Retro Television Review: Miami Vice 3.2 “Stone’s War”

Posted on October 7, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, another friend of Sonny’s gets killed.

Episode 3.2 “Stone’s War”

(Dir by David Jackson, originally aired on October 3rd, 1986)

Sonny Crockett’s old friend, journalist Ira Stone (Bob Balaban), returns to Miami and he’s in trouble once again.

The last time we saw Stone, he appeared to be dying as the result of being severely wounded by Col. William Maynard (G. Gordon Liddy). I guess Stone survived because this episode opens with him and a cameraman in Nicaragua, filming anti-Communist rebels opening fire on a village. They even gun down a priest! However, it turns out that the rebels have got some help from some men who appear to be American. Stone’s cameraman is shot. Apparently leaving him to die, Stone grabs the tape of the attack and then flees to Miami.

In Miami, Stone tracks down Sonny, who is reluctant to get involved with Stone. However, when it becomes obvious that some agents of the government are not only following Stone but also trying to assassinate him, Crockett changes his mind. It turns out that the men in Nicaragua do indeed work for Col. Maynard. Maynard makes a return appearance, showing off a necklace of ears that have been chopped off of communists in an attempt to get businessmen to invest in his army. This episode drops some very obvious hints that Maynard is now working for the U.S. government.

In their efforts to help Stone get his tape to the public, Crockett and Tubbs get a few people killed. Local reporter Alica Mena (Lonette McKee) is murdered after Maynard’s men break into her office to search for the tape. In the end, Stone himself is once again wounded by Maynard’s man and this time, he actually dies on-camera. As for Maynard, he once again boards a private plane and escapes. The episode ends on a properly cynical note, with Crockett listening to reports blaming the death of the priest on the Nicaraguan government.

Actually, this whole episode feels a bit cynical. On the one hand, this episode criticizes the American government for being so anti-communist that it tries to overthrow the governments of other counties. On the other hand, a good deal of the episode’s running time is devoted to showing off Sonny’s new car, a 1986 Ferrari Testarossa. There’s even an extended chase scene that seems to exist largely so the show can work in as many close-ups of Sonny changing gears as possible. It’s a cool car but just try to get one in Nicaragua, Venezuela, or Cuba. (Or, I should say, try to get one without being related to someone who is in power.)

Ira Stone was a bit more compelling in his previous appearance on the show. In this episode, Balaban’s performance is almost too low-key. It lacks the manic instability of his first appearance, in which Stone was portrayed as being almost as mad as Maynard. This time out, he’s just another independent journalist who is convinced the government is out to get him. Fortunately, G. Gordon Liddy returns to Maynard and takes so much obvious joy in the role that he’s fun to watch. As I mentioned when Liddy last appeared on this episode, my father had a “G. Gordon Liddy for President” bumper sticker. As far as Watergate felons are concerned, Liddy was certainly less annoyingly self-righteous and more honest about his amorality than John Dean has turned out to be.

As a whole, this wasn’t a bad episode. Like last week’s episode, it was serviceable but it still seemed to be lacking the spark that distinguished the show’s first two seasons. For the second week in a row, Miami Vice puts more emphasis on its guest stars than the main cast and, perhaps as a result, the main cast seems to largely be going through the motions. (Zito and Gina don’t even appear in this episode. Castillo is barely present, which is interesting considering that the character is supposed to have connections in U.S. intelligence that would have perhaps been a bit helpful this time around.) Still, it was good to see both Stone and Maynard return to the show and remind the viewers that the vice in Miami is often the result of conflicts happening elsewhere.

Retro Television Review: Miami Vice 2.20 “Payback”

Posted on September 2, 2024 by Lisa Marie Bowman

After taking a two-month hiatus, I think it’s time to finally get back to the reviews. Thank you for your patience, everyone. Now, let’s head to down to Miami for some Vice!

Episode 2.20 “Payback”

(Dir by Aaron Lipstadt, originally aired on March 14th, 1986)

A low-level drug dealer named Jesus Moroto (Roberto Duran) wants a meeting with the detective who arrested him and sent him to jail. When Sonny Crockett arrives to see what Moroto wants, Sonny is shocked when Moroto commits suicide in the visitation room.

Sudden and violent deaths are a recurring thing in Miami but the death of Moroto haunts Sonny. As Sonny explains to Tubbs, it doesn’t make any sense for Moroto, who was only looking at a few years in jail, to have killed himself. Sonny wonders why Moroto died in front of him. Tubbs suggests that Sonny instead focus on their current assignment, trying to get close to the elusive drug lord, Mario Fuente (played by famed art rocker, Frank Zappa). As a lot of drug lords do on this show, Fuente lives on a yacht and it’s next to impossible to see him. Using their undercover identities as Burnett and Cooper, Crockett and Tubbs have so far only been able to meet with Fuente’s second-in-command, Reuben Reydolfo (Dan Hedaya).

Crockett and Tubbs find themselves assigned to work with two DEA agents, one whom — Kevin Cates (Graham Beckel) — claims that he can get Crockett and Tubbs onto Fuente’s boat. Crockett and Tubbs are reluctant to work with anyone but it soon turns out that Cates is apparently better at his job than Crockett and Tubbs gave him credit for.

Except, of course, everyone’s got a secret. Before he went to jail, Moroto stole several million dollars from Fuente. It turns out that Internal Affairs is convinced that Crockett helped Moroto steal the money and Fuente, who knows that Burnett and Cooper are actually Crockett and Tubbs, believes the same thing. The only person who can truly prove that Crockett is innocent is Kevin Cates and that’s because he’s the one who stole the money!

It doesn’t matter that the twisty plot of this particular episode is not always easy to follow. It also doesn’t matter that this episode leaves you wondering just how exactly Crockett and Tubbs have managed to maintain their Burnett/Cooper personas for so long without everyone in Miami’s underworld figuring out the truth. (Personally, I wonder that after every episode.) This episode works due to the atmospheric direction of Aaron Lipstadt and the performances of Don Johnson, Edward James Olmos, Frank Zappa, and especially Graham Beckel. Beckel gives a performance that will keep you guessing at just who exactly Kevin Cates is working for and whether or not he can be trusted. That he makes Kevin into a somewhat likable character makes it all the more disturbing when he turns out to not be quite the honest law enforcer that he made himself out to be. If the main theme of Miami Vice often seemed to be that Crockett and Tubbs were fighting a war that there was no way to win, this episode shows why their work often felt so futile. In this episode, Crockett not only has to battle a drug lord but he also has to battle Internal Affairs. No one trusts anyone.

The episode ends on an ambiguous note, with Crockett technically cleared but still unable to truly prove his innocence. (Kevin Cates, the only man who can truly prove Crockett’s innocence, is naturally gunned down during the show’s final few minutes.) Crockett is warned that Fuente is still going to be coming after him. (Unfortunately, Zappa was in poor health when he filmed this episode and Fuente would never return.) This episode is Miami Vice at its most cynical and its most effective.

Retro Television Review: Miami Vice 2.16 “Little Miss Dangerous”

Posted on June 17, 2024 by Lisa Marie Bowman

The power has returned, my mood is better, and my wrist has healed. It’s time to get back to the reviews!

Episode 2.16 “Little Miss Dangerous”

(Dir by Leon Ichaso, originally aired on January 31st, 1986)

There’s a serial killer stalking the red light district of Miami, haunting cheap motels, dark alleys, and neon-lit sex clubs. Men are turning up dead all over the place, brutally stabbed and then set on fire. Occasionally, a crude drawing is left behind. Castillo announces that every member of the Squad will be working a 12-hour shift until the killer is brought to justice. He says that they may be looking for a pimp or a prostitute who is looking for revenge.

Of course, every prostitute knows and likes Sonny Crockett. And again, this leads to the question of how exactly Sonny is able to work undercover when everyone in Miami knows who he is. For that matter, all of the prostitutes also seem to know that Gina and Trudy are working Vice as well, despite the fact that Gina and Trudy’s regular gig to go undercover as high-priced escorts. How do these people ever succeed at going undercover? Everyone knows them! I guess that’s to be expected, though, when you’ve only got 6 detectives working Vice in a city as big as Miami.

Tubbs meets a Jackie (played by singer Fiona), a young runaway who swears that she’s 18 and who says that she’s happy working as a prostitute because her body is just a commodity. Tubbs becomes obsessed with protecting the spacey but seemingly innocent Jackie, especially after he becomes convinced that Jackie’s pimp, Cat (Larry Joshua), is the murderer. Except, of course, Cat isn’t the killer. Jackie is! When Tubbs takes Jackie to a safehouse (which, of course, is also an art deco mansion), she snaps. As Crockett tries to break down the locked front door and Cat crashes into the house on his motorcycle, Jackie starts a fire and approaches Tubbs. But, instead of killing the only man who hasn’t tried to use her body, Jackie instead holds a gun to her head. This is another episode that ends with an off-screen gunshot. Interestingly, we never see Crockett actually get into the safehouse to rescue Tubbs from the fire. Instead, the ending is abrupt and the viewer, while having no doubt that Tubbs will escape the fire, knows that Tubbs will now carry Jackie’s scars as his own.

What an unsettling episode. This was Miami Vice at its most surreal and dream-like, with almost all of the action taking place at night and both Fiona and Larry Joshua giving edgy performances as two self-destructive people who live in the shadows of a wealthy American city. For once, the entire Vice Squad gets in on the action, though Tubbs is clearly the one at the center of the story. This episode reminds us that Tubbs is not quite as cynical and emotionally closed-off as Crockett but maybe, for the sake of his sanity, he should be. Little Miss Dangerous is a journey into the heart of Miami darkness.

Retro Television Review: Miami Vice 2.15 “One Way Ticket”

Posted on May 20, 2024 by Lisa Marie Bowman

This week, the Canadians are coming!

Episode 2.15 “One Way Ticket”

(Dir by Craig Bolotin, originally aired on January 24th, 1986)

This week’s episode of Miami Vice opens with one of the most unintentionally hilarious shots that I’ve ever seen. The action starts at a fancy wedding. The daughter of District Attorney Richard Langley (Jon DeVries) is getting married. The cream and the crop of Miami society has turned out. The camera pans over all of the formally dressed men and women until it finally comes to a stop on Sonny, wearing his white suit, a blue t-shirt, and no socks. He’s attending the wedding Tubbs, who at least bothered to put on a dress shirt.

Seriously, Sonny …. it’s wedding! Would it kill you to wear a tie or maybe put on socks to go to a wedding? And, I know I bring this up every week, but how can Sonny continually convince every bad guy in Miami that he’s a drug dealer named Sonny Burnett when he’s doing stuff like attending the wedding of the District Attorney’s daughter? Does he think that no one is going to notice that the drug dealer who always wears the same white suit looks and sounds exactly like the cop who is always wearing the same white suit?

That said, I guess it’s good that Sonny and Tubbs are the wedding because, during the reception, a coked-up assassin named Sagot (Lothaire Bluteau) pulls a gun and kills not only Langley but also two bridesmaids who happened to be standing close by. Sagot manages to escape from the reception but, that night, Zito and Switek track him down to Miami’s hottest French Canadian nightclub, Le Lieu, and arrest him on possession charges.

Sagot is working for a French Canadian drug lord named Faber (Jean-Pierre Matte) and, as with all of Faber’s men, his attorney is Laurence Thurmond (John Heard). Thurmond was a good friend of Langley’s and it’s obvious from the start that he’s not comfortable with the idea of defending the men who killed him. Thurmond and Crockett also have a long history together. Crockett blames Thurmond for getting a case dismissed against someone who shot one of Crockett’s partners, though it sounds like Thurmond was just doing his job and Crockett is actually to blame for not following proper procedure while making his arrest. (Seriously, due process may be a pain in the ass but Sonny has no excuse for not knowing what’s going to happen when he violates it.) Crockett continually demands to know how Thurmond can live with himself. Thurmond, who likes to fly a private plane in his spare time, says that it’s not easy. Then again, Thurmond can afford his own airplane and a wedding suit so, even if it is difficult to live with himself, at least he’s living well. (And again, Sonny may not like it but everyone has the right to an attorney. Again, if you’re sloppy enough to not read someone their rights or to search someone’s house without probable cause, that’s on you and not on the person who pointed it out.)

As much as Crockett would love to spend all of his time harassing Thurmond, he has a case to solve. He wants to get revenge for Langley’s death. He also wants to figure out who keeps sending him anonymous tips that are full of information that presumably only a defense attorney would know….

Lothaire Bluteau’s makes for a memorably unhinged villain and all of the evil French Canadians made for a nice change of pace from the show’s usual rogue’s gallery. That said, this episode was pretty much dominated by John Heard, playing the type of role that he played best. Heard’s morally conflicted attorney has a lot in common with the morally conflicted police detective that he later played on The Sopranos and Heard’s melancholy performance was a nice contrast to Don Johnson’s intensity. Full of twists and turns, this episode ended on a perfect note. In the end, Crockett may still not like Thurmond but he finally understands him.

Retro Television Review: Miami Vice 2.14 “Yankee Dollar”

Posted on May 13, 2024 by Lisa Marie Bowman

This week, Sonny’s latest girlfriend gets involved in the drug trade.

Episode 2.14 “Yankee Dollar”

(Dir by Aaron Lipstadt, originally aired on January 17th, 1986)

It’s another night in Miami. Sonny Crockett is looking forward to driving out to the airport and picking up his latest girlfriend, a flight attendant named Sarah (Audrey Matson). For two years, Sarah has been working the Miami to Bogota to Paris and back route. She doesn’t make a lot of money but, as is typical for this show, she lives in a small but very nicely furnished house.

Unfortunately, Sarah dies shortly after Sonny picks her up. She goes into cardiac arrest, the result of a balloon of cocaine bursting inside of her. It turns out that Sarah was working as a drug mule, all so she could make a quick five grand and buy a used BMW.

Seriously, what are the chances that Sonny Crockett’s girlfriend would turn out to be a drug smuggler? Maybe she thought she was dating Sonny Burnett. Or maybe, like so many others on this show, she allowed her desire for the finer things in life — like a BMW — to lead her astray. This is one of the major themes of Miami Vice. In a society where conspicuous consumption rules, people will do anything to appear richer than they actually are.

When Sonny and Rico arrest Sarah’s brother, Tim (Clayton Rohner), they discover that he works for a wealthy businessman named Charlie Glide (Ned Eisenberg). Everyone knows that Charlie Glide (a great name, by the way) is involved in the drug trade but no one has ever been able to pin anything on him. In the past, Charlie avoided cocaine but he’s now looking to branch out. Sonny and Rico go undercover to try to bring Charlie down.

Of course, it doesn’t work. Charlie is smart enough to figure out that Sonny and Rico are trying to set him up. Even after Crockett and Tubbs drag him down to the police station and Charlie makes a deal for immunity in return for setting up two other drug dealers (Anne Carlisle and Pepe Serna), he still tries to double cross the cops. And even though the double cross doesn’t quite work, Charlie remains smug in his knowledge that he has immunity.

Except, of course, he doesn’t have immunity from all crimes. Earlier in the episode, Charlie’s executive assistant, Max Rogo (Austin Pendleton), used Charlie’s gun to execute Tim. Even though Crockett and Tubbs know that Max is the one who pulled the trigger and that Max is the one who decided to kill Tim, they still arrest Charlie for the murder. (Max was apparently killed in an earlier shootout so it’s not like he’s around to tell the truth.) “You changed the rules!” Charlie shouts as he’s dragged away.

This episode is Miami Vice at its most cynical. Crockett and Tubbs can’t get Charlie for the crime he committed so, instead, they set him up for a crime he didn’t commit. They did change the rules in that they decided they no longer have to follow them. The episode is full of characters so desperate for money that they’ll do just about anything, even smuggling a lethal drug in their body. Crockett can only watch helplessly as Sarah dies and, even as Charlie is taken away, there’s never any doubt that he’ll be replaced by someone else, the drug trade will continue, and more people will die just because they wanted to be able to afford a few extra things. Crockett and Tubbs are fighting a war that can never be won. Whatever victories they get ultimately feel hollow. Arresting Charlie won’t bring Sarah back and it won’t stop more innocent people from dying. Ned Eisenberg was wonderfully smug as Charlie Glide and Austin Pendleton was appropriately creepy as the always-smiling Max Rogo. This was a good episode, one that challenged the traditional cop show narrative. How long can one fight a losing war?

Retro Television Review: Miami Vice 2.13 “Definitely Miami”

Posted on May 6, 2024 by Lisa Marie Bowman

Things get weird this week.

Episode 2.13 “Definitely Miami”

(Dir by Rob Cohen, originally aired on January 10th, 1986)

This week’s episode of Miami Vice is all about heat.

Seriously, it literally starts with a shot of a solar flares erupting off the surface of the sun. The camera then pulls away, letting us see what the sun looks like a cloudless blue sky. Finally, we find ourselves in Miami, where the sky is clear and a heat wave is raging. The camera focuses on the beads of sweat forming on skin. Every pastel shirt is stained with sweat and everyone is wearing sunglasses. When a drug dealer drives out to a quarry to meet connection, the heat seems to radiate out of the screen. When he’s shot and killed by Charlie Basset (Ted Nugent — yes, the musician and gun enthusiast), the dust that rises up looks like smoke rising from a burning planet.

Sonny and Rico are working undercover as Burnett and Cooper, hanging out at a hotel pool and complaining about the heat. Their target is Sergio Clemente (Roger Pretto) but Sonny is actually more interested in Callie (Arielle Dombasle), a beautiful blonde who he spots laying by the pool. Callie sees Sonny watching her and brings him a drink. Sonny introduces himself as Sonny Burnett.

Clemente is willing to turn himself in but only if he can see his sister, Maria (Kamala Lopez), and know that she’s still alive. Maria testified against her brother at a trial and is currently in the witness protecting program. Joe Dalva (Albert Hall), an arrogant Department of Justice official, is willing to bring Maria to Clemente, despite the fact that Maria indicates that Clemente used to sexually abuse her. Castillo thinks that it’s a terrible idea and tries to use a decoy. In the end, the government orders Castillo to do what Dalva wants. Castillo stands in a corner and stares down at the ground, which viewers of the show know is something Castillo does whenever he knows just how badly things are going to turn out. When the meeting finally happens, Tubbs, Castillo, and Davla can only watch as Maria pulls a knife and stabs her brother to death.

Sonny is not there to see Clemente die. Callie has told him that her husband is physically abusive and she wants Sonny — as Burnett — to meet him in a quarry, make a drug deal with him, and then kill him. Sonny suspects that he’s being set up and he’s right. Callie’s husband is Charlie and he only hits her when she tells him to. Callie seduces drug dealers and then Charlie kills them. Sonny, however, is smart enough to bring Zito with him to the quarry. During a shoot out, Charlie ends up dead. While the police dig up the quarry and find body after body, Sonny goes to the beach so that he can arrest Callie. When Sonny approaches Callie, she’s making a sand castle that looks exactly like the quarry. At first, Callie thinks that Sonny is Charlie but then she forces herself to smile when she sees that Charlie is dead. She assumes Sonny will be her new partner. Instead, Sonny calls in a police helicopter and Callie is taken into custody by two cops. Callie flirts with one of the cops while she’s being led to the helicopter.

And the sun continues to burn in the sky….

This was an odd episode, one that put far more emphasis on vivid and sometimes surreal imagery than it did on telling a coherent story. That’s not a complaint, of course. This episode had a dream-like intensity to it that I really appreciated. It was weird but entertaining, with the grinning Ted Nugent popping up like a gleefully evil goblin. Sonny is targeted because Callie thinks that he’s a drug dealer when he’s actually a cop. The idea of Sonny being able to maintain his undercover identity despite having personally arrested or killed a countless number of Miami drug dealers has always been one of the stranger elements of Miami Vice. This episode, though, it makes a strange sense that Sonny could be mistaken for a drug dealer despite always acting like a cop. That’s definitely Miami.

Retro Television Review: Miami Vice 2.12 “Phil the Shill”

Posted on April 29, 2024 by Lisa Marie Bowman

The Vice Squad goes after Phil Collins!

Episode 2.11 “Phil the Shill”

(Dir by John Nicolella, originally aired on December 13th, 1985)

Switek and Zito call in sick so that they can go to the taping of a silly game show called Rat Race. While Zito sits in the audience, Switek answers trivia questions about Elvis and competes in an obstacle course race with his spacey opponent (Emo Phillips). Hosting the show is the very effusive and very British Phil Mayhew (Phil Collins).

As we already know, Switek knows everything about Elvis. And he’s in better shape than Emo Phillips so, when it comes time for the obstacle course, he reaches and hits his buzzer first. But Switek’s buzzer doesn’t go off. Emo’s buzzer works and Emo proceeds to robotically recite a complex string of Elvis trivia.

To his horror, Switek realizes that the quiz show was fixed!

Switek and Zito decide that they want to take down Phil and reveal his con artist ways. Unfortunately, for them, the rest of the Squad doesn’t care. Crockett, in particular, is annoyed that Switek pretended to be sick to get a night off of work. However, it then turns out that Phil has hooked up with Sarah MacPhail (Kyra Sedgwick), the girlfriend and business partner of Tony Rivers (Michael Margotta), a drug dealer that Crockett has spent months trying to set up.

It’s time to call in Izzy and have him pretend to be an interior decorator so that Phil can be tricked into throwing a party that can be attended by …. SONNY BURNETT AND RICO COOPER! Listen, I know I mention that a lot but I just can’t let it go …. how are Sonny and Rico able to maintain their undercover identities when they’re constantly arresting major drug dealers and taking part in DEA busts? How come it never occurs to the criminals that dealer Sonny Burnett might have something in common with cop Sonny Crockett? Does no one ever notice that Sonny Burnett drives the same car and wears the same white suit as Sonny Crockett?

This was a bit of an odd episode. It was obviously written so that Phil Collins (whose In The Air Tonight set the mood for the entire series) could play Phil Mayhew. And while Phil Collins does not appear to have been an actor of amazing range, he still does a good job as the weaselly Phil Mayhew. The Phil scenes are played for humor while the scenes with Tony Rivers definitely are not. Tony is a violent sociopath who casually kills several people over the course of the episode. Scenes of Switek pouting about the game show feel awkward when combined with scenes of Tony machine gunning two drug dealers. Collins does a good job within his range and Michael Margotta is an energetic villain. However, the best performance in this episode actually comes from Kyra Sedgwick, who does a great job as someone who eventually turns out to be just as ruthless and dangerous her boyfriend.

This is a fast-paced and energetic episode, one that moves quickly enough that the viewer doesn’t really have time to consider the oddness of Phil Mayhew getting involved with the same drug dealer that Crockett happens to be investigating. Personally, I’m always happy when the members of the supporting cast get to do something more than just stand in the background. Switek and Zito are a good team.

Retro Television Review: Miami Vice 2.11 “Back In The World”

Posted on April 22, 2024 by Lisa Marie Bowman

This week, an old friend of Sonny’s comes to Miami.

Episode 2.11 “Back In The World”

(Dir by Don Johnson, originally aired on December 6th, 1985)

Directed by Don Johnson himself, Back In The World opens in the closing days of the Vietnam War. A war correspondent named Ira Stone (played by Bob Balaban) has discovered that the bodies of American soldiers are being packed with heroin before being shipped back to the United States. He shares the discovery with his best friend, a young Marine named Sonny Crockett.

Ten years later, Sonny is a member of Miami Vice and laughing as he watches the DEA go all out to arrest two rich kids who have a few pounds on weed on them. Meanwhile, Ira Stone is still a journalist but it’s been a while since he’s had a major byline. Stone has become known for being erratic and paranoid. His own wife (played by Patti D’Arbanville, who was Johnson’s girlfriend at the time this episode was filmed) describes Stone as being a crazed junkie who spends his time chasing imaginary enemies. Sonny discovers just how paranoid Stone has become when Stone approaches him and asks for help in exposing the truth about the heroin trade.

Stone has a lot of theories, the majority of which involve rogue elements of the CIA. Sonny agrees to help Stone investigate a lead but he’s skeptical of Stone’s theories. But then someone launches a mortar attack on Sonny and Stone while they’re talking on a motorboat. “INCOMING!” Stone yells as Sonny steers the boat through a shower of explosions. As out there as Ira Stone may be, he’s obviously made someone uncomfortable.

Could that someone be William Maynard (G. Gordon Liddy, who was one of the Watergate burglars)? Maynard is a former (and maybe current) CIA agent who, in Vietnam, was renowned for his ability to track down and destroy the enemy. Now, Maynard lives in a Miami mansion with his wife (Susan Hatfield) and a mute servant who has a tendency to show up whenever someone needs to be killed. While Crockett and Stone investigate Maynard, Tubbs and Switek (who is dressed as a leather-clad biker for some reason) investigate an exotic drug currier named Dakotah (Iman).

It’s an intriguing story but it ends on a rather conventional note, with Crockett and Tubbs launching an assault on one of Maynard’s mansions in the Everglades. It’s probably not a coincidence that the Everglades are filmed to resemble a Vietnamese jungle. At one point, Crockett nearly shoots in Tubbs by mistake, a stark reminder of the confusion that comes with combat. In the end, Maynard escapes, Stone is seriously wounded, and the heroin trade continues. There aren’t many happy endings to be found in Miami.

This was an uneven but entertaining episode. The use of The Doors on the soundtrack was occasionally effective and occasionally heavy-handed. The opening Vietnam montage was done well but it fell apart as soon as middle-aged and gravelly-voiced Don Johnson showed up as a fresh-faced Marine in his 20s. That said, once the action moved to Miami and the present day, Don Johnson was never less than convincing as a battle-scarred veteran still trying to come to terms with what happened in Vietnam. G. Gordon Liddy was entertaining as Maynard, even if it was obvious that acting was not his main thing. Bob Balaban’s manic intensity (“INCOMING!” “MEDIC!”) made Ira Stone into a fascinating character. A visit by Crockett and Stone to a VA hospital not only leads to an important lead but it also allows the show to discuss the shameful way that America treated (and treats) veterans of unpopular wars. Johnson did a good job directing the episode but it still never quite escaped the shadow of the thematically-similar Bushido.

Incidentally, my father used to have a “G. Gordon Liddy For President” bumper sticker. And I’ve got a beat-up copy of Liddy’s autobiography, one that I purchased from Recycled Books in Denton a few years ago. After watching this week’s episode, I think I’ll give it a read.

Retro Television Review: Miami Vice 2.9 “Bushido”

Posted on April 8, 2024 by Lisa Marie Bowman

This week, a man from the past returns to haunt Castillo.

Episode 2.9 “Bushido”

(Dir by Edward James Olmos, originally aired on November 22nd, 1985)

This week’s episode opens with yet another intricately plotted drug bust going awry. This time, a dealer ends up dead, a DEA Agent ends up knocked out and tied up in a bathroom, and $50,000 goes missing. Watching the tapes of the bust, Castillo is shocked to spot a familiar face on the scene. Castillo says that Jack Gretsky (Dean Stockwell) was his partner when he was working for the CIA in Vietnam. Gretsky has long been thought dead but there he is, on tape and ruining Castillo’s bust.

Realizing that Gretsky was sending him a message, Castillo decides to deal with the situation personally. After visiting two CIA agents (Jerry Hardin and Tom Bower) who work out of an adult novelty shop, Castillo tracks Gretsky down to a Buddhist temple. The two of them talk. Gretsky reveals that he’s married to a Russian woman and that he has a son. He asks Castillo to watch over them if anything happens to him. The stoic Castillo agrees and then gives Gretsky a hug. Castillo says that he has to arrest Gretsky. Gretsky says he knows and then pulls a machine gun, forcing Castillo to kill him. The CIA agents are happy to no longer have to deal with Gretsky.

A day later, the coroner’s office calls Vice and says that Gretsky was terminally ill with cancer and probably only had a few days left to live. When Crockett and Tubbs go to tell Castillo, they find his badge and a note sitting in the office. Castillo is fulfilling Gretsky’s final wish and protecting his wife (Natasha Schneider) and his son, Marty (Robin Kaputsin). Castillo sees it as being a part of the samurai code by which he lives his life. Meanwhile, a rogue CIA agent named Surf (David Rasche, giving a wonderfully unhinged performance) is working with the KGB to track down Gretsky’s family.

Directed by Edward James Olmos, Bushido is a wonderfully odd episode. With a combination of skewed camera angles and deliberately eccentric performances from Dean Stockwell and David Rasche, this episode plays out with the relentless intensity of a fever dream. (The opening drug bust even features Zito burying himself in the sand and using a straw to breathe until its time to emerge and knock out one of the bad guys. It’s weird but it’s great.) Olmos contrasts Castillo’s trademark stoicism with the more verbose characters played by Stockwell and Rasche and, as a result, Castillo emerges as an honorable man who hides his emotions because he knows that’s the only way to survive in his world. To fall in love like Jack or to get cocky like Surf can only lead to one’s downfall.

After a few uneven episodes, Bushido is a nice reminder of what Miami Vice was capable of at its best.

Retro Television Review: Miami Vice 2.7 “Junk Love”

Posted on March 25, 2024 by Lisa Marie Bowman

This week, Sonny and Rico somehow still manage to work undercover.

Episode 2.7 “Junk Love”

(Dir by Michael O’Herlihy, originally aired on November 8th, 1985)

“What’s a four letter word for dirt?” Switek asks, while on a stakeout.

“Mud,” Zito offers before correcting himself, “I mean …. sand!”

However, according to Switek, the correct answer is Vice!

And indeed, there’s a lot of dirt to be found in this week’s rather sordid episode of Miami Vice. A raid on a brothel leads the Vice Squad to arrest a notorious smuggler and pimp named Ivory Jones (legendary Jazz musician, Miles Davis) and one of Ivory’s girls, a strung-out junkie named Rosella (Ely Pouget). When they find out that Rosella is apparently the girlfriend of a notorious dealer named Juan Carlos Silva (Jose Perez), they decide to use her and Ivory to take Silva down. While Tubbs is convinced that Rosella will say anything get her next fix, Crockett is convinced that Rosella is someone who truly wants to change her life. Hmmm …. isn’t Crockett usually the cynical one?

Silva is sexually obsessed with Rosella, to the extent that he’ll even kill the members of his own organization if he thinks they’re interested in her. The episode’s twist comes towards the end, when Gina does some research and discovers that Silva is not only Rosella’s lover but also her …. ick! …. father! Ewwwww! As with so many episodes of Miami Vice, Junk Love ends with Sonny watching helplessly as a victimized woman throws away her freedom so that she can shoot her tormenter. Miami Vice was a show that always managed to be downbeat, even when the bad guys met a deserved end.

This episode felt like an attempt to recreate the emotional drama of the season one episode that featured Bruce Willis as an arms dealer with an abused wife. Both episodes even feature the same basic ending, just with the setting moved from the courthouse steps to a yacht. Unfortunately, this episode doesn’t work anywhere half as well as any of the episodes that aired during the first season. Jose Perez may be playing an evil character but he simply does not have an intimidating enough screen presence to be convincing in the role. Miles Davis, meanwhile, delivers his lines convincingly enough but his character disappears in such a way that it almost feels as if he left the set before all of his scenes were filmed.

The main thing that I found myself thinking about, as I watched this episode, was how could Sonny Crockett and Rico Tubbs still convincingly go undercover after two years of busting drug kingpin after drug kingpin. You would think the entire Miami underworld would be on the lookout for them. Instead, Sonny is still somehow convincing everyone that he’s actually “Sonny Burnett,” aspiring drug dealer. I’m starting to think the criminals in Miami might not be that smart.