This song, of course, features vocals from the much-missed Brittany Murphy. The music video was shot on the roof of a parking garage in downtown Los Angeles.
Enjoy!
Tag Archives: review
Retro Television Reviews: Hang Time 4.17 “Sharing The Spotlight” and 4.18 “New Girl In Town”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
Hang Time! This week, YouTube once again tries to keep me from watching every episode of Hang Time.
Episode 4.17 “Sharing the Spotlight”
(Dir by Patrick Maloney, originally aired on November 7th, 1998)
Julie is told that unless she does better in her Math class and passes her upcoming exam, she might not be eligible to play basketball. OH NO! I hope everything worked out….
Unfortunately, this is one of the two episodes of Hang Time that are not available on YouTube. So, I have no idea if Julie learned a lesson about the importance of balancing academics with her extra-curriculars but I’m going to guess that she probably did.
Let’s move on to an episode that actually is on YouTube….
Episode 4.18 “New Girl In Town”
(Dir by Patrick Maloney, originally aired on November 7th, 1998)
Meanwhile, at the basketball camp….
Like I’ve said before, it’s not surprising that NBC showed these episodes out of order because, in the 90s, there were no continuity nerds around to call them out online. Still, it’s hard not to get a little annoyed at how little NBC apparently cared about whether or not it was possible to follow the storyline from one episode to another. Even though I can’t watch the previous episode, I can read the imdb plot description and know that it featured Julie in school. Now, suddenly, Julie is a counselor at a summer camp. Admittedly, I tend to be a bit over organized but messiness like this just drives me crazy.
Anyway, at camp, Mary Beth and Kristy get their hands tangled in a basketball net. Julie watches them and refuses to help because she’s having too much fun reminding everyone that she’s not a “bonehead.” Finally, Julie decides to help but soon, she gets tangled in the net as well. “Now I’m a bonehead!” Julie declares.
“Awww geez,” Coach K. says as he walks up with Eve (Alexana Lambros), a new girl at the camp. I haven’t mentioned it before because it was too stupid but “Awww geez” is Coach K’s catch phrase.
Eve is really excited to meet Julie but then again, everyone on this show is always excited to meet Julie. Eve says that Julie inspired her to play basketball but everyone always says that to Julie. Personally, I’m more interested in the fact that this new girl is named Eve. We’ve all seen All About Eve, haven’t we?
And, indeed, it does turn out that Eve will do anything to look good on the court and to show up Julie. Apparently, college scouts are coming to the camp and, since Eve is from a small high school, this might be her only opportunity to impress them. It’ll be difficult to do that with Julie hogging the spotlight. Now, if I was Eve, I would just point out to the scouts that Julie has been in high school for five years. Instead, Eve tries to sabotage Julie by 1) flirting with Julie’s ex-boyfriend, 2) cutting Julie’s shoe laces, 3) spilling bleach on Julie’s clothes, and 4) locking Julie in a storage shed.
GO, EVE!
Okay, admittedly, Eve isn’t going about things the right way but, after four seasons of Julie always being right and perfect, it’s kind of hard not to appreciate Eve as a force of chaos. Eve seems to be having so much fun being bad that it reminds us of just how boring a character Julie really could be. The audience applauds when Eve gets her inevitable comeuppance but I have a feeling that a lot of them were secretly on her side.
Anyway, it all works out. Coach K sends Eve home. The University of Connecticut says that they’ll probably still offer Julie a scholarship. Of course, Julie would have to actually graduate high school first and that’s not going to happen for a while. Hopefully, someone still offered Eve a scholarship. Sportsmanship is overrated.
Next week: the team once again prepares for the play-offs!
Film Review: Rumble in the Bronx (dir by Stanley Tong)
First released in 1995, Rumble in the Bronx is known for two things.
First off, it’s the film that finally made Jackie Chan a star in America. Chan had been an international star for two decades before starring in this film but he had initially struggled to break into the American film industry. Before Rumble in the Bronx, no one in Hollywood was quite sure what to do with an actor who was both skilled at martial arts and who also had perfect comedic timing. Indeed, the very title of Rumble in the Bronx seems to designed to make Americans feel comfortable with the film. Jackie Chan may have been from Hong Kong and the film itself may have been dubbed and it may have been released internationally before New Line got around to releasing it in the States but it was a film about the Bronx! And what’s more American than the Bronx?
Except, of course, Rumble in the Bronx wasn’t filmed in the Bronx. The other thing for which this film is remembered was that it may have taken place in the Bronx but it was filmed in Vancouver. From the minute the audience sees Jackie walking through this film’s version of the Bronx, it’s pretty obvious that he’s in Canada. All of the extras are very polite. The city streets are surprisingly clean. Even the graffiti is rather mild in tone. (Reportedly, the production spray-painted the locations every morning and then cleaned up all the graffiti at night.) When the film shows us its version of an NYPD stationhouse, the building is so neat and clean that it seems like it should be in a Canadian tourism brochure. New York has never looked more inviting than when it was played by Vancouver.
Of course, the main giveaway that this film was shot in Canada was that there are mountains in the background. Majestic mountain ranges are one of the few things that you cannot find in New York City. When the bad guys drive someone out of the city so that they can threaten him, they end up in front of an absolutely gorgeous mountain stream. Seriously, I’m sure I’m not the only person who wanted to travel to Canada after watching Rumble in the Bronx.
But, hey …. it’s a Jackie Chan movie! If you can’t suspend your disbelief while watching a Jackie Chan movie then when can you suspend it? The film’s plot is not terribly complex. Jackie plays a Hong Kong cop who comes to New York for his uncle’s wedding. While his uncle is on his honeymoon, Jackie looks over his uncle’s store and protects it from the local gang. Jackie also befriends Nancy (Francoise Yip) and her wheelchair-bound brother, Danny (Morgan Lam). Both Nancy and Danny need someone to look out for them and to encourage both of them to reject the seedier temptations of the Bronx. They also need Jackie to protect them from the golf-loving crime lord, White Tiger (Kris Lord).
The plot is mostly an excuse for a series of increasingly elaborate fights and stunts. As always, it’s fun to not only watch Jackie Chan in action but to also try to spot all the moments in which he nearly killed himself performing his own stunts. Rumble in the Bronx is the film in which Jackie Chan broke his ankle while jumping onto a hoverboat. One can actually see the ankle bending at an extremely awkward angle. I actually covered my eyes when I realized what was happening because it was obviously very painful. If anyone had any doubt of how painful it was, Jackie included footage of him howling in pain during the end credits. That said, as painful as it was to watch Jackie’s ankle snap, it doesn’t change the fact that this film’s finale actually involves a hovercraft! Even without Jackie’s stunts, the action in this film’s finale would be enjoyably and shamelessly over the top. But knowing that Jackie was out there risking his life to make the film makes it all the more enjoyable. And it also helps that Jackie Chan is a legitimately good actor, one who gets a lot of laughs out of the fact that the characters that he plays are often as shocked by some of the things that he does (and survives) as the audience is.
Myself and a few others watched Rumble in the Bronx on Friday as a part of our weekly #FridayNightFlix get-together. We had a blast. Another film that we recently watched for #FridayNightFlix, Escape From The Bronx, is famous for its line of “It is time to leave the Bronx” but you know what? Why would anyone ever want to leave beautiful Vancouver?
Retro Television Reviews: We’re Fighting Back (dir by Lou Antonio)
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1981’s We’re Fighting Back! It can be viewed on YouTube!
We’re Fighting Back opens with a title card informing the viewer that the film that they are about to see is based on a true story and that the characters are based on the Guardian Angels, a group of New Yorkers who took it upon themselves to patrol neighborhoods and the subways. However, the film’s plot is fictionalized and all of the names have been changed and basically, the entire story is made up. It gets the film off to a strange start. This film is based on a true story, except that it’s not.
Morgan “Case” Casey (Kevin Mahon) is a young man living in New York with his father. When his father is mugged in the subway and ends up in the hospital, Case decides to take it upon himself to patrol the trains. He recruits his co-workers at the local hamburger place. Benny (Ramon Franco) says he is streetwise. Ling (Brian Tochi) claims that he’s good at fighting. Preacher (Paul McCrane) …. well, I’m not sure what Preacher’s special skill is but he’s recently moved to New York from Alabama. Case and his friends lose their first big fight against a gang of muggers, which leads to Case yelling at all of them and announcing that they need to recruit more members and get trained up on how to fight. Preacher thinks that Case is putting everyone’s life in danger but Case is determined to clean up the neighborhood.
Teaming up with some former gang members, Case forms the organization that will become the Guardian Angels. Among those who join are a tough waitress named Chris Capoletti (a young Ellen Barkin) and a Hungarian immigrant named Janos (an equally young Stephen Lang). At first, attorney Elgin Jones (Joe Morton) thinks that Case and his organization are going to be a bunch of lawless vigilantes but, after meeting Case and seeing Case refuse to allow an obvious psychopath to join the group, Elgin decides to become a part of Case’s anti-crime crusade.
And …. well, that’s pretty much it. There’s not much of a plot here. Case and Preacher are briefly estranged but they are friends again by the end of the movie. Eventually, Case faces off with Tony (John Snyder), the gang leader who mugged his father. For the most part, though, this is a film without much real conflict. In this film’s portrayal of urban crime, it turns out to be remarkably easy to clean up a neighborhood. Apparently, you just need to get a bunch of people to give a damn. One watches the movie and wonders why no one ever came up with this extremely simple solution in the past. The film goes out of its way to tell us that Case is not some sort of Charles Bronson-style vigilante but Case never has to face any muggers as dangerous as The Giggler. If Case lived in the Death Wish 3 neighborhood, who knows what type of approach he would have gone with.
Under the best of circumstances, this film would seem simplistic. Watching this film after the past few years, in which we’ve seen an increasing number of unarmed people getting hurt and killed by self-appointed vigilantes who felt that they shouldn’t have been in their neighborhood or train car, it’s hard not to feel that We’re Fighting Back is incredibly naïve and rather irresponsible. (The Death Wish films are so shameless and over the top that they’re difficult to take seriously as any sort of manifesto. We’re Fighting Back plays out with all the earnestness of a call to action.) Need to clean up your neighborhood? Just do it yourself! Just fight back! Obviously, that’s an idea that appeals to a lot of people but, in reality, it rarely seems to work out the way that it should.
Music Video of the Day: Horse Power by The Chemical Brothers (2010, dir by Marcus Lyall and Adam Smith)
Today’s music video of the day comes to us from The Chemical Brothers’s seventh studio album, Further. All eight track on Further came with their own unique video, directed by Marcus Lyall and Adam Smith. Horse Power is my personal favorite from the album. If it doesn’t make you dance, nothing will.
Enjoy!
May Positivity: Never Ashamed (dir by Edward T. McDougal)
The 1984 film, Never Ashamed, gets off to a lawles start with two teenagers, Tim Hughes (Tim Elwell) and Marty Sullivan (Jon Jacovic) stealing an ice cream truck. Even though the ice cream man yells at them that he owns the truck and that he needs it for his job, Tim and Marty take off with it. They speed down the street. They play the ice crea, music. They toss out the ice cream. And, eventually, they get stopped by the police.
Tim’s father, a liberal talk show host named Sid Hughes (Stan Adams), thinks that Tim is just being a normal, out-of-control teenager. Tim’s mother (Denyse Leahy) is far more concerned and she suggests that perhaps Tim should attend a special summer camp for juvenile delinquents. Sid is not happy to hear that it’s a Christian summer camp. (At one point, we see Sid getting upset when Ronald Reagan gives a speech about prayer in school so we know how Sid feels about religion.) However, Sid finally gives in.
This is followed by a montage of Tim doing summer camp stuff. For me, not being a camp-type of person, the montage was horrifying. I cringed at all of the canoeing, the playing, the laughing, the singing, and all the rest. It was a montage of happiness but all of the smiles seemed a bit too wide and calculated. To be honest, it reminded me of the type of activities that were used to brainwash Nick Mancuso in Ticket to Heaven and Michael O’Keefe in Split Image.
Still, Tim has a great time and, when his parents pick him up from camp, Tim announces that he’s now a Christian. Sid is horrified and starts talking about Jim Jones and the People’s Temple. Tim’s old friends are astonished, especially Marty. Marty is not happy when Tim starts hanging out with a new crowd at school.
Here’s the thing. We’re supposed to like Tim’s new friends but, honestly, Marty does kind of have a point. Tim’s new friends are so bright and cheery and perfect and well-behaved that they really do come across as being a little creepy. And when Marty says that he wants to be able to spend some time with his oldest friend without having a bunch of strangers following them around, Marty again has a point. At times, it seems as if Tim’s new friends really do expect him to spend every waking moment with them. If Tim’s not going to their study group, then he’s going to the “Christian car wash.” When Marty says, at one point, that he really needs to talk to Tim about some problems that he’s having in his life, Tim’s response to tell him to come to church with Tim and his new friends. Marty gets upset about that and again, it’s hard not to feel that he has a point. Marty needs someone to talk to and it wouldn’t kill Tim to have a sincere, one-on-one conversation with Marty. If Tim wants to invite Marty to church after that conversation, there’s nothing wrong with that. But, at that moment, it was obvious that Marty needed to feel that he was more to Tim than just another invitee.
Marty feels that he has a lot to be upset about. He runs for junior class president on a platform of parties and drugs but he loses to the nerdy and boring Wayne, who is one of Tim’s new friends. Marty doesn’t feel close to his family. His grades are slipping. His best friend is pretty much ignoring him. Marty is supposedly a drug dealer who regularly goes down to Mexico to pick up cocaine. While Marty is definitely a bit cocky and irresponsible, there’s absolutely nothing about him that suggests he’s the type to sneak across the borders with bricks of cocaine in a duffel bag and I was shocked when I discovered that the movie was actually being serious about that. In a surprisingly well-directed sequence, Marty has his friends toss firecrackers at the Christian car wash while he sneaks into the church and steals some money.
Never Ashamed is only 64 minutes long. It’s obviously one of those films that was made specifically to be viewed by church youth groups. It’s definitely a product of its time and, in the end, it is perhaps most interesting as a time capsule. I imagine that watching this film is the equivalent of stepping into a time machine and setting the destination for 1984. (“You look like Scott Baio!” one of Tim’s new friends excitedly tells him.) It’s a sincere film but, at the same time, it’s also a film that is very much about preaching to the choir. As happy as Tim and his new friends are, I think most people would feel that Marty seems like he would be more fun to hang out with.
Lisa Marie’s Week In Television: 4/30/23 — 5/6/23
Accused (Tuesday Night, Fox)
As frustratingly uneven as Accused can be, this week’s episode was enjoyably melodramatic and over the top. A teenage girl’s attempt to find her real father led to her discovering that he not only lived right next door but that she was also on the verge of dating her half-brother! In this case, the big crime was breaking into a sperm bank. In many ways, it was a silly episode but it was also undeniably enjoyable. Accused should do more weird episodes like this and give the politics a rest.
Barry (Sunday Night, HBO)
Wow, what an unsettling episode this week! Cristobal is dead. NoHo Hank is back in the Chechen mob. Gene shot and probably killed his son. And, according to the time jump towards the end of the episode, Barry and Sally ended up living on a farm with a son named John. And, in the world of Barry, Sian Heder is following up CODA with the worst comic book movie since The Eternals. I’m looking forward to seeing where all of this goes but I have a feeling the show is building up to the most traumatic conclusion of all time. We’ll see if I’m right!
Beavis and Butt-Head (Paramount Plus)
Beavis and Butt-Head fell in the sewer and thought they were in Hell. Then, after that, Beavis ended up in the hospital and nearly died due to Butt-Head continually punching him in the testicles. Guys are weird.
The Coronation of Charles III (Saturday Morning, Everywhere)
Supposedly, the British are indifferent to Charles III’s official coronation but it certainly has been a big deal here in the States. Honestly, maybe the entire Royal Family should just move over here and take over again. They would be greeted as liberators!
Forgive or Forget (YouTube)
It was raining on Wednesday afternoon so Jeff and I watched some old 90s talk shows on YouTube. In an episode of Forgive or Forget, delinquent daughters were giving their mothers trouble. The show’s host, Mother Love, yelled at everyone and forced them to go backstage and think about all of their sins before then choosing whether or not to come through the door of forgiveness. Towards the end of the show, the format changed a little as a former out-of-control teen asked her mother to forgive her, just to have her mother refuse to come through the door. What a terrible mother. Seriously, this was a weird show.
Geraldo (YouTube)
It was raining on Wednesday afternoon so Jeff and I watched some old 90s talk shows on YouTube. We watched a 1996 episode of Geraldo, featuring a young-looking but still overdramatic Geraldo Rivera talking to girls who were in gangs. The highlight of the epiosde was when the current gang girls were confronted by former gang girls who accuse them all of being bad mothers. “My babies are more important than my homies!” one former gang girl announced while the audience went crazy.
Half Nelson (YouTube)
I wrote about the finale of Half Nelson here!
Jenny Jones (YouTube)
It was raining on Wednesday afternoon so Jeff and I watched some old 90s talk shows on YouTube. On the Jenny Jones show, the permanently flustered host talked to mothers and daughters who teamed up to “play more than one guy.” The mothers and the daughters would come out on stage. The audience would boo. “Be an appreciator, not a hater!” one mother yelled back. Nothing was really resolved by the end of this episode. To be honest, I wasn’t really sure what the point of it all was.
The second episode that we watched feature couples taking lie detector tests to determine whether or not they were cheating. The audience booed a lot. No cheating allowed! “WHY YOU STAYING WITH THAT MAN!?” some guy in the audience yelled. Jenny Jones looked really nervous.
Law & Order (Thursday Night, NBC)
This week, Cosgrove’s daughter became an important witness in Price’s case against the accused murderer. To me, it seems that, as soon as it became apparent that his daughter could be a part of the case, Cosgrove should have been taken off the investigation but Law & Order takes place in a world where “conflict of interest” is no big deal.
The Love Boat (Paramount Plus)
I wrote about this week’s episode of The Love Boat here!
Night Court (Tuesday Night, NBC)
Dan’s been appointed to a judgeship in Louisiana and is planning on leaving New York City without telling anyone. Dan is not the sentimental type. However, Abbi and Rand insist on throwing him a going away party. As usual, this show works best when it focus on John Larroquette and Melissa Rauch. I spent most of this episode marveling at just how tall Larroquette is. Especially standing next to Melissa Rauch, Larroquette appeared to be about 9 feet tall. (Of course, Melissa Rauch is only like 4’11 herself.) Anyway, Dan was about to leave for Louisiana when he got a call that Abbi was in jail and needed him to defend her. This led to the dreaded “To Be Continued” card.
Night Flight (Night Flight Plus)
This week, I watched a compilation of three episodes from 1991. I learned about European Rock and guitar gods!
Radio 1990 (Night Flight Plus)
This was apparently an entertainment-related news show that aired on PBS in the 80s (despite the name). I watched an episode from 1983 on Saturday morning. My favorite part was “Radio 1990 on the movies.” The week the show aired, the number one movie was Sudden Impact and Scarface had just been released.
Sally Jessy Raphael (YouTube)
It was raining on Wednesday afternoon so Jeff and I watched some old 90s talk shows on YouTube. The episode that we watched of this show dealt with out-of-control teens. The teens were angry and bratty but then they all got sent to boot camp. Most studies have confirmed that the whole boot camp thing was usually counter-productive but audiences just loved to watch wannaba drill sergeants scream at a bunch of bratty kids.
Survivor (Wednesday Night, CBS)
I wrote about this week’s episode of Survivor here!
The TSL Grindhouse: Black Shampoo (dir by Greydon Clark)
The 1976 film, Black Shampoo, tells the story of Mr, Jonathan (played by an expressionless actor named John Daniels). Mr. Jonathan is the hottest hairstylist on the Sunset Strip. Rich women flock to his salon so that Mr. Jonathan can do their hair and, as the first scene in the film makes clear, do a lot more as well. Black Shampoo begins with a wash and rinse that soon leads to Mr. Jonathan’s client saying, “It is bigger and better!” while the singers on the film’s funk-heavy soundtrack tell us that, “He’s a real man.”
Mr. Jonathan is so popular that the women who come into his salon are visibly upset if they’re told that their hair will be done by Mr. Jonathan’s two associates, Artie and Richard. “Artie doesn’t have the right equipment!” one woman exclaims while another complains, “My hair’s a mess …. I haven’t had my hair done in over a month.” Fortunately, helping to keep the place running is Mr. Jonathan’s new administrative assistant, Brenda St. John (Tanya Boyd). In fact, Mr. Jonathan could even see himself settling down with Brenda.
Unfortunately, Brenda is the ex-girlfriend of a white gangster named Mr. Wilson (Joe Ortiz). And Mr. Wilson is determined to get Brenda back, even if it means sending two of his thugs down to Mr. Jonathan’s and messing the place up. It’s easy for them to vandalize the salon and to harass Artie and Richard because Mr. Jonathan hardly ever seems to be there. He’s always either visiting a client at home or taking part in a falling in love montage with Brenda. When Brenda is kidnapped, Mr. Jonathan falls into a deep depression. Eventually, though, Mr. Jonathan realizes that he has to rescue Brenda and retrieve the black book that proves that Mr. Wilson is a crime lord. Fortunately, Mr. Jonathan is as handy with a chainsaw as he is with a hair blower.
Ugh. This film …. I mean, to be honest, the movie seems like it’s going to be fun when it starts. Yes, the acting is terrible and the dialogue is risible but it’s such a 70s film that I assumed it would be kind of fun. And there are some enjoyably silly moments, like the whole falling in love montage. But, as the film progresses, the violence and the film’s overall tone just gets uglier and uglier. That, in itself, is not a problem. In fact, you could argue that violence should be ugly because it’s violence. But, in the case of Black Shampoo, too much of that ugly violence is played for titillation. When Mr. Wilson threatens to sodomize a character with a curling iron, the film seems to take a certain delight in Mr. Wilson’s sadism. The film is certainly not on the side of the poor guy who is being threatened. Instead, it feels like the film is saying, “Do you think will show this happen or do you think will cut to another scene? Keep watching to find out!” It’s gross.
It would help if Mr. Jonathan were himself an engaging character but John Daniels’s performance in painfully dull. He has a definite physical presence, though he definitely looks a lot better on the film’s poster than he does in the actual movie. But, when he has to deliver dialogue or show emotion, he’s so awkward that it’s like staring at a brick wall and waiting for it to do something. As a character, Mr. Jonathan should be someone who moves with a certain confidence and swagger. John Daniels usually seems like he’s more busy trying not to look straight at the camera.
On the plus side, everyone’s hair looks beautiful.
Retro Television Reviews: California Dreams 5.8 “Letters From Woo” and 5.9 “Senior Prom”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
It’s prom time at PCHS! But first….
Episode 5.8 “Letters From Woo”
(Dir by Don Barnhart, originally aired on October 25, 1996)
The band is supposed to practice but Sam says it will have to wait because she’s making a “video letter” for her uncle back in Hong Kong. She and the members of the Dreams discuss all of the wacky adventures that they’ve had and …. oh, it’s a clip show!
I’ll never forget that time I said, “Let’s move on….”
Episode 5.9 “Senior Prom”
(Dir by Patrick Maloney, originally aired on November 2nd, 1996)
Poor Mark!
Seriously, Mark Winkle was the nicest member of the California Dreams and yet he always seemed to be the one who ended up getting screwed over. Consider what happens in this episode:
PCHS has prom fever! Tony & Sam and Jake & Tiffani are running for Prom King and Queen but Mark is more concerned about getting a date with Erica. He’s had a crush on Erica since forever but he’s too shy to talk to her. When he finally does work up the courage to ask her, she says yes. Yay! But, on the day of the prom, she dumps him and tells him that she’s going to the prom with her ex-boyfriend, Dave.
Unfortunately, his friends can’t be there for him because they’re competing like crazy to be named King and Queen. Lorena and Sly don’t help matters by making a bet on who is going to win. Lorena supports Jake and Tiffani because she thinks that they have more class than Sam and Tony. Sly supports Sam and Tony because he thinks they have more of a populist appeal than Jake and Tiffani. Mark, poor dateless Mark, is trapped in the middle.
(Myself, I’m just wondering how a biker and a surfer would have less populist appeal than a wealthy exchange student. For that matter, since when have Jake and Tiffani had any class at all? One of the reasons why Lorena and Jake broke up was because Jake was way too crude for Lorena’s tastes.)
To make matters even worse, Sly has booked the Dreams to play a prom at a junior high on the same day as the high school prom. Everyone tells Sly that it’s a terrible idea but then again, everyone could also use the money. Unfortunately, the gig is a bust because one the amps blows up on stage. Then, while the Dreams are trying to get back for their own prom, their van breaks down in the middle of nowhere! As the Dreams try to flag down a ride, word comes over the radio that the PCHS Prom King and Queen are …. ERICA AND HER DATE, DAVE!
The leads to even more fighting until Mark yells at everyone for being selfish and makes them see the errors of their way. The Dreams, now reunited in love and friendship, have their own prom on the side of the road. Sly dances with Lorena. Tony dances with Sam. Jake dances with Tiff. And Mark …. well, he gets to play guitar. Mark may have saved the band but he still has to spend the prom alone. POOR MARK!
Seriously, there was a lot I liked about this episode. The cast’s chemistry was on fire. Everyone looked good in their prom outfits. But, at the end of the episode, you couldn’t help but feel that Mark really got screwed over.
Next week, Sam is cast on a show called Babewatch! I wonder what that’s based on….
Music Video of the Day: Overture/Pinball Wizard by The Who (1969, dir by ????)
I saw this on an old episode of Night Flight on Friday night and, I don’t know. It just felt appropriate for today’s music video of the day. In some ways, this video feels even stranger and more ominous than the one that Ken Russell came up with when he directed the film adaptation of Tommy.
Personally, my hope is that the next CSI show, should there ever be another one, will use Pinball Wizard as their theme song. Just imagine Nathan Fillion saying something quippy, putting on his sunglasses and …. “SURE PLAYS A MEAN PINBALL!” Opening credits! It’ll be a hit.
One final note. When The Who played Tommy at Woodstock, they were interrupted by Abbie Hoffman, who apparently wanted to give an impromptu speech. The band did the right thing and Pete Townsend literally kicked Hoffman off the stage. And, in that way, The Who saved not only Woodstock but also the 60s.
Enjoy!
Through the Shattered Lens 