Review: Violent Night (dir. by Tommy Wirkola)


“Ho Ho holy shit.” — Santa Claus

Violent Night (2022), directed by Tommy Wirkola, is a wild ride that shakes up the traditional Christmas movie formula by turning Santa Claus into a battle-hardened warrior. David Harbour stars as this unconventional Santa, who is far from jolly; he’s a grizzled, somewhat cranky, and disillusioned figure with a Viking warrior past. The movie sets itself apart with a premise that throws a group of ruthless mercenaries into a wealthy family’s Christmas Eve gathering, only to discover Santa isn’t the harmless old man they expected. Instead, he’s a fierce protector who fights back with brutal efficiency.

The story unfolds at the mansion of the affluent Lightstone family during their holiday reunion. The family is full of tension, with secrets and resentments bubbling just beneath the surface. When a gang of mercenaries led by the villainous Scrooge (John Leguizamo) invades the house to steal a fortune rumored to be stashed there, the family members become hostages. Among them is Trudy, a young girl who still believes in Santa and becomes an emotional anchor for the story. What follows is a chaotic clash as Santa unleashes his warrior skills in a bloody and often darkly humorous fight to protect Trudy and take down the intruders.

One of the strongest aspects of Violent Night is David Harbour’s performance. His Santa is not the usual cheerful holiday icon but a rough-around-the-edges hero with a quick wit and a fierce sense of duty. Harbour brings a compelling mix of grit and warmth, making Santa both intimidating and surprisingly endearing. His fight scenes are impressively choreographed, with inventive use of Christmas-themed props that add a unique flavor to the action. The humor, often delivered through clever one-liners and absurd situations, enhances the movie without overloading it, striking a balance between dark comedy and action thriller.

The action sequences are a highlight, filled with creative and over-the-top violence that turns traditional Christmas decorations into lethal weapons. From candy canes to Christmas lights, the film embraces its outrageous concept fully, often with a smirk and knowing wink to the audience. This approach to action and humor makes it feel like a holiday-themed grindhouse film, which will certainly appeal to viewers looking for something different from typical festive fare.

However, the film is not without flaws. The storyline sometimes leans too heavily on clichés and predictable twists, particularly around family drama and criminal motives. While the Lightstone family members are meant to add complexity to the narrative, many come across as caricatures, which lessens emotional impact. The pacing occasionally suffers as well, with some scenes dragging or feeling repetitive amid the barrage of action. Furthermore, the movie’s tone can be uneven—certain moments of humor or sentimentality clash with brutal violence, which might alienate viewers who prefer more consistent storytelling.

The supporting cast delivers performances that range from serviceable to over-the-top, fitting the film’s campy and exaggerated style. John Leguizamo’s Scrooge is a memorable villain with a sneer and attitude that fits the tone, while Beverly D’Angelo adds a touch of dark humor as the wealthy matriarch. The character of Trudy serves as the emotional heart of the film, grounding the chaos with a child’s innocent belief in magic and goodness. Yet, some secondary characters feel underdeveloped, existing mostly to provide fodder for the violence or comedic moments.

Visually, Violent Night embraces the glitz and cold grandeur of a wealthy family’s mansion, contrasted sharply by the gritty and bloody action that unfolds. The cinematography and production design showcase the holiday setting effectively, using wintery landscapes and elaborate Christmas decor as backdrops that add to both the festive and lethal atmosphere. The film keeps a brisk pace, aided by energetic direction, though it sometimes prioritizes style over substance.

In terms of themes, Violent Night plays with the clash between holiday cheer and harsh realities, exploring ideas about family, belief, and redemption through its unusual take on Santa Claus. It taps into a more cynical view of Christmas but ultimately doesn’t abandon the underlying message of hope and protection. This mixture, however, occasionally feels forced, as the violent antics often overshadow character development and emotional depth.

Overall, Violent Night is an entertaining and unconventional holiday film that is best enjoyed with an appetite for absurdity and dark humor. It stands out for pushing boundaries with its brutal action scenes and a refreshingly gruff Santa, offering a festive movie experience that fits more in the niche of chaotic fun rather than heartwarming tradition. While it may not win over purists looking for classic Christmas storytelling, it offers a distinctive alternative for those who want their holiday films with a hard edge and plenty of explosive moments. For viewers who can embrace its mix of camp, carnage, and seasonal spirit, Violent Night delivers a wild, memorable ride that defies expectations.

David Harbour brings some Yuletide fun with the Violent Night trailer!


It’s a little early to be celebrating the holidays with Halloween around the corner, but this is cute. From the director of Hansel & Gretel: Witch Hunters comes Violent Night, starring David Harbour (Hellboy, Black Widow) as Santa Claus. Santa finds himself in a Die Hard-like situation when a family is held hostage by gunmen, led by John Leguizamo (John Wick). Can Santa save the family and still finish doing his Christmas duties?

The film also stars Alex Hassell (Netflix’s Cowboy Bebop), Beverly D’Angelo (The National Lampoon’s Vacation films), and Cam Gigandet (Twilight).

The film premieres in theatres on December 2.

Horror Trailer: Dead Snow: Red vs. Dead


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Yes, this was a sequel that we did not see coming. The original film was a good enough piece of zombie horror that brought back some nostalgic feelings of that very obscure zombie subgenre called Nazi zombies. Dead Snow helped put Tommy Wirkola, it’s director, on the map since it earned him the gig to direct the highly-unappreciated Hansel & Gretel: Witch Hunters. The kinetic, gory action from Dead Snow was highly evident in his first Hollywood offering.

Now, it looks like his time with the Nazi zombies (or are they zombie Nazis) wasn’t over as we now have the sequel that’s begun to play in the film festival circuit since the start of 2014. From the trailer shown it looks like Wirkola has turned the gory action past 10 and into 11 for this follow-up.

The comedy looks to be more in the forefront this time around as he introduces a trio of would-be America zombie hunters. What’s a European action horror-comedy be if it didn’t include bumbling, stereotypical Americans. I almost require that they be included in such films.

Dead Snow: Red vs. Dead still hasn’t been given a U.S. theatrical release. It may bypass the theaters in the U.S. altogether and just head straight for home video. Either way be on the look out for Nazi zombies in Tiger I tanks.

Quickie Horror Review: Dead Snow (dir. by Tommy Wirkola)


One thing about the zombie monster is that they’re pretty much a blank slate and anyone with an idea on how to use them can add their own spin to this undead staple in horror. Some have made zombies be undead Templar knights who hunted by sound. Some have even been made in combination with Egyptian mummies. There has even been zombies underwater fighting and trying to feed on sharks. In 2009, Norwegian Tommy Wirkola filmmaker took the zombie and combined it with that other icon of evil in entertainment, the Nazi. What he was able to create with this combo is the horror film Dead Snow.

The film begins with a lone woman running frantically through the snows somewhere in the mountain fjords of Norway with unknown figures chasing her. Like most horror films which begins like this her fate looks to be predetermined and how she finally buys it shows the audience that this is not going to be the usual zombie film as undead figures tear her apart and devour her while wearing the typical Nazi regalia. This gory start segues into the unfortunate group who will end up having to experience and deal with the sudden problem of WWII-era Nazis who had occupied Norway during the war and had ended up being buried (and presumed killed by the Norwegians near the end of the war) for decades in the snows of the Norwegian mountainside.

There’s really nothing too special about the seven students who decided to spend their Easter vacationing in the mountain cabin owned by the young woman killed earlier in the film. They’re not one-dimensional characters, but they’re also not the smartest tools in the shed as they make the usual mistakes young people make while staying at an isolated cabin high up in the mountain with a reputation for being haunted and cursed. The film’s director also co-wrote this script with screenwriter Stig Frode Henriksen and one could almost sense they were trying to emulate the group dynamics of the group in Edgar Wright’s instant zombie-comedy classic Shaun of the Dead. While Wirkola and Henriksen never reach the same level of creativity in their characters the actors playing them do a good enough job that we root for them to survive the siege of the suddenly hungry Nazi zombies outside their cabin.

Dead Snow does have something which raises the film from being dull and predictable into something very entertaining and thrilling through it’s many gory set-pieces. These scenes as the survivors try to fight their way and escape the Nazi zombies (or are they zombie Nazis) doesn’t skimp on the blood and gore. Wirkola may have known that the story of his film was very thin on plot with charactersa step or two above cardboard so decided to just let the grue fly. It’s here that Dead Snow suddenly becomes jet-fueled rollercoaster ride as bodies (both living and undead) get mutilated, decapitated, blasted, shot-up and everything in-between. The final stand-off with the final survivors and an increasing number of Nazi zombies makes this film worth watching.

Tommy Wirkola’s Dead Snow doesn’t bring too many new things to the zombie genre (Nazi zombies having been done decades earlier in films such as Shock Waves and Oasis of the Zombies), but he does add some dark humor and a healthy dose of over-the-top zombie mayhem that makes the film quite entertaining despite it’s flaws. Plus, how can one go wrong with picking something to watch that has Nazi zombies gallivanting their bloody way through Norwegian mountainsides with a hankering for Norwegian students.