Today, in honor of Labor Day, I am very proud to present a very special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers! I have selected six trailers for six films about six very specific jobs. Your next career might be found below!
The Principal (1987)
Do you want to make a difference in the lives of your students? Why not follow the path of Rick Lattimore and become …. The Principal!?
2. The Gardener (1972)
Do you like working with plants? Do you have a green thumb? A career in gardening might be for you!
3. The Soldier (1982)
Do you love your country? Do you want to protect your nation from enemies, both domestic and international? The Soldier knows how you feel!
4. The Exterminator (1980)
Do you want to protect your community and help clean up the neighborhood? Consider pursuing a career as an urban vigilante, just like The Exterminator!
5. Moonrunners (1975)
Are you a good driver? Do you feel that the government needs to stay out of people’s personal decisions? Moonshine runner might be a career for you!
6. American Ninja (1985)
Do you have a truly unique set of skills? Were you born in the United States? Consider a career as an American Ninja!
Four years after the end of the first Exterminator, the man they drove too far is driven too far again….
As you may remember, the first Exterminatorended with the CIA shooting vigilante John Eastland (Robert Ginty) because Eastland’s anti-crime activities were somehow making the President look bad. The wounded Eastland fell into the Hudson River. “Washington will be pleased,” the CIA agent said to the gunman. However, the film’s final shot revealed that Eastland had survived his plunge.
1984’s Exterminator 2 opens with Eastland returning to New York City. He’s got a small apartment and a police scanner and when he hears a report that an elderly couple is being menaced by a group of thugs, he puts on a welding mask and uses his flame thrower to set the criminals on fire. Of course, he doesn’t actually arrive in time to save the old couple from getting shot and killed. Just because Eastland has decided to become a vigilante, that doesn’t mean that he’s particularly good at it.
The first Exterminator was a grim and gritty thriller that took itself very seriously. In fact, one could argue that it took itself a bit too seriously. Exterminator 2, which was produced by Cannon Films, takes a slightly different approach. This is obvious as soon as Mario Van Peebles shows up as X, a cult leader who is looking to take over the New York drug trade. Van Peebles, with his model good looks and his quick smile, is not exactly the most intimidating of villains. And X is not exactly the most brilliant of bad guys. For one thing, he drives a car with a big red X spray painted on one of the doors, which doesn’t seem to be the smartest thing to do when you have both the police and crazed vigilante hunting for you.
Fortunately, for X, John Eastland is easily distracted. After he sets a few people on fire, he seems to lose interest in actually being a vigilante and instead, a large portion of the film is taken up with him getting a job collecting garbage with his friend, Be Gee (Frankie Fasion). (Much like the previous film’s Michael Jefferson, Be Gree served with Eastland in Nam.) Eastland also meets and falls in love with a dancer named Caroline (Deborah Geffner). Unfortunately, a trip to Central Park leads to Caroline getting attacked by a bunch of X’s followers. With Caroline in a wheelchair, Eastland has little choice but to pick up his flame thrower and transform his garbage truck into a tank of destruction….
Exterminator 2‘s production was a troubled one. Director Mark Buntzman was one of the producers of the first Exterminator and apparently, Cannon disliked his first cut of Exterminator 2. Director William Sachs (who was Cannon’s resident “film doctor”) was brought in to do extensive reshoots in Los Angeles. Unfortunately, by the time Sachs was brought in, Robert Ginty had already moved on to another project and Sachs was forced to use his stunt double for any scenes involving Eastland. (This is one reason why Eastland spends much of the film wearing a welder’s mask.) Also because of Ginty’s absence, Sachs ended up adding a lot of scenes that focused on Van Peebles’s performance as X, with the end result being that the film often seems to be more about X and his gang than it is about Eastland and his hunt for revenge. (Unfortunately, this also led to a lot of unresolved subplots, including one in which X orders one of his roller skating henchman to kidnap a woman off the street so she can be used to test a new batch of heroin.) Many of the scenes featuring Ginty have a totally different feel to them from the scenes featuring Van Peebles and Ginty’s stunt double.
The end result is a film that really doesn’t have any sort of narrative momentum. One is never really sure what either X or Eastland is hoping to accomplish. Instead, they just kind of wander around until they have their final confrontation. Along the way, there’s a few poorly edited fights but there’s also a lot of scenes that are just included to serve as filler. As I already mentioned, Van Peebles is not a particularly menacing villain but Ginty also isn’t a particularly compelling hero. Ginty’s goofy screen presence was nicely subverted by the grime and grit of the first Exterminator but, in the second film, he just comes across as being petulant and even a bit whiny.
The first Exterminator famously ended with the lines, “Washington will be pleased.” I don’t think anyone would particularly be pleased with Exterminator 2. As a final note, I will admit that I was so bored with this film that, when I watched it, I barely noticed when it ended and Tubi segued into showing a film called Executioner 2. That pretty much sums up the entire Exterminator 2 experience.
First released in 1980, The Exterminator begins during the Vietnam War.
Two soldiers, John Eastland (Robert Ginty) and Michael Jefferson (future Cannon Film mainstay Steve James) have been captured by the Viet Cong and can only watch as a third soldier is beheaded by his captors. (The graphic beheading, in which the camera lingers on the head slowly sliding off the neck, is an early warning of what this film has in store for its audience.) Jefferson manages to free himself from his bonds and kills most of the enemy soldiers. After Jefferson frees him, Eastland fires a bullet into the still twitching body of the VC commander.
The film jumps forward to 1980. Living in New York City, Jefferson and Eastland are still best friends and co-workers at a warehouse. For a second time, Jefferson saves Eastland’s life when the latter is attacked by a gang calling themselves the Ghetto Ghouls. When the Ghouls get their revenge by tracking down Jefferson and piecing his spine with a meat hook, Eastland gets his revenge by killing …. well, just about everyone that he meets.
Though The Exterminator was obviously inspired by Death Wish, a big difference between the two films is that Eastland doesn’t waste any time before starting his anti-crime crusade. In the original Death Wish, Paul Kersey (played by Charles Bronson) starts out as a self-described “bleeding heart” liberal who was a conscientious objector during the Korean War. Even after his wife and daughter are attacked (and his wife killed) by Jeff Goldblum, Kersey doesn’t immediately pick up a gun and start shooting muggers. Indeed, it’s not until the film is nearly halfway over that Kersey begins his mission and, in one of the film’s more memorable moments, he reacts to his first act of violence by throwing up afterwards. While one could hardly call Death Wish an especially nuanced film, it does at least try to suggest that Kersey’s transformation into a vigiliante was a gradual process.
The Exterminator, on the other hand, goes straight from Eastland informing Jefferson’s wife about the attack to Eastland threatening a tied-up Ghetto Ghoul with a flame thrower. When did Eastland kidnap the Ghetto Ghoul? Why does Eastland have a flame thrower? Where exactly has Eastland tied up the Ghetto Ghoul? None of this is explained and the film’s abruptness gives it an almost dream-like feel. The film plays out like the fantasy of everyone who has ever been mugged or otherwise harassed. Magically, Eastland suddenly has the skills and the resources to outsmart not just the criminals but also the police who have been assigned to stop him. Even the CIA is assigned to take down Eastland because his anti-crime crusade is inspiring people to wonder why the President hasn’t been able to reduce crime. The film plays out like the type of daydreams that Travis Bickle had when he wasn’t driving his taxi.
Eastland is ruthless in his kills but fortunately, everyone he kills is really, really bad. The Ghetto Ghouls clubhouse is decorated with a poster of Che Guevara but Che’s revolutionary rhetoric isn’t worth much when the Exterminator’s after you. A mob boss makes the mistake of not telling Eastland about the Doberman that’s guarding his mansion so into the meat grinder he goes. New Jersey loses a state senator when Eastland discovers him torturing an underage male prostitute. The film was shot on location in New York City and the camera lingers over every grimy corner of the city. A scene where Eastland walks through Times Square takes on a cinéma-vérité feel as people jump out at him and try to entice him to take part in everything the city has to offer. If Death Wish suggested that Paul Kersey’s actions were saving New York, The Exterminator suggests that we should just let John Eastland burn the whole place down.
With his youthful face, Robert Ginty looks more like a mild-mannered seminarian than a hardened veteran of both Vietnam and the mean streets of New York but, ultimately, that works to the film’s advantage. If anything, it explains why everyone who meets him trends to underestimate what he’s capable of doing. B-movie vet Christopher George overacts in his usual amusing way as he plays the detective who has been assigned to catch The Exterminator. Samantha Eggar plays a doctor who starts dating George for no discernible reason. The scenes featuring George and Eggar often seems as if they belong in a different film but they do provide some relief from the rather grim and gruesome scenes of The Exterminator killing almost everyone who he meets.
The Exterminator was controversial when it was originally released and it still retains the power to shock. It’s easy to laugh at some of the film’s more melodramatic moments but there were still more than a few scenes that I watched with my hands over my eyes. The film’s hard edge grabs your attention from the start and the idea of the CIA sending assassins to take out a neighborhood vigilante is so over the top and ridiculous that it’s kind of hard not to appreciate it. That the film totally buys into its paranoid worldview (“Washington will be pleased.”) makes the whole thing far more compelling than it should be.
As ludicrous as it all is, The Exterminator is a film that defies you to look away.
So, last night, I was selecting which trailer to feature in the upcoming weekend’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers when it was pointed out to me that the Rapture is apparently scheduled for Saturday. Now, I have to admit — this kind of annoys me because I really look forward to my Saturdays. So, if I get raptured, I miss out on my favorite day of the week and if I don’t get raptured …. well, it’s just a lose-lose situation for me.
It also annoys me because it means that, potentially, there won’t be anyone around to read my latest post. Well, I guess there will be a lot of atheists, agnostics, heathens, Unitarians, Canadians, and (if it turns out the Protestants are correct) Catholics around but I imagine they’ll be more upset about not being raptured. And since I’m a Catholic but not a very good one, I’ll be screwed twice and not in a fun, college sorta way either.
Anyway, with all that in mind, I’m going to do an early super-sized collection of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers. In order to keep things manageable, I’m going to divide this weekend’s (potentially final) edition into two posts of 6 trailers each.
Since I imagine everyone might be bummed out because either 1) the Rapture happened or 2) the Rapture did not happen, I’m going to start things out with a trailer for Sergio Corbucci’s 1980 comedy Super Fuzz. Now, to be honest, Super Fuzz doesn’t look that funny but maybe people had a different sense of humor back in 1980. The important thing is that the movie stars Terrence Hill and it’s “just for the fun of it!”
But, apparently, crime wasn’t all fun and games in the 80s. I guess when Super Fuzz couldn’t get the job done, they called in the Exterminator. No, not Dale Gribble! That’s King of the Hill, silly. No, the Exterminator appears to be an urban vigilante of some sort. I imagine will see a lot of his type post-Rapture.
3) College Girls (1968)
This trailer is for College Girls which appears to be some sort of late 60s softcore film. I’m not sure that there’s anything really that special about this trailer as much as it’s just always odd to me see these old school sex films and think to myself, “Oh my God, people in black-and-white movies actually do have sex!” Fair Warning: There’s a lot of nudity in this trailer (actually, it’s pretty much just 4 minutes of nudity) along with some out-dated social attitudes so if that offends you, don’t watch it. In fact, I’m kinda surprised that YouTube hasn’t taken it down yet.
(By the way, I checked on Amazon to see if this was available on DVD and oh my God, do you have any idea how many movies there with the words “College Girls” in the title!? Anyway, as far as I can tell, this movie is not available on DVD. Still, searching through all those countless Girls Gone Wild video releases reminded me why I let out a little cheer of delight when Jerry O’Connell got devoured in Piranha 3-D.)
Assuming that we’re all still on the planet after this weekend, I’m going to have to write a tribute to my fellow redhead Erika Blanc, one of the true icons of the European Grindhouse. Until then, here’s a trailer for one of her best films, The Devil’s Nightmare.
I’ve never seen Slaughterhouse Rock though, just judging from the trailer and the year it was made, I imagine that it’s probably not quite as good a film as The Devil’s Nightmare. Just a feeling I’ve got, mind you. However, this film apparently has a cult following because of the film’s new wave soundtrack. I just like the trailer because apparently, choreographer Toni Basil is playing a ghost who can raise the dead by dancing. I’ve actually tracked down the clip of the dance on YouTube and it’s actually pretty cool. I’ve mastered the moves but I haven’t managed to raise the dead yet. But give me time!
Finally, seeing as how the world might be ending tomorrow, let’s close out part one with a trailer for a film that can serve as a stand-in for every misguided decision ever made in Hollywood — 1978’s Convoy. This film, based on that annoying novelty song that some old guy always wants to sing during Kareoke Night, was directed by drug-addled genius Sam Peckinpah and it’s supposedly one of the most cocaine-fueled productions in the history of the movies. (It was also apparently co-directed by James Coburn.) Technically, it’s more of a drive-in movie than a grindhouse film but it’s definitely exploitation.
(By the way, I’ve also read that some people think that the truck in the opening of the trailer is supposed to literally be driving through mountains of cocaine.)
Well, that’s part one of this special edition of Lisa Marie’s favorite grindhouse and exploitation trailers. Part two will be posted early Saturday morning. Don’t let yourself be whisked off to another state of being without checking it out.
Through the Shattered Lens 