Queens | Through the Shattered Lens

Yesterday, the nominations for the 28th Annual Satellite Awards were announced.

The Satellites began as an off-shoot of the Golden Globes and they’ve never really escaped the shadow of the Globes (and the Globes themselves have never really escaped the shadow of the Oscars.) That said, the Sattelites are usually interesting, if just because they usually have a few nominees that haven’t previously been considered to be contenders. That’s certainly the case this year, with nominations for Cabrini, The Order, and LaRoy, Texas.

The winners will be announced on January 26th.

Motion Picture, Drama
Cabrini – Angel Studios
Conclave – Focus Features
Dune: Part Two – Warner Bros.
Nickel Boys – Amazon MGM Studios
Sing Sing – A24
The Brutalist – A24
The Order – Vertical Entertainment
Young Woman and the Sea – Walt Disney Studios Motion Pictures

Motion Picture, Comedy or Musical
Anora – Neon
A Real Pain – Searchlight Pictures
Ghostlight – IFC Films
Hit Man – Netflix
LaRoy, Texas – Brainstorm Media
The Substance – MUBI
Thelma – Magnolia Pictures
Wicked – Universal Pictures

Motion Picture, International
I’m Still Here – Brazil
Queens – Swizerland / Peru
The Girl with the Needle – Denmark
The Seed Of The Sacred Fig – Germany
The Wait – Spain
Waves – Czech Republic

Motion Picture, Animated or Mixed Media
Flow – Janus Films
Inside Out 2 – Walt Disney Studios Motion Pictures
Memoir of a Snail – IFC Films
Mobile Suit Gundam SEED Freedom – Fathom Events
The Wild Robot – Universal Pictures/Dreamworks Animation
Wallace & Gromit: Vengeance Most Fowl – Netflix

Motion Picture, Documentary
Dahomey – MUBI
Elizabeth Taylor: The Lost Tapes – HBO Documentary Films
I Am: Celine Dion – Amazon MGM Studios
No Other Land – Self Distributed
Porcelain War – Picturehouse
Sugarcane – National Geographic Documentary Films
Super/Man: The Christopher Reeve Story – Fathom Events
The Bloody Hundredth – Apple TV+

Director
Brady Corbet – The Brutalist
Denis Villeneuve – Dune: Part Two
Edward Berger – Conclave
Greg Kwedar – Sing Sing
RaMell Ross – Nickel Boys
Sean Baker – Anora

Actress in a Motion Picture Drama
Angelina Jolie – Maria
Fernanda Torres – I’m Still Here
Lily-Rose Depp – Nosferatu
Nicole Kidman – Babygirl
Saoirse Ronan – The Outrun
Tilda Swinton – The Room Next Door

Actor in a Motion Picture Drama
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Daniel Craig – Queer
Hugh Grant – Heretic
Ralph Fiennes – Conclave
Timothée Chalamet – A Complete Unknown

Actress in Motion Picture, Comedy or Musical
Cynthia Erivo – Wicked
Demi Moore – The Substance
June Squibb – Thelma
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Winona Ryder – Beetlejuice Beetlejuice

Actor in Motion Picture, Comedy or Musical
Glen Powell – Hit Man
Jesse Eisenberg – A Real Pain
John Magaro – LaRoy, Texas
Keith Kupferer – Ghostlight
Michael Keaton – Beetlejuice Beetlejuice
Ryan Gosling – The Fall Guy

Actress in a Supporting Role
Ariana Grande – Wicked
Danielle Deadwyler – The Piano Lesson
Felicity Jones – The Brutalist
Isabella Rossellini – Conclave
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

Actor in a Supporting Role
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Kieran Culkin – A Real Pain
Yura Borisov – Anora

Screenplay, Original
Brady Corbet, Mona Fastvold – The Brutalist
Coralie Fargeat – The Substance
Jesse Eisenberg – A Real Pain
Mike Leigh – Hard Truths
Mohammad Rasoulof – The Seed Of The Sacred Fig
Sean Baker – Anora

Screenplay, Adapted
Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield (based on “The Sing Sing Follies” by John H. Richardson and “Breakin’ the Mummy’s Code” by Brent Buell) – Sing Sing
Jacques Audiard (based on “Listen” by Boris Razon) – Emilia Pérez
Pedro Almodóvar (written by), Sigrid Nunez (novel “What Are You Going Through”) – The Room Next Door
Peter Straughan (screenplay by), Robert Harris (book) – Conclave
RaMell Ross, Joslyn Barnes (based on “The Nickel Boys” by Colson Whitehead) – Nickel Boys
Vuk Draskovic, Miroslav Lekic (written by), Vuk Draskovic (novel) – Russian Consul

Cinematography
Edward Lachman – Maria
Greig Fraser – Dune: Part Two
Jarin Blaschke – Nosferatu
Jomo Fray – Nickel Boys
John Mathieson – Gladiator II
Lol Crawley – The Brutalist

Costume Design
Janty Yates – Gladiator II
Jacqueline Durran – Blitz
Jacqueline West – Dune: Part Two
Linda Muir – Nosferatu
Massimo Cantini Parrini – Maria
Paul Tazewell – Wicked

Film Editing
Dávid Jancsó – The Brutalist
Joe Walker – Dune: Part Two
Juliette Welfling – Emilia Pérez
Nick Emerson – Conclave
Sam Restivo, Claire Simpson – Gladiator II
Sean Baker – Anora

Production Design
Arthur Max (Production Designer), Jille Azis and Elli Griff (Set Decorators) – Gladiator II
Craig Lathrop (Production Designer), Beatrice Brentnerova (Set Decorator) – Nosferatu
Judy Becker (Production Designer), Patricia Cuccia and Mercédesz Nagyváradi (Set Decorators) – The Brutalist
Nathan Crowley (Production Designer), Lee Sandales (Set Decorator) – Wicked
Patrice Vermette (Production Designer), Shane Vieau (Set Decorator) – Dune: Part Two
Suzie Davies (Production Designer), Cynthia Sleiter (Set Decorator) – Conclave

Original Score
Alberto Iglesias – The Room Next Door
Clément Ducol, Camille – Emilia Pérez
Daniel Blumberg – The Brutalist
Hans Zimmer – Dune: Part Two
Kris Bowers – The Wild Robot
Volker Bertelmann – Conclave

Original Song
“El Mal” by Clement Ducol, Camille and Jacques Audiard – Emilia Pérez
“The Journey” by Diane Warren – The Six Triple Eight
“Kiss the Sky” by Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack & Ali Tamposi – The Wild Robot
“Mi Camino” by Clement Ducol and Camille – Emilia Pérez
“Never Too Late” by Elton John & Brandi Carlile – Elton John: Never Too Late
“Winter Coat” by Nicholas Britell, Steve McQueen, and Taura Stinson – Blitz

Sound (Editing and Mixing)
A Complete Unknown
Dune: Part Two
Emilia Pérez
Gladiator II
Twisters
Wicked

Visual Effects
Dune: Part Two
Gladiator II
Kingdom Of The Planet Of The Apes
Mufasa: The Lion King
Twilight of the Warriors: Walled In
Wicked

Ensemble Motion Picture
Nosferatu – Focus Features

The Jeep people can breathe a sigh of relief because their little Marxist propaganda film is no longer the worst freakin’ commercial of all freakin’ time. No, the title has been stolen by another.

As you watch this commercial, just remember that it’s an advertisement for Citibank that was made after the federal government bailed out them out. So, if you’re an American citizens, chances are that you paid for this commercial.

Okay, there’s so much about this commercial that is just soooo wrong.

The guy narrating the commercial has a truly annoying serial killer-style voice. Seriously, he sounds like Dexter should be dumping his corpse over the side of a boat.

The woman playing the mother is a terrible actress as evidenced by her notably “enthusiastic” reaction to whatever it is that she eats at the local “deli.”

There’s also this whole idea of Turkey — which has one of the WORST human rights records on the planet — serving as some sort of 21st century version of post-World War I Paris. It’s nice of Citibank to let us know that actually, there’s little difference between Istanbul and Queens.

Also, don’t you just hate the faux casual way that their son is all like, “So, I just decided to send them their old seats from the stadium…” I mean, get over yourself.

But ultimately, this commercial fails for one big and obvious reason and there’s a very important lesson here. This commercial’s failure is ultimately all about casting.

We’re specifically given two bits of information in this commercial. First off, we’re told that the narrator’s father has moved to Turkey because he was “transferred” there by whatever soulless corporation it is that he works for. And we’re also told that his father celebrated his “30-year anniversary” in Turkey.

And I guess that would all be good and well except for the fact that his father appears to be about 130 years old in the commercial. Seriously, his company should be paying him a pension as opposed to sending him off to live in one of the most oppressive countries ever. His wife only appears to be 120 but that still means that she was probably in her 90s when she gave birth to her smug little mass murderer of a son. He owes her a lot more than just some nasty, germ-filled seats from “the old stadium.”

You know what would have made this commercial a lot more effective and enjoyable? If the seats from the old stadium had arrived with a few dozen bags of hash taped to the back of them. And then we could have watched that 130 year-old man try to smuggle them back to the United States just to then get caught right before boarding the flight back home.

Call it Citibank Express.