Gun Smoke (1945, directed by Howard Bretherton)


On the frontier, a stagecoach has been overturned and both the passenger and the driver have been killed by outlaws.  The passenger was Hinkley, an archeologist.  Who would want to kill a harmless archeologist?  That’s what Marshals Nevada Jack McKenzie (Johnny Mack Brown) and Sandy Hopkins (Raymond Hatton) set out to discover.  While Nevada Jack asks questions in the nearby town, Sandy disguises himself as a medicine man.

It all links back to an old Indian site that is said to be full of gold relics.  Jane (Jennifer Holt), the daughter of Hinkley’s partner, reveals that the only other person who knows the location of the site is an old Indian named Shag (Dimas Sotello).  Jack and Sandy have to try to track down Shag before he’s found the gang that killed Hinkley.

Yes, it’s another Johnny Mack Brown western.  Despite the title, this has nothing to do with the television series that featured James Arness and Amanda Blake.  Gun Smoke is still a solid western, featuring a determined performance from Johnny Mack Brown and some memorable villains from the usual poverty row western stock company.  Once again, Frank Ellis shows up as a henchman, though the identity of the main villain is actually a little more interesting than was typical for these films.  Johnny Mack Brown is a little more serious than usual, throwing punches with authority.  For fans of B-westerns, Gun Smoke is an above average entry in Johnny Mack Brown’s seemingly endless filmography.

Flame of the West (1945, directed by Lambert Hillyer)


Marshal Tom Nightlander (Douglass Dumbrille) shows up in a lawless frontier town, tasked with bringing peace.  He could sure use the help of Dr. John Poole (Johnny Mack Brown), a former gunslinger who has set his weapons aside and now works as the town doctor.  Dr. Poole has sworn off guns but with corrupt businessman Wilson (Harry Woods) and his gang determined to keep their town lawless, Poole is soon forced to reconsider.

This B-western from Monogram is better than many of the other low-budget, poverty row westerns of the era.  While the plot is another example of a corrupt businessman and his gang making life difficult for peaceful settlers, the characters in Flame of the West are a little more complex than usual.  Brown stands out playing a character who, for once, doesn’t want to fight and believes that it’s better to talk than to shoot.  Of course, this being a B-western, he soon sees the error of his ways.  Dumbrille was usually cast as a villain so this film is a chance to see him in a likable and heroic role and he’s very convincing as a Wyatt Earp-style marshal.

Of course, even a serious B-western is still a B-western so songs and entertainment are provided by the gorgeous Joan Woodbury and Pee Wee King and his Golden West Cowboys.  (Don’t worry, I had never heard of them before, either.)  Joan Woodbury plays a saloon owner who wants to bring a higher class of entertainment to the frontier and she provides the film with enough sex appeal that 1945 audiences probably didn’t mind having to sit through the musical numbers before getting to the inevitable showdown between Johnny Mack Brown and Harry Woods.

Flame of the West is a good B-western that shows what dependable actors like Johnny Mack Brown and Douglass Dumbrille were capable of when given the opportunity.

Dead Or Alive (1944, directed by Elmer Cifton)


In this Poverty Row western, the Texas Rangers, a trio of western do-gooders who appeared in a handful of films, are sent to a small town to stop the Yackey Gang, led by the town’s saloon keeper (Ray Bennett).

The Texas Rangers are led by Tex Haines (Tex Ritter), who is known as the Idaho Kid despite apparently being from Texas.  Tex goes undercover as a lawyer and tries to rally the community to stand up the Yackey Gang.  Tex also sings some songs because he’s a singing cowboy along with being a cowboy who can hold his own in bar brawl.  Maybe if he didn’t sing so much, there wouldn’t be as many brawls.  Dave Wyatt (Dave O’Brien) is the younger Ranger who goes undercover and joins that Yackey Gang.  Panhandle Perkins (Guy Wilkinson) is the comic relief, who loses a lot of money at Yackey’s casino but only to help Dave maintain his cover.  The film was an obvious rush job and the plot is far more difficult to follow than any 54-minute film should be.  The kids at the matinee probably enjoyed it, though.  It delivers exactly what fans of the old B-westerns expect, including Charles King as yet another villain.

Tex Ritter, who appeared in a lot of these films, was also the father of actor John Ritter.  In 1970, long after the days of the poverty row westerns, Tex Ritter ran for the Senate in Tennessee but he lost the primary.  If he had won, he would have been the Republican candidate against Al Gore’s father.  That would have been a battle for the ages.

Cattle Stampede (1943, directed by Sam Newfield)


Billy the Kid (Buster Crabbe), that western do-gooder who has been framed for crimes that he didn’t commit, narrowly escapes being captured by a group of bounty hunters.  To thank the man who helped him and his sidekick, Fuzzy Q. Jones (Al  St. John), escape, Billy agrees to help the man’s family make a cattle drive.  It turns out that local ranchers are being targeted by rustlers who cause the cattle to stampede and then buy up what’s left of the herd at a discount.  Even though Mary Dawson (Frances Gladwin) doesn’t trust Billy and initially suspects him of being one of the rustlers, Billy and Fuzzy take over the cattle drive and protect the family from Coulter (Glenn Strange) and Elkins (Frank Ellis).  They even prove their worth by rescuing Mary after she’s kidnapped by the villains.

This is one of the many Poverty Row westerns to feature Billy the Kid not as an outlaw but instead as a hero.  Best-known for playing Tarzan, Flash Gordon, and Buck Rogers, Buster Crabbe was a believable hero even if he was more than a little too old to be nicknamed “the kid.”  Al St. John provides the comedic relief and veteran bad guys Charles King, Glenn Strange and Frank Ellis go through the motions as the villains, much as they did in countless other westerns of the era.  Cattle Stampede is typical of the cheap western programmers that came out of the Poverty Row studios in the 40s.  It was simplistic and predictable but featured enough western action to keep the kids in the audience entertained.  Today, its main selling point is a nostalgic one.

The Billy the Kid films are always strange because they avoid the reason why Billy is being pursued by the law and instead just present him as being another generic western hero.  It seems like a waste of a good legend.

Challenge of the Range (1949, directed by Ray Nazarro)


On the frontier, someone is raiding the homes of ranchers like Jim (Henry Hall) and Judy Barton (Paula Raymond).  The Homeowners Association summons Steve Roper (Charles Starrett) to bring a stop to the raids.  Everyone suspects that Cal Matson (Steve Darrell) and his son, Rob (Billy Halop), are behind  the raids but Steve, as the Durango Kid, discovers that a third party is trying to set everyone at war with each other for his own benefit.

The entry in the Durango Kid series was Charles Starrett’s 103rd western.  It’s not a particularly distinguished entry, relying heavily on stock footage.  I did find the idea of the film’s bad guy trying to manipulate the Bartons and the Matsons into destroying each other to be interesting but the movie doesn’t do much with it and the identity of main villain will be obvious to anyone who watches the film.  There is one good scene where Steve disarms three bad guys and then makes them walk all the way back to town without their boots on.  Steve doesn’t mess around.

Smiley Burnette provides the comic relief and a few songs.  This time, Smiley’s a dime store writer researching his next book.  Musically, he is accompanied by The Sunshine Boys.  103 movies in and Smiley still hasn’t figure out that Steve and Durango are one of a kind.

Cyclone Fury (1951, directed by Ray Nazarro)


Brock Masters (Mark Roberts) has been awarded a contract to supply the army with horses.  Corrupt businessman Grat Hanlon (Clayton Moore) wants that contract for himself so he sends his henchmen to kill Brock.  Because Brock has no known relatives, Grat believes that both the horses and the contract will soon be his.

However, Brock does have an heir!  He adopted an Indian child named Johnny (Louis Lettieri).  Johnny inherits the contract and both the Durango Kid (Charles Starrett) and Smiley Burnett are going to make sure that Johnny is able to deliver the horses.  Smiley is also going to find some time to sing some songs that have even less to do with the story than usual.

Cyclone Fury was one of the later entries in the Durango Kid series.  By the time it was made, Colombia was no longer willing to spend much money on the series so that majority of the film’s action scenes are lifted from other Durango Kid movies.  If you’ve never seen another Durango Kid movie, the action scenes are exciting and feature some impressive stunts.  If you have seen another Durango Kid movie, this one is going to seem really familiar.

For western fans, the main appeal here will be seeing Clayton Moore playing a bad guy.  Moore had already played The Lone Ranger when he appeared in this movie.  At the time Cyclone Fury was made, Moore had been unceremoniously fired from his most famous role and The Lone Ranger was being played by John Hart.  Hart would only last a season and Moore would subsequently be invited back to play the role that defined his career.  As for Cyclone Fury, Moore is convincing as Grat, though the character himself is just a typical Durango Kid bad guy.  The Durango Kid was always going up against seemingly respectable businessmen who were actually outlaws.

One final note: Moore’s Lone Ranger co-star, Jay Silverheels, appears in this film but only in archival footage from an early adventure of The Durango Kid.