8 Shots From 8 Films: Special Lisa Marie’s Favorite Best Picture Winners Edition


8 Shots From 8 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 8 Shots From 8 Films lets the visuals do the talking!

My list of my favorite Best Picture winners is a fluid one.  There are a few — like All About Eve, It Happened One Night, the two Godfathers — that are always on the list.  I love these four films with all my heart.  Then there are films like No Country For Old Men that I think about and say, “Of course that’s going on the list!”  There are other films that have snuck up on me.  Until I was making out this list, I didn’t realize how much I truly did like Coda.

Anyway, here’s my top 8!

8 Shots From 8 Oscar-Winning Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

Casablanca (1942, dir by Michael Curtiz, DP: Arthur Edeson)

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

West Side Story (1961, dir by Robert Wise and Jerome Robbins, DP: Daniel L. Fapp)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, DP: Gordon Willis)

No Country For Old Men (2007, dir by Joel and Ethan Coen, DP: Roger Deakins)

CODA (2021, dir by Sian Heder, DP: Paula Huidobro)

My Oscar Predictions


Okay, let’s do this!  Here are my predictions of what will win at the big show tonight!

Best Picture — Anora

Best Directing — Sean Baker, Anora

Best Actor — Timothee Chalamet, A Complete Unknown

Best Actress — Mikey Madison, Anora

Best Supporting Actor — Kieran Culkin, A Real Pain

Best Supporting Actress — Ariana Grande, Wicked

Best Original Screenplay — A Real Pain

Best Adapted Screenplay — Conclave

Best Animated Feature — The Wild Robot

Best Production Design — Wicked

Best Cinematography — Nosferatu

Best Costume Design — Wicked

Best Film Editing — Conclave

Best Makeup and Hairstyling — Wicked

Best Sound — Dune Part II

Best Visual Effects — Dune Part II

Best Original Score — The Brutalist

Best Original Song — Never Too Late from Elton John: Never Too Late

Best Documentary Feature — Sugarcane

Best International Feature: I’m Still Here

Best Animated Short: Yuck!

Best Documentary Short: The Only Girl In The Orchestra

Best Live Action Short: The Man Who Could Not Remain Silent

Welcome To Oscar Sunday!


Oscar, in happier times

Welcome to Oscar Sunday!

Today is practically a holiday for me.  As someone who loves movies and who also loves award shows, the Oscar Ceremony is an important annual event.  I really don’t feel like the previous year is over until the Oscars have been handed out.  For me, I won’t truly be able to move on from 2024 and really plunge into 2025 until the award for Best Picture is handed out.

This Oscar Sunday might be a little bit more lowkey than past Oscar Sundays but we’ll be here, the TSL crew, watching the show and rooting for our favorite films!  We’ll be posting all the winners, maybe a few reviews, and I’ll be tossing out some Oscar thoughts throughout the day.

Remember that picture below?  That was supposed to be the defining moment of the Oscars, an announcement that the Academy was still relevant and that Hollywood could compete with an increasingly online world.  Today, it can easy to forget just how fawning the coverage was over the 2014 Oscar selfie.  The picture is kind of a Rorschach test.  Do you see Hollywood fun and glamour or do you see a bunch of smug celebrities?  I’ve heard both answers.  I’ve always liked Bradley Cooper’s smile and Jared Leto trying to get in the shot.  What’s often forgotten is that poor Liza Minnelli was in the back of that crowd, trying to get in the picture but being not making it.

The Oscar selfie started out as a good thing but then it inspired other “celebs are just like us!” Oscar moments and boy, did those get old fast.  Chris Rock making people buy Girl Scout cookies was okay.  Jimmy Kimmel sending an army of celebs to interrupt a movie playing next door was Hollywood at its most self-important, walking into a movie that people had paid to see and loudly announcing themselves.  (If that movie’s audience cared about the Oscars, they wouldn’t have been at a movie during the ceremony.)  The infamous Stephen Soderbergh-produced Oscars were the worst, a COVID-era slog that couldn’t even pull off its grand emotional finale.  Probably the most spontaneous and human moment on a recent Oscar telecast was Will Smith punching Chris Rock on live TV, cursing at the top of his lungs, and then rambling about God after winning his Oscar.  Last year, Oppenheimer’s victory felt right and Robert Downey, Jr’s Oscar win felt like a moment that deserved a cheer.  It was a return to the wonderful Oscars of old but now, this year, we’re back to largely obscure nominees and the front runner’s chances falling apart because of things she posted online.  The big question tonight is not whether Emilia Perez will win (it won’t) but whether or not Karla Sofia Gascon’s tweets have taken down Zoe Saldana’s chances along with her own.  The old Oscar selfie hits a bit differently after all that.

Of course, the most interesting thing about this selfie is that, for all the attention it received, it ended up being memory holed, largely because of Kevin Spacey managing to get in the frame.  Ellen DeGeneres, as well, is no longer quite as beloved as she once was.  This picture truly is an artifact of a different time.  Myself, I like old movie so I’m always going to prefer Audrey Hepburn with her telegrams.

Enjoy Oscar Sunday!

Live Tweet Alert: Watch THE STRANGE VICE OF MRS WARDH With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting The Strange Vice of Mrs. Wardh, directed by Sergio Martino!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Charles Bronson’s badass introduction in THE MAGNIFICENT SEVEN (1960)! Happy Weekend!


In a movie full of amazing actors, Charles Bronson’s introduction in THE MAGNIFICENT SEVEN is as badass as it gets. He exudes the power and charisma that would make him an international superstar a few years later. 

I hope your weekend is just as awesome!! Enjoy this amazing scene with Bronson, Yul Brynner, and Steve McQueen. 

Scenes That I Love: Meet The Mother Of Tears from Dario Argento’s Inferno


Today’s scene that I love comes from Dario Argento’s 1980 masterpiece, Inferno.  In this music scene, a music student in Rome finds himself suddenly being watched by the legendary Mother of Tears (played by Ania Pieroni)Inferno is one of Agento’s best films and this is one the film’s best scenes.

4 Shots From 4 Films: Special Ania Pieroni Edition


Today is the birthday of Italian actress Ania Pieroni.

You may not recognize the name but, if you’re a fan of Italian horror, chances are that you’ve seen Ania Pieroni at least once.  Even though she only has 11 credits listed on the imdb and apparently made her last film over 30 years ago, Ania Pieroni achieved screen immortality by playing key roles in three of the greatest Italian films ever made.

In Dario Argento’s Inferno, she was the first actress to play the mysterious Mother of Tears.

In Lucio Fulci’s The House By The Cemetery, she played the mysterious housekeeper and nanny who, in one of the film’s most memorable scenes, nonchalantly mops up a huge pool of blood before subsequently losing her head in the house’s basement.

And then, in Argento’s Tenebrae, she played the unfortunate shoplifter who pays a steep price for not paying for Peter Neal’s latest novel.

Today, the Shattered Lens wishes a happy birthday to Ania Pieroni with….

4 Shots From 4 Ania Pieroni Films

Inferno (1980, dir by Dario Argento)

The House By The Cemetery (1981, dir by Lucio Fulci)

Tenebrae (1982, dir by Dario Argento)

Fracchia vs Dracula (1985, dir by Neri Parenti)

Live Tweet Alert: Join #FridayNightFlix For Gamera: The Invincible!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents Gamera: The Invincible!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Gamera is available on Prime and Tubi!  See you there!

4 Shots From 4 Films: Special Elizabeth Taylor Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor!  And you know what that means.  It’s time for….

4 Shots From 4 Elizabeth Taylor Films

A Place in the Sun (1951, dir by George Stevens, DP: William C. Mellor)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz, DP: Jack Hildyard)

Cleopatra (1963, dir by Joseph L. Mankiewicz, DP: Leon Shamroy )

Boom! (1968, dir by Joseph Losey, DP: Douglas Slocombe)