October True Crime: Deadly Vows (dir by Alan Metzger)


The 1994 made-for-TV movie Deadly Vows opens with a football game.

It’s just a friendly football game in the park.  The majority of the players appear to be frat boys.  They’re muscular and athletic and they play hard but they’re not professional athletes.  However, there is one player that sticks out.  Tom Weston (Gerald McRaney) is taking the game very seriously and he is determined to win.  He continually begs his team’s quarterback to throw him the ball.  When he’s tackled, he staggers back up and run back to the huddle, even though he’s limping and out-of-breath.  Again, Tom is taking the game very seriously.  Tom is also nearly twenty years older than the other players.

Tom is desperate to prove that he can still keep up with the young guys around him, even though it’s obvious that he can’t.  Tom also drives a truck for a living and spends his time on his CB radio, bragging about how good he is at his job and trying to pick fights with anyone who he feels doesn’t treat him with enough respect.  Incidentally, Tom is not driving a big truck.  He’s driving a small truck.  It’s actually more of a van than a truck…..

In other words, Tom is having a midlife crisis.

I think everyone either knows or has, at least, come across someone like Tom Weston.  He’s the balding, forty-something guy who brags about how he’s in the best shape of his life and who shamelessly flirts with every young woman that he sees, despite the fact that he’s married to a woman his own age, Nancy (Peggy Lipton).  Nancy, for her part, tries to be understanding.  Like a lot of insecure men, Tom is a very active gaslighter.  Indeed, when Nancy first meets Bobbi (Josie Bisset), she believes Tom when he says that Bobbi is just a friend.  Of course, the truth of the matter is that Tom is having an affair and he even married Bobbi a few weeks earlier.  Tom’s not just a guy having a mid-life crisis.  He’s also a bigamist.  And eventually, he’s a murderer.

Deadly Vows is based on the true story of Robert Harnois, a man who is currently in prison for murdering one wife and trying to kill the other.  When this film was made, Harnois had not yet been convicted of the murder which is why the character’s name was changed to Tom Weston.  The film itself is slightly ambiguous as to the circumstances that led to the murder.  While we see Tom reading about it in prison and smirking, we don’t actually see him taking the contract out on the victim’s life.  But, in a safely made-for-TV style, it’s pretty clearly implied that Tom hired someone to carry out the murder.  (And, in real life, that’s exactly what happened.)

Deadly Vows is, in many ways, a typical made-for-TV true crime film.  What sets it apart from other entries in the genre is Gerald McRaney’s chilling performance as Tom Weston.  McRaney plays Weston as the type of sociopath who thinks that he can charm his way out of any situation.  Instead, most people can see right through him and his manipulative bluster.  Indeed, the film portrays Tom as being a very stupid and pathetic man.  Unfortunately, one doesn’t have to be smart to hurt other people.  Peggy Lipton and especially Josie Bisset both give good performance as well but this film is ultimately dominated by McRaney’s performance as a murderous loser who simply cannot accept that he’s not 22 anymore.

Late Night Retro Television Review: CHiPs 3.24 “Dynamite Alley”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, season 3 comes to an end.

Episode 3.24 “Dynamite Alley”

(Dir by Bruce Kessler, originally aired on March 30th, 1980)

After testifying in a trial in Bakersfield, Bonnie (Randi Oakes) is driving back to Los Angeles when, somehow, she ends up flipping her squad car.  In the hospital, Bonnie swears that she had to swerve suddenly to avoid a truck that came out of nowhere.  The only witness to Bonnie’s accident is a pre-adolescent named Corey (Bryan Scott), who was watching as Bonnie drove by his house.  Corey says that he saw the truck but Ponch and Jon come to suspect that he might be lying because he doesn’t want Bonnie to get in trouble.  Meanwhile, Grossman is writing an article on how tired drivers can hallucinate seeing other vehicles and he comes to suspect that this is what happened to Bonnie.

And he’s right!  It’s interesting that, just last season, CHiPs did an entire episode about proving that Sindy Cahill was not responsible for a crash she was involved with.  Meanwhile, this season ends with an episode that’s all about Bonnie being a menace on the streets.  Of course, event though Bonnie flipped her car after imagining seeing a truck in front of her, she gets to keep her job and everyone has a good laugh about it.

My main issue with this episode is that Corey was 1) portrayed as having a stutter and 2) nicknamed Blabbermouth by everyone he knew, even the characters who were supposed to be sympathetic to him.  When he showed up in the hospital to confess that he didn’t really see a truck push Bonnie off the road, Bonnie replies, “Oh, Blabbermouth.”  Even Jon and Ponch call him Blabbermouth.  As a former stutterer, this episode really annoyed me.

As for our B-plot, the “funny car show” is in town.  All sorts of weird vehicles show up on the streets.  One man tries to drive a tank to the show and people start throwing bottles at him.  When Baker and Ponch show up to investigate the tank, Baker nearly gets hit by a glass bottle that’s thrown at him by two kids.  Ponch grabs one of the kids but then just laughs and lets him leave.  Really, Ponch?  BAKER COULD HAVE LOST AN EYE!

And that’s how the third season ended, with Bonnie crashing her squad car because she had a hallucination and a poor kid with a stutter being called “Blabbermouth” by the police.  That’s not the best way to end a season.

Season 4 starts next week!

Film Review: Shoot to Kill (dir by Roger Spottiswoode)


I am not one for camping.

I’m actually kind of alone amongst my family as far as that’s concerned.  All three of my sisters enjoy spending the night outdoors, listening to sounds of nature and looking up at the stars.  They know how to set up tents and make campfires and they enjoy hiking and rafting and exploring the great outdoors.  Myself, I do enjoy occasionally spending the weekend up at Lake Texoma and I like the fact that, even though we live in the city, we still occasionally get to see wildlife running around.  I think possums are cute.  A few days ago, I squealed with delight when I saw that there was a raccoon hanging out in one of our backyard trees.  (“Don’t go near that thing, Lisa Marie!” Erin snapped as I reached for the den door.)  Growing up, I spent time in both the country and the city.  While I love living in the city, there’s still a part of me that’s still a country girl.  That said, I definitely prefer sleeping inside to outside.  The inside is safe.  The inside is comfortable.  The inside is free of creepy bugs that crawl on the ground.

Watching 1988’s Shoot to Kill definitely did not do much to change my opinion about camping.  In this thriller from director Roger Spottiswoode, Sidney Poitier plays Warren Stantin, an FBI agent who is obsessed with capturing a sadistic criminal who blackmails people into doing his work for him.  At the start of the film, the extortionist has forced a jeweler to break into his own jewelry store by taking the jeweler’s wife hostage.  Stantin’s attempt to capture the extortionist leads to the jeweler’s wife taking a bullet in the eye.  (AGCK!  Seriously, this guy is mean!)  Stantin traces the man to Washington State, where he discovers that the extortionist has committed another murder and stolen the victim’s identity.  The extortionist is now a member of a five-man fishing party that is being led by a local guide, Sarah Renell (Kirstie Alley).  Stantin teams up with Sarah’s partner, Jonathan Knox (Tom Berenger), and the two of them attempts to track down the group before the murderer among them makes his move.

The action cuts back-and-forth, between Sarah’s party and Knox and Stantin.  Most viewers will probably be able to quickly figure out which member of Sarah’s party is the killer but director Spottiswoode still creates a little suspense by casting actors like Richard Masur, Andrew Robinson, and Clancy Brown as the suspects.  All three of the actors have played their share of sinister characters.  (Andrew Robinson was the Scorpio Killer, for God’s sake!)  While Sarah leads the murderer though the wilderness, Knox teaches Stantin how to survive in the great outdoors.  As is typical with films like this, Knox and Stantin go from disliking each other to depending on each other.  Have you ever wanted to see Sidney Poitier get into a verbal altercation with a bear?  This is the film for you!

Shoot to Kill is a superior genre film.  The story’s predictable but it’s told so well that it doesn’t matter.  Kirstie Alley, Tom Berenger, and Sidney Poitier all give good performances as sympathetic characters.  As for the actor who turns out to be the killer, he gives a performance that is, at times, absolutely terrifying.  Shoot to Kill is an entertaining thriller.  Just don’t watch it if you’re going camping the next day.