Late Night Retro Television Review: CHiPs 3.4 “High Octane”

Posted on January 13, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, CHiPs deals with the oil crisis!

Episode 3.4 “High Octane”

(Dir by John Florea, originally aired on October 6th, 1979)

Tonight’s episode of CHiPs is a real history lesson.

The episode was aired at a time when the U.S. was suffering from a shortage of gasoline. Conflict in Iran had led to both the Shah fleeing the country and Americans being taken hostage. Oil production fell, OPEC raised its prices, and people panicked and started to hoard gasoline. Many states instituted odd-even gas rationing, which meant that only people with an odd-numbered license plate could purchase gas on an odd-numbered day and only people with an even-numbered license plate could purchase gas on an even-numbered day. As so often happens when the government attempts to micromanage a crisis, this only made things worse as there were soon long lines at the pump and reports of fights breaking out between people at gas stations. Even with the rationing, many gas stations ran out of gasoline before they could serve every customer. If you didn’t arrive early enough, chances were that you would not be able to put gas in your car,

California was one of the many states to institute odd-even rationing and this episode of CHiPs is all about the battle over gasoline. Two crooks are siphoning gas from independent gas stations and then reselling it to other stations. (Their biggest customer is played by veteran screen tough guy, Aldo Ray.) Getraer is injured when he crashes his bike while chasing the two crooks, which makes this case personal for Ponch and Baker. Meanwhile, Ponch and Baker have to break up fights at the gas station, chase yet another guy who was caught siphoning gas from a car, and save yet another motorist who passes out from the fumes of all the gas cans that he had in the backset of his car. Ponch even starts to date Beth (Ellen Bry), because she works at a gas station and can tell him the best time to show up to make sure that he and Baker are able to fill up their bikes. Meanwhile, at headquarters, Harlan is giving lessons on the best way to keep unused fuel from evaporating.

Of course, it wouldn’t be CHiPs if there wasn’t also a light-hearted sports angle. This week, everyone’s into roller hockey. Ponch serves as the referee for the CHP-sponsored kids’ roller hockey game and everyone agrees that he’s the best referee that they’ve ever seen. And why not? He’s Ponch and, by the time the third season rolled around, CHiPs was definitely The Ponch Show. Later, the adult officer play roller hockey as well. It’s the show’s way of saying, “California’s still fun, even with the gas rationing!”

I enjoyed this episode because I’m a history nerd and it was interesting to see how the show dealt with the 1979 oil crisis while it was occurring. It’s interesting that this episode was a bit cynical about rationing, as CHiPs was usually a show that portrayed the government and its policies as positively as possible. In 1979, even the audiences of CHiPs was fed up with having to pay — let me check my notes to make sure I have this right — nearly a dollar a gallon for gas.

Really? Just 90 cents for a gallon gas? Get me a time machine. I’m going to 1979!

Late Night Retro Television Review: CHiPs 1.5 “Career Day”

Posted on December 11, 2023 by Lisa Marie Bowman

This week, Jon and, to a lesser extent, Ponch continue to keep the highways safe.

Episode 1.5 “Career Day”

(Dir by Ric Rondell, originally aired on October 20th, 1977)

It’s another crazy week on the California highways. A husband-and-wife team of burglars are driving around in their van and breaking into mansions. Frat boys are stealing hearses and hiding in coffins. A photographer and his models hold up traffic by doing a swimsuit shoot under an overpass. A little child gets lost while walking along the Los Angeles river.

It’s a lot to deal with and somehow, it all falls on Jon and Ponch. This is one of those episodes that leaves you to wonder where all the other members of the highway patrol are. At one point, Sgt. Getraer comments that the highway patrol has 100 motorcycles and that 90 of them are being used. Despite that, it seems like every crime and accident seems to happen just a mile or two away from wherever Jon and Ponch happen to be. Occasionally, Bear (played by Brodie Greer) shows up in his police car but he always seems to wait until Ponch and Jon have already caught the bad guys.

This episode, Ponch once again damages his motorcycle by not parking it correctly. (The motorcycle falls over and a bunch of a teenagers point and laugh. Take that, Ponch!) Getraer puts Ponch on desk duty but then a helicopter cop says that he needs someone to fly with him. Ponch gets to go up in a police helicopter and help search for the missing child. Baker, who is perfect and therefore, still has his motorcycle, is the one who actually retrieves the child and takes him home but Ponch gets to ride in a helicopter. Seriously, I’ve been in a helicopter a few times and, once you get used to all the shaking and get over your fear of heights, it’s pretty fun. I guess it’s a good thing, for Ponch, that he is such an incompetent highway patrolman that he can’t even park his own bike.

This episode could best be described as a “week-in-the-life” episode as it follows Ponch and Jon as they deal with all the weird things that happen on the Los Angeles highway. The burglars bookmarked the episode, showing up at the start and then again at the end, so that they could be chased down by Ponch and Jon. That said, the closest thing that this episode had to a real storyline was the result of Ponch pulling over his old high school principal (played by the very familiar character actor, Richard Deacon) and being asked to speak at his school’s career day. The principal seems to believe that if Ponch can actually stay out of jail and become an authority figure, there’s a chance for everyone! Of course, when it’s time to give his speech, Ponch freezes up and Jon has to act like his hype man. Eventually, Ponch finds the courage to speak and turns out to be such a blowhard that the entire student body gets bored. Indeed, as Ponch brags on himself, the line between character and actor becomes rather blurred. Erik Estrada is not the world’s most subtle actor but he’s entertaining in the right role.

As with all of the previous episodes, the real star here was the California scenery. The mountains and the blue skies were inviting, no matter how dangerous the highways might have been.

A Movie A Day #117: Shadow Hours (2000, directed by Isaac H. Eaton)

Posted on May 4, 2017 by Jedadiah Leland

Straight from the direct-to-video graveyard comes this journey through the seedy underbelly of Los Angeles. Michael Holloway (Balthazar Getty) used to drink every hour and snort cocaine every night. That was the past. Now, he is clean and sober. Michael is married to Chloe (Rebecca Gayheart) and they have a baby on the way. In desperate need of money to support his family, Michael gets a job working the night shift at a 24-hour gas station. Most of his customers are the scum of the Earth until, one night, Stuart Chappell (Peter Weller) steps into the station. Stuart claims to be a writer and he hires Michael to accompany him on an exploration of the dark side of L.A. They start with strip bars and then eventually move on to fight clubs and BDSM parlors. Everywhere they go, Stuart is recognized but everyone knows him by a different name. Soon, Michael is not only drinking and doing drugs again but he is also the prime suspect in a murder.

Shadow Hours is a dumb but entertaining vision of Los Angeles as Hades. It has loads of atmosphere but it’s all taken from other movies, a hint of Taxi Driver there and a pinch of 8mm here. The film’s main weakness is that it stars Balthazar Getty, who, as an actor, has the least sympathetic screen presence this side of Edward Furlong. Even if Getty was playing a paraplegic veteran who had devoted his life to finding good homes for stray puppies, he would still come across as unlikable. Make him a loser who spend most of the movie lying to his pregnant wife and it is impossible to care what happens to Michael. The film’s main strength is that it also stars Peter Weller, who is pitch perfect as the mysterious Stuart, who might be the Devil. If the whole movie had just been Peter Weller going to bars and fight clubs and hanging out with Lydia Lunch, Shadow Hours would have been a B masterpiece. It’s too bad he had to take an oil heir with him.

Ted 2 Sucks!

Posted on June 27, 2015 by Lisa Marie Bowman

Well, I think the title of this review pretty succinctly sums up my reaction to Seth McFarlane’s latest film, Ted 2. Thanks for reading and have a good…

Oh, really?

Okay, I’ve been told that I have to try to think up at least 300 words to say about Ted 2. Otherwise, in the eyes of Rotten Tomatoes, we’re not a legitimate film blog.

*sigh*

Okay.

Anyway, Ted 2 is the story of a talking teddy bear (voice by Seth McFarlane) who likes to smoke weed and … well, that’s about it. He’s just gotten married to Tami-Lynn (Jessica Barth) and they’re having trouble because Tami-Lynn wants a baby but Ted, being a teddy bear, doesn’t have any reproductive organs. So, he and his friend John (Mark Wahlberg) decide to give Tom Brady a handjob so they can still his sperm. But, it turns out, none of that was important because the state of Massachusetts claims that Ted is not even a person. Instead, he’s just “property.” So, now, John and Ted and their lawyer, Sam (Amanda Seyfried), are fighting the courts to win Ted his civil rights. And then Giovanni Ribisi wants to kidnap Ted and Morgan Freeman shows up and says a few words. And the film is narrated by Patrick Stewart because it’s funny to hear Patrick Stewart curse and…

Oh! And Liam Neeson shows up. He’s a customer at the store where Ted works as a cashier. Liam wants to know if Trix are only for kids. The joke here is that it’s Liam Neeson and he’s asking about cereal. Ha ha.

Oh! And there’s two guys who shows up at New York Comic Con so that they can beat up “nerds.” During every scene set at Comic Con, they’re in the background beating people up and insulting them. And the two guys are gay! See, they’re bullies and they’re gay! And they’re beating up random people at Comic Con, just because they can! Hilarious, right?

Ted 2 spends a lot of time trying to convince us that Ted’s struggle to be recognized as a person is actually meant to be a metaphor for the American civil rights movement. But, honestly, I get the feeling that McFarlane relates more to the bullies than he does to any oppressed minority. As he previously proved with his TV shows and A Million Ways To Die In The West, McFarlane is only interested in going after easy targets. He’s your typical white male hipster who thinks that, because he voted for Obama, he can get away with telling racist jokes.

And, before anyone misunderstands, I wouldn’t mind McFarlane’s humor if it was at least funny or original. But instead, it’s the same stupid jokes that he always tells. Seth McFarlane’s comedic technique is to basically drag things out until viewers laugh from pure exhaustion. Is it effective? Well, there are people who continue to praise and defend him and Seth certainly has made a lot of money off of his act. So, obviously, there are people who respond to this. But to me, Seth McFarlane’s humor just feels lazy.

Ted 2 lasts 128 minutes. That’s over two hours devoted to a concept that feels more appropriate for a five-minute skit. Interesting enough, the first Ted was tolerable because it focused on Mark Wahlberg’s Johnny. Ted was just a supporting character and he worked as a metaphor for Johnny’s struggle to choose between growing up or being a happy slacker. (The first Ted was all about Johnny falling in love with Mila Kunis, whose character is rather cruelly dismissed at the start of Ted 2.) In Ted 2, Ted is the central character and once you get over the fact that he’s a teddy bear who drops multiple F bombs, there’s really not much to the character. It helps, of course, that we only have to listen to McFarlane. We don’t have to look at his imminently punchable, oddly lineless face. But, to be honest, even McFarlane’s voice has become grating. It’s just so self-satisfied and smug.

I saw Ted 2 with the blogger also known as Jedadiah Leland. Over the course of 128 ~~hours~~ minutes (it just felt like hours), we each laughed once. Not surprisingly, both laughs were inspired by Wahlberg’s dumb-but-sweet performance. Now, I will admit that the rest of the audience laughed a bit more than we did. But still, there was a definite atmosphere of resignation in the theater. You could literally hear the people thinking, “Oh, Ted just made a joke about black people. Better laugh now so everyone knows that I get whatever the Hell this is supposed to be. After all, those tickets weren’t free…”

What’s the word count now?

758?

Cool.

That’s enough words for me to say, “Ted 2 sucks!”