Late Night Retro Television Review: Highway to Heaven 4.7 “Amazing Man”

Posted on July 31, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week’s episode of Highway to Heaven deals with death and is the best of season 4 so far.

Episode 4.7 “Amazing Man”

(Dir by Michael Landon, originally aired on November 11th, 1987)

When a cop who was trained by Mark is killed in the line of duty, his family becomes Jonathan and Mark’s next assignment. While Lorraine Douglas (Jane Daly) comes to terms with being a widow and a single mother, her young son (Garrette Ratliff Henson) plays with an Amazing Man action figure and seems to be in denial about his father’s death.

This was a surprisingly low-key episode, up until the final few minutes. That’s when Amazing Man came to life, in the form of Michael Landon wearing a super hero costume. It says something about the sincerity and the likable earnestness of this show that this episode still worked despite having Michael Landon turn into a version of Superman. I mean, really, it should have been a ludicrous scene. It should have made my cynicism go into overdrive. Instead, I couldn’t help but smile. Landon’s big heart came through in this episode.

This was a well-done episode and certainly the best of season four so far. That said, the one-year anniversary of my dad’s death is approaching and this episode was about a father dying and, as a result, it left me feeling rather depressed. I don’t particularly want to spend too much more time thinking about this episode because, right now, that’s just going to make me more depressed. That said, the important thing is that show’s the good intentions came through. This was a sweet episode. I hope everyone involved with it was proud of the final result because they had every right to be.

A Movie A Day #355: F.I.S.T. (1978, directed by Norman Jewison)

Posted on December 30, 2017 by Jedadiah Leland

Sylvester Stallone is Jimmy Hoffa!

Actually, Stallone plays Johnny Kovak, a laborer who becomes a union organizer in 1939. Working with him is his best friend, Abe Belkin (David Huffman). In the fight for the working man, Abe refuses to compromise to either the bosses or the gangsters who want a piece of union. Johnny is more pragmatic and willing to make deals with ruthless mobsters like Vince Doyle (Kevin Conway) and Babe Milano (Tony Lo Bianco). Over thirty years, both Johnny and Abe marry and start families. Both become powerful in the union. When Johnny discovers that union official Max Graham (Peter Boyle) is embezzling funds, Johnny challenges him for the presidency. When a powerful U.S. senator (Rod Steiger) launches an investigation into F.I.S.T. corruption, both Johnny and Abe end up marked for death.

Obviously based on the life and mysterious disappearance of Jimmy Hoffa, F.I.S.T. was one of two films that Stallone made immediately after the surprise success of Rocky. (The other was Paradise Alley.) F.I.S.T. features Stallone in one of his most serious roles and the results are mixed. In the film’s quieter scenes, especially during the first half, Stallone is surprisingly convincing as the idealistic and morally conflicted Kovak. Stallone is less convincing when Kovak has to give speeches. If F.I.S.T. were made today, Stallone could probably pull off the scenes of the aged, compromised Johnny but in 1978, he was not yet strong enough as an actor. Far better is the rest of the cast, especially Conway, Lo Bianco, and Boyle. If you do see F.I.S.T., keep an eye on the actor playing Johnny’s son. Though he was credited as Cole Dammett, he grew up to be Anthony Keidis of the Red Hot Chili Peppers.

The box office failures of both F.I.S.T. and Paradise Alley led Stallone back to his most famous role with Rocky II. And the rest is history.

Embracing the Melodrama Part II #69: Bad Boys (dir by Rick Rosenthal)

Posted on May 12, 2015 by Lisa Marie Bowman

First off, I am not about to review the Michael Bay film where Will Smith and Martin Lawrence shoot people and blow things up. Instead, this Bad Boys is a film from 1983 where Sean Penn doesn’t shoot anyone but that’s mostly because he can’t get his hands on a gun. And, at one point, a radio does blow up. So, perhaps this Bad Boys has more in common with the Michael Bay Bad Boys than I originally realized.

Anyway, Bad Boys is about Mick O’Brien (Sean Penn), who is a 16 year-old criminal from Chicago. One night, when one of his crimes goes wrong, Mick’s best friend (Alan Ruck) is killed and Mick accidentally runs over the brother of rival gang leader, Paco (Esai Morales). Mick is sent to juvenile detention where he and his sociopathic cellmate, Horowitz (Eric Gurry), team up to overthrow the two “leaders” of their block, Viking (Clancy Brown, with scary blonde hair) and Tweety (Robert Lee Rush). Meanwhile, Paco is arrested for raping Mick’s girlfriend, JC (Ally Sheedy), and soon finds himself living on the same cell block as Mick.

And it all leads to … violence!

(In the movies, everything leads to violence.)

Bad Boys is one of those films that seems to show up on cable at the most random of times. I’ve never quite understood why because it’s not like Bad Boys is a particularly great film. It’s hard to see anything about this film that would lead a programmer to say, “Let’s schedule 100 airings of Bad Boys!” If anything, it’s the epitome of a good but not that good film. On the one hand, you have to appreciate a film that attempts to take a serious look at both juvenile crime and the true life consequences of tossing every “lawbreaker” into a cell and locking the door. People fetishize the idea of punishing criminals but they rarely consider whether those punishments actually accomplish anything beyond satisfying society’s obsessive need for revenge. (And it’s interesting to note that the problems of 1983 are not that much different from the problems of 2015.) On the other hand, Bad Boys is way too long, heavy-handed, and repetitive. This was one of Sean Penn’s first roles and, much like the film itself, he’s good without being that good. Watching his performance, you get the feeling that James Dean would say, “Nice try.”

However, the film is saved by two actor. First off, there’s Clancy Brown as the stupid but intimidating Viking. With his bad skin, blonde hair, and a permanent snarl on his face, Brown makes Viking into a character who is both ludicrous and scary. And then there’s Eric Gurry as the small and demonic Horowitz. According to his imdb page, Gurry long ago retired from acting but anybody who sees Bad Boys will never forget him.