Back to School Part II #18: Not My Kid (dir by Michael Tuchner)


Not_my_kid

Not My Kid, a made-for-television from 1985, opens with 15 year-old Susan Bower (Viveka Davis) in a car with her friends.  They’re drunk.  They’re stoned.  They’re laughing.  And soon, they’re screaming as the driver loses control and the car ends up getting overturned!  (I’ve had that happen before.  It wasn’t fun but I survived with only a few cuts and bruises.)  Susan isn’t seriously hurt but, at the hospital, it’s discovered that she has alcohol and drugs in her bloodstream.

“NOT MY KID!” her father, surgeon Frank Bower (George Segal), declares.

“NOT MY KID!” her mother, Helen Bower (Stockard Channing, totally wasted in a thinly written role), agrees.

“Totally your kid!” her younger sister, Kelly (Christa Denton), says before then revealing where Susan hides her drugs.  This leads to Kelly getting beaten up by Susan and her drug addict boyfriend, Ricky (Tate Fuckin’ Donavon, decades before playing a hostage in Argo.).

Anyway, neither Frank nor Helen want to admit that Susan has a drug problem so instead, they go to see a smug family counselor who tells them that they are both being too hard on their daughter and that they need to just let Susan be Susan.  That sounds like a good (and easy) plan but then Susan runs away and disappears for two days.  After she’s finally found, stoned and hiding out in the family’s boat, her parents finally decide to send her to rehab.

The rehab is run by Dr. Royce.  Dr. Royce is played by Andrew Robinson and it took me a while to recognize him as being the same actor who played the Scorpio Killer in Dirty Harry.  Perhaps that explains why Dr. Royce came across as being such a creepy character.  As I watched this movie, I kept waiting for the big reveal where Dr. Royce would turn out to be a murderer or something.  That never happened, of course.  In the world of Not My Kid, the harsh and confrontational Dr. Royce is the only thing keeping the entire teenage population for shooting up heroin.

The majority of the film takes place at the rehab and it gets annoying pretty quickly.  This is one of those places where everything is done as a group activity.  Whenever someone says something, everyone in the group replies with, “We love you, so-and-so.”  When Susan doesn’t act properly ashamed of herself, the group gangs up on her.  “You’re a phony!” someone says.  “You’re full of crap!” another person adds.  “We love you, Susan,” the group chants.

AGCK!  Seriously, the rehab scenes totally freaked me out because it came across less like therapy and more like brainwashing.  I spent the entire movie waiting for Susan to escape and when she did, I was happy for her.  She may have been a self-destructive drug addict but at least wasn’t a mindless zombie like everyone else in the movie!  But then she ended up getting caught by her father and taken back to the rehab.

Meanwhile, her parents are going through therapy as well.  Again, it’s all group therapy.  When Frank tries to talk about how Susan’s behavior makes him feel, someone says, “You’re a phony!’  Another person adds, “You’re full of crap!”  And the group chants, “We love you, Frank.”  Okay, to be honest, I’m taking some dramatic license with the dialogue here but hopefully, you get the general idea.

I mean, seriously — I understand that I was supposed to be like, “Yay rehab!” while watching the movie but the rehab came across more like some sort of creepy cult.  It reminded me of both a Canadian film called, Ticket To Heaven and a Texas film called Split Image.  As I watched Not My Kid, I kept waiting for James Woods to show up as a cult deprogrammer.

Anyway, don’t worry.  Everything turns out well in the end.  This was a made-for-TV movie, after all.  Not My Kid is way too heavy-handed for its own good and it lacks a certain self-awareness.  On a more positive note, George Segal does a good job in the role of Frank.

You can watch Not My Kid below!

Back to School Part II #10: Grease (dir by Randal Kleiser)


Grease_ver2

When it comes to reviewing Grease on this site, the film and I have a long and twisted history.  There have been several times when I was tempted to review Grease but one thing has always stopped me:

I absolutely hate this film.

Grease is one of my least favorite films and, to be honest, just thinking about it causes me pain.  Just about everyone that I know loves Grease.  They love the songs.  They love the music.  They love the performances.  They want to see it on stage.  They want to see it on the big screen.  They watch every time it pops up on AMC.

Growing up as a theater nerd means being surrounded by people who love Grease.  I cannot begin to count the number of times that I forced to watch this movie in school.  So many theater teachers seemed to feel that showing Grease in class was some sort of reward but, for me, it was pure torture.  And the fact that I was usually the only one who disliked the film made the experience all the more unbearable.

Back in 2014, when I was doing the first set of Back To School reviews, I was planning on reviewing Grease.  But I just could not bring myself to voluntarily relive the film.  Instead of putting myself through that misery, I decided to watch and review Rock ‘n’ Roll High School instead.  It was the right decision and I stand by it.

Jump forward two years and here I am doing Back to School again.  And again, for some reason, I had put Grease down as a film to review.  It’s just a movie, right?  And yet, after I finished writing my excellent review of Animal House, I again found myself dreading the idea of having to even think about Grease.

So, I said, “Fuck this,” and I promptly erased Grease from the list and I replaced it with Skatetown USA.  Then I watched Skatetown and I’m glad that I did because that was an experience that I can’t wait to write about!  And yet, I still had this nagging voice in the back of my mind.

“You’re going to have to review Grease at some point,” it said, “If not now, when?”

The voice had a point.  However, I was soon reminded that there was an even more important reason to review Grease.  A little further down on my list of Back to School films to review was a little film called Grease 2.  How could I possibly review Grease 2 if I hadn’t already reviewed Grease?  My OCD would not allow it!

And so, here I am, reviewing Grease.

Grease, of course, is a musical about teenagers in 1958.  Danny (John Travolta) is in love with Sandy (Olivia Newton-John) and Sandy is in love with Danny.  But Danny’s a greaser and Sandy’s Australian!  Will they be able to work it out, despite coming from different worlds?  Of course they will!  Danny’s willing to dress up like a jock in order to impress Sandy while Sandy’s willing to wear black leather to impress Danny!  Yay!  They go together!  And they’ve got a flying car, too!  YAY!

Screen-Shot-2013-07-12-at-13.51.48

And then Satan arrived…

Of course, there’s other subplots as well.  For instance, Frenchy (Didi Conn) nearly drops out of school but she’s visited by Satan (Frankie Avalon) and he manages to change her mind.  And Rizzo (Stockard Channing) might be pregnant because Kenickie (Jeff Conaway) hasn’t bought any new condoms since the 8th grade.  Comparing the sensitive way that teen pregnancy was handled on a show like Degrassi: The Next Generation with the way it’s handled in Grease is enough to make you want to sing “O Canada” every day for the rest of your life.

Here’s what I do like about Grease: Stockard Channing is great as Rizzo, though it’s hard not to feel that she deserves better than a doofus boyfriend like Kenickie and a boring bestie like Sandy.  I also like You’re The One That I Want.  That’s a fun song.

But as for the rest of the movie … BLEH!  I mean, it is so BORING!  It takes them forever to get to You’re The One That I Want.  Olivia Newton-John is so wholesome that she literally makes you want to tear your hair out while John Travolta pretty much acts on auto pilot.  As for the supporting cast, most of them appeared in the stage production of Grease and they still seem to be giving stage performances as opposed to film performances.  They’re still projecting their lines to the back of the house.  Worst of all, it’s obvious that director Randal Kleiser had no idea how to film a musical because the dance numbers are so ineptly staged and framed that, half the time, you can’t even see what anyone’s doing with their feet.  If you can’t see the feet, it defeats the whole purpose of having an elaborate dance number in the first place!

So, no, I don’t like Grease.

Sorry, everyone.

However, I’m sure I’ll enjoy Grease 2….

Love you, Canada!

Love you, Canada!

Film Review: Safari 3000 (1982, dir. Harry Hurwitz)


Christopher Lee and Mini-Me

Christopher Lee and Mini-Me

Ever seen that episode of AVGN for Darkwing Duck on the TurboGrafx-16? It starts off with the Nerd going through numerous games that you know are bad just by the title. Moon Ranger, Kid Niki, Dudes With Attitude, Deathbots, and Mad Max for the NES. They’re clearly bad games, but there just isn’t enough material to work with for a proper episode of the show. Safari 3000 is the cinematic equivalent to those reject games. However, since I suffered through it, now you must hear about it. And yes, I borrowed that sentence from Necessary Roughness (1991).

As you can see from the picture above, Christopher Lee is in this with a mustache, leather outfit, and a Darth Vader helmet. Why the Darth Vader helmet? I have no clue. Why does this little guy follow him around? No clue, but he does jump off a building near the beginning of the film. Why? I found out there is a movie called Pterodactyl Woman from Beverly Hills (1997) today so I don’t even know how we still exist, let alone why he jumps off the building.

So what is Safari 3000 about? There’s some sort of race in Africa and several teams are going to compete. Christopher Lee and the little guy…wait, of course, it’s a reference to The Man With The Golden Gun (1974)! That’s also why his name is Count Borgia in order to reference the Hammer Dracula films.

Well, there are other teams. I saw one that is clearly supposed to be two Japanese guys, and another made up of Italians. There are also two ladies who are listed as the American Housewives team in the credits. I’d find it offensive, but it’s an apt description because at the beginning of the race they say that while their husbands go to Vegas, they go to race cars.

David Carradine and Stockard Channing

David Carradine and Stockard Channing

This movie gets to the race pretty quickly, which is good. Channing convinces her superior at Playboy to let her go to cover this race with Carradine as her driver. What follows is promising with some laughs. They get across a partially broken bridge with a little trick driving. A local African guy gets angry at them, pretends to be unable to speak English, then leaves them alone when they give him a fancy camera. Then he promptly turns around, perfectly describes the camera to his buddies, and takes a shot of of his friend.

Trick Driving

Camera!

Camera!

Smile!

Smile!

However, after that it just gets boring. The main problem is that there isn’t enough cutting between the different racers to get us excited or keep us engaged. Nor does enough happen to Channing and Carradine for us to feel them bond the way the movie wants us to believe they do.

In the end, you get a few laughs. You get to see some wildlife. Then the movie ends and you move on. In my case, to the next movie.

Winning, one way or another