In 1973’s The Invasion of Carol Enders (Meredith Baxter) is attacked while walking in the park with her boyfriend (Christopher Connelly) and strikes her head. At the same time, Diana Bernard (Sally Kemp) crashes her car while driving home in the rain. Both women end up at the hospital at the same time. Both die but Carol is brought back to life. Except now, there’s someone else in Carol’s head….
This is a bit of an odd made-for-TV movie, even by the standards of the 70s. It’s only 69 minutes long and it was shot on video tape, giving the whole thing the look of an old daytime drama. It’s easy to watch this movie and imagine that it’s just a supernaturally-tinged episode of General Hospital or Days Of Our Lives. Both the acting and the plot add to the daytime drama feel of the production. This is a movie that fully embraces the melodrama.
I think the most interesting thing about this film is that everyone is very quick to accept that Diana has somehow willed her spirit into Carol’s body. There’s very little hesitation about accepting Diana/Carol at her word and no one even thinks to suggest that maybe Carol is having some sort of mental episode as a result of the attack. Adam hears that his girlfriend has been possessed and he immediately gets to work helping out the woman who has possessed her. I mean, good for Adam. I like a man who is willing to do whatever has to be done. Still, everyone acts as if possession happens every day.
This is kind of a silly movie, which is probably why I enjoyed it. It’s short, it’s simple, and it embraces the melodrama. What’s not to enjoy?
AGCK! That’s a scary title that just brings to mind all sorts of disturbing images. And this 1973 made-for-television film does get off to a rather disturbing start, with Carol Enders (Meredith Baxter) and her boyfriend, Adam Reston (Christopher Connelly), getting attacked in the park by a random criminal. Carol falls and strikes her head. She is rushed to the hospital in a coma and is not expected to survive.
Meanwhile, Diana Bernard (Sally Kemp) has an argument with her former lover (John Karlen) and then goes for a drive in the rain. When the car crashes, Diana is rushed to the same hospital as Carol. Ironically, it’s the same hospital where her husband, Peter (Charles Aidman), works. Like Carol, Diana is not expected to survive.
Diana and Carol both appear to die at the same time. Except Carol doesn’t actually die. Instead, she has a miraculous recovery. She comes out of her coma and she is remarkably articulate for someone who has just suffered serious brain damage. However, there is one problem. Carol swears that she’s never seen Adam before, that she’s married to Peter, and that her name is Diana!
That’s the invasion of Carol Enders. When Diana died, her spirit moved into Carol’s body and took control. Diana is convinced that her car accident was not actually an accident. She thinks that she was set up by her ex and she sets out to try to prove that the accident was actually attempted murder. (Actually, it’s only attempted from Diana’s point of view. As far as the rest of the world is concerned, Diana is dead.) While Adam tries to help Diana solve her murder out of a hope that she’ll go away and allow Carol to once again be in control of her own body, Diana runs off to her husband. However, it turns out that there’s a lot more going on than even Diana realizes.
This is a bit of an odd made-for-TV movie, even by the standards of the 70s. It’s only 69 minutes long and it was shot on video tape, giving the whole thing the look of an old daytime drama. It’s easy to watch this movie and imagine that it’s just a supernaturally-tinged episode of General Hospital or Days Of Our Lives. Both the acting and the plot add to the daytime drama feel of the production. This is a movie that fully embraces the melodrama.
I think the most interesting thing about this film is that everyone is very quick to accept that Diana has somehow willed her spirit into Carol’s body. There’s very little hesitation about accepting Diana/Carol at her word and no one even thinks to suggest that maybe Carol is having some sort of mental episode as a result of the attack. Adam hears that his girlfriend has been possessed and he immediately gets to work helping out the woman who has possessed her. I mean, good for Adam. I like a man who is willing to do whatever has to be done. Still, everyone acts as if possession happens every day.
This is kind of a silly movie, which is probably why I enjoyed it. It’s short, it’s simple, and it embraces the melodrama. What’s not to enjoy?
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch rides with Getraer!
Episode 1.21 “Crack-Up”
(Dir by Phil Bondelli, originally aired on March 9th, 1978)
After causing an accident that lands Officer Baker in the hospital, street racer and tow truck drive Niles (Joey Aresco) has a psychotic break and decides that he wants to put as many police officers in the hospital as possible. He starts driving recklessly in his tow truck, all the better to get the attention of highway patrol officers. Soon, Officer Grossman has joined Baker in the hospital.
Meanwhile, with his partner laid up, Ponch faces his greatest nightmare. His temporary partner is none other than Sgt. Getraer! Getraer tells Ponch that he expects Ponch to do everything by the book. He expects Ponch to follow orders and observe official procedure. Ponch, however, is more concerned with saving lives and getting results than following the book. Ponch is a rebel!
And that’s fine, except for the fact that there’s never been anything about Erik Estrada’s performance that has ever made Ponch seem like he’s actually the rebel who everyone claims he is. Estrada plays Ponch as someone who is quick to smile and quick to brag on himself and quick to get annoyed if a motorist doesn’t pull over for him. In short, Estrada has always been convincing when he plays Ponch as being a jackass but far less convincing when it comes to convincing us that Ponch is a cop who deliberately breaks the rules for the greater good.
While Getraer and Ponch get on each other’s nerves, Baker lies in bed and insists that he’s ready to get back on his bike. Wanda (Phyllis Diller), who is visiting her husband in the hospital, frequently stops by to tell jokes. When I saw this episode was going to be co-starring Phyllis Diller, I cringed because CHiPs seems like the type of show that would screw something like that up. But actually, Diller gives a really good performance as Wanda and her scenes were the best in the episode. She told a lot of jokes but, as she admitted to Baker, she was only joking to distract herself from worrying about her husband.
In the end, things work out. Baker gets back on his bike. Getraer and Ponch come to respect each other. And, eventually, Niles the mad mechanic is captured. To be honest, it’s kind of weird that it took so long to capture Niles. After Baker was injured, Niles called the police to say that someone has stolen his car an hour or so before. He also got another mechanic, Ray (Gary Sandy), to lie and provide him with an alibi. But then, Niles went driving around in his tow truck and that’s what he was driving when he injured Grossman. So, really, a smart cop would have said, “Hey, that stolen car belonged to a tow truck driver and now, another office has been injured by someone driving a tow truck! Maybe we should go talk to that guy again….”
This episode was better than I was expecting, largely due to Phyllis Diller and the comedic interplay between Officers Grossman and Baker. As always, the California scenery was the real star of the show and the state looked lovely.
In this episode of the Twilight Zone, a con man (Harry Townes) has the ability to change his face to make himself appear like anyone he wants to be. Needless to say, this ability doesn’t quite work out as well for him as he might have hoped.
This episode originally aired on January 1st, 1960.
(If the video is not showing up below — some browsers apparently have problems showing embedded videos from Hulu — you can watch the episode at http://www.hulu.com/watch/440771.)
Through the Shattered Lens 