  The son and his parents storyline were forgettable.  But I liked Leslie Nielsen and Lynda Day George’s story.  They saved the cruise!

Next week, we’ll continue to set sail for adventure with three new stories!

Retro Television Reviews: Fantasy Island 2.6 “War Games/Queen of the Boston Bruisers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

It’s time for another tonally confusing trip to Fantasy Island!

Episode 2.6 “War Games/Queen of the Boston Bruisers”

(Dir by Earl Bellamy, originally aired on October 28th, 1978)

We’re just six episodes into the second season of Fantasy Island but a definite pattern has emerged.  Just as in the first season, each episode features two fantasies.  But, in the second season, it appears that one fantasy is always comedic and the second is always serious.  This has created an interesting tonal mishmash on Fantasy Island.  Mr. Roarke spends half of his time laughing at the silliness of it all and the other half warning people that their fantasy could lead to death.

Take this episode for instance.

Rowdy Roberts (Anne Francis) is a roller derby champ whose fantasy is to become a “gentlelady” so that she can impress her daughter’s future in-laws.  (Rowdy’s future son-in-law, meanwhile, is played by a young Jonathan Frakes.)  Mr. Roarke and Tattoo spend an entire weekend teaching Rowdy how to speak properly, how to eat with silverware, and all the rest.  However, snobbish Betty Wendover (Joanna Barnes) doesn’t want her son marrying Rowdy’s daughter so she arranges for Rowdy’s roller derby rival, Hooligan Hanreddy (Mary Jo Catlett), to come to the island and challenge Rowdy to a fight.  Rowdy throws a punch and then runs off, ashamed at not being sophisticated.  But, it turns out that Rowdy’s future son-in-law is really impressed with what Rowdy did and the wedding takes place after all.  Yay!

Needless to say, this is all incredibly silly but it’s meant to be silly and both Anne Francis and Mary Jo Catlett seem to be having fun overplaying their rivalry.  There is nothing particularly realistic about this fantasy but it’s not meant to be.  It’s meant to make the viewer smile and, for the most part, that’s what it does.

But, at the same time, Vietnam vet Joe Beck (Christopher George) is chasing another Vietnam vet, attorney Ted Harmon (Greg Morris), through the jungle, intent on killing him.  Joe blames Ted for the death of Joe’s younger brother.  Apparently, they were all POWs together and Joe’s brother died during an escape.  Joe is convinced that Ted betrayed his country.  This is all pretty dramatic and it’s hard not to wonder why Roarke would have agreed to sponsor this fantasy in the first place.  Ted is a prominent attorney who is thinking of running for political office.  If he was murdered on Fantasy Island, that wouldn’t do much for the island’s reputation.  Fortunately, it all works out in the end as Joe discovers that his younger brother is not only still alive but that he’s also the one who informed the VC about the escape attempt.  Amazingly, Ted doesn’t seem to be at all upset that he was nearly murdered over a mistake.  I guess that’s the magic of Fantasy Island.

These two fantasies didn’t really go together and, as a result, this episode feels a bit messy.  But there is one cute moment in which Tattoo reveals to Mr. Rourke that his new side hustle involves selling phony college degrees.

Go Tattoo!

Lisa Marie’s Week In Television: 1/15/23 — 1/21/23


Again, this was another week that was, for the most part, dedicated to watching movies.  Here’s a few thoughts on the television that I did watch.

Abbott Elementary (Wednesday Night, ABC)

This week was not only an Ava episode but it also featured a cat so you know I enjoyed it!

The Brady Bunch Hour (YouTube)

I watched and reviewed the first episode of The Brady Bunch Hour!  I’ve got 8 more episodes to review and, to be honest, I’m kind of feeling like I’m going to regret this decision.  The pilot was amusing because it was so corny and …. well, bad.  Unfortunately, corny and bad can only be entertaining for so long.  I know I’m probably going to get bored with this show after the 4th episode but, at the same time, I also know that it’s something that I need to watch and get out of my system.  I guess it’s better to suffer than to always wonder.

Football Game: Bengals vs Ravens (Sunday Night, NBC)

Jeff and I watched a football game on Sunday night.  Jeff’s from Baltimore so we were rooting for the Ravens but they lost to the other team and they also lost their chance to go to the Super Bowl.  That seems kind of unfair, to be honest, but I guess you only get one chance to win a game in football.  What I find strange about football is that each quarter is only 15 minutes long but each game seems to last a little over four hours.  If I was in charge of the NFL, I would get the clocks in the stadiums checked out because I think they’re running slow.

One thing I really hate about football is when the losing players start crying at the end of the game.  That always breaks my heart.  It’s just a game, I want to tell them.  You all still have so much living to look forward to!

The Cowboys are playing tomorrow and I hope they win because, if they don’t, everyone down here is going to be whining about it for the next nine months.

Hell’s Kitchen (Thursday Night, FOX)

The black jackets have been handed out.  It seems kind of obvious that Alex is going to win this season so there’s really not much suspense.  That said, it’s always nice to see Chef Ramsay actually being nice and encouraging for once.

The Mary Tyler Moore Show (Hulu)

I watched a few episodes on Tuesday.  I actually lost track of how many I watched but the one that I remember was about a clown getting stepped on by an elephant.  It made me laugh!  I might have to binge this show later.  I wonder why I didn’t review this show instead of the Brady Bunch Hour.  Oh well!  Hindsight is 20/20.

Night Court (Tuesday Night, NBC)

I watched the first two episodes of this new reboot series on Tuesday.  They didn’t really do much for me, though I do like Melissa Rauch so I hope the show can settle on a consistent tone over the next few episodes.  I was glad that Dan at least trimmed his beard but he really needs to just shave the whole thing off.  I don’t know what it is with older actors and their need to grow big, Santa Claus-style beards.

Project Greenlight (YouTube)

I watched the last two episodes of season three on Thursday.  John Gulager finished filming Feast and, unlike other Greenlight winners, his film actually looked like a real movie.  It’s a bit weird to watch a show like Project Greenlight now and listen to everyone talk about how much they respect the opinions of Harvey and Bob Weinstein.  I can also see why Chris Moore declined to return for the fourth season reboot because I doubt it was fun to be continually portrayed as being the angriest boss in Hollywood.

Retro Television Review: The Brady Bunch Hour 1.1 “The Brady Bunch Variety Hour”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

The year was 1976 and cocaine was very popular.

Well, seriously, how else do you explain the existence of The Brady Bunch Hour?  Produced by Sid and Marty Kroft, The Brady Bunch Hour imagined a world in which the Bradys got their own variety show.  Now, this could have made sense if the show had been hosted by “the stars of the Brady Bunch” but instead, in this show, Mike Brady specifically abandoned his job as an architect so he and the family could move to Hollywood and star on a variety show.

Almost all of the Bradys returned to do the show.  Eve Plumb balked at signing a five-year contract and, as a result, Geri Reischl was cast as Jan Brady.  Barry Williams, who was starring on Broadway in Pippin, returned to play Greg “Music is My Life” Brady.  Maureen “Marcia” McCormick was also excited to get a chance to dance and sing.  Susan “Cindy” Olsen was excited over the prospect of appearing in skits.  (She was told that the skits would be SNL-style skits.)  Both Christopher “Peter” Knight and Mike “Bobby” Lookinland were aware of their own musical limitations.  Knight eventually agreed to return when he was told that he wouldn’t have to do much dancing or singing.  Lookinland tried to get out of appearing in the show by demanding a lot of money.  To his surprise, the producers not only paid him what he asked for but his demands led to everyone else getting a bigger paycheck as well.  Ann B. Davis had left acting to work for a church but she appeared on the show as a “guest star.”  Florence Henderson, who had the most singing and dancing experience of anyone in the original cast, was not enthusiastic about The Brady Bunch Hour but she agreed to give it a shot for the fans and the kids.

Actually, the most enthusiastic member of the cast was Robert Reed.  Reed, who rarely had a good word to say about his time on The Brady Bunch (though he did get along with the rest of the cast), was surprisingly enthusiastic about getting to dance and sing despite not being very good at either one of those things.  Alone amongst the cast, he reportedly never lost his enthusiasm for the Brady Bunch Hour.

But enough background!  Let’s take a look at this bizarre, only in the 70s type show!

Episode 1.1 “The Brady Bunch Variety Hour” 

(Dir by Art Fisher, originally aired on November 28th, 1976)

We open with a line of dancers doing kicks in a front of a swimming pool.  On the screen behind the dancers, the faces of the Brady Bunch are projected.  We immediately notice that Jan is now played by Geri Reischl and she’s the only one of the kids who appears to be sincerely happy to be there.  While the other members of the Bunch are obviously struggling to smile, Fake Jan can’t wait to get out on stage and perform.  And she quickly gets that opportunity when the family comes out to perform Baby Face.  While the Bunch sings an off-key rendition of the song, the dancers dive into the pool.  The audience goes crazy as the announcer says, “Ladies and gentleman, the Brady Bunch!”

This performance only lasts for two minutes but it’s hard not to notice that all of the members of the Bunch appear to be totally exhausted by the time it’s over.  Robert Reed especially looks like he’s on the verge of fainting.

With the performance over, the Bradys argue over who will be the first to speak.  Carol reveals that the Bradys are each assigned a number, like at the DMV, and the Bradys are now serving “Number 27!”  “Who has number 27!?” Mike demands.  “Mike, check your number,” Carol says.  Yes, you guessed it!  Mike is 27 and he explains that he’s an architect but his family is forcing him to star on a variety show.  “I didn’t want to do this,” Mike tells us.  “We’re all very excited!” Carol shouts.

(Again. in real life, Robert Reed was the only member of the Bunch who wanted to do the show, despite the fact that he could neither dance or sing.)

Carol introduces the members of the Bunch.  Greg says music is his life.  The audience goes crazy for Marcia.  Peter flirts with dancer.  Jan complains, though the naturally cheerful Geri Reischl is a bit less convincing when it comes to playing bitter as Eve Plumb was.  Bobby announces that he grew 2 and a half inches this year.  Cindy announces she grew 3 inches.  Carol explains that Mike is the first architect to have his own variety show.  Maybe there’s a reason why architects are not typically given this opportunity.

Suddenly, everyone starts singing Baby Face again.  Mike falls in the pool.  The audience loves it.

After a commercial break, we find the Bradys (sans Mike) at the family’s new Hollywood home.  The kids agree that Mike has to be dumped from the show because, as Greg puts it, “he’s not very good.”  Carol tells them that Mike is their father and that he will always be a part of the act.  Carol points out that Mike doesn’t enjoy wearing tights and that he’s only doing the show for his ungrateful children.  Carol has a point.  These kids suck.

The doorbell rings and Tony Randall, looking like he’s already realizes this is a mistake, steps into the living room.  He says that he needs a script.  Bobby calls him “Tony.”  Randall replies, “You can call me Mr. Randall.”  Bobby suggests that Tony Randall could be the family’s new father.  Mike comes down the stairs, just in time to hear his family begging Tony Randall to become their new father.  AWKWARD!  Anyway, Tony refuses to steal Mike’s role.  To me, it seems like the kid owe Mike an apology but he doesn’t get one.  However, everyone does eventually agree that they love him.  Then Bobby suggests Burt Reynolds could be their father.

We then cut to the Brady Bunch performing One from A Chorus Line.  Mike takes center stage for this performance, wearing a glittery white suit and a hat.  The viewer gets the feeling that this was all done to show that Robert Reed really could perform and dance but it has the opposite effect for both him and the entire family.

At the Brady Bunch home, Greg plays his guitar.  Marcia comes in and wonders if Mike and Carol were ever young.  This leads to a flashback to the 1950s, with young Mike and his gang (played by the Brady boys) hanging out at the roller rink and hitting on four girls, played by Carol and the Brady Daughters.

Now, you may think that things couldn’t possibly get worse than the Brady Bunch paying tribute to Grease.  (Actually, Grease wouldn’t come out for another two years so I’m not really sure what the point of this skit was.)  Well, it does get worse because Donnie and Marie Osmond roll up on a motorcycle and everyone sings Splish Splash.  It’s not so much that the Bradys (with the exception of Fake Jan and Florence Henderson) can’t dance or sing.  It’s that the audience applauds every little thing that they do, in much the same way that parents give out pity applause at a talent show at an elementary school.

Once the flashbacks ends, Greg welcomes the audience to the second half of the show.  Peter pushes Greg into the pool.  Greg grabs Peter and throws him in the pool.  The audience loves it but, judging from the way their bodies hit the water, it’s obvious that neither Greg nor Peter were trained stuntmen and they were both risking injury for a joke that wasn’t really that funny.  Oh well, no matter!  It’s time for the show’s dancer to put on clown makeup and do an aquatic dance number.

Cut to the Brady Bunch’s Hollywood home, where Mike is playing Risk with the kids and bitching about how he “always lands on Yugoslavia.”  You know, I felt bad for Mike when the kids were trying to replace him with Tony Randall but now I see that the kids had a point and that Mike is always whining about something.

Meanwhile, Marcia is talking on the landline about how much she loved The Boy In The Plastic Bubble.  “Barbarino in a bubble!”  Excuse me, Marcia …. his name is Travolta!

Continuing to play the game, Mike announces, “I just landed on East Germany and your mother already owns it!”  “With three hotels,” Carol says.  Uhmmm …. okay, are we playing Risk or Monopoly?  WHAT THE HELL IS GOING ON!?

Peter, meanwhile, call his girlfriend and breaks their date because “My Dad is being held prisoner in East Germany.”  It turns out that Peter is interested in another girl, which leads to Mike and Carol reprimanding him and teaching him an important lesson about honesty.  This skit goes on forever.  It’s almost bad enough to make me wish for another musical number….

Be careful what you wish for because this skit is followed by Cindy and Bobby introducing “our big brother,” and saying that they think he’s very talented.  As if to specifically humiliate them, Greg comes out on stage and oversings Corner of the Sky.  (Corner of the Sky comes from Pippin, a show that Greg left so that he could co-star on the Brady Bunch Hour.)  Perhaps the most interesting thing about this sequence is that Bobby and Cindy both appear to have joined a cult.

This is followed by a skit in which a disgruntled Mike and Bobby show up on stage dressed as a rabbit and a chicken.  They are soon joined by Greg, who is dressed as a bear, and Tony Randall, who is dressed as himself.  Tony announces that he’s going to sing a song about animals but he doesn’t want any of the Bradys to be involved.  (Considering that he was the show’s “special guest star,” it’s interesting that Tony Randall only appears twice on the show and, both times, he makes it clear that he holds the Brady Bunch in complete and utter disdain.)

After Tony does his song, Alice the Maid (Anne B. Davis) appears and says that she watched the Bradys grow up.  This leads to a montage of old Brady Bunch clips and Florence Henderson singing The Way We Were and, believe it or not, it actually works.  For once thing, Florence Henderson could actually sing and The Way We Were is exactly the right song for her performance style.  I mean, make no mistake.  It’s silly and schmaltzy but it’s also kind of touching.

Finally, it’s time for the big finale!  The Bradys are on stage, dressed in white, but they can’t decide what medley they want to perform.  Greg wants to do music from “that Rocky Horror show!”  “This is a family show!” Mike yells.  Carol suggests something from The Sound of Music.  The kids don’t want to do old stuff.  “We’re young and we want to do young music,” Marcia says.  Alice runs on to the stage and tells them to just sing something.

Greg takes her words to heart and performs Attitude Dancing, while wearing an outfit that makes it look like he’s about to jump a motorcycle over a line of school buses.

Mike and Carol sing Cheek to Cheek and then the kids sing Dance With Me.  Carol responds by singing I Could Have Danced All Night, which is another good song for her.  Unfortunately, the kids start to sing Do The Hustle and eventually segue into Shake Your Booty.  All the Bradys dance, including an embarrassed-looking Alice.  Fake Jan gets a solo and proves that, unlike the other Brady kids, she actually has a pretty good voice.

In the final comments, Carol thanks the audience.  “Without you, there would be Brady Bunch,” she says.  “I think I had something to do with it,” Mike says, which …. I mean, I know it’s awkward to point this out but Mike can really only take credit for half of the kids.  So, really, Mike didn’t have much to do with it beyond the fact that he quickly moved on from his first wife’s death.  (Or is Mike the one who got divorced?  I can never keep track of who was divorced and who was widowed.)

Anyway, on that cheery note, the show ends.

Wow, that was exhausting.  My main impression of the pilot of The Brady Bunch Hour is that it wasn’t good but it was impossible to look away.  It was fun to watch but I can already tell that the show’s corny humor and badly-choreographed musical numbers are going to get tiresome pretty quickly.  Fortunately, this thing only ran for 9 episodes so this is only going to cost me nine weeks of my life.  Yay!

Retro Television Reviews: City Guys 3.15 “Funny Business” and 3.16 “Get Your Vote On”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Hello Manny High!  When last we checked in with the City Guys, they were starring on a reality show.  Let’s see what happens this week….

Episode 3.15 “Funny Business”

(Dir by Frank Bonner, originally aired on November 6th, 1999)

Oh hey, I guess the whole reality show thing is over.  In this episode, there’s no mention of Reality House or the Loft.  There’s no cameramen chasing Jamal and Chris.  In fact, no one mentions anything about ever having appeared on reality television.  I guess this is one of those things, like the video yearbook, where they’ll explain what actually happened two seasons from now.

In this episode, Rebecca (Lisa Pepper), a Manny High graduate, returns to her former school so that she can offer three internships at her architectural firm.  Of course, Dawn volunteers.  And then Ms. Nobel randomly draws two names out of a bag for the other two spots and, of course, she draws Chris and Jamal!  I have a feeling that every piece of paper in that bag had either Chris or Jamal’s name written on it.

Chris really enjoys the internship until Rebecca orders him to be her love slave.  After Chris says that’s not appropriate workplace behavior, Rebecca threatens to flunk him unless he become her boy toy.  Chris, Jamal, and Dawn secretly record Rebecca threatening Chris and Rebecca gets fired.

Every show produced by Peter Engel did at least one episode dealing with sexual harassment but I think City Guys was the only one to feature a guy being harassed by a woman.  The episode is a bit heavy-handed and, over the past two and a half seasons, Chris has basically tried to get in the pants of every woman that he’s met so it seems like a little out-of-character that he would turn down the first woman who has actually shown any interest in him.  I mean, if we’re going to be honest, Chris is a serial harasser who apparently can’t handle having the tables turned on him.  This episode says more about Chris than it does Rebecca.

Episode 3.16 “Get Your Vote On”

(Dir by Frank Bonner, originally aired on November 13th, 1999)

Chris has two tickets to the Taxi, Taxi, “the hottest Broadway show.”  Both Cassidy and Dawn volunteer to be his date.

“Two girls, one ticket,” Al says, “you in trouble!”

Well, Al, let’s think about it.  First off, Chris has been trying to date Cassidy since this season began and now, she’s begging to go on a date with him.  Plus, Al — YOU’RE DATING DAWN!  Remember that!?  I’m going to guess this episode was actually filmed before the episode in which Al and Dawn got together and NBC, as they often did, showed the episodes out of order.  As I’ve said before and will probably say again …. NBC just didn’t care.

The Broadway thing is only the B-plot.  The A-plot features L-Train running for reelection as Student Council president.  Jamal decides to run against him because he feels that L-Train hasn’t done enough for the radio station.

While Jamal campaigns for the presidency, Dawn and Cassidy beg Chris to pick one of them to take to the Broadway show.  “You in a player’s paradise!” Al tells Chris before reminding him that Chris has all the power over Dawn and Cassidy.  Al …. DAWN IS YOUR GIRLFRIEND, YOU WEIRDO!

As for the election, Jamal makes a lot of promises that he can’t keep and is elected over L-Train.  After Ms. Nobel informs him that the student council has no money and he’ll have to hold a fund raiser to keep all of his promises, Jamal decides to have a carnival on the roof of the school.  I have to admit that I’m kind of amazed at how strong that roof is.  I mean, they do everything on that roof!

For some reason, Jamal decides to bring a pig to the carnival.  L-Train, looking for revenge, plots to set the pig on the loose but, after Jamal offers to make him vice president, L-Train abandons his evil plan.  Unfortunately, the pig is already on the loose.  (There’s something I never thought I’d write.)  The carnival is a disaster.

“Jamal must go!” the students chant, until L-Train explains that he’s responsible for the pig getting loose.

While this is going on, Cassidy and Dawn get revenge on Al and Chris by having Cassidy’s uncle pretend to be a cop in the anti-scalping division.  After Chris tries to sell the tickets, the fake cop arrests Chris and Al and orders them to hand the tickets over to Cassidy and Dawn.  Ha!  Take that, Chris and Al!

Jamal and L-Train make up and then Jamal resigns so L-Train can become president again.  So, everything’s back to normal.  Yay! 

This episode wasn’t that bad, if you can overlook the plot.  Steven Daniel had some good moments as L-Train.  And the pig getting loose on the roof was a genuinely well-done moment.  Plus, Dawn and Cassidy got to see Taxi Taxi!

Next week …. well, who knows?  I’m sure it’ll be crazy whatever it is.

Retro Television Review: Love Boat 1.21 “Taking Sides/Going By The Book/A Friendly Little Game”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time to once again experience the magic of The Love Boat!

Episode 1.21 “Taking Sides/Going By The Book/A Friendly Little Game”

(Dir by Richard Kinon, originally aired on February 18th, 1978)

This week’s episode begins with the extremely nerdy Howard Wilson (Harvey Jason) preparing to board the ship.  Before he does so, he’s approached by his best friend, Bernie (Paul Sylvan).  Bernie gives Howard a book on how to talk to women.  Apparently, this is something that Howard’s not good at but Bernie swears that the book will change his life.  There’s a Roy Lichtenstein-style picture of a man and a woman kissing on the cover of the book so Howard decides that Bernie knows what he’s talking about.

On the boat, Howard immediately notices Sheila Lawrence (Georgia Engel).  However, Sheila’s overprotective father (Herb Voland) has specifically asked Captain Stubing to make sure that no one seduces his daughter.  The captain assigns Doc Bricker (Bernie Kopell) to keep an eye on her, which makes absolutely no sense.  Over the course of the last twenty episodes, Doc has yet to meet a woman who he has not hit on.  Doc is a walking HR nightmare and quite frankly, I would be kind of uncomfortable going to him for a medical examination.  He seems like he would be a little bit handsy, if you get my drift.

Anyway, Doc turns out to be pretty bad at his job because Howard still manages to hit on Sheila.  Of course, Howard’s just doing what the book tells him to do.  Eventually, though, he realizes that he doesn’t need the book and Shelia realizes that she needs to spend more time on her own happiness and stop worry about what her father wants.  Yay!  It’s another Love Boat success story,

Meanwhile, Scott (Robert Urich) and Ellen (Diana Canova) are newlyweds who seem to be totally in love until they make the mistake of having dinner with an old married couple, Max (Robert Mandan) and Gladys (Audrey Meadows).  Listening to Max and Gladys bicker soon leads to Scott and Ellen bickering and it looks like their marriage might be over.  But again, the magic of The Love Boat leads to everyone realizing that bickering is a part of marriage and that you can still love someone even if you disagree with them.  Yay!  Robert Urich and Diana Canova were such a cute couple.  They just looked like they belonged together.

Finally, poor old Wendell Snead (Harry Morgan) is taking his wife on a cruise that he can’t really afford.  In fact, he secretly took out a mortgage on their house in order to buy the tickets.  Wendell has plan, though!  He has a set of marked playing cards and he beats Gopher at several games of gin rummy.  When the crew discovers that he’s been cheating, their initial reaction is to cheat back.  But when they learn why he’s been cheating, they give him all the money from the ship’s emergency fund.  Awwwwww!

This was a sweet episode.  Yes, the stuff with the book and the overprotective father was pretty stupid but the other two stories were entertaining.  Harry Morgan’s melancholy performance was the episode’s stand-out.  The fact that the crew gave him money instead of calling the cops brought tears to my mismatched eyes.  Nicely done, Love Boat.

What will happen next week?  We’ll find out in seven days!