4 Shots From 4 Films: Special Roger Vadim Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Controversial French director Roger Vadim was born 97 years ago today.  It’s time for….

4 Shots From 4 Roger Vadim Films

And God Created Woman (1956, dir by Roger Vadim, DP: Armand Thirard)

Blood And Roses (1960, dir by Roger Vadim, DP: Claude Renoir)

Spirits of the Dead: Metzengerstein (1968, dir by Roger Vadim, DP: Claude Renoir)

Barbarella (1968, dir by Roger Vadim, DP: Claude Renoir)

Scenes that Bradley loves – triggering human time bombs in TELEFON!


Well before THE NAKED GUN was triggering Reggie Jackson, director Don Siegel and Charles Bronson were triggering human time bombs in TELEFON (1977). Quentin Tarantino even borrowed from this film when he chose the Robert Frost poem for Stuntman Mike’s (Kurt Russell) lap dance from Arlene (Vanessa Furlito). It’s not as sexy, but it’s still a good time as Bronson tries to prevent World War III. Enjoy!

4 Shots From 4 Films: Special Tobe Hooper Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 82nd birthday, the Shattered Lens pays tribute to Texas’s own, Tobe Hooper!

The Austin hippie who redefined horror and left thousands of yankees terrified of driving through South Texas, Tobe Hooper often struggled to duplicate both the critical and the box office success of The Texas Chainsaw Massacre.  It’s only been in the years since his death that many critics and viewers have come to truly appreciate his unique and subversive vision.

Down here, in Texas, we always believed in him.

It’s time for….

4 Shots From 4 Tobe Hooper Films

Eggshells (1969, dir by Tobe Hooper, DP: Tobe Hooper)

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

Salem’s Lot (1978, dir by Tobe Hooper, DP: Jules Bremmer)

Lifeforce (1985, dir by Tobe Hooper, DP: Alan Hume)

COLD SWEAT (1970) – starring Charles Bronson’s biceps!


Charles Bronson plays a boat captain named Joe Martin who seems be living the good life in the south of France.  He has a great job renting out boats to tourists!  He has great luck beating his friends out of big stacks of cash in poker.  He has a beautiful wife (Liv Ullman), and most importantly, he has about the biggest biceps I’ve seen in a movie not starring Arnold Schwarzenegger.  This idyllic existence falls apart when some men from his past show up and force him to use his boat to help them smuggle drugs.  It seems these guys feel like Martin owes them something since they had to go to prison for killing a cop, while ace driver Martin, escaped.  As you might expect, nobody’s plans go as expected and much action ensues!

The first thing that stands out in this film is the cast, that includes James Mason, Liv Ullman, Michael Constantin, and Jill Ireland.  Bronson’s European films uniformly had tremendous casts and this one is no different.  Even with these well known actors, Jean Topart as the villainous Katanga, is a real standout.  Second, this is the first of three films that Bronson completed with director Terence Young, who is most famous for kicking off the James Bond franchise with DR. NO, THUNDERBALL, and FROM RUSSIA WITH LOVE.  Young knows how to stage action scenes, and with the help of famous French stuntman Remy Julienne, the two men cook up some impressive car stunts and chase sequences.  Finally, Bronson himself exudes charisma and is in maximum physical condition in this film.  In a career defined largely by his supreme conditioning, this may be Bronson’s most impressive physical performance.

Charles Bronson became an international superstar when he went to Europe in 1968, where he made a series of good films with great international casts. COLD SWEAT doesn’t come together quite as well as some of his other European films like RIDER ON THE RAIN, VIOLENT CITY & RED SUN, but it’s still a fun film with good action sequences and an impressively pumped up Charles Bronson. And the film has never looked better. After decades of shabby VHS and DVD copies, Kino Lorber put out a very nice blu ray in 2019. It’s nice seeing the movie in such a high quality presentation.

Check out the trailer for COLD SWEAT below:

4 Shots From 4 Films: Special Henry King Edition


Henry King (1886 — 1982)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Henry King was born 139 years ago today.  He was born in Virginia and, though he may no longer be a household name, he was one of the busiest and most versatile directors of Hollywood’s Golden Age.  He began his career during the silent era, directing his first film in 1918.  He continued to work all the way through 1962, working in every genre and directing at least 8 Oscar-nominated performances.  He was also one of the founders of the Academy.  In short, Henry King was an important figure in the early years of Hollywood.  If you’ve ever studied classic film or just spent a weekend or two watching TCM, there’s a good chance that you’ve seen at least one Henry King film.

Like many of the top directors from Hollywood’s Golden Age, Henry King was prized for being a professional.  In the years when the studios ruled Hollywood and before directors became known as auteurs, King was someone who could be trusted to make an effective film with the minimum amount of behind-the-scene drama.  He was someone who could move from genre to genre and from theme to theme.  He was skilled at getting the best performances from his actors and he knew how to visually tell a story and keep the action moving.  He knew how to engage the audience and his best films hold up surprisingly well.

In honor of Henry King and his career and legacy, here are…

4 Shots From 4 Henry King Films

In Old Chicago (1938, dir by Henry King, DP: J. Peverell Marley)

The Song of Bernadette (1943, dir by Henry King, DP: Arthur C. Miller)

Wilson (1944, dir by Henry King, DP: Leon Shamroy)

David and Bathsheba (1951, dir by Henry King. DP: Leon Shamroy)

Happy Birthday in heaven to RANDOLPH SCOTT!!


Happy Birthday in heaven to Randolph Scott, who was born on January 23rd, 1898. The picture above is from probably my favorite Randolph Scott film, RIDE LONESOME (1959). Scott made so many great movies, but my personal favorites are the series of westerns he made with director Budd Boetticher from 1956 – 1960. I highly recommend that you search those films out!

Randolph Scott made the film RIDE THE HIGH COUNTRY with director Sam Peckinpah in 1962 and then retired from acting. Through his work in film and his excellent investments, he would pass away in 1987 as one of the richest men in Hollywood. I’m so glad that my movie hero Charles Bronson was able to work with Scott in the 1954 film RIDING SHOTGUN. Rest in peace, Mr. Scott!

4 Shots From 4 Films: Special Also-Ran Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Since today is Oscar nomination day, today’s edition of 4 Shots From 4 Films is dedicated to films that were nominated for Best Picture but which did not win.

4 Shots From 4 Best Picture Nominees

Citizen Kane (1941, dir by Orson Welles, DP: Gregg Toland)

High Noon (1952, dir by Fred Zinnemann, DP: Floyd Crosby)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Here Are The 2024 Oscar Nominations


Here they are!  The 2024 Oscar nominations!

There’s a few surprises, like I’m Still Here getting nominated for Best Picture.  I will say that if Kamala Harris had won in November, Sebastian Stan and Jeremy Strong would not have been nominated for The Apprentice.  The same impulse that causes the Academy to honor the films of Adam McKay is responsible for the nominations of Stan and Strong.  Pamela Anderson getting a nomination for The Last Showgirl would have made for a great story but it didn’t happen.

After all the hype, the actual announcement of the nominations is always a bit of a let down.

Best Picture
“Anora”
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director
Jacques Audiard, “Emilia Pérez”
Sean Baker, “Anora”
Brady Corbet, “The Brutalist”
James Mangold, “A Complete Unknown”
Coralie Fargeat, “The Substance”

Best Actress
Mikey Madison, “Anora”
Karla Sofía Gascón, “Emilia Pérez”
Cynthia Erivo, “Wicked”
Demi Moore, “The Substance”
Fernanda Torres, “I’m Still Here”

Best Supporting Actress
Monica Barbaro, “A Complete Unknown”
Ariana Grande, “Wicked”
Felicity Jones, “The Brutalist”
Isabella Rossellini, “Conclave”
Zoe Saldaña, “Emilia Pérez”

Best Actor

Adrien Brody, “The Brutalist”

Timothee Chalament, “A Complete Unknown”

Colman Domingo, “Sing Sing”

Ralph Fiennes, “Conclave”

Sebastian Stan, “The Apprentice”

Best Supporting Actor
Yura Borisov, “Anora”
Kieran Culkin, “A Real Pain”
Edward Norton, “A Complete Unknown”
Guy Pearce, “The Brutalist”
Jeremy Strong, “The Apprentice”

Original Screenplay:
“Anora”
“The Brutalist”
“A Real Pain”
“The Substance”
“September 5”

Adapted Screenplay
“A Complete Unknown”
“Conclave”
“Emilia Pérez”
“Nickel Boys”
“Sing Sing”

International Feature
“I’m Still Here”
“The Girl with the Needle”
“Emilia Pérez”
“The Seed of the Sacred Fig”
“Flow”

Animated Feature
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Documentary Feature
“Black Box Diaries”
“No Other Land”
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Editing
“Anora”
“Conclave”
“Emilia Pérez”
“Wicked”
“The Brutalist”

Best Original Score in a Motion Picture
“The Brutalist”
“Emilia Pérez”
“Conclave”
“Wicked”
“The Wild Robot”

Production Design
“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”

Best Costume Design
“A Complete Unknown”
“Conclave”
“Gladiator II”
“Nosferatu”
“Wicked”

Best Sound
“A Complete Unknown”
“Dune: Part Two”
“Wicked”
“Emilia Perez”
“The Wild Robot”

Best Makeup and Hairstyling
“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”
“Wicked”

Animated Short
“In the Shadow of Cypress”
“Wander to Wonder”
“Yuck”
“Magic Candies”
“Beautiful Men”

Live Action Short
“Anuja”
“The Last Ranger”
“A Lien”
“The Man Who Could Not Remain Silent”
“I’m Not a Robot”

Documentary Short
“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“The Only Girl in the Orchestra”
“Instruments of a Beating Heart”

Best Original Song, Motion Picture
“Mi Camino” from “Emilia Pérez”
“El Mal” from “Emilia Pérez”
“Never Too Late” from “Elton John: Never Too Late”
“The Journey” from “The Six Triple Eight”
“Like a Bird” from “Sing Sing”

 

Happy Birthday in heaven to RUTGER HAUER – a personal reflection.


Quite simply, Rutger Hauer has been one of the most important actors in my life. I write about his movies every Sunday here on The Shattered Lens.

I first saw him in THE HITCHER when I was around 13 years old or so. I spent the night at a friend’s house where we watched the movie, and it scared the crap out of me. I will never, ever, ever pick up a hitchhiker I do not know because of this movie. Although I kept up with him after that fateful night, my next real meaningful memory of Hauer was from 1990 when, as an incoming senior in High School, I attended a six week summer program called Arkansas Governor’s School. We would watch movies every Sunday evening, and one of those movies was BLADE RUNNER (1982). After the movie, we would get together with an instructor to discuss the film. We all thought that Hauer had stolen the film from Harrison Ford, and we had a good time sharing theories about the doves and his character sticking the nail through his hand. I believe this was the first time I ever analyzed a film with a group of film lovers. None of my friends or family members in my “real life” cared about movies like I did.

I think it’s fair to say that I’ve been somewhat obsessed with Rutger Hauer from that point forward. I searched out his history of Dutch films and discovered important works like TURKISH DELIGHT (1973 -not one of my favorites) and SOLDIER OF ORANGE (1977 – one of my very favorites). I always wished Hauer would have worked with Director Paul Verhoeven again after 1985’s FLESH AND BLOOD. How cool would it have been to see Hauer as Robocop?! I delighted in seeing him steal the film NIGHTHAWKS (1981), his American debut, from Sylvester Stallone. After 1990, any time Rutger Hauer had a movie playing in a theater near me, I would be there. This included his early 90’s movies like SPLIT SECOND (1992 – where I was the only person in the theater), BUFFY THE VAMPIRE SLAYER (1992), and SURVIVING THE GAME (1994), to his character roles in the 2000’s in movies like CONFESSIONS OF A DANGEROUS MIND (2002), SIN CITY (2005), and BATMAN BEGINS (2005). The last time I saw him on the big screen was in THE RITE (2011), where he co-starred with Anthony Hopkins.

Rutger Hauer has so many credits. Aside from his big screen credits, he worked on so many low budget direct to video features, made-for-TV films, as well as quite a few TV series. And I tried to watch them all. I saw some good films and some not so good films, but I always found Hauer interesting no matter what the material was. I remember being excited when it was announced that he would be joining the cast of the hit HBO series TRUE BLOOD (2008-2014), a series that I watched faithfully. The last two films of his that I was truly excited about were HOBO WITH A SHOTGUN (2010) and DRACULA 3-D (2012). It was satisfying to see him getting a lot of attention that late in his career.

I was sitting on the beach in Perdido Key, FL in 2019, when I got a notification on my phone that Hauer had passed away. It made me sad, as I had no idea he had been sick. It was also fitting that I was sitting in such a beautiful place, because Rutger Hauer had brought such joy to my life for over 30 years. Rest in peace, Mr. Hauer!

Lisa Marie’s Final 2024 Oscar Predictions


The Oscar nominations are due to be announced tomorrow so I guess I should post my final predictions.  2024 has been a rough year for me and my sisters.  Our Dad was in a car accident in May and, after two months of physical rehab, passed away in August while in home hospice care.  Needless to say, going to the movies was the last thing on my mind for much of 2024.

(I’m very thankful that my fellow contributors who kept the site going during our frequent absences.  Their hard work not only kept TSL alive but it also rekindled my own passion for the Shattered Lens.  I am still very much in mourning but writing for this site and sharing my thoughts with our readers has definitely helped me to regain some semblance of stability.)

So, there’s a lot of Oscar hopefuls that I have not seen.  That’s one reason why I haven’t done a best of 2024 list this year or my usual “If Lisa Marie Had All The Power” posts because there’s still a lot that I need to watch.  (I may publish them at some point in February, by which point everyone will have moved on but it will make me feel happy.)  I’m flying blind here with a lot of the potential nominees.  But I’ve been following the guilds and the critic awards and I feel reasonably confident about the predictions below.

Tomorrow morning, we’ll find out how right or wrong I am.

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part II

The Brutalist

A Real Pain

September 5

The Substance

Wicked

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

Best Actress

Pamela Anderson in The Last Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emilia Perez

Mikey Madison in Anora

Demi Moore for in Substance

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Compete Unknown

Domingo Colman in Sing Sing

Daniel Craig in Queer

Ralph Fiennes in Conclave

Best Supporting Actress

Jamie Lee Curtis in The Last Showgirl

Ariana Grande in Wicked

Margaret Qualley in The Substance

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice