Late Night Retro Television Review: CHiPs 4.15 “Ponch’s Angels: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch continues to train Melanie and Paula.

Episode 4.15 “Ponch’s Angels: Part Two”

(Dir by John Florea, originally aired on March 1st, 1981)

We pick up where we stopped last week.  A man and his girlfriend are stealing purses and wallets at the marina.  Three escaped convicts are in a deserted house and digging for buried treasure.  Ponch and Jon are having to train two new motorcycle cops, Paula (Barbara Stock) and Melanie (Trisha Townsend).  When last we checked in, Ponch was kissing Melanie.  This episode opens with Ponch telling Melanie that they can never kiss again.

Ponch and Baker continue to train Paula and Melanie.  Ponch decides to switch with Baker.  He trains Paula while Baker works with Melanie.  But then almost the entire highway patrol comes down with the flu and, when Baker is put in charge while Getraer recovers at home, Ponch finds himself to work with both Paula and Melanie.  Once again, it’s all on Ponch because it’s The Ponch Show!

It’s all a bit exhausting to try to keep up with, to be honest.  Ponch and Baker spend this episode wondering whether or not women actually could handle being motorcycle cops.  Baker especially seems to be confused at the idea of a woman driving a motorcycle.  One gets the feeling that Ponch is just mad because he knows he’ll get fired if he tries to make a move on either woman.  Almost this entire episode is made up of Ponch trying to keep track of who is riding with who.

Luckily, Paula and Melanie prove themselves by catching the purse snatchers and also helping to catch the escaped convicts.  Good for them!  At the end of the opposite, they toss their motorcycle helmets in the air and leap for joy.  The picture freezes while Ponch and Baker have a good laugh.

I was not surprised to read that this episode was meant to be a backdoor pilot for a Paula/Melanie show.  Stock and Townsend were both likable and they acted well opposite each other so I could actually imagine them starring in a fairly entertaining series.  It didn’t happen, though.  Maybe the network felt that Ponch and Jon didn’t need the competition.

This was an okay episode of The Ponch Show.

Late Night Retro Television Review: CHiPs 4.14 “Ponch’s Angels: Part 1”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch protests having to do his job.

Episode 4.14 “Ponch’s Angels: Part 1”

(Dir by John Florea, originally aired on February 28th, 1981)

It’s a busy week for the Highway Patrol!  The marina is full of tourists and carnival-goers.  A group of escaped convicts are trying to get out of town.  A man and his partner are stealing purses.  But all of that pales in comparison to what Jon and Ponch are having to do.

Jon and Ponch are having to train rookies!

Even worse, from their perspective …. the rookies are women!

Ponch protests when he’s given the assignment to train enthusiastic and blonde Melanie Mitchell (Trisha Townsend).  He tells Getraer that Melanie is attractive and that Getraer knows what happens when Ponch gets around attractive women.  Getraer replies that he wants Ponch to train Melanie precisely because Ponch has so many girlfriends.  A man with many girlfriends will be less likely to be tempted.  Okay, Getraer, that’s interesting logic….

And it turns out that Getraer doesn’t know what he’s talking about because this episode ends with Ponch and Melania passionately locking lips.  “TO BE CONTINUED” flashes on the screen so I guess we’ll get to the disciplinary hearing and the subsequent lawsuit next week.

As for Jon, he trains Paula Woods (Barbara Stock), who is as cool and reasonable as Melanie is enthusiastic and impulsive.  Paula tries to flirt with Jon but Jon keeps it all business because Jon is capable of actually doing his job in a professional manner.

What’s odd about this episode is that it’s called Ponch’s Angels, even though Ponch is only training one of the new motorcycle cops.  This season, even the episode titles were all about erasing Jon Baker!

Anyway, as I mentioned, this is the first part of a two-parter.  Apparently, this episode was actually a backdoor pilot for a series that would have focused on Melanie and Paula and it’s easy to see that Melanie was created to be another Ponch while Paula was created to be a female Jon.  Next week, we’ll see if Paula and Melanie can make use of the lessons they were taught by Jon and Ponch.

Late Night Retro Television Review: CHiPs 4.12 “Home Fires Burning”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

It’s arson and basketball on CHiPs!

Episode 4.12 “Home Fires Burning”

(Dir by Charles Bail, originally aired on February 1st, 1981)

Two arsonists (David Hayward and Michael Cavanugh) are setting RVs on fire as a part of an insurance scam.  One man (Jack Kruschen) who hires the arsonists is horrified when their carelessness leads to a security guard getting seriously injured.  If the guard dies, the man is looking at serious jail time!  (Luckily, the guard doesn’t die and apparently, everyone just forgets about sending his boss to jail.)

Luckily, Baker is there to help track the arsonists down.  Ponch, on the other hand, is busy putting together a Highway Patrol basketball team.  It’s hard not to notice how much time the Highway Patrol spends on stuff like basketball, dirt bike competitions, and drag car racing.  Somehow, Ponch has gone from being the department’s screw-up to now being the guy who is automatically given all of the responsibility.  It’s the Ponch Show and everyone knows it.

This episode was directed by veteran stuntman Charles Bail and it does have some spectacular stunts.  (A car jumping through an exploding RV was my favorite.)  And let’s be honest.  I could sit here and spend hours talking about CHiPs became the Ponch Show during the fourth season and how the rest of the cast was underutilized.  And I would be totally correct.  But the stunts and the car crashes are the main appeal of this show and this episode featured several examples of each.

As such, this was a good episode.

Late Night Retro Television Review: CHiPs 4.11 “11-99: Officer Needs Help”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch fixes everything.

Episode 4.11 “11-99: Officer Need Help”

(Dir by Phil Bondelli, originally aired on January 18th, 1981)

Three criminals are stealing trucks from a trucking company.  One of the criminals works for the company but he gets fired, not for his thievery but because he accidentally put a cate of corrosive chemicals on the wrong truck.  Now, the highway patrol has to track down the chemicals and also stop the criminals.

It’s a typical episode of CHiPs.  A man loses his job after he’s wrongly accused of being the thief.  The man’s son (Greg Bradford) helps Jon and Ponch catch the real criminals.  There’s a subplot about all of the members of the high patrol carrying a new device that sends out of a signal whenever an officer’s down.  Grossman accidentally pushes the button while chasing a lost dog.  The emphasis here is on everyone working together and the Highway Patrol going out of their way to always have the best equipment to do their job.  In the end, this is such a typical episode that the whole thing is kind of boring.

Really, for me, the only interesting thing about this episode is that it featured a subplot about a new police dispatcher who spoke with a stammer and who had trouble sending out instructions over the radio.  I had a lot of sympathy for Kathie Lark (Katherine Moffat) because I had a pretty pronounced stammer up until I was about twelve years old.  (It now only comes out if I’m extremely tired or stressed.)  That said, considering just how important the dispatchers are when it comes to the Highway Patrol, I was a bit surprised that Kathie got the job in the first place.  Kathie mentioned that she had previously been a dispatcher in a small town and again, I wondered how she got that job.  To me, it seemed like the Highway Patrol was basically setting Kathie up for failure.

The good thing is that eventually someone gives Kathie some advice that helps her to overcome her nervousness and become an excellent dispatcher.  Do you want to guess who gave her the advice?  Seriously, I dare you to guess who, out of the show’s cast of characters, magically knew exactly the right thing to say to help Kathie out.  If you’re thinking that Ponch was responsible for Kathie becoming a badass on the airwaves, you are exactly right!  Is there no problem that Ponch can’t solve?  Ponch’s advice, by the way, was that Kathie should always imagine that she was speaking directly to him.  The next time that I find myself tripping over a word that starts with B, I’ll try the same thing.

It’s the Ponch Show!  Seriously, there’s nothing that Ponch can’t do!  Beyond that, this was a boring episode.  The California scenery was nice to look at but otherwise, this episode felt like CHiPs on autopilot.

Late Night Retro Television Review: CHiPs 4.10 “Forty Tons Of Trouble”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, two sets of thieves cause trouble!

Episode 4.10 “Forty Tons Of Trouble”

(Dir by Gordon Hessler, originally aired on January 11th, 1981)

A group of criminals is stealing equipment from construction sites and selling it on the black market.  An attempt to steal a loader leads to it rolling down a Los Angeles street until Baker is able to jump onto it and crash it into a (hopefully) abandoned building.  Getraer points out that Baker just destroyed a building.  Baker shrugs and says he’s always wanted to do that.

A different group of criminals is stealing parts for their drag racer.  The CHiPs have their own car entered into the drag races.  Of course, it’s driven by Ponch.

After two accidents on the highway and several chases, Baker and Ponch (but mostly Ponch) capture the bad guys.  Paula Kohl (Mary Louise Weller), the owner of Kohl Construction, appreciates the efforts of Baker and Ponch (but mostly Ponch).

In other words, this was a typical episode of CHiPs.  Still, it’s memorable because of the supporting cast.  Amongst the construction site thieves is Robert Englund.  Englund thinks that Sarge (Taylor Lacher) is taking to many risks when it comes to trying to steal loaders and bulldozers but Sarge is like, “I got it under control.”  Meanwhile, amongst the drag race thieves, is Chris Mulkey.  Mulkey doesn’t get to do much but he does get two scenes where he smirks at Ponch.  Sadly, both characters end up getting arrested during this episode but have no fear.  Robert Englund went on to play Freddy Krueger.  Chris Mulkey went on to play the sleazy but strangely likable Hank Jennings on Twin Peaks.

As for the rest of the episode — hey, I don’t ask for much from CHiPs.  As long as there’s a good crash scene and a lot of cool cars, I’m happy.  This episode delivered.  One could ask why Ponch is always the one who gets to do the cool things, like driving in the race and taking Paula out on a fancy date.  Earlier seasons usually tried to portray Ponch and Baker as being equals.  This season, though, has clearly been The Ponch Show.  It’s a legitimate criticism but …. eh.  Sometimes, you just want to watch a chase or two.

 

Late Night Retro Television Review: CHiPs 4.9 “Crash Course”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

A recently released thief and a bank error are no match for the smiley charisma of Erik Estrada!

Episode 4.9 “Crash Course”

(Dir by Phil Bondelli, originally aired on January 4th, 1981)

Former getaway driver Sonny Matson (Don Stroud) has just been released from prison and he’s fallen back into his old habits.  Everyday, he steals a different car and then robs a different business.  His crimes are getting progressively more bold and Baker is determined to catch him.

Meanwhile, Ponch notices that he has an extra $4,000 in his bank account.  Trying to do the right thing, Ponch reports the discrepancy.  The bank accidentally drains all the money from his account.  With his checks bouncing all over town, Ponch tries to get the bank fix their error.  Good luck with that, Ponch!  Luckily, when one of Sonny’s associates tries to rob the bank, it gives Ponch a chance to play the hero….

It’s The Ponch Show!  Baker may be the one with a personal stake in capturing Sonny but Ponch is the one with big grin and the majority of this episode’s screentime.  Whether he’s thwarting a bank robbery or recruiting all of his co-workers to help him find proof of the bank’s error, Ponch dominates.  Poor Baker.

The best thing about this episode was Don Stroud’s performance as Sonny Matson.  Stroud played a lot of low-level criminals over the course of his career.  With his quick but unfriendly smile, his paranoid eyes, and his cocky attitude, Stroud is actually rather intimidating as Sonny.  Whenever Stroud is onscreen, CHiPs actually feels a little bit dangerous!  That this episode was memorable was largely due to Don Stroud and the hideous 70s decor of Ponch’s bank.  Tacky and dangerous, that’s our CHiPs!

Late Night Retro Television Review: Good Morning, Miss Bliss 1.5 “Parents and Teachers”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, Miss Bliss almost becomes Zach’s stepmother.

Episode 1.5 “Parents and Teachers”

(Dir by Gary Shimokawa, originally aired on December 28th, 1988)

It’s parent-teacher week!  Lisa worries that her parents are going to find out that she wears makeup to school.  Miss Bliss promises not to tell them.  Mr. Belding worries that the parents are going to start telling principal jokes so, when he hears a few, he apparently tells a ribald joke about Gumby.  (We don’t get the full details.  Milo says that it involved a side of Pokey that he’d rather not think about …. GOOD GOD, WHAT THE HELL DID BELDING SAY!?)

Miss Bliss is shocked when one of the parents turns out to be Peter (Robert Pine, the sergeant from CHiPs and Chris’s father), a charming man that she met during a singles retreat.  It turns out that Peter is Zach’s father….

Wait, what?  Anyone who has ever watched Saved By The Bell knows that Zach’s parents are not divorced and that his father is Derek Morris, a bearded computer salesman who played baseball in college and who grounded Zach for drinking too much at a senior party.  Who the Hell is this Peter Morris character?  I guess, when Zach moved to California, he got a new father as well.  Maybe Derek Morris was actually his stepfather and the whole reason he moved to California was because his mother remarried.  But why would he bring Lisa. Screech, and Belding with him?

I don’t know.   It’s questions like this that haunt me about the Miss Bliss episodes of Saved By The Bell.  Maybe I’m overthinking this.  Afterall, the only reason why the Good Morning Miss Bliss episodes are considered canon is because they were later added to the Saved By The Bell syndication package with newly shot scenes of Zach saying, “I remember when I was in junior high….”  Really, the simplest answer to all of my questions is that the producers of Saved By The Bell just didn’t care.  They didn’t care about continuity or anything else.  In those pre-Internet days, they thought they could get away with forcing the Miss Bliss episodes into the SBTB universe.  That’s the solution that makes the most sense but I’m a continuity person.  This is going to bother me for the rest of my life, I can tell already.

Anyway, Zach is not happy that Miss Bliss is dating his father.  Quite frankly, I’m not happy about it either.  As a condescending know-it-all, Miss Bliss is already annoying enough without having an active social life.  Fortunately, the relationship doesn’t last.  Zach skips school and, when Miss Bliss catches him, she realizes that it’s simply unethical to date the father of one of her students.

“What if I send Zach to Switzerland?” Peter asks.

Gee, Peter, what if we call Child Protective Services on your ass?  How would you like that?  Seriously, the main message of this episode seems to be that Zach has a terrible father and Miss Bliss has terrible judgment.

Zach is really lucky he got out of Indiana.

Late Night Retro Television Review: CHiPs 4.8 “Wheels of Justice”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, not Ponch can smile his way out of the darkness.

Episode 4.8 “Wheels of Justice”

(Dir by Gordon Hessler, originally aired on December 21st, 1980)

The streets of Los Angeles are dangerous in this week’s episode.

Stan West (Basil Hoffman) is a reckless driver who is constantly causing accidents by driving too fast and making unsafe lane changes.  He gets away with it because he keeps changing his name.

Arthur Holmes (Joshua Bryant) is a drunk who Jon and Ponch have pulled over several times.  Arthur gets away with it by claiming, after every accident, that his wife was the one driving,  Denise (Christine Belford) goes along with it, even though she hates the fact that she’s enabling her husband.

A group of cheerleaders drive around and do their cheers while driving!

Finally, a gas leak at the hospital leads to all the newborn babies being loaded into an ambulance for transport.  When the ambulance is side-swiped by Stan, the babies end up at the station.  Getraer gives everyone a lesson on how to properly soothe a crying baby.  It’s cute but it’s also so manipulative that it leaves you feeling oddly used.  But, hey, at least it’s cute!

This episode of CHiPs took a serious turn towards the end when the drunk driver swerved to avoid the cheerleaders and the end result is that his wife was thrown from the car and killed.  When the car was shown crashing in slow motion, the wife’s mannequin actually fell out of the car.  While I imagine that was probably not planned, it still created a memorably macabre image.  In the end, Arthur ends up sobbing while Denise lies dead just a few feet away from him.  That’s a pretty dark ending for an episode of CHiPs.  Not even a quick scene of the officers holding the babies could change the fact that this was a really downbeat episode.

And you know what?  There’s nothing wrong with that.  Driving drunk is selfish, stupid, and dangerous and CHiPs deserves some credit for not holding back.

Late Night Retro Television Review: CHiPs 4.7 “Satan’s Angels”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Bonnie is taken hostage!  It’s good thing Ponch exists because you know no one else on this show is going to able to rescue her.

Episode 4.7 “Satan’s Angels”

(Dir by Phil Bondelli, originally aired on December 14th, 1980)

When confronting a group of outlaw bikers who are harrassing a teenager (Heather Locklear, in her screen debut), Bonnie is kidnapped!  Reno (John Quade) manages to snap her own handcuffs on her wrists and then drags her to a cabin owned by Stan (William Smith) and his wife (Candice Azzara).

Can the Highway Patrol find the cabin?  The cabin is in the mountains it might not be easy to locate.  It’s a good thing that Ponch and Jon just happen have those motorized hang gliders!   It’s California living to the rescue!  Needless to say, Ponch and Jon (but mostly Ponch) are able to swoop in for the rescue.

This episode didn’t do much for me but then again, episodes about hostage situations rarely do.  Once a character is taken hostage, it pretty much causes the action to slow down to a crawl.  There’s only so many times you can listen to someone being told not to even think about escaping before it gets kind of boring.  This episode did feature the great villainous character actor, William Smith.  It had that going for it.  But, otherwise, the episode itself moved very slowly and it didn’t help that Bonnie herself was required to make a lot of very stupid mistakes so that she could be kidnapped in the first place.  When a show’s storyline depends on a previous competent person suddenly being amazing incompetent, it’s an issue.

This episode’s b-plot featured Getraer’s very pregnant wife continually going the hospital, just to discover it was a false alarm.  Getraer’s wife was played Gwynne Gilford who was (and is) married to Robert Pine.  Their son, Chris Pine, was born a few months before this episode aired.

Retro Television Review: The Love Boat 6.10 “The Man In The Iron Shorts/The Victims/Heavens to Betsy”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a woman struggles to forgive the son of a man who killed her husband.  Two women and a reverend try to balance attraction with the questions of faith.  And Gopher gets stuck in a suit of armor….

LOVEExciting and new!

Episode 6.10 “The Man In The Iron Shorts/The Victims/Heavens to Betsy”

(Dir by Jerome Courtland, originally aired on November 27th, 1982)

Gopher’s latest girlfriend, Gail (Taylor Miller), is on this week’s cruise.  She’s a history teacher and Gopher decides that the best way to impress her would be …. okay, I can’t believe I’m about to type this …. buy a suit of armor and surprise her by wearing it on the boat.  With Isaac’s help, he puts on the armor but — oh no! — he gets stuck in the armor.  He has wear his purser’s uniform over the armor.  The captain notes that Gopher has gained some weight and puts him on an exercise program….

There have been a lot of silly plotlines on The Love Boat but none as silly as this.  The problem is that it never makes sense that Gopher would have a suit of armor in the first place.  There a lot of presents that you can give someone who loves to study and talk about history.  I know this because I’m a history nerd myself.  A suit of armor, though, requires a bit too much of a suspension of disbelief,  It goes from being silly to being just stupid.

It also doesn’t fit in with the episode’s other big storyline, in which Webb Jones Jr. (Laurence Lau) fell in love with Vanessa Heinsely (Denise Miller).  The only problem is that Webb’s father was the drunk driver who killed Vanessa’s father.  Vanessa’s mother (played by Ruth Warrick) struggles to forgive Webb for the sins of his his father.  Luckily, Captain Stubing — a recovering alcoholic himself — is there to help.  This was a serious story about a serious subject and all of the actors handled it well.  But it seemed out-of-place when  mixed with scenes of Gopher trying to hide the fact that he was wearing a suit of armor.

Finally, Janine Turner and Sharon Gabet played two women who had a crush on a reverend (Robert Pine, the sergeant from CHiPs.)  Robert Pine was charming but it was hard not to feel as if Julie needed the reverend more than the two women.  At the very least, he could have gotten her off the cocaine and maybe he could have even convinced her to do something about her hair.

(Seriously, Julie’s hair has looked terrible this season!)

The good news is that Gopher eventually got out of that suit of honor and Vanessa and Webb managed to find love.  Even an uneven episode of The Love Boat usually has a happy ending and really, that’s all I want.