Steve Smith | Through the Shattered Lens

The song is an anthem but the music video is widely considered to be one of the worst of all time. What happened to Journey when they gathered on a wharf in New Orleans and shot the video for Separate Ways (Worlds Apart)? Let’s break it down:

0:00 — The video starts with a shot of the Louisa Street Wharf in New Orleans. Where’s Journey?

0:03 — There, they are. But where are their instruments?

0:04 — Yes, Jonathan Cain is playing air keyboards.

0:08 — Journey has their instruments now so they look a lot less ridiculous. Still, Jonathan Cain will never live down those air keyboards.

0:21 — A woman in a black leather skirt walks down the wharf. The members of Journey jump out at her. This will prove to be a reoccurring theme throughout the video. The woman was played by a local girl named Margaret Olmstead.

0:35 — Again, Journey has lost their instruments and Jonathan Cain is forced to play air keyboards.

0:41 — If Steve Perry looks more annoyed than usual here, it is probably because he wasn’t happy while shooting this video. This was the first Journey video to have a “storyline,” as opposed to just being edited footage of the band performing. Perry was opposed to the idea. According to Cain, Perry said, “We’re performers, we’re entertainers, but we’re not actors.”

0:51 — Who has stolen Journey’s instruments?

0:54 — At this point, Jonathan Cain’s air keyboards are truly out of control. Is he playing an imaginary synthesizer or is he pretending to be a tiger stalking his prey? Your guess is as good as mine.

0:58 — Not only has Journey lost their instruments but Steve Perry has lost his sleeves.

1:13 — Eagle-eyed viewers will notice that Journey is performing in front of a mattress warehouse. This detail will pay off at the end of the video.

1:27 — At least Jonathan finally found his keyboards.

1:32 — The salesman who sold me my very first used car looked just like Ross Valory.

1:47 — The video was shot on a very cold morning. In between takes, Perry would rush into his camper to try to get warm.

1:57 — The shoot was also tense because of the presence of Perry’s then-girlfriend, Sherri Swafford. Swafford took an intense dislike to Margaret Olmstead and demanded that she be removed from the video.

2:22 — I worked in a warehouse one summer and I can tell you that one thing you never want to do is walk backwards through a maze of palettes.

2:29 — Do you think Steve Smith likes foosball?

2:34 — The members of Journey jumping back and forth and singing while Margaret ignores them is my favorite part of the video.

3:04 — What did they do to Steve’s drums?

3:37 — As if the video hadn’t already flown off the rails, here’s a few minutes of gratuitous slow motion.

4:15 — Say what you will about the video, no one could belt it out like Steve Perry.

4:18 — It was all a dream! That explains so much.

In 1999, MTV named this video as the 13 worst video of all time.

Enjoy!

Do you remember when Chris Brown performed The Man In The Mirror at the 2010 BET Awards? It was during a tribute to Michael Jackson and Brown broke down crying while singing the song. Afterwards, he accepted an award and he said, “I let you all down before, but I won’t do it again. I promise you.”

This, of course, was about a year after Brown had pled guilty to physically abusing Rihanna. I remember being on twitter during Brown’s performance and seeing literally thousands of tweets from people talking about how brave Chris Brown was and how amazing his performance had been. Chris Brown was looking at the man in the mirror and asking him to change his ways. Chris Brown was promising not to let anyone else down by nearly killing any future girlfriends. A lot of people on twitter claimed this was amazing. I thought it was disgusting and I tweeted out my opinion. I really didn’t give a fuck if Chris Brown was asking the man in the mirror to change his ways. The man in the mirror was (and is) an abusive asshole. The man in the mirror beats women. The man in the mirror is not capable of changing his ways. “FUCK THE MAN IN THE MIRROR!” I tweeted.

And, oh my God, the reaction my little twitter rant inspired. What was especially disturbing was that the majority of people who tweeted me in Brown’s defense were other women. Yes, they all agreed, Chris Brown had beat Rihanna but he admitted what he had done, he was asking the man in the mirror to change his ways, and hey, Rihanna probably deserved it.

My favorite excuse — and this was used by quite a few of Brown’s defenders — was this: “Only God can judge Chris Brown.” Well, you know what? I asked God and he says Chris Brown’s an abusive asshole.

I’m tempted to say that it amazes me that Chris Brown still has fans but actually, it doesn’t. Sadly, when it comes to a celebrity, people are willing to make excuses for almost anything. If you ask most people, they’ll say that they’re against domestic abuse and they think abusers should suffer the worst punishment imaginable. But when the abuser is someone who they know (or, in the case of a celebrity like Chris Brown, someone who they feel they know), the excuses start. The equivocations are heard. The blame is assigned to everyone but the abuser. We start hearing bullshit about how people make mistakes and only God can judge.

In short, people are willing to talk but when it matters, they rarely act.

That’s also the theme of a powerful and sad movie called No One Would Tell. No One Would Tell was originally made for television in 1996 and it still shows up fairly regularly on Lifetime. Though the names and certain details have been changed, it’s based on a true story. In fact, the film feels like it’s based on several true stories. The plot of No One Would Tell is one that has occurred and continues to occur on far too regular of a basis.

Stacy Collins (played by Candace Cameron, before she added the Bure to her name) is a 16 year-old high school student. She’s quiet, shy, and insecure. When she first starts to date a popular jock named Bobby Tennison (Fred Savage), it seems like a dream come true. But soon, Bobby starts to show another side. He’s controlling and possessive. He grabs her wrist hard enough to leave bruises. He shoves her into a wall when they have an argument. When she wears a skirt that he thinks is too short, he grabs her in the school hallway and demands that she change immediately. When she isn’t home to answer his calls, he assumes that she most be cheating on him. And, when she finally breaks up with him, he kills her.

What’s infuriating is that, throughout the film, Bobby’s abuse is witnessed by all of his and Stacy’s friends. Everyone sees him push her. Everyone sees the bruises. Everyone knows that Bobby is unstable and that Stacy is afraid of him. And yet, nobody says a word. Nobody does a thing. Instead, they just make excuses for Bobby’s behavior. Some of them even blame Stacy. No one is willing to get involved and it eventually costs Stacy her life.

For a TV movie from the mid-90s, No One Would Tell holds up surprisingly well. Admittedly, Fred Savage overacts in the role of Bobby (and maybe it would have been better if the role had been played by Eric Balfour, who appears as Bobby’s best friend) but Candace Cameron does a perfect job as the tragic Stacy, capturing both her insecurity and her vulnerability. Some of the film’s best moments are the ones shares by Cameron and Michelle Phillips. In those scenes, we see how Stacy learned how to make excuses for Bobby’s behavior from watching the way that her mother made excuses for the men who similarly abused her. No One Would Tell is a powerful film, one that offers an unflinching look at abuse and one that dares to demand that its audience take a stand.

No One Would Tell is a film that should be watched by anyone who thinks that the man in the mirror can change his ways.