The Films of 2025: Flight Risk (dir by Mel Gibson)


Flight Risk, Mel Gibson’s first directorial effort since the Oscar-nominated Hacksaw Ridge, opens with Winston (Topher Grace) being arrested by Madolyn (Michelle Dockery), a U.S. Marshal.

Winston is an accountant, one who moved around a lot of money for the Mafia and who arranged for a lot of bribes to high-ranked officials.  That said, Winston is not a particularly dangerous or even cunning fugitive.  If anything, he’s extremely neurotic.  He worries about the safety of his mother.  He tells Madolyn (and the audience) way more than anyone could possibly need to know about his bathroom habits.  He’s on the run because the government wants him to testify against his former employers.  Winston is far more frightened of the Mafia than he is of the government and with good reason.  The Mafia wants him dead.  The government still needs him alive.

After Winston is arrested in Alaska, Madolyn arranges for them to be flown to Anchorage by a Texas-born bush pilot named Darryl Booth.  When a man claiming to be Darryl (Mark Walhberg) shows up, Madolyn and Winston promptly get on the plane.  From the minute Wahlberg started speaking, I was rolling my eyes.  Wahlberg’s Texas accent was perhaps the worst that I’ve ever heard in a modern movie and that’s saying something.  Fortunately, it turned out that Wahlberg’s accent was deliberately bad.  The man calling himself Darryl Booth is not actually Darryl Booth.  He’s not from Texas.  He’s not a professional pilot.  Instead, he’s a hitman who has been sent to kill both Winton and Madolyn.  Unfortunately, Madolyn and Winston don’t realize that until the plane has already taken off.

Flight Risk starts out as an enjoyably silly movie but it’s ultimately done in by the limitations of its plot.  Nearly the entire film takes place in that cramped and nondescript airplane and neither Madolyn nor Darryl are really compelling enough to hold onto your interest over the entire course of the film’s 90 minute running time.  Winston, on the other hand, is actually a compelling character and Topher Grace shows, once again, that he deserves a bigger film career than the one he has.  Unfortunately, Winston spends the majority of the film incapacitated.  He’s either in handcuffs and stuck in the back of the plane or he’s sitting up front and freaking out but he never gets to do as much as one might wish.  Instead, the entire film comes down to Darryl taunting his targets and Madolyn struggling to figure out how to fly the plane.  To be honest, the film actually makes flying look pretty easy.  I mean, Madolyn has no experience as a pilot and she somehow still manages not to crash.  How difficult could it be?

Of the three main actors, Topher Grace gives the best performance, managing to give a fully-rounded performance even when Winston is incapable of moving.  For the first thirty minutes or so of the film, Mark Wahlberg is enjoyably over-the-top but then his character just becomes a standard talkative villain.  Michelle Dockery is stuck playing a boring character and she never brings much life to her flat dialogue.  If anything, she’s outacted by an unseen Leah Remini, who provides the voice of Madolyn’s partner and proves that she can still curse like a champ.

Flight Risk continues the pattern of scripts that rank high on Hollywood’s “black list,” (that is, the annual list of the most popular unproduced scripts in Hollywood), being turned it into disappointing films.  At least it’s slightly more fun than Cedar Rapids.

A Late Film Review: Non-Stop (dir by Jaume Collet-Serra)


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With 2014 rapidly coming to a close, I am currently trying to get caught up on some of the movies that I either missed seeing or did not get a chance to review earlier this year.  After all, in just another month and a half, it’ll be time for me to make out my “Best Of the Year List” and I want to have as many options as possible.

With that in mind, I just finished watching Liam Neeson in Non-Stop, an action-suspense film that came out way back in February.

In Non-Stop, Liam Neeson plays Bill Marks.  It’s interesting to note that Bill Marks has the same initials as Bryan Mills, the very specifically trained CIA agent that Neeson plays in the Taken films.  And really, Bill Marks might as well Bryan Mills because Neeson pretty much gives the exact same performance in Non-Stop that he previously gave in Taken.  That’s not necessarily a criticism.  There’s a reason why Liam keeps getting cast in these type of roles.  He’s good at them.

In fact, I would say that Liam Neeson is one of the few action stars who I can imagine actually killing someone in real life (though only if he had to).  He has a rugged, world-weary cynicism about him.  You look into the eyes of a character played by Liam Neeson and you realize that he’s had to do things that you probably don’t want to know anything about.  At the same time, Neeson also projects a certain old-fashioned decency as well.  He’s the epitome of a decent man forced to use bad methods for the good of us all.

As for Non-Stop, I imagine it was probably pitched as being “Taken on a plane.”  Bill Marks is an air marshal who is on board a non-stop flight from New York to London.  Shortly after the plane takes off, he starts to receive mysterious text messages telling him that, unless he arranges for a 150 million dollar ransom to be paid into a specific bank account, someone on the plane will die every 20 minutes.  While Bill tries to discover who is sending him the text messages and various people on the plane die, the authorities on the ground are convinced that Bill is hijacking the plane.  Why?  Well, mostly because the bank account is in Bill’s name…

That’s right!  Somebody’s trying to frame Bill Marks!  Can Bill — with the help of a passenger played by Julianne Moore — figure out who is trying to frame him and why?  I have to admit that there was a part of me that was hoping that it would turn out that Bill really was the mastermind behind the whole scheme but instead, the movie offers up a solution that is even more ludicrous and illogical.  Naturally, there’s a twist.  The hijacking is not what it originally appears to be.  Perhaps if Non-Stop itself was more fun, the total implausibility of the twist wouldn’t bother me.

Director Juame Collet-Serra (who previously directed Neeson in Unknown) manages a few good action sequence but, ultimately, Non-Stop is really saved only be the presence of Liam Neeson.  Regardless of how implausible or silly the film may get, Neeson always brings a lot of authority to his role.  He’s never more convincing than when he’s walking up and down the aisles, glaring at the passengers and barking out orders.

It’s the type of performance that leaves us assured that the world will be safe as long as Liam Neeson is around to kill people.

Liam Neeson, about to kill someone

Liam Neeson, about to kill someone

Hanna (Trailer)


Every year there’s always a film which seems to get little to no buzz leading up to it’s release date. One such film which seems to be sneaking up on the filmgoing public is a little action thriller called Hanna from British filmmaker Joe Wright (Pride and Prejudice, Atonement) about a young girl (Saoirse Ronan) being trained by her father (Eric Bana) into some sort of assassin in the frozen wilderness of Finland. The film also stars Cate Blanchett in a role that some of her fans may not be used to. A morally ambiguous role which may or may not make her into the villain of the film.

Outside of the people who cover the film industry year in and year out this film has bypassed the radar of most film fans and are only starting to hear about it. From some of the advance reports being mentioned about Hanna, filmgoers may have something to look forward to when it finally comes out in a little over a week. Hanna has been getting some positive talk of being one of the best, if not the best, film of the year to date. Those are some pretty bold statements, but even if the film only manages to live up to half of the talk about it the last week or so then it’s going to be a film that will entertain and one that may just get strong word of mouth to get more people to watch it.

One thing which may interest some people about this film is who will be in charge of scoring it. The film’s score will be handled by the electronica duo The Chemical Brothers.

Hanna is set for an April 8, 2011 release date.