Brad reviews VIGILANTE FORCE (1976), starring Kris Kristofferson and Jan-Michael Vincent! 


I’ve been a fan of actor Jan-Michael Vincent for about as long as I can remember. I was a grade schooler in the mid-80’s when AIRWOLF was playing on network TV. I loved the show and Vincent’s character, Stringfellow Hawke. It was also around that time that I began my obsession with Charles Bronson, and Vincent co-starred in the iconic 1972 Bronson film THE MECHANIC (1972). Fox 16 out of Little Rock played the movie often, further cementing my appreciation for his work. And I specifically remember renting his 1980 movie DEFIANCE where his character takes on a ruthless gang in New York. It was my kind of movie, and I still watch it every few years. There’s just something I’ve always liked about Jan-Michael Vincent. July 15th, 2025 would have been his 80th birthday so I decided to watch one of his movies that I’ve never seen, VIGILANTE FORCE from 1976. It was playing on Amazon Prime, so I fired it up for my initial viewing. 

In VIGILANTE FORCE, Jan-Michael Vincent plays Ben Arnold, a guy from the small town of Elk Hills, California. It seems that the discovery of oil in the area has brought about a financial boom, but it’s also brought in a lot of rowdy out-of-towners and a surge in violent crime. Ben convinces the local community leaders to allow him to bring in his brother Aaron (Kris Kristofferson), a Vietnam war hero, to help restore order in town. Aaron assembles a group of ex-military types, friends of his, to help the local police restore order in town. Successful in cleaning out the riffraff at first, Aaron and his team of vigilantes eventually become the riffraff and use their law enforcement powers for their own corrupt, get-rich-quick schemes. Realizing that he made a horrible mistake in bringing in his brother, Ben is forced to confront Aaron and his team of murderous mercenaries in order to reclaim Elk Hills for its citizens.

I had not read anything beyond the title VIGILANTE FORCE and the basic cast list when I sat down to watch this film. I guess that’s a good thing, because I wasn’t expecting this movie to pit the brothers played by Vincent and Kristofferson against each other. I thought the two guys would be working together to get rid of a bunch of rednecks, and we do get that for the first half of the film, but when Kris goes bad, he really goes bad! And nobody is safe. This is one of those movies where he just kills whoever gets in his way, no matter how important or attractive they are. Writer-Director George Armitage, who would direct the excellent MIAMI BLUES (1990) fourteen years later, has said that he was trying to make a point about America’s involvement in the Viet Nam war with the Kristofferson character. Armitage apparently enjoys his references, as the film was made during the USA’s bicentennial year, but his two main characters are named after Benedict Arnold and Aaron Burr. While these ideas may have amused the director, his heavy-handed approach is not good for Kristofferson’s character in this film. His Viet Nam vet basically turns into an evil cartoon about halfway through the film and is no longer interesting, which is a shame because he gives a good performance.

Allegories aside, at its heart VIGILANTE FORCE is B-movie, drive-in fodder, and it’s pretty good at being that. It’s got that unpolished look and raw, energetic feel that I like in my low budget 70’s action movies. As you would expect in a film at this time, Jan-Michael Vincent is impressive and believable as the tough, good guy of the flick. Highly motivated due to the actions of our evil, out of control villain, Vincent handles the action scenes well in the film’s explosive finale. And I mean that literally, it seems that everything blows up big time at the end! Besides Kristofferson and Vincent, the film has a very recognizable supporting cast, which is one of the things I love about 70’s movies. Producer Gene Corman put together a cast that also includes Brad Dexter, Andrew Stevens, Victoria Principal, Bernadette Peters, Paul Gleason, Charles Cyphers, Loni Anderson and a host of other familiar voices and faces who add their unique talents to the proceedings. Principal, still a couple of years away from her career defining role as Pamela Ewing in the DALLAS TV series, is especially beautiful as Vincent’s girlfriend. 

Overall, while VIGILANTE FORCE is not required viewing, I can definitely recommend it to anyone who likes 70’s redneck action cinema, or to fans of the main stars. I enjoyed it! 

Horror Film Review: The Mummy’s Curse (dir by Leslie Goodwins)


When last we checked in with Kharis the Mummy, he was running into a swamp in Massachusetts, carrying the reincarnation of Princess Ananka with him.  Chasing after him were the standard towns people with torches and guns.  It’s not a Universal horror film without angry villagers, even if the movie itself is taking place in Mapleton, Massachusetts.

Upon entering the swamp, both Kharis and Ananka sunk under the water, traumatizing Ananka’s boyfriend but apparently bringing Kharis’s reign of terror to an end.

Well, not so fast!

The 1944 film, The Mummy’s Curse, opens with the townspeople talking about how Kharis continues to haunt the old swamp, so much so that most of the locals refuse to work in the swamp.  Oddly enough, though, the townspeople are suddenly a mix of Cajuns and gypsies.  (The film even opens with a gypsy woman singing a song in a bar.)  The swamp has now become a bayou.  We are repeatedly told that the film is taking place in the same location as the previous Mummy films but suddenly, that location has changed from Massachusetts to Louisiana.

As for the plot of The Mummy’s Curse, it all centers around the swamp.  The Southern Engineering Company (and that really doesn’t sound like a Massachusetts company) is draining the swamp.  The locals are worried that draining the swamp will bring back the curse of the mummy.  Two representatives from the Scripps Museum show up and announce that they want to search the drained swamp for the remains of the mummies.  Dr. James Halsey (Dennis Moore) is typical of the archeologists who tend to show up in these Mummy films.  Meanwhile, his associate is Dr. Ilzor Zandeeb (Peter Coe) who — surprise! — is that latest Egyptian high priest to come to America to try to recover the bodies of Kharis and Princess Ananka.

Ananka (Virginia Christie) is the first to emerge from the swamp, though she has no memory of who she is.  When she is discovered on the side of the road by Prof. Halsey and his love interest, Betty (Kay Harding), they allow her to stay at their camp on the edge of the swamp.  Everyone is really impressed by the fact that this amnesiac knows so much about ancient Egypt.  Eventually, Kharis (Lon Chaney, Jr., again tightly wrapped in bandages) eventually emerges from the swamp as well, determined to protect Ananka.

The Mummy’s Curse was the final film to feature Lon Chaney, Jr. as Kharis.  Unfortunately, it’s pretty forgettable and certainly not a satisfying conclusion to the story of one of Universal’s original monsters.  A good deal of the film’s 60-minute running time is taking up with flashbacks to previous Mummy films and it seems like it takes forever for Kharis to actually get around to spreading the usual mummy mayhem.  Though it may be too much to ask for too much continuity from these films, the sudden switch from Massachusetts to Lousiana is distracting for those of us who have actually invested the time to watch the previous Mummy films.  One gets the feeling that, by the time this film went into production, no one involved really cared that much about poor Kharis and his never-ending mission to protect his princess.

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. Black Friday (1940)
  11. The Invisible Man Returns (1940)
  12. The Mummy’s Hand (1940)
  13. The Wolf Man (1941)
  14. Ghost of Frankenstein (1942)
  15. Invisible Agent (1942)
  16. The Mummy’s Tomb (1942)
  17. Frankenstein Meets The Wolf Man (1943)
  18. Son of Dracula (1943)
  19. House of Frankenstein (1944)
  20. The Invisible Man’s Revenge (1944)
  21. The Mummy’s Ghost (1944)
  22. House of Dracula (1945) 
  23. Creature From The Black Lagoon (1954)

Horror Film Review: House of Frankenstein (dir by Erle C. Kenton)


House of Frankenstein opens in a prison.  Dr. Gustav Neimann (Boris Karloff), the bother of one of Baron Frankenstein’s assistants, has been convicted of robbing graves and attempting to carry on the Baron’s work.  Dr. Neimann’s faithful assistant is the hunchback, Daniel (J. Carroll Naish).  Daniel is loyal to Neimann because Neimann has promised to someday place Daniel’s brain in a stronger body.

When a sudden earthquake allows Neimann and Daniel to escape, they waste no time in getting revenge on Neimann’s enemies.  First, they murder a traveling showman named Prof. Lampini (George Zucco) and steal both his identity and his mobile horror exhibit.  Included in the exhibit is a coffin that Lampini claimed held the skeleton of Dracula.  (There’s even a stake sticking out of the skeleton’s chest.)  When Neimann returns to his original hometown, he removes the stake from the skeleton so that he might use it on the Burgomaster, Hussman (Sig Ruman).  The skeleton transforms into Dracula (John Carradine).  Because he is relieved to have been brought back to life, Dracula does not attack Neimann but instead agrees to help Neimann get revenge on Hussman in return for Neimann looking after his coffin.  Dracula soon learns that he should have thought twice before trusting either Neimann or Daniel.

Neimann moves on, stopping off at Frankenstein’s village and recovering the bodies of both Frankenstein’s Monster (Glenn Strange) and Larry Talbot (Lon Chaney, Jr.) from the frozen chamber in which they were trapped at the end of Frankenstein Meets The Wolf Man.  Revived from suspended animation, Larry immediately starts whining about how much his life sucks.  (I love The Wolf Man but subsequent films turned Larry into the whiniest of the Universal monsters.)  Neimann promises to put Larry’s brain in a new body if he helps to revive the Monster.  Larry agrees.  Meanwhile, Daniel falls in love with a gypsy girl named Ilonka (Elena Verdugo) while Ilonka falls in love with Larry.  Daniel wants Neimann to put his brain in Larry’s body, Larry won’t stop whining about the approaching full moon, and the villagers are getting suspicious!

House of Frankenstein has never been a favorite of critics or horror historians and the film does have its share of flaws.  For instance, though it would have been fun to see Bela Lugosi return to his signature role, John Carradine seems like ideal casting for Dracula.  Unfortunately, Dracula is only in the film for about ten minutes and he comes to an end that really doesn’t feel worthy of a character of his stature.  The film reduces Larry Talbot to just being a dumb lug who won’t stop feeling sorry for himself.  Finally, Glenn Strange has the right physique for the Monster but, much as with John Carradine, he is underused.

That said, I still enjoyed House of Frankenstein.  A lot of that is because of Boris Karloff, who brings a lot of sly humor to his performance as the mad scientist.  (That said, Karloff himself later said that he did the role solely for the money and was bored with the whole thing.)  J. Carroll Naish turns Daniel into a rather sympathetic henchman, one who is so desperate to be “normal” that he’s willfully blinded himself to the fact that Neiman really doesn’t care about anyone other than himself.  (In many ways, he’s the equivalent of the hapless characters that Michael Ripper later played for Hammer Films.)  Finally, Elena Verdugo brings a lot of life to the stock role of the dancing gypsy girl who falls in love with Larry Talbot despite the fact that Larry is kind of a dumb lug.

For a modern viewer, the main appeal of House of Frankenstein is that it is one of the original Universal horror films, even if it came out long after the first Dracula and Frankenstein films.  As such, it has all the things that we associate with and love about those films.  There’s a ruined castle.  There’s angry villagers.  The cast is full of Universal horror mainstays, including Lionel Atwell and Anne Gwynne.  And, yes, the film features a mob descending on the castle with torches.  Flaws and all, House of Frankenstein is an enjoyable time capsule.  It’s a horror film from a far more innocent age and it’s one that remains a fun watch.

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. The Wolf Man (1941)
  11. Ghost of Frankenstein (1942)
  12. Frankenstein Meets The Wolf Man (1943)
  13. Son of Dracula (1943)
  14. Creature From The Black Lagoon (1954)

Halloween Havoc!: THE MUMMY’S CURSE (Universal 1944)


gary loggins's avatarcracked rear viewer

Okay, how the hell did Kharis and Ananka get from Mapleton, Massachusetts to the Bayous of Louisiana? That question is never answered in THE MUMMY’S CURSE, though I suppose it doesn’t really matter. The Mummy series needed an injection of something, and despite the unexplained change of scenery, this last entry is better than the previous two.

The Federal government is determined to drain the local swamp (how’s THAT for a switch!) down in Cajun Country, when two representatives of the Scripps Museum, Drs. Jim Halsey (Dennis Moore) and Ilzor Zandaab (Peter Coe ) arrive, sent to retrieve the two mummies lost there in our last episode (even though the swamp was in Mapleton then!). Project leader Pat Walsh (Addison Richards) protests, but there’s nothing he can do about it. One of the workers is found murdered, and the rest of the superstitious lot suspect Kharis has returned (“The devil’s…

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