Horror Film Review: Willy’s Wonderland (dir by Kevin Lewis)


2021’s Willy’s Wonderland takes place in an dilapidated restaurant.

Back in the day, Willy’s Wonderland was the ideal place to go if you were young and celebrating your birthday.  The animatronic mascots would sing “Happy birthday” and maybe meet your parents.  Willy Weasel, Arty Alligator, Cammy Chameleon, Ozzie Ostrich, Tito Turtle, Knighty Knight, Gus Gorilla, and Siren Sara promised fun and cheesy entertainment to anyone looking for a nice family meal!

Unfortunately, people stopped going to Willy’s once it was discovered that the owner was a serial killer.  Jerry Robert Willis (Grant Cramer) and his seven friends were cannibals who regularly sacrificed families.  Eventually, the police caught up to him but, even under new ownership, no one wanted to eat at Willy’s.  There were rumors that Willis and his friends had transferred their souls into the animatronic figures but surely, that could not have been true!

Right?

Nicolas Cage plays a man with no name.  When his car breaks down, the local mechanic agrees to fix the car if the man agrees to spend the night as the janitor at Willy’s.  Apparently, it’s been a struggle to keep a night janitor at the place.  People find the location to be creepy and, of course, the animatronic mascots keep killing anyone dumb enough to try to mop the floors.  Cage’s man with no name silently agrees.  Everything that Cage does, he does without a word.  This is one of the rare films where Nicolas Cage, usually a champion talker, says absolutely nothing.

Now, I should mention that there actually is a plot to Willy’s Wonderland.  Liv (Emily Tosta) and her friends are trying to burn the place down because, years ago, Liv’s parents were murdered by the mascots.  Unfortunately, Liv and her friends aren’t that smart and they end up trapped in Willy’s Wonderland.  The majority of them quickly fall victim to the mascots.  The deaths are appropriately gruesome, though tinged with the dark humor that would come from essentially being killed by a knock-off version of Chuck E. Cheese.

But really, the plot isn’t important.  This film is entirely about Nicolas Cage, playing a man with no name.  Cage takes the janitorial job and, over the course of the night, he battles the mascots.  At the same time, he also makes it a point to continue to do his job.  Besieged or not, he agreed to clean the place up.  He takes his breaks and plays pinball exactly as scheduled, even if that means abandoning Liv and her friends.  Normally, you might think that this would be bad behavior on the part of Cage’s character.  Abandoning someone in the middle of a battle is not usually encouraged.  But Liv and her friends are very annoying.  Cage is ultimately the hero by default.  Yes, he’s fighting and killing the mascots but he’s really only doing it because they’re getting in his way while he’s trying to do his job.  The fact that he helps out Liv is largely coincidental.

Willy’s Wonderland proves that Cage doesn’t need a lot of lines to be the center of a film.  Even without speaking, he’s such a wonderfully eccentric presence that you can’t help but watch him and cheer him on.  Admittedly, Willy’s Wonderland is never that scary, though the “Happy Birthday” song is definitely creepy.  The mascots are a bit too cartoonish to be truly frightening.  But, if the film doesn’t really work as a horror film, it does work as an adrenaline-fueled Cage match.  And that’s nearly as good.

Live Tweet Alert – #MondayMuggers present WILLY’S WONDERLAND (2021), starring Nicolas Cage!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. We’re actually hitting a 3-year milestone with #MondayMuggers, which had its premiere on July 11th, 2022. Tonight, Monday, July 14th, we’re excited to present WILLY’S WONDERLAND (2021), starring Nicolas Cage, Emily Tosta, Beth Grant, and Ric Reitz.

The plot: A quiet drifter is tricked into a janitorial job at the now condemned Willy’s Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics. Fists fly, kicks land, titans clash — and only one side will make it out alive.

So, if you think you might enjoy watching Nicolas Cage take on “demonic animatronics,” then there’s a good chance you’ll enjoy this movie. Join us for the 3-year anniversary celebration of #MondayMuggers and watch WILLY’S WONDERLAND. It’s on Amazon Prime! I’ve included the trailer below:

The Things You Find On Netflix: The Loft (dir by Erik Van Looy)


The_Loft_film_poster

The Loft‘s journey to Neftlix was a long one.

A remake of a Belgian film, The Loft was originally filmed in 2011 and was meant to come out in that year.  It was due to be released by Joel Silver’s Dark Castle Entertainment and Warner Bros.  However, when Silver had a falling out with Warner Bros and moved his operations over to Universal, he took The Loft with him.  And it turned out that Universal was in no hurry to distribute The Loft.  After sitting on the film for three years, Universal announced that they would release it in August of 2014 but, at the last minute, they changed their mind and instead released the horror film As Above, So Below in the spot that was originally set aside for The Loft.  Dark Castle then dropped the film, leaving The Loft in limbo until Open Road Pictures picked up the distribution rights and gave it a limited release in January of 2015.  The critics hated it, audiences were indifferent, and The Loft quickly vanished from theaters.  It’s now available on Netflix.

And, having watched the film, I can understand why the studios weren’t exactly enthused about it.  It’s not the type of film that works on the big screen.  The characters are too unlikable.  The plot is an unstable combination of silliness and melodrama.  The big twists are more likely to inspire groans than cheers.  It’s just not the type of film that you want to spend too much money on.

And yet, it’s the perfect film for Netflix.  What may seem over-the-top and annoying when viewed in a public theater becomes a lot more entertaining when viewed in the privacy on your own home.  The Loft is a film that works best if you don’t spend too much time thinking about how little sense it all makes.  It’s the perfect film to watch while you’re doing something else.

And if that sounds like faint praise, it’s not.  I thoroughly enjoyed The Loft without once mistaking it for being a “good” film.  Instead, it’s an over-the-top melodrama, with all that entails.  It’s ludicrous, it’s silly, and — when taken on its own terms — it’s also a lot of fun.

The film is about five friends and the loft to which they all have a key.  All five of the friends are married and all five of them have secrets.  Vincent (Karl Urban) is the unofficial leader of this group of friends, an architect who is also a compulsive cheater.  Luke (Wentworth Miller) is a nervous guy who appears to worship Vincent.  Marty (Eric Stonestreet) is an alcoholic who always manages to say the wrong thing.  Chris (James Marsden) is a psychiatrist who often seems to feel that he’s morally superior to his other friends.  And Phillip (Mattias Schoenarts) is Chris’s half-brother, a mentally unstable and violent guy who snorts cocaine and may have incestuous feelings towards his younger sister.

The five men use the loft to cheat on their wives.  The men are all confident that only they know about the existence of the loft and that they are the only ones who have a key.  So, naturally enough, they are all a little shocked when a woman turns up dead in the loft.  As the men gather in the loft, they debate who killed her and we get numerous flashbacks to how this all came to be.

Of course, it all leads to many secrets being revealed.  This is one of those films that simply cannot stop with one plot twist.  Instead, every twist leads to another twist until eventually, it becomes nearly impossible to keep up with who knows what.  In fact, the film features so many twists that it all quickly gets a bit silly.  But, at the same time, it’s also undeniably entertaining.  Strangely enough, the fact that it doesn’t make much sense only add to the film’s melodramatic charm.

As for the five men — well, none of them are particularly likable but at least they’re all interesting to watch.  Wentworth Miller is properly strange, Matthias Schoenarts is properly sleazy, and Eric Stonestreet is properly pathetic.  James Marsden often seems wasted in mainstream films (like Straw Dogs and The Butler) but he’s actually very charming when he appears in B-movies like this one and Walk of Shame.  And finally, you’ve got Karl Urban, doing great work and turning Vincent into the epitome of every middle-aged guy who has ever tried to flirt with me while I was waiting at a red light.

The Loft may not have got much respect when it was released into theaters but it’s entertaining enough for Netflix.

http://www.youtube.com/watch?v=GdVMCx3J6jo