Horror Film Review: The Haunting of Julia (dir by Richard Loncraine)


1977’s The Haunting of Julia (also known as Full Circle) opens with a truly horrifying incident.

Julia (Mia Farrow) is an American housewife who is living in London.  One morning, her young daughter Kate starts to choke on her breakfast.  The panicked Julia attempts to perform a tracheotomy (!) on her daughter.  It should be noted that Julia is not a doctor and her attempts to perform a difficult medical operation on her daughter do not go well.  In fact, Kate dies.  The traumatized Julia demands a divorce from her husband Magnus (Keir Dullea).  While Magnus is reluctant to actually sign the papers, he does agree to a separation.

Julia moves into a new home.  As soon as she moves in, strange things start to happen.  There are odd noises.  Appliances turns on by themselves.  At first, Julia blames Magnus but soon, she spots a girl who looks like Kate in a nearby park.  Julia runs after the girl, just to discover that she’s vanished.

Was the little girl Kate or is Julia seeing something else?  Julia starts to research the history of the house and even consults a psychic who, after conducting a seance, informs Julia that she should leave the house immediately.  The mentally fragile Julia refuses to leave the house, feeling that doing so would mean abandoning the spirit of her daughter.  Meanwhile, Julia’s acquaintances are turning up dead….

Based on a novel by Peter Straub, The Haunting of Julia is an atmospheric ghost story.  (While I haven’t read Straub’s original novel, the film version seems to be owe more than a little bit of a debt to Don’t Look Now.)  I think I was eleven years old when I first came across The Haunting of Julia airing on one of the local stations down in Shreveport.  I didn’t watch the entire film.  In fact, I only caught the final ten minutes and I had to watch the movie with the volume turned down very low because my mom didn’t like me watching horror movies.  In this case, my mom was probably correct because what I did see of The Haunting of Julia left me totally traumatized and scared to go to sleep.  No matter what else one might say about this film, it has an absolutely haunting and terrifying ending.  Trying to get that final image out of your head is not easy.

When I recently rewatched The Haunting of Julia on TCM, I discovered that it was still just as frightening as I remembered it being.  I also discovered that, for the most part, Julia is a remarkably unlikable character.  While Julia is not solely responsible for all of the terrible things that happen over the course of this film, it’s still hard not to wonder just how stupid you would have to be to try to perform a tracheotomy with no medical training.  Afterwards, it’s understandable that Julia’s in denial and one can understand how she convinced herself that Kate’s spirit was trying to contact her.  But it’s still hard not to feel that a lot of people end up dying because she’s essentially an idiot.  Mia Farrow gives a typically eccentric performance as Julia, one that suggests that she wasn’t all there before she accidentally killed her daughter.  The rest of the cast is full of dependable British character actors, all of whom bring the film to frightening life.  This is a film where you have more sympathy for the people around the main character than for the main character herself.

That ending still packs quite a punch.  Don’t watch The Haunting of Julia alone.

4 Shots From 4 Films: Executive Produced by George Harrison


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 77th birthday of my favorite members of the Beatles (not to mention The Traveling Wilburys), George Harrison.  Harrison died far too young but he left behind a legacy of music that is celebrated to this day and will still be celebrated long after the rest of us have moved on.

While everyone knows George from his music, what is often forgotten is that Harrison is also often credited with helping to revive the British film industry.  After the break-up of the Beatles, Harrison partnered with Denis O’Brien and formed HandMade Films.  At a time when British cinema was struggling both financially and artistically, Harrison served as executive producer for some of the best films to come out of the British film industry.  Harrison championed many talented British directors and he used his clout to get many otherwise difficult project produced.  It’s fair to say that, if not for his support, the members of Monty Python would never have been able to make the then-controversial Life of Brian, which is now widely regarded as one of the best British comedies ever made.

Today, on his birthday, here are four shots of four films executive produced by George Harrison.

4 Shots From 4 Films

Monty Python’s Life of Brian (1979, directed by Terry Jones)

The Missionary (1982, directed by Richard Loncraine)

A Private Function (1984, directed by Malcolm Mowbray)

Withnail and I (1987, directed by Bruce Robinson)

 

Lisa Cleans Out Her DVR: Wimbledon (dir by Richard Loncraine)


(Lisa is currently in the process of cleaning out her DVR!  It is probably going to take her forever.  She recorded the 2004 romantic comedy, Wimbledon, off of Cinemax on February 15th.)

I wish I could play tennis.

Actually, I guess it would be more correct for me to say that I wish I could play tennis well.  I mean, I can hold the racket and I can run around the court and I can hit the ball and sometimes, it goes over the net.  I can do all the yelling and the grunting and the jumping.  I’m pretty good at slamming my racket down on the court whenever I miss a shot.  I can play the game but I just can’t win.  I’m way too easily distracted and that’s a shame because I’ve been told that I look cute in a tennis skirt.

It’s not for lack of trying either!  There’s a tennis court a few blocks away from my house and I’ve challenged both my sister and my BFF to several matches.  And, every time, they have totally kicked my ass.  In fact, now that I think about it, the only time I’ve ever won a set was because my opponent was feeling sorry for me and they had such confidence in their own abilities that they didn’t mind throwing a game or two.

(For the record, I’ve been told that, if not for my boobs getting in the way, I would have a pretty good golf swing.  But I don’t play golf so there you go…)

Anyway, I may not be able to play tennis but that doesn’t mean that I can’t enjoy a movie about people I can.  I really like Wimbledon.  I mean — yes, it’s a totally predictable sports movie.  You know, as soon as you see the opening credits, that Kirsten Dunst and Paul Bettany are going to fall in love.  They’re the prettiest people in the movie so, of course they’re meant to be together!  And, as soon as you see Sam Neill’s name, you know that he’s going to be playing the well-intentioned but clueless authority figure who tries to keep them apart.  When James McAvoy’s name appears, you yell, “He’ll be Paul Bettany’s best mate!”  (Actually, he plays Paul’s eccentric younger brother.)  And as soon as Jon Favreau’s name appears, you’re like, “Comic relief!”

Of course, since the movie is called Wimbledon, you know that the movie is going to be about tennis and you know that Paul Bettany and Kirsten Dunst are going to be competing at Wimbledon while falling in love.  You know that one of them will make it to the finals while the other sits in the stands and provides emotional support.  It’s just a question of which one.

As I said, it’s all totally predictable and yet, that’s actually a part of the film’s appeal.  With the plot being so obvious, you’re freed up to just appreciate the film as a vehicle of movie star charisma.  Paul Bettany and Kirsten Dunst are two of my favorite actors and I think they’re both criminally underrated.  In Wimbledon, Bettany is playing the older, veteran tennis player, the one who is playing at his final Wimbledon before retiring.  When he falls in love with Kirsten, it gives him a renewed sense of focus and, for the first time, he finds that he actually has a chance to win it all.  Kirsten, meanwhile, is the up-and-coming star.  Her father (Sam Neill) worries that Kirsten’s relationship with Paul will distract her and keep her from playing her best and it turns out that he’s absolutely right.

Even if you haven’t seen the film, you know everything that is going to happen but that’s okay.  Kirsten Dunst and Paul Bettany have got a really likable chemistry.  You want things to work out for them.  You want both of them to win championships and eventually get married and have a pretty family.  Bettany, in particular, proves that he can make even the most clichéd of lines sound fresh and spontaneous.  Add to that, both Paul and Kirsten look adorable in tennis white and that’s really all that most people ask for when it comes to a film like this.

Wimbledon is an enjoyable and predictable movie, one that won’t leave you feeling depressed or questioning the meaning of existence.  It may not be perfect but it’s certainly likable and sometimes, that’s all you need.

Horror on the Lens: Full Circle (dir by Richard Loncraine)


For today’s horror on the lens,we have a film from 1977.  I recently watched this film very late at night and — OH MY GOD!  Seriously, I had nightmares for two nights straight!

Full Circle opens with the horrifying death of Kate (Sophie Ward), the daughter of Julia (Mia Farrow) and Magnus (Keir Dullea).  After Kate’s death, Julia and Magnus divorce and Julia moves into a new house.  However, she is haunted by visions of a little girl who looks just like Kate.  As well, the house is full of odd noises, creepy toys, and appliances that turn on by themselves.  Is Julia seeing the ghost of her daughter or something far more dangerous?

Full Circle is a truly haunting and disturbing haunted house film.  Mia Farrow gives a great performance as Julia and the entire film is dominated by a palpable atmosphere of dread.  And that final scene — AGCK!

http://www.youtube.com/watch?v=WQVrglbsjfQ