Phantom Ranger (1938, directed by Sam Newfield)


Treasury agent Pat Doyle (John St. Polis) is sent to investigate a counterfeiting ring in Wyoming but ends up getting kidnapped by gang leader Sharpe (Karl Hackett) instead.  With Doyle’s daughter, Joan (Suzanne Kaaren), demanding that the government rescue her father and generating all sorts of bad publicity for the Secret Service, the decision is made to send in Tim Hayes (Tim McCoy).  Hayes, who will be working undercover, is selected because he’s not a “city boy.”  He’s a cowboy, through and through.  If you want to tame the west, you have to send a cowboy.

Phantom Ranger is a low-budget, 56-minute western from Monogram Pictures.  The plot is nothing special but the film itself still interesting because it’s a western that takes place in the 1930s.  Tim Hayes may ride a horse and wear a cowboy hat but he also works in a Washington D.C. office building and he interacts with a woman dressed like a flapper.  In this movie, the frontier has not caught up with the modern world but the modern world has also forgotten what life is like away from civilization.

The movie has the usual collection of B-western stalwarts.  Karl Hackett, John Merton, Charles King, Frank Ellis, Herman Hack, and Horace B. Carpenter are all present and accounted for.  Tim McCoy, a former rodeo performer and army officer, plays the hero and brings a lot of natural authority to the role.  McCoy was not only one of the first western heroes but he was also one of the best.

There’s no phantoms to be found in Phantom Ranger.  It’s still a good western.

Bonus Horror On The Lens: The Devil Bat (dir by Jean Yarborough)


Because today would have been Bela Lugosi’s birthday, it seems appropriate to showcase him in a bonus horror on the lens!

In the 1940 film, The Devil Bat, the owners of a company in the small town of Heathville are super-excited because they’re going to be given their head chemist, Dr. Paul Carruthers (Bela Lugosi), a bonus check of $5,000.  However, since Carruthers’s inventions have made millions for the company, he is offended by the small check and decides that the best way to handle this would be to sue in court and demand fair compensation …. just kidding!  Instead, Dr. Carruthers sends his army of giant bats to kill the families of his employers.

The Devil Bat was produced by Production Releasing Corporation, a poverty row studio that specialized in shooting quickly and cheaply.  Going from Universal to PRC was technically a step down for Lugosi but The Devil Bat is actually an excellent showcase for Lugosi and he gives one of his better non-Dracula performances as the embittered Dr. Carruthers.  Indeed, one can imagine that Lugosi, who played such a big role in putting Universal on the map, could relate to Carruthers and his bitterness over not being fairly rewarded for the work he did to make others wealthy.

Enjoy The Devil Bat, starring the great Bela Lugosi!

Horror On The Lens: The Devil Bat (dir by Jean Yarborough)


In the 1940 film, The Devil Bat, the owners of a company in the small town of Heathville are super-excited because they’re going to be given their head chemist, Dr. Paul Carruthers (Bela Lugosi), a bonus check of $5,000.  However, since Carruthers’s inventions have made millions for the company, he is offended by the small check and decides that the best way to handle this would be to sue in court and demand fair compensation …. just kidding!  Instead, Dr. Carruthers sends his army of giant bats to kill the families of his employers.

The Devil Bat was produced by Production Releasing Corporation, a poverty row studio that specialized in shooting quickly and cheaply.  Going from Universal to PRC was technically a step down for Lugosi but The Devil Bat is actually an excellent showcase for Lugosi and he gives one of his better non-Dracula performances as the embittered Dr. Carruthers.  Indeed, one can imagine that Lugosi, who played such a big role in putting Universal on the map, could relate to Carruthers and his bitterness over not being fairly rewarded for the work he did to make others wealthy.

Enjoy The Devil Bat, starring the great Bela Lugosi!

The Fabulous Forties #38: The Devil Bat (dir by Jean Yarbrough)


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The 37th film in Mill Creek’s Fabulous Forties box set was 1940’s The Devil Bat, which Gary Loggins reviewed on this site back in October.  Since, for the most part, I agree with Gary’s review, I’m going to recommend that you go read it and then I’ll just add a few thoughts of my own.

The Devil Bat is usually described as being one of the films that Bela Lugosi made during his decline, even though he made it just a year after appearing in a supporting role in the Oscar-nominated Ninotchka.  Lugosi plays Dr. Paul Carruthers, a small-town chemist who uses radiation to create a gigantic bat that he unleashes on everyone who he feels has wronged him.  The bat targets anyone who makes the mistake of wearing an aftershave lotion that Carruthers has created.

I would argue that there is a hint of genius to be found within The Devil Bat.

First off, there’s the fact that the giant bat is so clearly fake that it actually becomes rather charming.  Wisely, the film makes no effort to convince you that the bat is real.  Whenever that big, fake bat is lowered in on a bunch of often-visible wires, it works as almost a Brechtian alienation device.  In much the same way that Godard used jump cuts in Breathless, Devil Bat uses that big, fake bat to remind the audience that they are watching a film.  As a result, the audience has no choice but to think about the conventions of the horror genre and how their own world view has been shaped by watching movies like Devil Bat.

The other hint of genius is the satirical masterstroke of casting Bela Lugosi as a small town chemist.  Lugosi remains Lugosi, regardless of what role he plays.  When the film’s characters accept, without even a second glance, that Bela Lugosi, with his thick accent and his theatrical acting style, is a humble suburbanite, the film becomes a perhaps inadvertent satire of American conformity.

Needless to say, Lugosi was always a far better actor than he has ever been given credit for being.  In The Devil Bat, he plays Dr. Carruthers with a weary sense of resignation.  Carruthers never becomes a standard evil villain.  Instead, he’s a man who has been so beaten down by life that he now see no other option beyond using a giant bat to kill those who he feels has betrayed him.  Much as he would in Ed Wood’s Bride of the Monster, Lugosi brings an almost redemptive sadness to his mad scientist.

The end result is that poor, misunderstood and underestimated Bela elevates the entire film.

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