The Films of 2020: The Lost Husband (dir by Vicky Wright)


The Lost Husband tells the story of Libby (Leslie Bibb).

Libby had a good life.  She lived in a big house in the suburbs of Dallas.  She had a handsome and loving husband named Danny (Kevin Alejandro).  She was the proud mother of two wonderful children, Abby (Callie Hope Haverda) and Tank (Roxton Garcia).  But then, one day, there was a car wreck.  Abby was injured and now walks with a limp.  Danny was killed.  And Libby was left a widow and a single mother.

When she loses her home, Libby and the kids try to live with Libby’s chain-smoking mother, Marsha (Sharon Lawrence).  Largely due to the fact that Marsha is a terrible human being who resents her daughter, that doesn’t work out.  Instead, Libby ends up moving out to a farm that’s owned by Aunt Jean (Nora Dunn).

Jean is plain-spoken but far kinder than Marsha.  She lives in a house without a television or a dishwasher.  Amazingly, she does have indoor plumbing.  Still, despite not having many modern luxuries, Jean proves herself to be a far stronger and far more caring person than Marsha ever was.  She not only gives Libby and her children a home but she also encourages Libby to work on the farm….

What?  Well, okay, maybe that doesn’t sound like Jean is doing Libby a favor by making her do physical farm labor but actually she is.  When Libby goes to work, she meets the handsome and single James O’Connor (Josh Duhamel).  James is the farm manager and, of course, he’s got some tragedies of his own that he’s still struggling to deal with.  Though James is at first skeptical as to whether or not Libby is ever going to be able to handle working on a farm, he’s impressed with her determination.  He also bonds with Tank and Abby and even goes as far as to teach Abby how to beat up the local bully….

And right now, you’re probably thinking that this is another silly Nicholas Sparks adaptation, the type of movie that’s perhaps destined to show up on Lifetime in another year or so.  Well, the film may very well play on Lifetime at some point in the near future but there’s still much more to The Lost Husband than just a romance between two troubled souls who work on a Texas farm.  The film is more concerned with Libby’s struggle to come to terms with the loss of her husband than it is with the possibility of her finding a new one.  Yes, James is a great guy and he looks like Josh Duhamel but this is a film that understands that Libby has to take care of herself first.

The Lost Husband is not really a movie that will take you by surprise but it’s still a gentle and sweet-natured film, one that has a good heart and is often sincerely likable.  Leslie Bibb and Josh Duhamel are both believable as two people who are still struggling to recover from their own pain but who still haven’t given up on the idea of finding some sort of happiness.  One thing I liked about the film is that it treated both Libby and James with respect.  Though Libby is not a natural-born farmer, she’s not portrayed as being some sort of spoiled city girl, either.  (In other words, she may not be excited about milking a cow but she still does it without accidentally getting a face full of milk.)  Meanwhile, James may be skeptical about Libby working on the farm but, at the same time, he’s not particularly rude or resentful about it.  Libby and James are both allowed to be adults, which is something of a rare occurrence in films about city girls returning to the farm where they grew up.

The Lost Husband is a nicely done romantic drama.  It’s not a film that’s going to change your life but it will definitely hold your attention if you happen to watch it on a rainy afternoon.

Lisa Reviews An Oscar Nominee: Working Girl (dir by Mike Nichols)


(With the Oscars scheduled to be awarded on March 4th, I have decided to review at least one Oscar-nominated film a day.  These films could be nominees or they could be winners.  They could be from this year’s Oscars or they could be a previous year’s nominee!  We’ll see how things play out.  Today, I take a look at the 1988 best picture nominee, Working Girl!)

Welcome to the 80s!

Yes, Working Girl is definitely a film of its time.  It’s a film that’s obsessed with big things: big dreams, big offices, big money, and big hair.  It’s a movie where the heroes talk about hostile takeovers and where everyone’s dream is to eventually to be an executive on Wall Street.  You know all of those people who claim that The Big Short is the greatest movie ever made?  I can guarantee that the majority of them would totally hate every character in Working Girl.  Working Girl is such a film of the past that it even features Alec Baldwin doing something other than bellowing at people.  In fact, Baldwin’s actually sexy in Working Girl.  It was strange to see him in this film and realize that he was the same actor who currently spends all of his time picking fights on twitter and defending James Toback.

Of course, Alec Baldwin has a relatively small role in Working Girl.  He plays Mick Dugan, the type of blue-collar guy who gives his girlfriend lingerie for her birthday (“I just wish you would get me something that I could wear outside,” she says as she tries it on) and who then proceeds to cheat on her while she’s off at work.  From the minute we first meet Tess McGill (Melanie Griffith), we know that she deserves better than Mick.

Tess is a professional administrative assistant.  She’s just turned 30 but she’s not ready to give up her dreams and settle for a life of fighting off coke-snorting executives and coming home to some guy like Mick.  (Speaking of early performances from infamous actors, one of the coke-snorting executives is played by Kevin Spacey.)  Tess has got a bachelor’s degree in Business.  As she puts it, she has a “mind for business and a bod for sin.”

She’s also got a new boss, an up-and-coming executive named Katharine Parker (Sigourney Weaver).  It turns out that Katherine is 29 years old.  (“I’ve never worked for someone younger than me before,” Tess says as Katherine gives her a condescending smile.)  Katharine encourages Tess to think of her as being a mentor.  If Tess has any ideas for investments, she should feel free to bring them to Katharine.  Of course, when Tess does so, Katharine claims that her bosses shot the idea down.  It’s only after Katharine breaks her leg in a skiing accident and is laid up in Europe that Tess discovers that Katharine has actually been stealing her ideas and not giving her any credit for them.

What is Tess to do?  Well, she does what any of us would do.  She passes herself off as an executive and presents her idea to Jack Trainer (Harrison Ford) herself.  Jack is impressed with the idea but he’s even more impressed with Tess.  Of course, complicating things is that Jack was once in a relationship with Katharine and Katharine still thinks that she’s going to eventually marry Jack.  And, of course, there’s the fact that Tess is lying about actually being an executive…

Working Girl is a frequently amusing film, elevated by performances of Melanie Griffith and, in the role of Tess’s best friend, Joan Cusack.  Add to that, Harrison Ford is remarkable non-grouchy as Jack Trainer and Sigourney Weaver appears to be having the time of her life playing a villain.  Even as I laughed at some of the lines, here was a part of me that wished that the film had a bit more bite.  At times, Working Girl tries too hard to have it both ways, both satirizing and celebrating Wall Street culture.  In the end, the film works best as a piece of wish-fulfillment.  It’s a film that says that not only can you win success and Harrison Ford but you can get your bitchy boss fired too.

Despite being a rather slight (if likable) film, Working Girl was nominated for Best Picture of 1988.  However, it lost to Rain Man.