Music Video of the Day: Asshole by Denis Leary (1993, dir. ???)


I’ve tried to stay out of this election as much as I can. However, I am aware that it is happening, so I might as well take the opportunity to knockoff a few political related music videos.

This one speaks for itself, and of course it was redone recently as the Clintons singing it about Trump.

I can find an okay amount of information on it. There’s the whole controversy over whether Denis Leary steals material from people like Louis CK and/or Bill Hicks. I can find that it was #37 on MuchMusic’s “50 Most Controversial Videos Of All Time.” I can find that it samples Dolly Parton’s song Old Flame (Can’t Hold A Candle to You). I can find all sorts of information about where it has been used over the years. But, I can’t find out the crew on this music video. However, at the last second, I did stumble upon a couple of interesting things in two copies of Billboard magazine–one of which pertains to the release date.

The reason I wanted to know about the date was to figure out if it came out before or after the release of Heart-Shaped Box, that according to mvdbase was put out in September of 1993. In the process, I found something else worth mentioning. According to a March 26, 1994 Billboard magazine, director Kevin Kerslake filed a complaint against Kurt Cobain saying “that most of the visuals in the bizarre video were culled from treatments he submitted to Cobain.” I think my retrospective of director Anton Corbijn’s work on my post for that music video kind of says otherwise since I found almost all the same stuff in music videos Corbijn had been doing since 1983. It doesn’t say which parts, but apparently he didn’t name Corbijn in the complaint, so maybe it was something else that I missed. It does get interesting when you look at the music video Kerslake did for Midlife Crisis by Faith No More. That’s enough of that though.

One of the most famous bits from the music video for Heart-Shaped Box is when Cobain appears to deck Novoselic. If you watch Asshole, then you’ll notice his bassist hits Leary, and later we see Leary do the same to him. I know that early in Leary’s career he made commercials for MTV making fun of the alternative rock scene. Was he specifically making fun of Heart-Shaped Box? I figured he was at first since that whole black-and-white sequence is a reference to alt-rock music videos–complete with an ‘X’ on the drums. Then I found a Billboard magazine from May 8, 1993 that lists Asshole as already being in circulation as a music video on a network called The Box. Maybe that is from somewhere else that I am not aware of at the moment. Either way, it definitely looks like this came out before Heart-Shaped Box.

I wish there was more I could find, but that’s it. Enjoy!

Music Video of the Day: Thriller by Michael Jackson (1983, dir. John Landis)


“Due to my strong personal convictions, I wish to stress that this post in no way endorses a belief that this statement was anymore necessary than the one at the beginning of this music video.”

The reason it was there is because Michael Jackson was a Jehovah’s Witness at the time. That’s just one of the many many many things you can find out about this music video on Wikipedia alone.

I guess I can add one thing to this that you have dig around a bit to put together. I’m sure there have been some made since Thriller, but just in case you didn’t know, or remember how huge this music video was, it was popular enough to get its’ own porno spoof. It is called Driller: A Sexual Thriller (1984).

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

They even spoofed Jackson’s opening statement.

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

Because when I see this,…

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I totally want to see it have sex.

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

The mask in Thriller is much better.

What I love best about this is that John Landis kind of predicted this would happen a couple of years prior when he made An American Werewolf In London (1981). Landis likes to stick references into his movies to a fictional film called See You Next Wednesday. Thriller is no exception. As Jackson gets up to leave the theater, you can hear someone onscreen say “See You Next Wednesday.” Of course An American Werewolf In London also had that bit, but it was a porno in that movie.

An American Werewolf In London (1981, dir. John Landis)

An American Werewolf In London (1981, dir. John Landis)

There’s even the scene where David is sitting in a porno theater watching the fictional “See You Next Wednesday” movie while talking to Griffin Dunne’s character who is looking like the undead in Thriller at that point.

An American Werewolf In London (1981, dir. John Landis)

An American Werewolf In London (1981, dir. John Landis)

The only other thing I noticed is that if you drop the ‘s’ in “Peters”, then you have a director that got his start making horror movies.

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Sadly, just like Down Under by Men At Work and It’s Tricky by RUN-DMC, this music video ended up in litigation. Both John Landis and Ola Ray sued Michael Jackson over royalties. I’m glad none of that kept the music video off of YouTube as it seems to with so many others.

Happy Halloween!

Music Video of the Day: Halloweenhead by Ryan Adams (2007, dir. ???)


I’m guessing at the date this was released seeing as it was on his album Easy Tiger, which came out in 2007. I can find zero information about this music video. All I know is that it exists because there it is posted above. It must be footage from some public domain 1970s TV Show. That’s my best guess.

I never really cared what the song meant, but it obviously had to do with drugs since Ryan Adams is known for having come off of a long history of drug abuse around this time. I did find somebody who has the definition of what a “Halloweenhead” is from Ryan Adams himself here. But who cares about that? What does Urban Dictionary say “Halloweenhead” means?

The first person just quoted lyrics from the song.

The second person got it right. The song is the Ryan Adams & The Cardinals version of White Punks On Dope by The Tubes. It’s a song about their fans.

The third person said it is “the act of giving or receiving head on halloween. Should be annual event that everyone participates in.” My favorite is their sample sentence: “Dude, i just got some hella nice halloween head.” I don’t think that saying is going to catch on.

The fourth person has the best definition:

“A deer who is a gigantic coke-head, spends all day trying to buy bags and then just blowing line after line after line. Also gets heavily involved in the pharm-game.”

They are in the ballpark–unlike number 3. However, I think their sample sentence is questionable:

“When that one deer wandered into our room he could tell almost immediately that the deer on the wall was a ginourmous halloween-head.”

This is the actual definition that apparently appeared in one of the posts Ryan Adams had/has on his website:

“A fan of The Cardinals music. stoner. outcast. someone who doesn’t know what kind of mood they are in. Not sponsored by Bud Lite or collecting girls or guys numbers during a quiet breakdown. usually are laid back and engage in mellow conversation with band members when seen in arcades or getting food. Don’t ask for shit when people are eating. not gravity challenged but reality challenged. also known as Bed-Heads, or Chandler Bings.”

With that in mind, I guess the people in this music video fit that definition pretty well.

Music Video of the Day: Runnin’ With The Devil by Van Halen (1978, dir. ???)


It’s surreal to see Van Halen this early–complete with David Lee Roth wearing a pearl necklace. I wish I could find out who directed this, but I can’t. I did find out, thanks to the Van Halen News Desk, that it was filmed at the Whiskey A Go Go in 1977. Other than that, people bring up that it was done similarly to the way it was done live. There’s the alleged KISS impersonation rocking back and forth bit. Roth screws up a bit on the lip-syncing. The obvious crew members in the shots are funny. However, none of those things make this music video fun for me.

What I love is how the four of them act onstage. Alex seems to be into it, but is covered with smoke and focused on what he is doing. Eddie looks like he’d rather be anywhere else. David looks like he desperately wants more stage to work with. Michael appears to be having the time of his life. I can’t take my eyes off of him during the music video. He’s awesome. I know he would go on to make Hot For Teacher unintentionally funny in 1984 because he couldn’t dance, but I didn’t realize he was working his magic this far back.

As for the meaning of the song, if we’re going by Rock: It’s Your Decision (1982) logic, then clearly it’s Satanic. If we have brains, then it’s Van Halen’s Highway To Hell, and is mainly about life on the road. I’m not kidding about the Satanic part though. They got accused of that, because of course they did.

Enjoy!

Music Video of the Day: The Perfect Drug by Nine Inch Nails (1997, dir. Mark Romanek)


First things first, the music video is there despite what it looks like. Somebody just decided to get clever and put the YouTube video-has-been-removed pic as the thumbnail. If it actually gives you the error message after clicking on it, then I’m sorry. I’m also sorry that the last few seconds are missing. However, I can’t agree with a YouTube commenter about that problem. The music video doesn’t fall apart without them. I do have to agree and disagree with another commenter. This song will indeed wash your ears clean of Fifth Harmony’s song Work From Home, but I don’t see anything wrong with that music video. They are just very passionate about equating construction equipment with sex.

Meanwhile, over in the music video for The Perfect Drug, Trent Reznor is reminding me of why I bothered to buy the soundtrack for Lost Highway (1997) back when it came out. I didn’t care about any of the other songs. I just wanted The Perfect Drug. I wasn’t even a fan of Nine Inch Nails. I just fell in love with the song. My favorite part is the drum solo near the end. The music video is what lured me in with its’ cold Victorian look that was a beautiful and haunting representation of the music of Nine Inch Nails. I am sure that bit in the hedge maze was meant to be a reference to The Shining (1980) to fit with the theme of madness/obsession. I could have featured this music video anytime, but I figured October was as good a time as any.

This music video brings back a lot of familiar faces from earlier music videos I have spotlighted.

Danielle Cagaanan was an executive producer on the music video. I can’t find a whole lot of information on her credit-wise. I can find a bunch of other information. She must have gotten married because she now goes by the name Danielle Peretz. I also found out that back in 1994, she accepted an award for Spike Jonze being that year’s top director. You can even see a picture of her here with the director of the music video for Green Day’s Longview. According to American Photo magazine in 1995, she gave Spike Jonze his start with MTV. I also found her Linkedin page. It looks like she founded her own company this year that helps youth with cognitive challenges find jobs. Back during the making of this video, she was near the end of her 6 years at Satellite Films/Propaganda Films before hopping over to MCA Records.

June Guterman is back. She is the one who produced the music video for Lil’ Devil by The Cult.

Jeff Cronenweth is new. He has shot some music videos, but he’s probably best known for his work on other films like Fight Club (1999), The Social Network (2010), The Girl with the Dragon Tattoo (2011), and Gone Girl (2014).

Robert Duffy is back. He edited this as well as Hella Good by No Doubt, Closer by Nine Inch Nails, and Losing My Religion by R.E.M–among others. He has also worked on numerous Tarsem Singh films.

Tom Foden was the production designer. He did the same for Closer by Nine Inch Nails. He has worked on numerous Tarsem Singh films. He has one credit that jumps out at me. He was apparently an assistant art director on Playboy: Kerri Kendall – September 1990 Video Centerfold (1990), which was directed by Michael Bay. I would think that was a fake credit on IMDb, but Michael Bay did direct music videos back then. One of those music videos being I Touch Myself by Divinyls. Also, it really isn’t that uncommon for major directors to get their start in porn. Abel Ferrara’s first feature film was a porno.

Enjoy!

Music Video of the Day: Halloween by Helloween (1987, dir. Mark Rezyka)


HELLOWEEN is the Band
HALLOWEEN is the Song
Anyone who confuses the two shall be turned into a Great Big Pumpkin.

I don’t own the 1987 cassette album that this song was on, but that’s what a YouTube commenter said is on it, and YouTube comments have never mislead me before. I tried to look it up, but it only lead me to a “Christian” website about the evils of Halloween. They even include that clip from The Pagan Invasion series that the general consensus says is just a guy reciting the plot to Hack-O-Lantern/Halloween Night (1988) as if it were his own experience.

I had no idea this band or song existed till I stumbled upon it in director Mark Rezyka’s filmography. He is the one who brought us the music video for Quiet Riot’s Bang Your Head (Metal Health). They are a German power metal band, not to be confused with the band Halloween from Detroit, Michigan. The band appears to have recognized that YouTube was a good thing for them as far back as 2006. This music video is on the official Helloween YouTube channel and was posted on August 14th, 2006.

I like that it references Charlie Brown, Linus, and The Great Pumpkin. Oh, and the opening line is “Masquerade, masquerade”, no matter how much it sounds like “Masturbate, masturbate.” It doesn’t help that misheard lyric when director Mark Rezyka is the one who also brought us the music video for Quiet Riot’s Cum On Feel The Noize.

Enjoy!

Music Video of the Day: Looks That Kill by Mötley Crüe (1983, dir. Marcelo Epstein)


I think I only saw this music video once before now. It is as crazy as I remember. I think the best part is when the lady they are singing about appears by knocking down that wall. If you are thinking they didn’t quite know what to do with Mötley Crüe at this point, then I highly recommend you check out the music video they did before this for the song Live Wire. They seemed to have been under the impression they were Van Halen in that one. In fact, it looks like it wasn’t till director Wayne Isham got ahold of them in 1985 that they found the way to really sell this Sunset Strip band.

But what else could we expect from director Marcelo Epstein who brought us the notoriously bad breakdancing movie with Lorenzo Lamas called Body Rock the following year. I could only find out that he did a handful of music videos, but it appears that Body Rock killed his career in film. I even found one review that was convinced that “Marcelo Epstein” must have been a pseudonym for Michael Haneke or Jonas Mekas.

While Epstein is a bit of a mystery, producer Alexis Omeltchenko sure isn’t. You can find all kinds of information about him online. I can tell you when he was born, who his parents were, his political party of choice, where he went to college, and more. I can only find 15 producing credits on mvdbase, but I highly doubt that’s it. He owns his own production company and has been a member of the Music Video Producers Association since 1984. I’m sure there’s more.

What else can I say? If by some chance you haven’t seen this thing, then watch it. You won’t be sorry. It’s really stupid.

Music Video of the Day: Living After Midnight by Judas Priest (1980, dir. Julien Temple)


There’s so little to say about this music video that I’m surprised they even bothered. The only noteworthy thing I can see is the beginning where we have somebody–possibly Dave Holland–drumming sans drums. Other than that, I believe that with Dancing in the Dark by Bruce Springsteen, it is the only one I have done so far that is partially made up of a live performance rather than being lip-synced (according to mvdbase). It feels like they needed a promotional video for the song, so they took a filmed live version they had, and spliced it together with some footage they shot at another time. So, exactly how we got Dancing in the Dark, except I have a feeling it wasn’t planned in this case. But I could be wrong. According to Wikipedia, it was filmed at Sheffield City Hall.

It is the second music video directed by Julien Temple that I have spotlighted. He has worked in both music videos and other types of films. His music video output was quite large from the beginning of the 1980s till the mid-1990s. Then he seemed to drop off the face of the Earth in music videos except for one here and there. He did a bunch of music videos with the group ABC, so it’s no surprise that they brought him back this year for the music video of their comeback song Viva Love. Unfortunately, it has been blocked on YouTube in certain countries (including the United States).

Enjoy this quite unremarkable video for a fun Judas Priest party song.

Music Video of the Day: Enter Sandman by Metallica (1991, dir. Wayne Isham)


My earliest memory of this song is a 6th grade math class. I don’t remember why, but they had a computer in there, and one of the kids put the song on. I have no idea when I first saw the music video. All I remembered about it was the bed getting hit by a truck. The rest of the music video is pretty forgettable.

I guess you could take it simply. It’s about a kid having nightmares that we ascribe to the “Sandman” bringing by putting you to sleep. Trying to carefully watch it now and paying attention to the lyrics, it looks a lot like the kid is having nightmares of death that don’t go away with age, but only become closer and closer to reality as the years pass. According to Songfacts, the line “off to Never Never Land” was supposed to be “disrupt the perfect family” as a reference to Sudden Infant Death Syndrome. The Sandman can bring you sleep, which is where you can die at any age, as shown by the old man who we also see alone in the bed. Plus, we tend to use sleep to mean both going to sleep at night and death, as in putting an animal to sleep. You also see that in the image of the old man underwater as if he is trying to kill himself. The scene with the kid praying as the old man watches really makes me think that they are meant to be the same person. In particular, since you are your own Sandman in reality. Never Never Land is a place where you never grow up, but sung darkly as Enter Sandman is by Metallica, then it makes it sound like a fantasy to cloak the fear of your eventual death. In that case, the Sandman could also be seen as The Reaper, and Never Never Land is just death. Or maybe I am just overthinking all of this because I had a friend who died in his sleep when he was a teenager. Probably not though seeing as this kind of thing is a bit of a motif in Metallica’s music such as the songs One and The Memory Remains.

The music video was directed by veteran music video director Wayne Isham. Unless you have never watched a music video before, you probably have seen his work. One minute it’s Enter Sandman for Metallica, and the next he is directing Bye Bye Bye for *NSYNC. More recently he brought us a music video for Nickelback and a couple for Neil Diamond. The point is that Wayne Isham seems to be willing to direct anything you give him.

Martin Coppen shot the music video. He has done around 40 music videos.

Jay Torres edited the music video. He has a handful of music video credits, but based on his website, seems to have gone on to other things.

Curt Marvis, Jeff Tannebring, and Matt Mahurin were producers on the music video. Matt Mahurin is the only one that seems noteworthy. He appears to have directed somewhere around 70-80 music videos. One of them was as Allen Smithee for the music video for Building A Mystery by Sarah McLachlan.

Enjoy!

Music Video of the Day: Joan Crawford by Blue Öyster Cult (1981, dir. Richard Casey)


I have never seen Mommie Dearest (1981), so I can’t speak to the tie-ins with that film. Wikipedia does assure me that the music video is inspired by both the book and the film. That’s actually kind of interesting. I say that because the song can only be inspired by the book since the album this was on came out two months prior to the release of Mommie Dearest. The music video was released at the same time as the film. That means the song and music video were only inspired by the book. This is according to Billboard magazine, circa September 19th, 1981

Going purely off of the music video, it seems to be doing several things. The first being that Joan Crawford was a force to be reckoned with that should strike fear into people’s hearts if she were to suddenly come back to life. I wouldn’t say that part is explicitly directed at her daughter Christina, but people in general. The second thing would appear to be a commentary on stable studio actors who are all waiting to be stars or struggling to hold on to stardom (Crawford and Davis), and having no problem killing off anyone who got in their way. That part being represented by the Catholic schoolgirls who act like vampires. However, that could also all be part of the way Christina was raised by Joan Crawford. That’s what some sites imply. The music video also seems to be saying that the greatest horror is that she lived so much under the watchful eye of her mother that she became her until we see her broken free to be left silently wiping the makeup off her face by the pool. It could be that the entire video is supposed to be one of Christina Crawford’s nightmares. Of course it’s all speculation based on the music video. I have not seen the movie, nor read the book. I just couldn’t resist spotlighting this during October.

The music video was filmed at Beulyland in Los Angeles that was allegedly the former home of silent film star Mabel Normand, also according to the aforementioned release of Billboard Magazine.

Richard Casey directed it, and appears to have only done a handful of music videos before going on to do other work in film.

George Harrison produced it, but mvdbase assures me this is a different George Harrison than that of The Beatles.

Enjoy!