Shelby Leverington | Through the Shattered Lens

Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked. Sometimes, it’s because the competition too fierce. Sometimes, it’s because the film itself was too controversial. Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released. This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked. These are the Unnominated.

First released in 1980, The Long Riders is one of the many films to tell the story of the James/Younger Gang.

A group of former Confederate guerillas who became some of the most notorious bank robbers to roam post-Civil War America and who were based in Missouri, the brothers who made up the James/Younger Gang were hunted by the Pinkertons and beloved by the citizens who viewed them as being 19th Century Robin Hoods. Following a disastrous attempt to rob a bank in Northfield, Minnesota, the Younger brothers were captured by the government while Jesse and Frank James made it back to Missouri. Jesse was shot in the back by Bob Ford while Frank subsequently surrendered to authorities and made a good living on the lecture circuit.

The Long Riders tells the story of the gang, from their first encounter with the heavy-handed Pinkertons to the Northfield raid to Frank’s eventual surrender. Director Walter Hill both celebrates the legend of the James/Younger Gang while also emphasizing that all the members of the gang were also individual humans who had their strengths and their flaws. Hill emphasizes the idea of the gang being a group of post-war rebels, still fighting a war against a government that is more interested in protecting banks than looking after people. The Long Riders deconstructs the legend while also celebrating it.

The main thing that sets The Long Riders apart from other films about the James/Younger Gang is the fact that the brothers are played by actual brothers. David, Keith, and Robert Carradine plays the Youngers. Randy Quaid plays Clell Miller while Dennis Quaid assumes the role of the cowardly Ed Miller. Nicholas and Christopher Guest make a memorably creepy impression as Charley and Bob Ford. And finally, Jesse and Frank James are played by James and Stacy Keach. (The Keaches also worked on the film’s script). And while Stacy is definitely the more charismatic of the Keach brothers, the film makes good use of James’s rather stoic screen presence. While the rest of the gang enjoys the outlaw life, James Keach’s Jesse is rigid, serious, and ultimately too stubborn and obsessive for his own good.

Now, the casting might sound like a gimmick but it works wonderfully. When Clell chooses the gang over Ed, it carries an emotional weight because we’re watching real brothers reject each other. The comradery between the Carradines carries over to the comradery between the Youngers and it also informs their occasional rivalry with the better known James brothers. While it is Stacy Keach and David Carradine who ultimately dominate the film, every brother in the cast makes a strong impression. Also giving a memorable performance is Pamela Reed as a defiantly independent Belle Starr, who loves David Carradine’s Cole Younger but marries Sam Starr (James Remar). The knife fight between Carradine and Remar is one of the film’s highlights, as is the violent and disastrous attempt to rob the bank in Northfield.

The Long Riders is an exciting and ultimately poignant western but sadly, it received not a single Oscar nomination, not even for the stunning cinematography or Ry Cooder’s elegiac score. Fortunately, just like the legend of the James/Younger Gang, The Long Riders lives on.

Previous entries in The Unnominated:

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week’s episode finds Jonathan and Mark working as physical therapists!

Episodes 1.6 and 1.7 “One Fresh Batch of Lemonade”

(Dir by Michael Landon, aired on October 24th, 1984 and October 31st, 1984)

Deke Larson, Jr. (Ken Olandt) is a high school baseball star who is being watched by the scouts, much to the joy of his father, Deke, Sr. (Jim Haynie). The elder Deke was quite an athlete in his day and his house is still full of the trophies that he won through the years. Deke, Sr. was recruited to play professional baseball but he never made it out of the minor leagues. As a result, Deke, Jr. has spent his entire life being prepared to do what his father never accomplished.

However, that dream comes to an end when Deke, Jr. has a motorcycle accident and is hit by a truck that is being driven by Richie Halbertson (Bart Conner), a gymnast who attends a rival high school. As a result of the accident, Deke, Jr. loses both his legs. Now, he spends his time at a rehab clinic, consumed by his own bitterness.

Jonathan and Mark are the clinic’s newest physical therapists. While Jonathan tries to get Deke, Jr. to accept his condition and forgive Richie, Mark tries to talk to Deke, Sr. With the help of a quadriplegic law student named Scotty (James Troesh), Deke, Jr. starts to realize that it’s better to focus on what he has instead of obsessing on what he’s lost. Deke, Jr. starts to recover from his bitterness and soon, he’s even being nice to the classmate (Samatha Paris) who has a crush on him. But when Jonathan suggests that Deke, Jr. could still compete as gymnast, will Deke, Jr. be able to accept being trained by Richie Halbertson? And will Deke’s parents be able to set aside their own anger to support their son?

If you answered no to any of those questions, you’ve obviously never seen this show before.

This two-parter is pretty much the epitome of a typical Highway to Heaven episode. It’s earnest, heartfelt, well-intentioned, and there’s isn’t a moment of cynicism to be found. It’s the type of episode where Jonathan tells two snotty teenage boys that they shouldn’t park in a handicapped spot and, when the boys ignore him and go into a nearby bookstore, God turns their car upside down. (Plus, they get a ticket!) Even the episode’s title, which refers to the old-saying about making lemonade whenever life gives you lemons, pretty sums up Highway to Heaven‘s unapologetically positive outlook. At the same time, it’s also an episode that, because it is so earnest, won’t take anyone by surprise. If you can’t guess how this episode is going to end, I can only assume that you’ve never watched television or a movie before.

Predictable as it may be, it’s still an effective episode, largely because it is so unashamed of being sentimental and heartfelt. You do have to wonder just how exactly Deke, Jr. managed to become a competition-worthy gymnast in what appears to have just been a matter of weeks but still, this is a case where the good intentions make up for the rough spots.

Next week, Jonathan and Mark help an industrialist who thinks that he is King Arthur. Who does the grail serve?