Made-For-TV Horror: The Initiation of Sarah (dir by Robert Day)


Oh, poor Sarah.

Sarah (Kay Lenz) is attending college with her sister, Patty (Morgan Brittany).  Patty is pretty and popular and everyone wants to be her friend.  Sarah is withdrawn and a bit moody and people seem to go out of their way to avoid her.  Sarah, however, has a secret.  She can move and break things with her mind.  When a guy on the beach tries to force himself on Patty, Sarah uses her powers to push him away.  Later, when Sarah’s upset, she stares at a mirror until it cracks.

When Patty and Sarah visit their mother’s old sorority, Patty is a hit but Sarah is less popular.  The bitchy president of the Sorority, Jennifer Lawrence (Morgan Fairchild), is happy to invite Patty to join but she doesn’t want Sarah to be anywhere near her.  Sarah ends up joining the outcast PDE sorority.  Jennifer, however, remains obsessed with humiliating and destroying Sarah.  And Sarah, when she gets angry, has a tendency to cause things to happen….

This film, which aired in 1978, probably sounds like a rip-off of Carrie and, in many ways, it is.  For whatever reason, Sarah’s bullies seem to be obsessed with making her as miserable as possible.  In Carrie, one reason you hated the bullies was because Sissy Spacek gave such a heart-breaking, vulnerable and empathetic performance as Carrie White.  The bullies were terrible to begin with but then to pick on someone as fragile as Carrie?  It sucked William Katt had to die but there’s still a reason why the prom inferno makes as many people applaud as scream.  In The Initiation of Sarah, Kay Lenz is not particularly sympathetic as Sarah.  Even before the bullies start picking on her, Sarah comes across as being angry and bitter about …. well, everything.  Patty goes out of her way to take care of her sister but Sarah never seems to appreciate it.  Bullies still suck, of course.  There’s no excuse for being a bully and Jennifer really does go overboard when it comes to going after Sarah.  But Sarah herself still doesn’t necessarily come across as being someone you would want to join your sorority.

What sets The Initiation of Sarah apart from other Carrie rip-offs is the character of Mrs. Hunter (Shelley Winters).  Mrs. Hunter founded PDE when she was a student and now, as the school’s resident expert on paganism, she’s the housemother of PDE.  As soon as Sarah joins, Mrs. Hunter starts to talk about how Sarah is destined to lead PDE to glory.  When another member of PDE, Mouse (Tisa Farrow), takes a look in Mrs. Hunter’s room, she discovers a Satanic altar that is guarded by a fierce looking dog….

That’s right!  This isn’t just a rip-off of Carrie.  It’s a rip-off of The Omen as well!

Kay Lenz might be a bit on the dull side as Sarah but this film is worth watching for the performance of Morgan Fairchild and, especially, Shelley Winters.  As played by Fairchild, Jennifer is more than just a bitch.  She’s a sociopath with great hair.  Meanwhile, Shelley Winters — especially once the 70s started — was never a particularly low-key or subtle actress.  When you cast her as an overbearing housemother who happens to be the high priestess of a cult, you know that you’re going to get something worth watching.  Winters attacks the role with a ferocity that is occasionally over-the-top and almost funny but always entertaining.

The Initiation of Sarah is an enjoyable made-for-TV movie.  Watch it the next time you’re feeling nostalgic for college life.

Retro Television Review: In Broad Daylight (dir by Robert Day)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s In Broad Daylight!  It  can be viewed on YouTube.

Tony Chappel (Richard Boone) is an actor who has just recently lost his sight as a result of an accident.  Released from the hospital, Tony struggles to adjust to living in a world without his vision.  When one cab driver says to him, “Didn’t you used to be Tony Chappel?,” he flinches as he realizes that his career as a famous actor is now considered to be over.  One day, he comes home early and overhears his wife (Stella Stevens) fooling around with his lawyer and “best friend” (Fred Beir).  Tony promptly decides to murder his wife and frame his friend for the crime.

Tony decides to use his acting skills to his advantage.  He memorizes the the area around him so that he can make his way through it by memory.  He puts on a fake beard, speaks with Greek accent, and makes a point of carrying a camera with him.  He starts taking public transportation and going out of his way to be talkative and social  Everyone that he meets, he tells them about how he’s been taking pictures of the city and how he can’t wait to see how they come out.  When his wife is eventually murdered, the police receive a reports of a mysterious Greek man, one who was definitely not blind, in the area.  However, Lt. Bergman (John Marley) has his doubts and comes to suspect that Tony is the killer.

In Broad Daylight was made from an early script written by Larry Cohen, who would later go on to direct films like God Told Me To.  It’s a clever script, one that sets up an intriguing premise and which ends on a properly twisty and satisfactory note.  The film works because it is as much of a character study as a thriller.  Tony’s wife not only cheats on him but also betrays him at the moment when he needs her and his friends the most.  Tony has gone from being a movie star to being a man who can barely walk from one room to another.  He’s already angry.  Discovering that his wife is laughing at him behind his back is the last straw.

Larry Cohen reportedly felt that Richard Boone was miscast as Tony.  I felt that Boone did a pretty good job, even if he did overact a bit while Tony was trying to convince everyone that he was a Greek tourist.  Stella Stevens is perfectly cast as his wife and Suzanne Pleshette is sympathetic as his nurse.  Godfather fans will be happy to see John Marley not having to deal with a horse’s head but instead playing the clever detective who attempts to solve the murder.

In Broad Daylight is a clever and entertaining thriller and character study.

Horror On TV: Ghost Story 1.13 “Time of Terror” (dir by Robert Day)


Tonight’s episode of Ghost Story stars Patricia Neal as a woman who wakes up one morning in a hotel and discovers that her husband is missing.  She’s told that her husband checked out without her but no one will give her a straight answer as to where he went.

This episode was written by Jimmy Sangster, who also wrote several Hammer films.  It originally aired on December 22nd, 1972.

Horror On TV: Ghost Story 1.11 “Touch of Madness” (dir by Robert Day)


On tonight’s episode of Ghost Story, Lynn Loring plays Janet.  Janet has inherited her mother’s house.  (Her mother died in a mental hospital.)  Janet is determined to fix up the house and her cousins (Rip Torn and Geraldine Page) are more than happy to help!  Or are they?

This is a pretty good episode, largely due to the fact that Rip Torn and Geraldine Page play the cousins.  Torn and Page were married at the time and they both appear to be having a blast playing their odd roles.  This episode reminds me a bit of Jess Franco’s A Virgin Among The Living Dead.  It originally aired on December 8th, 1972.

Enjoy!