October Hacks: The Redeemer (dir by Constantine S. Gochis)


A truly odd film that was first released in 1978, The Redeemer opens with a young boy named Christopher (Christopher Flint) emerging from a country lake, fully clothes and also completely dry.  Christopher walks to a road, where he’s picked up by a church bus.  He’s dropped off at the church, where he sings in the choir and then listens as a preacher (T.G. Finkbinder) delivers a fire-and-brimstone message about the nature of sin and how six 1967 graduates of a nearby abandoned high school have all grown up to live a life of nonstop sin.

Those six graduates all receive invitations to a reunion at the old high school but, when they arrive, they discover that, with the exception of a janitor, they’re the only ones there.  The janitor allows them to enter the high school and to celebrate their mini-reunion.  Of course, it’s not long before one of the graduates stumbles upon the rotting, maggot-covered corpse of the real janitor.

The Redeemer of the title has invited the six graduates back to the school specifically so he can kill them as a way to punish them for representing what he considers to be the sins of the world.  John Sinclair (Damien Knight) is a criminal defense attorney who will defend anyone as long as the price is right.  Terry (Nick Carter) is a lazy mooch who still doesn’t have a real job.  Roger (Michael Hollingsworth) is an impossibly vain actor.  Jane (Nikki Barthen) is a superficial, upper class housewife.  Cindy (Jeanetta Arnette) is still too busy partying to grow up.  And finally, Kirsten (Gyr Patterson) coldly refuses her girlfriend’s request to attend the reunion with her because she doesn’t want her former classmates to know that she’s a lesbian.  The six of them find themselves being pursued by a killer who can apparently change his appearance at will, going from being the janitor to a seemingly friendly hunter to even a clown.  This is definitely not a film to watch if you have a thing about clowns.

As I said at the start of this review, The Redeemer is a bit of an odd film.  On the one hand, it’s a slasher film, complete with the usual collection of victims, a masked killer, and an isolated location.  On the other hand, because it was released the same year as Halloween and before the success of films like Friday the 13th defined the rules of the genre, The Redeemer is a bit different than some of the other slashers of the era.

For one thing, the killer is considerably less quippy than some of the slasher killer who would follow.  There are no snappy one-liners in The Redeemer.  Instead, the killer spends most of his time ranting about “avarice, lust, decadence” and everything else that he considers to be a sin.  Compared to the slasher film that followed, The Redeemer is a grim film, one that offers little in the way of deliberate humor and next-to-no-hope for the prospect of a final girl who will somehow get the upper hand on the killer.  If other slasher films were defined by the stupidity of their victims, the unfortunate people in The Redeemer die not because they were stupid but because this is a film that offers up absolutely no chance of survival.  It’s a dark and ominous film, with the a supernatural element giving the film a surreal edge.  It’s a film that requires a bit of patience on the part of the viewer, especially since the opening few minutes are so disjointed that it’s next to impossible to know what’s really  going on.  But the kills are memorable and the acting is adequate, particularly when compared to some of the other low-budget, indie horror films of the era.  The Redeemer is a memorable villain.  Horror fans will find much to enjoy here, even if they’ll also probably find plenty of things that will leave them scratching their head.

As was often the case with films like this, The Redeemer was released under several different titles.  It’s also known as Son of Satan, which I guess is a reference to the mysterious Christopher emerging from that lake.  Finally, The Redeemer has been released on video under the title Class Reunion Massacre.  Personally, I prefer The Redeemer as the film’s title.  As a title, it’s enigmatic …. just like the film itself.

Get Ready For Independence Day With Nick Carter, The Killmaster!


Happy July 1st! In just a few days, we will be celebrating Independence Day and here to help us get ready is the Killmaster! Better known as Nick Carter (and named after one of the first fictional private detectives), Nick Carter was an agent for AXE, an American spy agency that was even more secretive than the CIA. Carter was the American equivalent of James Bond and, from 1964 to 1990, he kept the world safe for Democracy by killing eliminating the enemies of truth, peace, and justice around the world. Nick Carter did the jobs that no one else was willing to do and it may not have been pretty but we wouldn’t be celebrating the 4th without him.

Here are just a few of the adventures of Nick Carter, Killmaster:

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2016 In Review: The Best of SyFy


Well, here we are!  We have reached the end of the first week of January, 2017 and that means that it is time for me to start listing my favorite movies, books, songs, and TV shows of the previous year!  Let’s start things off by taking a look at the best that the SyFy network had to offer in 2016!

Below, you will find my nominees for the best SyFy films and performances of the previous year.  The winners are listed in bold and starred.  As you’ll quickly notice, it was a good year for films about zombies, spiders, and sharks!

(Please note: When it comes to determining the nominees, I have used the credits for each film as listed on the Internet Movie Database.  If anyone feels that they have been miscredited, feel free to let me know and I’ll correct the mistake.  Thanks!)

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Best Picture

2 Lava 2 Lantula, produced by Neil Elman, Anthony Frankhauser, Lisa M. Hansen, Paul Hertzber

Atomic Shark, produced by Tanya Bellamy, Diane Boone, Matt Chiasson, Angela Meredith Furst, Griff Furst, Stephen Furst, M. Juan Gonzalez, Ross Herbert, Howie Klein, Som Kohanzadeh, Yoram Kohanzadeh, Isiah LaBorde, Kevin Lamb, Daniel March, Will Matherne, David Poughatsch, Lee C. Rogers, Miguel Sandoval, Arthur Scanlan, Ben Yimlimai

Dead 7, produced by Paul Bales, Nick Carter, David L. Garber, David Michael Latt, David Rimawi, Micho Rutare, Dylan Vox

Isle of the Dead, produced by Paul Bales, Lauren Elizabeth Hood, David Michael Latt, David Rimawi

*The Night Before Halloween, produced by Blake Corbet, Priscilla Galvez, Christina O’Shea-Daly, Marek Povisal, Lance Samuels, Mary Anne Waterhouse

Ozark Sharks, produced by Kenneth M. Badish, Sam Claitor, Eric Davies, Daniel Lewis, Jordan Lewis, Pierre-Andre Rochat, Tommy Talley

Best Director

Nick Lyons for Isle of the Dead

Nick Simon for 2 Lava 2 Lantula

Misty Talley for Ozark Sharks

*Sheldon Wilson for The Night Before Halloween

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Best Actor

*Nick Carter in Dead 7

Steve Guttenberg in 2 Lava 2 Lantula

Justin Kelly in The Night Before Halloween

Michael Papajohn in Ozark Sharks

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Best Actress

Jessica Blackmore in Dam Sharks

Laura Cayouette in Ozark Sharks

*Bailee Madison in The Night Before Halloween

Maryse Mizanin in Isle of the Dead

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Best Supporting Actor

Raymond J. Barry in Day of Reckoning

*D.C. Douglas in Isle of the Dead

Alex Harrouch in The Night Before Halloween

Thomas Francis Murphy in Ozark Sharks

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Best Supporting Actress

*Allisyn Ashley Arm in Ozark Sharks

Barbara Crampton in Day of Reckoning

Kristina Hughes in Stakeland 2: The Stakelander

Kiana Madiera in The Night Before Halloween

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Best Screenplay

*2 Lava 2 Lantula, Neil Elman, Ashley O’Neil

Isle of the DeadJacob Cooney, Brandon Trenz

The Night Before HalloweenSheldon Wilson

Ozark Sharks, Marcy Holland, Greg Mitchell

Best Cinematography

Atomic Shark, Don E. FauntLeRoy

*The Night Before Halloween, Daniel Grant

Planet of the Sharks, Mark Atkins

Stakeland 2: The Stakelander, Matt Mitchell

Best Costumes

*Dead 7Sarah Sharp

Isle of the Dead, Cailan Calandro

Planet of the Sharks, Mary-Sue Morris

Stakeland 2: The Stakelander, Brenda Shenher

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Best Editing

Atomic Shark, Stephen Pfeil

Isle of the Dead, Rob Pallatina

The Night Before Halloween

*Ozark SharksMisty Talley

Best Makeup

The Crooked Man, Laurie Hallack, Laura Morton, Hannah Schenck, Eric S. Wilson

*Isle of the Dead, Leslie Burdick, Dennis M. Chavez, Michael Robert Cypher, Lleva Radina

Sharknado 4Krystal Bagorio, Stacy Bisel, Haley Coats, Rebeca Ovadia, Magali Serrano, Melissa K. Webb

Stakeland 2: The Stakelander, Raven Dee, Jill Demaer, Lindi Edge, Pete Gerner, Nina McArthur, Brian Spears, Krista Stevenson

Best Score

*Dead 7Drew Lerdal, Bryan Shackle

Isle of the Dead, Chris Cano, Chris Ridenhour

Ozark SharksAndrew Morgan Smith

Sharknado 4Christopher Cano, Chris Ridenhour

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Best Production Design

2 Lava 2 Lantula, Yana Veselova, Megan Sunzeri

Dead 7, Caitlin Langen, Mikki Mamaril

*Isle of the Dead, Kalise Wallace, Taylor Jean

Sharknado 4Kalise Wallace

Best Sound

Atomic Shark

Isle of the Dead

The Night Before Halloween

*Sharknado 4

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Best Visual Effects

Atomic Shark

*2 Lava 2 Lantula

The Night Before Halloween

Shadows of the Dead

 

Congratulations to all the nominees!  Thank you for keeping us entertained in 2016!

Want to see my picks for last year?  Click here!

Click here for my picks from 2014!

And here for my picks from 2013!

Tomorrow, we’ll take a look at the best from Lifetime!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016

 

Film Review: Dead 7 (dir by Danny Roew)


Dead 7 is a strange one.

The latest film from the geniuses at the Asylum (and I mean that as a compliment because there is definitely a strain of genius at the heart of The Asylum’s madness), Dead 7 premiered on SyFy last night.  I watched it.  My friends, the Snarkalecs, watched it.  And about a million boy band fans watched it.  As usual, the Snarkalecs and I attempted to live tweet the film.  Unfortunately, for every genuinely witty tweet from me and my friends, there were a few thousand tweets from people begging Nick Carter to retweet them.  A lot of wonderful snark got lost in the deluge of fangirl exhortations.

But I can’t really blame the fangirls.  If I hadn’t discovered the joys of snark and if not for the fact that I have too much self-worth to beg anyone (no matter how hot or famous) for a retweet, I might have been there with them.  Dead 7 is many things but it will probably best be remembered as the movie that featured a lot of former boy band members fighting and being eaten by zombies.  (As more than one tweeter put it, Dead 7 was like watching all of your childhood cruses die a terrible and bloody death.)  Not only was the film’s story conceived by Backstreet Boy Nick Carter but he also starred in it and convinced a lot of other boy banders to join the cast.  Of course, neither Justin Timberlake nor Lance Bass are anywhere to be found in the film.  (For that matter, I was surprised that Aaron Carter didn’t show up.)  But the film does feature three Backstreet Boys, two from *NSYNC, Jeff Timmons from 98 Degrees, and O-Town.

Yes, O-Town.

(Fortunately, super creepy, super sleazy, and super imprisoned Lou Pearlman did not have a cameo.  I imagine that he was one of the first people to be eaten during the zombie apocalypse.)

As for the film itself … well, it’s not exactly easy to describe.  The plot was not always easy to follow and there was a surprisingly large amount of backstory for an Asylum zombie film.  The apocalypse has come and gone and now, the world has been transformed into the old west.  What remains of humanity lives in tiny and isolated communities.  Gunslingers wander through the desert.  High atop a mountain, a mad woman named Apocalypta (super scary Debra Wilson) breeds zombies and holds the town below hostage.  Sheriff Cooper (Jon Secada) recruits a group of warriors to take out Apocalypta and her hordes.

(Incidentally, Apocalypta’s main henchman is named Johnny Vermillion.  Johnny wears clown makeup and giggles uncontrollably.  He also gouges out a man’s eye.  Johnny is played by A.J. McClean of the Backstreet Boys and he makes for a surprisingly effective villain.)

Despite the fact that Cooper and his impressive sideburns are later eaten by a zombie horde, the warriors still go after Apocalypta.  They are the Dead 7, not quite magnificent and almost all dead by the end of the film.

O-Town’s Erik Michael Estrada is Komodo.  He’s a samurai.  He kills a lot of zombies with a sword.  Watching the movie last night, we all really loved Komodo but I think we mostly just liked the sword.

Carrie Keagan is Daisy Jane, who I liked because she was a woman who kicked ass.  (Plus, Carrie Keagan was a good sport and replied to a few of my snarky tweets.)  Daisy’s boyfriend is Billy, who is played by 98 Degrees’s Jeff Timmons.  Personally, I think Dead 7 needs a prequel that will focus exclusively on Daisy Jane or Billy.

Joey Fatone is Whiskey Joe.  Whiskey Joe is boisterous and always seems to be having a good time.  He’s also always drinking whiskey but when he explained that he can blow himself up if he ever finds himself overwhelmed by zombies, I cringed a little because it was such obvious foreshadowing.  If nothing else, Dead 7 forces you to consider whether a world without Joey Fatone is a world worth living in.

Whiskey Joe’s partner is the Vaquero (played by Howie Dorough).  The Vaquero is good with a rifle and, at one point, calls Whiskey Joe “estupido.”

Sirene (Lauren Kitt-Carter, who is married to Nick in real life) is a mysterious woman who shows up nearly halfway through the film.  She doesn’t say much but she’s good at killing zombies.

And finally, Nick himself played Jack.  Jack is a man of few words, a stoic gunslinger who always does the right thing.  Nick Carter does a surprisingly effective Clint Eastwood impersonation.

By the end of the film, only one member of the Dead 7 will still be alive.  Can you guess who?

Beyond the cast (and former boy banders play even the smallest roles), the most interesting thing about Dead 7 is how seriously it takes itself.  This is not another Sharknado 3.  There’s very little intentional camp to be found in Dead 7.  Instead, it’s a gory and violent film, one in which characters die terrible deaths while howling in pain.  The juxtaposition of boy banders and blood makes for an odd viewing experience.

Fortunately, I like odd things.  Dead 7 may not be perfect (the editing occasionally feels rushed and haphazard and, as a result, the story isn’t always easy to follow) but when it concentrates on zombie mayhem, it works well enough.

Keep an eye out for Dead 7!

(Just make sure that AJ McLean does snatch it out of your head…)