Retro Television Review: Homicide: Life on Street 1.3 “Night of the Dead Living”

Posted on October 20, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, the Homicide Squad works the night shift on the hottest night of the year.

Episode 1.3 “Night of the Dead Living”

(Dir by Michael Lehmann, originally aired on March 31st, 1993)

On the hottest night of the year, Giardello’s homicide squad works the night shift. Everyone comes in grumpy. Munch has just broken up with his girlfriend. Bolander is trying to work up the courage to call Dr. Blythe. Bayliss is still obsessing on the Adeena Watson case and he and Pembleton are still trying to figure out how to work together. Kay’s sister is having trouble at home. Felton’s wife hates him. Crosetti worries about his teenage daughter and her boyfriend. Giardello tries to figure out why the air conditioner is only blowing out hot air on what Lewis claims is the hottest night in history.

Despite the heat and the statistics that show that most homicide occur at night, no calls come in. Bayliss is convinced he’s cracked the Watson case when he discovers that the fingerprints on Adeena’s library book belongs to someone named James. He sends Thorson out to arrest James. James turns out to be a seventh grader who thinks he’s being arrested by not paying a library fine. (James did check out the book, when he was in the fifth grade.)

A drunk man dressed as Santa Claus is brought in and later falls through the ceiling when he attempts to escape custody. A baby is found in the station’s basement but it turns out to the cleaning lady’s baby. She brings him to work with her to protect him from the rats that live in their apartment building. Eventually, Bolander works up the courage to call Blythe and Bayliss and Pembleton figure out that Adeena’s body was found where it was because her killer brought the body down a fire escape. At the end of the shift, Giardello assembles his detectives on the roof and joyfully sprays them with the water hose.

It’s an episode that feels like a play, taking place in one location and featuring a lot of monologuing. Each member of the squad gets a their chance in the spotlight, with the episode revealing that every one of them is a bit more complex than they initially seem. Even Munch, the misanthrope, is shown to light a candle in memory of “all those who have been killed.” It’s one of those episodes that makes you understand why Homicide is considered to be classic while also showing you why it struggled in the ratings. In this episode, Homicide revealed itself to be not a cop show but instead a show about people who happened to be cops. Most shows about detectives end with an arrest. This episode ends with Giardello showing his love for the people who work for him. After spending an hour with everyone sweating and complaining, it’s nice to see them happy on the roof of the station house. Yaphet Kotto’s joy in the final scene is a wonder to behold. And yet, it’s easy to imagine how confused audiences, whose expectations had been set by more traditional crime show, would have been.

This episode was meant to be the third episode of the series. NBC decided that it worked better as the finale of the first season and instead made it the ninth episode. Peacock has this episode placed where it originally belonged and, with this review, that’s what I’m going with as well.

Back to School #46: Heathers (dir by Michael Lehman)

Posted on September 10, 2014 by Lisa Marie Bowman

Well, it had to happen. We have finally reached the end of the 80s with this Back to School series of reviews. The 80s are often considered to be the “Golden Age of Teen Films,” largely due to the efforts of director-writer-producer John Hughes. In films like The Breakfast Club and Ferris Bueller’s Day Off, Hughes skillfully mixed teen comedy with teen drama and the end results were some of the best-remembered and most influential films ever made. At the same time, it’s also can’t be denied that, even as he was dealing with real issues of class differences and sexuality, Hughes also tended to idealize his teenage protagonists. They were often cast as noble savages, struggling to survive in a world that was exclusively run by cynical and judgmental adults. In The Breakfast Club, Ally Sheedy says that when you grow up, your heart dies. That, more than anything, defines the way that most of the great teen films of the 80s tended to view the world.

By the end of the 80s, John Hughes had stopped making films about high school and teenagers and so, it is perhaps appropriate that the final Back to School review of the 80s should be for a 1989 film that often time seems to be taking place on a totally different plant from the films of John Hughes. If Hughes told us that your heart dies when you grow up, Heathers would seem to suggest that most people’s hearts were never alive to begin with.

Heathers takes place at Westerburg High, a school full of student so rich that their mascot is a Rottweiler. Westerburg is run by a clique of three mean girls, all of whom are named Heather. Heather Chandler (Kim Walker) is their leader. Cheerleader Heather McNamara (Lisanne Falk) is weak-willed and insecure. And finally, Heather Duke (Shannen Doherty) is the smartest of the Heathers. She’s also bulimic. Now, there is a fourth member of the ruling clique but she’s a bit of an anomaly because she’s neither mean nor named Heather. Instead, her name is Veronica (Winona Ryder) and she is valued for her ability to forge signatures.

Since joining the Heathers, Veronica has drifted away from old friends like Betty Finn (Renee Estevez). And though Veronica quickly realizes that she doesn’t really belong with the Heathers, she doesn’t know how she can break free without also destroying her reputation of Westerburg. Then, she meets J.D. (Christian Slater), a prototypical rebel with a cause. J.D. is not only an outsider at Westerburg but he’s proud of it. Soon, he and Veronica are a couple and J.D. is pulling Veronica into his plans to destroy the social hierarchy of Westerburg High.

When a practical joke arranged by J.D. and Veronica leads to the accidental death of Heather Chandler, J.D. convinces Veronica to forge a suicide note. As a result, Heather Chandler is canonized by the same students that she previously terrorized. However, J.D. is not done killing. With each new death (and with each forged suicide note), a new social hierarchy starts to form at Westerburg until, eventually, J.D. comes up with a plan that owes a bit to the end of Massacre at Central High…

Heathers is a darker than dark comedy and one that I imagine probably could not be made today. (To be honest, I’m a little bit surprised that it could be made in 1989.) Seriously, a comedy where one of the main plot points is that students become more popular after everyone has been fooled into thinking they committed suicide? (Not to mention a scene where a grieving father shouts, “I love my dead gay son!”) People would get so offended if this film was made today but you know what? They would be totally missing the point. The film isn’t making fun of suicide as much as it’s exposing the hypocrisy of a society that only seems to care about people after they die. To me, the most important scenes aren’t the ones where people react to the fake suicides. Instead, the heart of Heathers‘s dark vision is to be found in the scene where a true outcast like Martha Dunnstock (Carrie Lynn) fails in her attempt to commit suicide and is ridiculed by the same students and teachers who were previously patting themselves on the back at Heather Chandler’s funeral.

Heathers is dark but it’s also a genuinely funny film, filled with great lines and performances. (“Fuck me gently with a chainsaw,” is my personal favorite.) It’s a film that still carries quite a satiric bite and a perfect film with which to end the 80s.

Review: True Blood S5E12 “Save Yourself”

Posted on August 26, 2012 by Lisa Marie Bowman

(BE WARNED! SPOILERS AND PROFANITY AHEAD)

As I sit here writing this, it’s been about an hour since the 5th season finale of True Blood and I’m still trying to figure out how to start my review of the episode. Foolishly, I’ve got the finale of that terrible Aaron Sorkin male egofest, The Newsroom, on for background noise and I’m hoping that it ends with the entire cast getting staked and exploding into red goo. It’s only a distraction though from confronting the issue of what happened during the final five minutes of True Blood tonight.

Seriously — what the fuck was that?

Up until Bill drank what remained of Lilith’s blood, the season finale was playing out in a rather predictable fashion. Don’t get me wrong. It was exciting and there were plenty of good scenes but it all felt somewhat familiar and I was fairly sure that Eric and Sookie would confront Bill and Sookie would be able to talk some sense into him. I knew there would be some sort of macabre twist at the end because it is True Blood and all. I thought maybe Lafayette’s demon would pop up or maybe Roman would suddenly materialize out of thin air. What I was not expecting was that Bill would dissolve into a red puddle just to then suddenly rise out of the pool of blood as some sort of male Lilith. As Sookie so correctly put it, “Fuuuuuuuuuck….”

Though tonight’s finale was dominated by the fall of the Vampire Authority, there were a few other things going on.

First off, dumbass Andy is now a father as Maurella, the faerie he impregnated earlier this season, gave birth to four girls. Somewhat inconveniently for Andy, she did so at the exact same time that he was trying to explain the situation to Holly. Even more inconveniently, Maurella then promptly vanished, leaving Andy to raise the four babies. To be honest, I wasn’t really a huge fan of this plotline when it was introduced last week and I’m still not. That said, it could be interesting to see, in season 6, how all the show’s vampires react to having four new sources of faerie blood in Bon Temps. Especially since it now appears that humans, vampires, and practically everyone else is going to be very much at war with each other.

Speaking of war, the war for control the wolfpack was finally resolved during tonight’s episode and, not surprisingly, it was won by Alcide who not only defeated J.D. but killed him as well. A friend of mine e-mailed me during the show to say, “I know you ladies love this Alcide guy but the werewolves bore me shitless…” I have to say that my friend is right on both counts. We do love Alcide and yes, the werewolf storylines are never as interesting as whatever’s going on with the vampires.

And, believe me, a lot was going on with the vampires tonight.

Last week ended with Russell, having just feasted on a faerie, now approaching the faerie night club while Sookie and friends vainly tried to hold him back. Tonight’s episode began with Eric and Nora conveniently showing up and promptly saving the day by killing Russell. That’s right — Russell exploded into red goo. He’s dead and you know what? I’m going to miss him. Denis O’Hare brought such a wonderfully decadent sense of evil to the show and, to be honest, it was hard not to feel that he (and the character) deserved a better send off than just being killed during the pre-credits sequence.

I was probably not alone in hoping that the Rev. Newlin would be killed right alongside Russell but instead, the sleazy little toadsucker managed to scurry off and was missing for the rest of the episode. This, however, did prove convenient for Sam and Luna because, with Newlin nowhere to be found, that allowed Luna to shift into Newlin’s form and then try to walk out of the Authority HQ with Emma (who was still in adorable wolf puppy form). In the past, I’ve often felt that Michael McMillan has gone a bit overboard with his performance as the Rev. Newlin but he deserves all the credit in the world for his performance in tonight’s episode. Luna-as-Newlin was a wonder to behold.

Unfortunately, right when Luna/Newlin is on the verge of escaping on wolf puppy, she’s grabbed by a very angry Rosalyn. Apparently, the video tape of Newlin and Russell attacking that frat house has been released by the U.S. Government and Rosalyn drags Luna/Newlin downstairs to the media room so that she can do an interview and practice a little damage control. However, during the interview, Luna/Newlin starts to have convulsions and shifts back into Luna form. Before she apparently faints, Luna manages to tell the world that humans are being held captive at the Authority HQ. I’m not really sure what was happening to Luna, if it was a lingering effect of her having been shot earlier this season or something even worse. Fortunately, for Luna, she was saved from Rosalyn’s wrath by Sam who, having shifted into a fly earlier, flew into Rosalyn’s mouth and then apparently shifted back to human form inside of her, causing Rosalyn to explode into one big mess.

While this was going on, the Authority HQ was being attacked by Eric, Nora, Sookie, Tara, and Jason (who, oddly enough, is now having hallucinations where his dead, and surprisingly bigoted, parents talk to him). After killing every vampire that they come across and freeing Jessica and Pam (which leads to a Pam/Tara makeout session), Eric and Sookie go to confront Bill, who has just finished staking the final member of the authority, Salome.

And that, of course, led us to this season’s final scene — Bill being reborn as some sort of blood God.

So, is Bill now truly evil? Are Pam and Tara a couple? Is Jason going crazy? Is Luna dying? Can a war between humans and vampires be prevented? And who, in their right mind, would trust dumbass Andy with one baby, let alone four?

For answers to all of those questions, we’re going to have to wait until season 6…

Random Observations

Tonight’s unofficial scene count: 60.
I have to admit that I was somewhat disappointed with tonight’s finale. It’s not that it was a bad episode as much as it just really annoyed me that, after taking so long to reach this point, tonight’s finale still didn’t resolve or explain much of anything. Nor did it even really attempt to. That said, I’ll still return to watch season 6 so, obviously, tonight’s episode must have done something right.
Again, I was disappointed with how easily Russell was finally dispatched. I also wish that Rosalyn and Salome hadn’t been killed off as they were both interesting characters and I think the series could have done more with them.
I also felt bad for Chelsea, the receptionist. My sympathy is always with the receptionists.
Does Lafayette still have that demon inside of him?
Is Emma going to be in Wolf Puppy form forever?
I have mixed feelings about season 5 on True Blood. It definitely was not a season to use to introduce someone to True Blood for the first time. That said, I also think that this season featured a lot of really good moments and I’m looking forward to Season 6.
Hopefully, Season 6 will not feature any Iraqi fire demons.
I also had a lot of fun recapping each episode here on the Shattered Lens and thank you to everyone who read them! It was fun!
By the way, The Newsroom did not end with Jeff Daniels getting a stake driven through his heart and that’s a shame.

Review: True Blood S5E5 — Let’s Boot And Rally

Posted on July 8, 2012 by Lisa Marie Bowman

Oh my God. Where to begin?

After last week’s vaguely disappointing episode, tonight’s episode of True Blood was a triumphant return to form. Perhaps not coincidentally, it was also the second episode this season to be directed by Michael Lehman. As he did previously with “Authority Always Wins,” Lehman kept tonight’s episode moving quickly and managed to juggle the many subplots and characters with an ease that hasn’t always been present on True Blood in general or this season in particular. Along with bringing out the best in his actors (all of whom found the perfect pitch between comedy and drama in this episode), Lehman knows just how far he can push True Blood’s signature Southern gothic atmosphere before losing focus.

And speaking of tonight’s plot, after a season that has occasionally seemed to be a bit scatter-brained, True Blood’s many subplots finally started to come together tonight.

Let’s start with my Sookie, Eric, and Bill because they’re my favorites. When we last saw Sookie, she was about to get it on with Alcide and I was happily saying, “You go, girl!” because I had just seen Magic Mike a few days earlier. Well, unfortunately, thing didn’t quite work out as Sookie ended up throwing up all over Alcide’s shoes and then, if that weren’t mortifying enough, who should pop up in the bedroom doorway but Eric and Bill? It turns out that Eric and Bill have decided to go back on their “Fuck Sookie” policy and they now ask her to help them track down Russell. Though, by this point, Sookie probably wishes she could just get a night off, she agrees to help. As delivered by Anna Paquin, Sookie’s sarcastic little speech was definitely one of tonight’s highlights.

Accompanied by Alcide, Bill, Eric, and Sookie track down poor old Doug, the fellow who originally discovered that Russell had escaped. Sookie reads Doug’s mind and discovers that Russell was freed by a female member of the Authority. Though Sookie doesn’t see her face, Bill is quick to put the blame on Nora. Using a reluctant Doug as their guide, they track Russell down to a scary, old abandoned asylum. These wonderfully creepy scenes, where they searched for Russell and came across random, blood-drained corpses, represented True Blood at its best.

Eventually, they found Russell laying in bed and, instead of just killing him, Eric started to have a conversation with him. That conversation, however, was interrupted by what sounded like a wolf and Alcide apparently collapsing to the floor…

But that’s not all!

It wouldn’t be a season of True Blood without Sam getting into some sort of weird trouble and tonight was no exception. When last we saw Sam, he arrived late to a get together of his shifter friends and discovered that they had been murdered. On tonight’s episode, after he dealt with the police, Sam went to see Luna. While he talked to Luna, a group of redneck drove up in a pickup truck and gunned both of them down while Emma turned into a dog and ran into the woods. Sam appeared to have survived but, as the episode ended, Luna looked pretty much done for.

Meanwhile, Terry and Sgt. Devins are still up in South Dakota and the start of tonight’s episode found them tied up in the basement of their fellow vet, Bill Eller. Eller explained that, as a result of what they did in Iraq, they’re now being pursued by a fire monster known as an Ifrit. Terry believes Eller and Devins (who, the hotness of Scott Foley aside, is kinda turning out to be a real toadsucker) does not. It doesn’t matter, of course, because — as soon as they convince Eller to set them free, the Ifrit shows up.

As I’ve said before, I haven’t been a big fan of the whole Iraq subplot in the past because it just felt very predictable and obvious. And I have to admit that my fellow TSL contributor Senor Geekus figured out — long before I did — that it was going to be an Ifrit that was setting all those fires. But, I actually liked the direction that they took with it tonight. It’s still a bit too heavy-handed for my tastes but, at the very least, the Ifrit makes for an intimidating threat.

But that’s not all. Tara has a new job as a bartender and, on her first night at work, she unexpectedly bonds with Jessica but that bond soon falls apart when Jessica comes across Tara drinking Hoyt’s blood. Lafayette is still possessed and having to deal with Jesus’s disembodied head suddenly showing up. Jason can’t remember much about what happened at the Faerie “safe house” but he’s now having disturbing dreams about his parents. And Andy? Well, Andy’s still a dumbass…

A Few Random Observations:

Tonight’s unofficial scene count: 40
Molly, the cheerful girl who works at the Authority headquarters and who called up to tell Eric and Bill that they had been iStaked, is one of my favorite minor characters this season.
How cute was Jason at the start of his little dream tonight?
A definite highlight of tonight’s episode was Jessica and Tara’s conversation at the bar. I loved watching them bond and their discussion about how it feels to suddenly know that you’re different was a good example of how True Blood — at its best — uses vampirism as a metaphor for so many other things.
I have a feeling that Salome is actually the one who rescued Russell. If it was Nora, the show wouldn’t have any reason not to have shown us her face tonight.
No, the picture at the top of this post doesn’t have much to do with tonight’s episode but I just happen to like it.
There were a few good lines tonight but my personal favorite was Sookie’s “I’ve seen enough horror movies to know you don’t split up when you’re in a big scary asylum and there’s a crazed killer on the loose.”