4 Shots From 4 Holiday Films: Classic Christmas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Holiday Inn (1942, dir by Mark Sandrich)

Holiday Inn (1942, dir by Mark Sandrich)

It's A Wonderful Life (1946, dir by Frank Capra)

It’s A Wonderful Life (1946, dir by Frank Capra)

Miracle on 34th Street (1947, dir by George Seaton)

Miracle on 34th Street (1947, dir by George Seaton)

White Christmas (1954, dir by Michael Curtiz)

White Christmas (1954, dir by Michael Curtiz)

Holiday Film Review: Jingle All The Way (dir by Brian Levant)


Whatever else one may want to say about it, 1996’s Jingle All The Way is a cute film.

It’s necessary to point that out because Jingle All The Way has a terrible reputation and, if we’re going to be honest, it deserves a lot of the criticism that it has gotten over the years.  In many ways, it epitomizes the way a Hollywood studio can take an interesting idea and then produce a film that seems to have no understanding of what made that idea so interesting in the first place.  Arnold Schwarzenegger plays Howard Langston, an overworked mattress store manager who waits until Christmas Eve to try to buy his son a Turbo Man action figure.  (In the film, they call it a “doll,” which is one of the film’s false moments.)  The only problem is that the Turbo Man action figure is the most popular gift of the year and everyone is looking for one.  What starts out at as a satire of commercialism ultimately becomes a celebration of the same thing as Howard ends up dressed up as Turbo Man and taking part in his town’s Christmas parade.   The film becomes a comedy without any sharp edges.

That said, it’s a cute film.  It’s not cute enough to really be good but it is cute enough that it won’t leave you filled with rage.  Arnold Schwarzenegger is in True Lies mode here, playing a seemingly boring and suburban guy who is secretly a badass.  (In True Lies, Schwarzenegger was secretly a spy who had killed man people, though all of them were bad.  In Jingle All The Way, he’s just a parent who has waited too long to go Christmas shopping.)  Schwarzenegger’s main strength as an action star — even beyond his physique — was that he always seemed to have a genuine sense of humor and he’s the best thing about Jingle All The Way.  This film finds him acting opposite actual comedic actors like Jim Belushi and Phil Hartman and holding his own.  (The film also features Sinbad as another dad trying to get the Turbo Man action figure but Sinbad comes across as being more of a stand-up comedian doing bits from his routine than an actual character.)  The film’s set pieces grow increasingly bizarre and surreal as Howard searches for his Turbo Man and the film actually becomes less effective the stranger that it gets.  A scene of Howard fighting a crowd in a toy store works far better than a later scene where Howard battles a bunch of men dressed as Santa Claus and his elves.  (It doesn’t help that, after an intelligent and well-edited opening thirty minutes, the film seems to lose all concept of comedic timing.)  But there’s a sincerity to Schwarzenegger’s performance that keeps you watching.

Of course, today, Jingle All The Way feels like a relic from a different age.  All the kids want a Turbo Man and you’re so busy at work that the stores are closed by the time you get home?  Fine.  Hop on Amazon at three in the morning and order one.  Christmas shopping is a lot easier nowadays.

It’s just not as much fun.

Brad reviews RETURN TO ME (2000), starring David Duchovny and Minnie Driver!


I’m a sucker for a good romance. Every year during tax season, I like to stream romantic films while I prepare my clients’ tax returns late into the evening. They make me feel good and help my mood as I work the necessary 80 to 90 hours every week leading up to April 15th. My list of favorites includes movies like HITCH (2005) with Will Smith, NOTTING HILL (1999) with Julia Roberts and Hugh Grant, and YOU’VE GOT MAIL (1998) with Tom Hanks and Meg Ryan. I also really enjoy the period romance movies based on the novels of Jane Austen, films like Ang Lee’s SENSE AND SENSIBILITY (1995) and the five-hour mini-series version of PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle. There’s a decent chance that if you walk into my office at the end of one of these films you might even catch me wiping a tear from my eye as the obstacles finally clear, and we’re left with two people in love embarking on their specific “happily-ever-after” together. One such movie, that I don’t hear mentioned very often, but that I personally love, is the 2000 romantic film RETURN TO ME.

RETURN TO ME opens by introducing us to two families. First, we meet Bob Rueland (David Duchovny), a successful architect, and his wife Elizabeth (Joely Richardson), a kind-hearted zoologist, who are clearly very much in love. We follow the couple as they attend a fund-raising dinner that’s been organized to help expand the zoo’s gorilla habitat, a cause that’s very dear to Elizabeth’s heart, with Bob volunteering his own time and talents to design the new facility. The evening includes many sweet words and some quality slow dancing. Next, we meet Grace Briggs (Minnie Driver), who is very sick and in need of a heart transplant in the worst possible way. Her Catholic family and her friends, which includes her loving grandpa Marty O’Reilly (Carroll O’Connor) and her best friend Megan Dayton (Bonnie Hunt), are a wonderful support system, but without the new heart, she won’t be able to live much longer. On the same night that unspeakable tragedy strikes the Rueland’s on their way home from the fundraiser, Grace and her Grandpa’s prayers are answered when they get the call that a healthy heart is now available. A year later, Bob and Grace meet by chance at Marty’s business, O’Reilly’s Italian Restaurant. Bob has been a shell of the man he once was as he’s been unable to deal with his wife’s passing, while Grace has attempted to figure out life with her new heart. There’s just something about Grace though, so Bob asks her out and, after a series of sweet dates, it seems the two may be falling in love. But when Grace accidentally discovers that the heart that Bob is falling in love with was once beating inside the chest of his deceased wife Elizabeth, Grace doesn’t know how to tell him. Feeling guilty, as well as fearful of how Bob may respond to the shocking information, Grace decides she has no choice but to tell him. Will their blossoming love survive this unexpected and tragic revelation?

I love RETURN TO ME, and the main reason is that I love the characters, and especially the world that director Bonnie Hunt creates inside the film. The love story at the center is played well by Duchovny and Driver, but the greater love of family and friends is what sets this movie apart for me. In a way, Hunt creates a world that contains the kind of friends and family that we’d all love to have in real life. She does this by spending a lot of time with the entertaining supporting characters, showing them to be kind and decent people, the kind who make our lives valuable. As an example, O’Connor’s performance as the doting grandpa to Grace is wonderful, but we also get to see the interplay between Grace, Marty and their “family” at the restaurant, played by such great character actors as Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile. Hunt herself is excellent in the role as Grace’s best friend Megan, but the time we spend with her blue-collar husband, played perfectly by James Belushi, and their kids are some of the best and funniest of the film. Based on the time and attention to these characters, as well as the time spent at “O’Reilly’s Italian Restaurant,” Hunt has created a scenario that feels like we’re watching real family and friends, in the best possible way. I never watch this film that I don’t want to go eat a big plate of spaghetti afterwards. The relationship between Bob and his best friend Charlie (David Alan Grier) isn’t quite as successful, but it has its moments as well.

RETURN TO ME is the kind of romantic film that we don’t get to see very often these days. A snarky, cynic would probably have a field day with this film, with its outrageous set-up, its old-fashioned values, and even older-fashioned characters. But that’s what I love about this film. As an example, this is the kind of movie where characters ask each other to pray, they do it, and the only purpose of it being shown is so we know how much these people care about each other. That feels very old-fashioned for 2025, but based on my own experiences in life, it’s something I can completely identify with.

Ultimately, RETURN TO ME is not a perfect film. Clocking in at almost 2 hours, there are definitely some scenes that could have been shortened or eliminated all-together. And it may seem like a criticism that I find the central love story of the film less appealing than the love shown by the main characters’ family and friends, but it’s really not. RETURN TO ME is a movie I return to every year because, at the end of the day, it’s an entertaining film that helps me appreciate the love of a family and the possibility that sometimes love is just meant to be.

The Holidays On The Lens: The Greatest Store In The World (dir by Jane Prowse)


Here to help you get in the holiday spirit, we’ve got a British film from 1999!

The Greatest Store In The World tells the story of a single mother and her two daughters.  When the film begins, they’re living in a van but, after the van catches on fire, they upgrade things by moving into a luxurious London department store.  Along with coming together as a family and celebrating the holidays, they also thwart an attempt to rob the store.  It’s a good-natured little movie, one that reminds the viewer of how fun the world once was.  It was filmed in Harrods, though the name itself is not actually uttered in the film.  Fans of Doctor Who will want to keep an eye out for Peter Capaldi while fans of larger-than-life actors will be happy to see the great Brian Blessed.

(I should admit that, when I was little and my family was constantly moving from one state to another and I was always having to say goodbye to whatever new friends I had made, I used to fantasize about living in a big mall.  Perhaps that’s one reason why this sweet-natured film brought a tear to my mismatched eyes.)

Enjoy!

Join #MondayMania For Psycho Daughter!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2018’s Psycho Daughter!

(Psycho Daughter was originally broadcast as The Wrong Daughter but the title was later changed to avoid confusing with the Vivica A. Fox “Wrong” series.)

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Monday Live Tweet Alert: Join Us for A Christmas Heist!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be A Christmas Heist!

If you want to join this watch party, just hop onto Mastodon, pull up A Christmas Heist on YouTube or Tubi, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Live Tweet Alert: Watch Dawn of the Mummy With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting the goriest mummy movie ever made, Dawn of the Mummy!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

The Films Of 2025: Train Dreams (dir by Clint Bentley)


My house sits near two cemeteries.

To the East, there’s a cemetery that sits near a bus stop.  It’s surrounded by a fence and, judging from the gravestones that I’ve seen, it was last used in 1917.  It was a private cemetery, one that functioned as the final resting place for the members of one of the families who founded my hometown.  To the west, there’s a park that is home to another private cemetery.  It’s also surrounded by a fence.  That fence wasn’t always there but it went up a few years ago because people were vandalizing the tomb stones and breaking the statues that had stood there for over a hundred years.  How sick to do you have to be vandalize a graveyard?

Occasionally, when I’m near either one of the two cemeteries, I’ll take some time to look at the names on the headstones.  The names are of people who I will never know.  I’ll never know what they were like to live with or to eat dinner with.  I’ll never know what hobbies occupied their time.  I’ll never know what books they read.  I’ll never know who they were.  But I will always know that someone cared enough to erect a tombstone to let the world that person had once been alive.  I will always know that, at some point, they were alive and they were a part of society.

I thought about those two cemeteries as I watched Train Dreams.  Based on the award-winning novella by Denis Johnson, Train Dreams stars Joel Edgerton as Robert Grainier.  At the start of the film, the narrator (Will Patton) tells us that Grainier lived for 80 years and he spent most of his life in Idaho.  He never saw the ocean.  He was an orphan who never learned who his parents were, when he was born, or how he came to be placed on a train in the late 19th century.  The film follows Grainier as he goes from dropping out of school to working as a logger to marrying Gladys (Felicity Jones).  He builds a cabin for Gladys to live in while he’s away looking for work.  He and Gladys have a daughter named Kate.

Growing up at a time when the frontier had only recently been tamed and when death was considered to be acceptable risk for the men cutting down trees and laying down railroad tracks, Robert sees his share of disturbing things.  As a child, he comes across as a mountain man who is slowly dying.  Working for the railroad, he watches as one of his co-workers is casually tossed off a bridge.  Later, the elderly and kind-hearted Arn Peebles (William H. Macy) is mortally injured in a random accident.  When loggers die, their boots are hammered into a tree.  Years, later those same trees are cut down and the boots are forgotten.  And yet, for all the danger in Robert’s life, there are the moments that make it all worth it.  Robert always returns home to his cabin and to the embrace of Gladys and the sight of his daughter growing up.  He always returns to his family until he can’t anymore.  As he ages, Robert isolates himself from civilization and becomes semi-legendary in the nearby town.  But, as always, legends are eventually forgotten.

Visually, it’s a hauntingly beautiful film.  The scenery is stunning, even while Robert and his fellow loggers are busy changing it by chopping down trees.  But there’s always a hint of danger hiding behind the beauty.  A forest fire brings an eerie, orange tint to the sky but it also destroys many lives and dreams.  Joel Edgerton gives a strong performance as Robert, proving once again that he’s one of the few actors who can star in a period piece without looking out-of-place.  Edgerton’s performance gives the film the humanity needed to keep it from becoming purely a film about visuals.  As Robert, Edgerton rarely yells or shows much emotion at all.  But his eyes tell us everything that we need to know.

With its stunning visuals, its narration, and its emphasis on nature, Train Dreams owes an obvious debt to Terence Malick.  That said, it’s not quite as thematically deep as Malick’s best films.  Whereas Malick would have been concerned about Robert’s place in both the universe and the afterlife, Train Dreams is more content to focus on Robert’s 80 years in Idaho (and occasionally Spokane).  Whereas Malick often seems to be daring his audience to walk out, Train Dreams is very much about keeping you watching as Robert grows old.  That’s not necessarily a criticism, of course.  It’s just an acknowledgment that Train Dreams is the rarest of all creatures, an arthouse film that’s also a crowd pleaser.  It doesn’t alienate its audience but it does so at the cost of the risks that make Malick’s later films so fascinating, if occasionally frustrating.  That said, Train Dreams does stick with you.  I’ll be thinking about the final 20 minutes for quite some time.

Train Dreams tells the story of a man — one of many — who may have been forgotten by history but who mattered during his 80 years on this Earth.  In the end, Robert Grainier serves as a stand-in for all the people who lived their lives as American rapidly changed from being a frontier to being a superpower.  The world may forget him but the viewer never will.

Live Tweet Alert: Join #FridayNightFlix for Easy A!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix and celebrating the event’s 5th birthday with an encore presentation!  The movie?  2010’s Easy A!

If you want to join us this Friday, just hop onto twitter, find Easy A on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!