The TSL’s Grindhouse: Body Bags (dir by John Carpenter and Tobe Hooper)


An odd but mildly likable film, that’s the best description of Body Bags.

Originally, Body Bags wasn’t even meant to be a film.  Instead, in 1993, Showtime wanted to do a horror anthology show, one that would mix comedy and chills in the style of HBO’s Tales From The Crypt.  Three episodes were filmed.  Two were directed by John Carpenter.  The other was directed by Tobe Hooper.  Robert Carradine, Stacy Keach, and Mark Hamill all agreed to appear on the show.  That’s an impressive collection of talent but, for whatever reason, Showtime decided not to pursue Body Bags as a series.  So the three episodes were strung together in an anthology film.  Linking the stories was a warp-around segment where Carpenter played a coroner and Tobe Hooper and Tom Arnold played morgue attendants!

Now, it must be said that John Carpenter probably made the right decision when he decided to become a director instead of an actor.  That said, what Carpenter lacked in acting technique, he made up for with unbridled enthusiasm.  Carpenter appears to be having a blast playing an old style horror host.  Who can blame him?  In fact, I would say one the most appealing things about John Carpenter as a personality is that he always seems to be truly enjoying himself, regardless of all the crap that he’s had to put up with in Hollywood.

As for the segments …. well, they’re uneven.  That’s not really a shock. Part of the problem is that, because they weren’t originally envisioned as all airing together, a lot of ideas and story points are repeated from segment to segment.  The first segment is about a serial killer.  The second segment is about a transplant.  The third segment is about both a transplant and a serial killer.  It gets a bit repetitive.

Carpenter directed the first two segments, The Gas Station and HairThe Gas Station is a bit too simple for its own good.  Robert Carradine is a serial killer who harasses a woman at a gas station.  That’s pretty much it.  Carradine gives a good performance ad Halloween fans will get a laugh out of a reference to Haddonfield but there’s not much else going on.  Hair is a bit better.  Stacy Keach plays a businessman who gets a hair transplant, just to discover that the hair is extraterrestrial in origin.  Hair is clever and playful, like an above average episode of The Twilight Zone.  Keach plays his role with the right mix of comedic outrage and genuine horror.

The third segment is called Eyes and it was directed by Tobe Hooper.  Mark Hamill plays a baseball player who is losing his eyesight as the result of a car accident.  He gets an eye transplant.  At first, everything seems fine but soon, he’s having visions of himself murdering people!  It turns out that the eye once belonged to a serial killer.  You can guess where this is going but Mark Hamill really throws himself into the role and Tobe Hooper’s direction is appropriately intense.

Body Bags is a pretty minor entry in the filmographies of two great directors but, at the same time, it’s enjoyable in its own silly way.  There’s a likable goofiness to John Carpenter’s wrap-around segment and it lets us know that we shouldn’t take any of this too seriously.  Watch it for your own amusement.

A Movie A Day #67: Animal Factory (2000, directed by Steve Buscemi)


Edward Furlong is Ron Decker, a spoiled 18 year-old from a rich family who is arrested and sent to prison when he’s caught with a small amount of marijuana.  Being younger and smaller than the other prisoners, Ron is soon being targeted by everyone from the prison’s Puerto Rican gang to the sadistic Buck Rowan (Tom Arnold).  Fortunately, for Ron, prison veteran Earl Copen (Williem DaFoe) takes him under his wing and provides him with protection.  Earl is the philosopher-king of the prison.  As he likes to put it, “This is my prison, after all.”  If he can stay out of trouble, Ron has a chance to get out early but, with Buck stalking him, that’s not going to be easy.

Based on a novel by ex-con Edward Bunker, Animal Factory was the second film to be directed by Bunker’s Reservoir Dogs co-stars, Steve Buscemi.  Though it was overlooked at the time, Animal Factory is a minor masterpiece.  Taking a low key approach, Buscemi emphasizes the monotony of prison life just as much as the sudden bursts of violence and shows why someone like Ron Decker can go into prison as an innocent and come out as an animal.  DaFoe and Furlong give two of their best performances as Earl and Ron while a cast of familiar faces — Danny Trejo, Mickey Rourke, Chris Bauer, Mark Boone Junior — make up the prison’s population.  Most surprising of all is Tom Arnold, giving Animal Factory‘s best performance as the prison’s most dangerous predator.

Shattered Politics #88: Grassroots (dir by Stephen Gyllenhaal)


Grassroots_2012Well, it’s nearly over.

For the past three weeks, I’ve been watching and reviewing 94 films about politics and politicians.  We started Shattered Politics by reviewing the 1930 film Abraham Lincoln and, 86 reviews later, we have finally reached 2012!  It’s hard to believe that, over just three weeks, I have reviewed that many films.  Some of those films have been good.  Some of them have been bad.  And, quite a few of them, have been somewhere in between.

The 2012 film Grassroots in one of those in between sort of films.  It’s based on a true story.  Phil Campbell (Jason Biggs) is a Seattle-based journalist who has just lost his job.  Unsure what to do with himself, Phil finds himself reluctantly dragged into the city council campaign of his friend, a music critic named Grant Cogswell (Joel David Moore).

Grant is running because he feels that the city council is not making proper use of the Seattle monorail.  Grant also appears to be a bit crazy, the type of guy who will spontaneously start to shout about everything that he views as being wrong with the world.  However, Grant is also very sincere in his desire to do the best for the people of Seattle and Phil agrees to manage his campaign.

And, as Grant continues to campaign and as the city’s political establishment goes out of its way to make it difficult for Grant or any other insurgent to run a legitimate campaign, he starts to pick up support and suddenly, it starts to look like he very well could win.

And then, the World Trade Center is attacked on September 11th and suddenly, the voters are a little bit less enthusiastic about handing the keys to the asylum over to one of the inmates…

Grassroots is a minor film but it’s definitely likable.  It took me a while to adjust to the film, largely because almost all of the characters are the type of stereotypical Seattle hipsters who would probably be used for violent comic relief in most other films.  (Don’t misunderstand, though — some of my best friends are hipsters … though they’ll never admit it.)  As well, the film trots out the familiar trope of having the campaign cause friction in Phil’s marriage and seriously, is there a more tired plot point than sudden marital friction?

But, ultimately, the film won me over because, much like Grant, it’s just so sincere in its love for Seattle and in its belief in grassroots politics.  It won’t challenge Milk for the title of being the most inspiring recent film about a city council election.  But, taken on its own terms, Grassroots is a likable movie that should inspire even more hipsters to run for public office.

http://www.youtube.com/watch?v=0mRKnHaaieQ