Song of the Day: Neverending Journey (by Uematsu Nobuo)


“Neverending Journey” by Nobuo Uematsu from Lost Odyssey is one of those tracks that just pulls you right into the game’s vibe without trying too hard. It kicks off super chill with soft strings and light woodwinds, creating this mellow, reflective mood like you’re wandering through old memories that won’t fade. The orchestral start feels patient and open, giving every note space to settle in before things pick up.

Then comes that smooth shift where the electric guitar riffs crash in — bold, distorted, and full of grit, but it flows naturally from the gentle opening. It’s like Uematsu’s flipping the switch from quiet nostalgia to raw determination, blending classical swells with rock edge in a way that screams the game’s themes of endless struggle. The guitar doesn’t steal the show; it amps up the emotion, turning introspection into something with real forward drive.

That mix is why the track sticks with you — Uematsu nails the immortal wanderer’s paradox, weary but unbreakable. From serene strings to guitar-fueled resolve, it captures Kaim’s story perfectly, making you feel the weight and hope of a journey with no end. It’s a standout that proves game music can hit as deep as any epic soundtrack.

Song of the Day: Alicia ( by Louis Testard feat. Alice Duport-Percier)


“Alicia” from the Clair Obscur: Expedition 33 soundtrack hits with this quiet emotional force that sneaks up on you. Louis Testard’s composition feels intimate, almost fragile at first, built around a slow progression that flows between melancholy and solace. When Alice Duport‑Percier’s voice comes in, it feels less like a vocal performance and more like a memory being sung—gentle, human, and full of warmth that complements the game’s painterly atmosphere. The track doesn’t tell you what to feel; it just leaves space for you to find your own emotions in it.

What stands out most to me is how balanced it feels—Testard’s score never overwhelms. Every instrument breathes, giving Duport‑Percier’s voice that clear space to bloom. The music grows patiently, moving from soft contemplation toward a kind of quiet hope, like someone lifting their eyes after a long, heavy silence. It’s the kind of composition where you can feel each breath behind the notes, and that subtle pacing mirrors the emotional rhythm of Clair Obscur beautifully.

By the time the last notes fade, “Alicia” leaves this lingering ache that’s hard to shake. It feels deeply personal—the kind of track that stays in your chest long after it ends. Testard and Duport‑Percier manage to craft something that transcends simple “game music”; it’s closer to a conversation between sorrow and serenity. It’s not just background—it’s the emotional pulse of the adventure itself.

Song of the Day: We Are One By Lydia


When the infamous epic Caligula was first released back in 1979, a disco version of Caligula’s love theme — We Are One — was also released as a promotional gimmick.

This song is so over-the-top, so blatantly exploitive, so insidiously catchy, and so totally inappropriate for so many reasons that become clear after you watch the film it was written for that it simply cannot be ignored.  To me, this song represents everything that makes the Grindhouse great.

(As well, I hope whoever was playing bass got paid extra…)

Song of the Day: Hooray for Santa Claus by Milton DeLugg and the Little Eskimos


Did everyone have a good Christmas?  Did everyone get everything that they wanted?

If the answer’s yes, you have one man to thank for that!

Hooray for Santy Claus!

(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!)