Review: Game of Thrones S2E01 “The North Remembers”


“The night is dark and full of terrors old man, but the fire burns them all away.” — Melisandre

George R.R. Martin’s medieval fantasy epic novel series, A Song of Ice and Fire, made a triumphant debut on HBO with Game of Thrones in the Spring of 2010. The show was headed to be a big success due to the huge fan-base that have read and re-read the novels, but the show was able to attract those who wouldn’t know George R.R. Martin or his books. This was the show that further cemented the notion that genre has become the ruling king of quality tv.

A new season of Game of Thrones now arrives with the premiere episode titled “The North Remembers” and while it shows Robb Stark (now proclaimed King of the North by his bannerman and liegelords) flush with success against the forces of House Lannisters and thus King Joffrey at King’s Landing the episode also weaves in an ominous tone that looks to dominate this second season. It’s a season based mostly on the second novel in the series titled A Clash of Kings and tonight’s episode has set-up not just King Robb Stark of the North against King Joffrey Baratheon at King’s Landing, but the old king’s two surviving brothers (elder brother Stannis Baratheon at the Isle of Dragonstone and younger brother Renly Baratheon at Storm’s End) as these four kings begin their path into a clash for the Iron Throne.

One thing to be said about tonight’s episode is just how much happens throughout it’s running time. We see how life since the execution of Ned Stark has changed the kingdom of Westeros for the worst as refugees fleeing the war between Lannister and Stark has made things near-untenable in King’s Landing. While the peasants and commoners of the kingdom suffer we’re quickly re-introduced to the author of the war in King Joffrey (played with an almost psychotic glee by Jack Gleeson) who hold’s knightly games to commemorate his naming day and plays at being a conquering monarch by redecorating the throne room. Trying to manage this petulant boy king is both his manipulative mother, Cersei Lannister, and his dwarf uncle Tyrion Lannister who also has been appointed the latest Hand of the King to help advise.

While we see the North with Robb sending peace offerings and terms to the Lannisters in the hope of getting his sisters (Sansa and Arya) back we also see him in a nice scene confronting Jaime Lannister still his prisoner and still trying to gain an upper-hand on the young king. It’s a huge difference winning battles can do to a young man’s confidence as Jaime’s veiled insults about his age only amuses Robb. It helps that his direwolf looks to have grown double in size since we last saw Greywind. The episode went a long way to showing Robb not just becoming King of the North in name, but also in manner and deeds.

Tonight’s episode might have been called “The North Remembers” but it’s the arrival of Melisandre of Asshai (Carice van Houten), the priestess of R’hllor (Lord of the Light) and her sway over Stannis Baratheon that adds a sense of the magical to what had been a series steeped heavily in medieval realism. It’s the addition of Melisandre and her seeming real gift for magic plus a glimpse of Daenerys’ dragons that offers glimpses to a world of magic and shadows behind the reality of war and the suffering it puts a kingdom’s people through.

As one could see this is quite a lot for one episode to juggle, but series director Alan Taylor has done a great job of keeping things from becoming too confusing to follow. Even the dark turn into infanticide and bloody purge in the end of the episode was a consequence born out of one of the king’s advisors in Petyr Belish (aka Littlefinger) who thought himself witty and clever by telling the Queen Regent Cersei that he knew exactly what had gone on between her and Jaime and the true parentage of King Joffrey. Taylor kept the episode from being bogged down in one area but at the same time still gives each character in the episode some character growth. Everyone looks to have aged and grown since last season and some for the better (Tyrion enjoying the fruits of being Hand of the King but also reveling in the fact that of all his father’s children it is he who is now trusted and not the disappointment) while others for the worst (Joffrey continuing his path towards Caligula-level mania).

One thing tonight’s busy episode has done is re-introduce the show’s audience to the world of the Seven Kingdoms and it’s many interesting characters and stories that came out of season one. It’s a world that continues to be a complex web of intrigue, moral greyness and ambiguity. While we see certain character on the extreme spectrum of right and wrong (Stannis and Joffrey respectively) we’re truly shown by tonight’s season premiere that everyone has their own agenda. Even characters we might have been led to believe as good show signs of cruelty while those we’re to see as amoral show signs of benevolence.

“The North Remembers” was a great start to what looks to be a season that will blow the first season out of the water (I don’t just mean because of the epic Battle of Blackwater that would highlight the season), but it also showed that despite being a show that had a legion’s worth of characters and subplots it still remained must-see and captivating to watch. Let the clash of kings commence.

Notes

  • It was great to see the opening title sequence once more and this time with the addition of Dragonstone to the stable of clockwork strongholds that has become famous.
  • We see Sansa Stark still pretty much a hostage of King Joffrey and trying to keep her head by parroting what he wants to hear. She did redeem herself somewhat by keeping a drunkard looking to become a knight from being drowned to death in wine and instead becoming Joffrey’s latest court fool.
  • Tyrion’s entrance in the same scene may not have had him slapping Joffrey (a meme that grew out of a slapping scene early in season 1), but his veiled insults at Joffrey’s ability to rule as king shows us why Peter Dinklage was deserving of winning that Emmy for his role as Tyrion Lannister.
  • The scene with Tyrion visiting his mistress Shae in the manor he had set her up in King’s Landing was brief but showed just how much Tyrion seemed happiest when close to her. Though it still doesn’t stop him from keeping her secret from everyone especially his father.
  • Once again I like to point out just how huge the direwolf looked as it growled menacingly at Jaime Lannister while Robb Stark held onto it. It’s almost as if Robb had to keep Greywind from lunging forward to rip the Kingslayer’s throat out. Maybe Greywind thinks Jaime was partly responsible for the death of Sansa’s direwolf Lady in the first season.
  • Speaking of direwolves…we get more clues that the Stark boys may be closer to their direwolves more than we thought as Bran Stark back in Winterfell dreams of roaming the forest near the God’s Wood and seeing it all through the eyes of his direwolf Summer.
  • HODOR! HODOR! HODOR!
  • Great sequence between Littlefinger and Cersei in the castle courtyard. Littlefinger may think of himself as the smartest and cleverest man in King’s Landing, but he still finds himself outmaneuvered, manipulated and laid low by Cersei. Those who doubted that Lena Headey would make for a great Cersei shouldn’t be having any more doubts about that casting choice with tonight’s episode.
  • We get a hint at the future introduction of what could be another self-proclaimed king in what looks to be quite a busy batch already with Theon Greyjoy asking to be sent back to the Iron Isle to speak with his father, Balon Greyjoy, on behalf of Robb who will need those hundred of Greyjoy ships to take on King’s Landing.
  • Was surprised to see Robert Pugh as Craster. I thought he looked like Shipmaster Mr. Allen from Master and Commander.
  • Also great to see Liam Cunningham as Ser Davos the Onion Knight who looks to be the clear-headed counsel to Stannis Baratheon.
  • Was disappointed there was very little of one of the show’s more interesting players in Varys the Spider, but it looks like he gets to have a juicy little scene in next week’s episode, “The Night Lands”.

Trailer: Game of Thrones Season 2 “Seven Devils”


April 1st has always been known as April Fool’s Day, but in this year of 2012 it will have a much different meaning.

The year of our Lord 2012 will be known as the day Game of Thrones returns with a new season. A season that brings to the land of Westeros and Essos the war between kings that will surely arrive with the end events which unfolded during season 1. If old fans and newly introduced fans to the franchise were left abuzz by the climactic scene of Daenerys emerging from her husband’s funeral pyre in the morning unhurt with three newly hatched dragonlings then this upcoming season will leave them with their jaws on the floor.

While the series will continue to use the Game of Thrones title I will always consider season 2 to be Game of Thrones: A Clash of Kings for that is what the second book was called and the events that will unfold in this new season will focus on the clash between several leaders who want the Iron Throne or to establish their own separate kingdom.

Finally, the use of Florence + The Machine’s song from their 2011 album Ceremonials was a great choice. “Seven Devils” makes for a great contrast to the Catholic-like religion of the The Seven in Martin’s books and in the tv series.

Game of Thrones is set to return to the world with season 2 on April 1, 2012.

Review: Game of Thrones Ep. 10 “Fire and Blood”


[spoilers within!]

“You should get some sleep. It’s going to be a long war.” – Jaime “Kingslayer” Lannister

We’ve finally reached the season finale of what’s been an excellent first season of Game of Thrones. When news that HBO was adapting George R.R. Martin’s epic medieval fantasy (it’s a fantasy of the historical medieval event known as “The War of the Roses”) there was much rejoicing from fans of the Martin’s “A Song of Ice and Fire Saga” then once the news had settled came the trepidation. How would showrunners Weiss and Benioff be able to adapt the first book (titled A Game of Thrones) faithfully without trimming away so much to fit almost 1000-pages of story into a 10-episode first season.

When the season premiere came and went most of the book’s fans trepidation were assuaged and with each new episode only the most nitpicky and intractable hardcore fans of the book even complained about changes from book to screen. HBO’s Game of Thrones has been one excellent piece of long form TV storytelling with characters people have grown to love, accept and mourn over (really go through the 5 Stages of Grief after Episode 9). We last left the show with the show’s face having sold out his honor in an attempt to save his daughters. Ned Stark, Lord of Winterfell and Warden of the North, was a great soldier and a loyal friend to the departed King Robert Baratheon, but he was never fit to play “the game of thrones” as he wasn’t able to compromise his sense of duty and honor to win a game where such virtues were really more of detriments to winning. So, newly crowned Joffrey (Bieber) Baratheon decides to ignore his mother’s advice and goes to show he’s his own man and, a ruthless one at that, demands for Ned’s head and gets it. The scream of NOOOOO! and WTF?! from across the world once that final scene hit could be heard around the internet and beyond. I wouldn’t be surprised if alien races passing by the system picks up those tweets and blog posts reacting over Ned Stark’s death.

The season finale begins soon after that final scene of episode 9. Ned Stark’s head gets picked up by Ser Ilyn Payne (Joffrey’s executioner) as Arya gets taken away by Yoren of the Night’s Watch to try to save her from Joffrey and the Lannisters bound to continue searching for her. This scene showed just how much Arya seems to be one of the few Starks who has learned the need to survive when surrounded by enemies. Once again it’s been a joy to witness Maisie Williams in the role of Arya Stark. Child actors are usually hit or miss when given big roles in film or tv, but Maisie Williams seem to have taken to the role of the tomboy Arya with gusto which has made her a fan favorite of the show.

“Fire and Blood” explores through much of it’s running time the reaction by the show’s many players and factions to the death of Ned Stark by the command of King Joffrey. It doesn’t matter which faction the episode focused on the reaction seemed universal: Joffrey was stupid to have executed Ned Stark. From the grief and anger by Robb Stark and his mother Catelyn who promised her grieving son that once the Stark girls have been retaken and safe then “they will kill all of them”. It’s not strictly implied if she meant just the Lannisters or everyone who has had a hand in the Stark travails or failed to help. It helps lay a seed for a new storyline for the upcoming second season as war truly breaks out in Westeros. We now have Robb Stark anointed by Lord Greatjon Umber as King of the North with the rest of the Stark bannermen following suit. Then we hear news from the Lannister war council that Renly and Stannis Baratheon have amassed their own armies to force their own individual claims to the Iron Throne.

The time spent in the Lannister camp shows Tyrion (and Peter Dinklage always at his best) not just gaining the trust and respect of his father Tywin, the Lion of Lannister, but being given the title of Hand of the King. His dumbstruck expression at becoming the second most powerful man in the Seven Kingdoms (after Tywin) was priceless as was his decision to bring Shae the prostitute along as the Hand’s Lady even though it meant disobeying his father’s explicit orders that he not do so. It’s been great to see Tyrion always unsure of his footing when dealing with his father, but never letting that keep him from still trying to rebel against the person who had shunned and ridiculed him all his life. This is another seed that should bear very interesting fruit for season 2 especially now that war will soon come for the Lions of Casterly Rock and King’s Landing.

But the episode is all about Jon Snow at The Wall and Daenerys Targaryen at Vaes Dothrak across the Narrow Sea. While the Starks, Lannisters and Baratheon houses with their respective bannermens and allies make their plans to either carve out their own nation or seize the Iron Throne at King’s Landing, from The Wall and across the Narrow Sea two groups make gamechanging decisions that will affect the Seven Kingdoms for season two and beyond as it has in the books.

Jon Snow still decides to leave Castle Black and break his oath to the Night’s Watch in order to rejoin his brother Robb and his army on their march south against the Lannister’s. This decision doesn’t sit well with Sam Gamg…I mean Samwell Tarly who continues to remind Jon of his oath and the consequences of breaking it. The first season really highlights one thing which fans of the book really never got to see. Jon Snow, as dreamy as might be to some, is really quite an immature young man who thinks his decision to run back to his family as they go off to war is not just his duty but honorable. Then when everyone around him, from rivals, mentors and friends, disagrees with him Jon begins to stamp his feet and pout like a little boy who has been told he can’t have his dessert before supper. It’s why I’m glad that Sam has been written in the show to be less a sidekick to Jon, but the logic and common sense voice always making sure Jon understands where his try duty lies.

The scene in the woods were Sam and the rest of the Night’s Watch brothers who forms Jon Snow’s little entourage catches up to Jon and recite the Night’s Watch oath one at a time then together to re-forge the bond they will all need. They will need to rely on each other as Lord Commander Jeor Mormont has decided to take the Night’s Watch north of the wall to find not just Jon’s uncle, Benjen Stark, but to find out once and for all why the wildling tribes have been fleeing south and if the White Walkers are truly back and on the move. The use of a military-variant of the show’s main title theme music score’s the men of the Night’s Watch moving out of Castle Black and into the wilderness north of the wall. It was an inspired scene that promises not just action, but hopefully more signs and encounters with the boogeymen north of the Wall.

Once we leave the snow confines of The Wall and the North we switch to the sunny plains of Vaes Dothrak where Daenerys finally learns the consequence of showing mercy to the people she saw as helpless and in need of her protection from the ravages of Khal Drogo and his khalasar. Dany learns the hard way through the stillborn birth of her son, Rhaego, and the mindless state Drogo has come to under the ministrations of her witch-woman, Mirri Maz Duur. To say that this latest life lesson continues to add to Dany’s growing sense of becoming the warrior queen she was meant to be would be an understatement.

She shares a final tender night’s moment with her husband, Khal Drogo, knowing that his mind has left his body. She reminisces the times they both shared in their short time together before finally releasing Drogo from his state through a mercy killing. If the final moments of this episode will say anything about Dany it’s that she has learned her lesson about mercy and the consequences of when not to give it.

Emilia Clarke has been great in the show as Daenerys. We’ve seen her grow from the meek younger sister of the deluded Viserys to being the wife and growing equal of Khal Drogo to the final moments of “Fire and Blood” where we finally learn the true meaning of her having the blood of the dragon. This was a scene that fans of the books were very wary of. HBO is one of the premiere cable channels, but they still operate under budgets that doesn’t match those of epic fantasy films like Lord of the Rings. Would the producers and the channel be able to pull off the reveal in the end. We see Dany walk into the blazing funeral pyre made for Drogo and where she has sentenced Mirri Maz Suur to burn, but will the morning after be able to satisfy not just the fans of the books but also new fans who have stayed with the show even after Ned Stark’s surprising death. I am happy to say that seeing Dany rising up from the ashes of Drogo’s pyre unharmed with three new additions to her own khalasar should satisfy everyone.

It’s a great way to end the first season which really plays out more like a prologue to the true story that season 2 will tackle. We see the dragon eggs have hatched overnight and bear witness to the most powerful things in the world of the Game of Thrones. Dany doesn’t need the Dothraki who have abandoned her when she now has Rhaegal, Drogon and Viserion to be her firepower to conquer a new army to take back to Westeros and reclaim the Iron Throne of the Seven Kingdoms. I love how the last thing we hear as the episode fades to black is the loud, defiant screech of one of her newly hatched dragons signalling the return of the true Targaryen’s to the story the show has told, so far.

Season 1 has done all it could to stay true to George R.R. Martin’s writing and has done so well even when the show’s writers saw it fit to change some minor things in the narrative to fit the tv format and also add in a couple new characters. “Fire and Blood” wasn’t as shocking as episode 9’s “Baelor”, but what it lacked in surprise it more than made up with a cliffhanger that should leave fans of the books and the show wanting for season 2 to arrive now instead of the Spring of 2012.

Game of Thrones has whetted the appetite of new and old fans alike and, barring any sudden change of heart at HBO, the show should only get better from here on out. All the main characters have been introduced with just a few more to make their arrival known in season 2. The game of thrones itself has now fully engulfed the Seven Kingdoms with Dany in the east and winter coming from the north waiting to sweep down to take everyone at any time. This season also ended with the show finally embracing the long-forgotten magic which characters in the show has mentioned but we’ve never really seen. Here’s to hoping that Spring 2012 arrives as soon as space-time continuum as possible. A ten month wait for the next season will be torture with only the first season dvd/blu-ray set to assuage that long wait.

A few highlights from “Fire and Blood”

  • Sansa finally seeing Joffrey for the little douchebag monster that he was when forced by him to looked at her father’s head on a spike and threats of having her older brother’s head on another one for his rebellion. Sansa still seems the weakest of the Stark children, but the realization of not just the real Joffrey, her fantasy life as queen and how much of a fool she has been was a strong sequence. Seeing Sandor “The Hound” Clegane stopping her from tossing Joffrey off the bridge and showing a semblance of compassion toward’s her should make for very interesting scenes between Sansa and The Hound in seasons to come.
  • Catelyn Stark confronting Jamie Lannister at the Stark camp really showed some new layers of complexity to the character of the Kingslayer. At once we see his usual cavalier attitude towards his rivals and the situation he finds himself in, but we also see a hint of regret for what he and his sister have begun. There’s a reason why the Kingslayer in the novels have become such a favorite amongst fans. He’s a character who also has a certain sense of honor and duty like Ned Stark, but  sees love of family (not just figuratively but literally) as first and foremost before honor. It will be interesting to see how the writers continue to develop Jaime for season 2 and how they’ll figure out to give him more scenes since Jaime wasn’t in A Clash of Kings as much as the initial novel.
  • The relationship between Tyrion and Shae continues to grow in a much more interesting way in the series than it had in the books. Whoever decided to cast Sibel Kekilli as Shae should be commended. The show could’ve easily went with an actress who was ridiculously hot, but instead went for exotic and added fire and brains to the character to better match wits with Tyrion who is growing to see Shae not just as a bed companion, but one who may be his equal. Here’s to hoping the writers continue on this path for the Tyrion/Shae pairing.
  • We finally see the final Stark direwolf. Shaggydog, Rickon Stark’s (youngest of the Stark brood) direwolf, shows up and scares the living daylights and shit out of Tonks…I mean Osha and Bran as they tour the Stark crypts. Even though it’s only for a brief moment we start to see how even the youngest Stark has begun to change in personality as winter is definitely coming and war ravages Westeros.
  • We get another great scene with just Varys and Littlefinger testing each other out in the throne room. Despite knowing that both have their own agendas and probably don’t ever see each other becoming fast friends they do respect each other’s abilities to stick to the roles they’ve learned to play in the “game of thrones”. These two just highlight how they will never see themselves as heroes, but do see themselves as the smartest people in the room, thus the ones who have the best chance of surviving the games these wanna-be kings hope to play and win. Even seeing Grand Maester Pycelle really being more than he appears to the many further shows that the principals of the game really do not know just how much they’re being manipulated by those they see as being weaker and cowardly. Varys and Littlefinger is like the Seven Kingdom’s version of Mad Magazine‘s Spy vs Spy.
  • Seeing for the first time that Cersei’s more than sisterly love and affection toward’s her twin brother Jaime may not be an accident of those two’s close bond as twins. It looks like Cersei has found a temporary replacement for Jaime in the form of her younger cousin Lancel Lannister. While Jaime is the image of martial beauty and confidence who probably didn’t fall for Cersei’s manipulative wiles as much as she’d want it looks like Lancel is going to be much more pliant in the living arms of Cersei. This scene just continues to build on just how screwed up House Lannister really seems to be and how Tywin and Tyrion seem to be the only ones who has kept the intellect in the family.
  • Finally, the addition of two new musical pieces by the show’s composer Ramin Djawadi. First, the version of the main title theme but with a martial tone to it as the Night’s Watch marches north of The Wall to sees exactly what’s going on with the wildlings and if the White Walkers are really on the move. The second being the rousing, but ominous version which scores the arrival of Daenerys as the true heir of the Targaryen and the birth of her three children in Rhaegal, Viserion and Drogon.

Feel free to comment and discuss what you thought of this season finale episode and the season as whole below….

….Season 2 in ten months and Winter is still coming….

Songs of the Day: Game of Thrones Main Theme and Finale


A Sunday night has arrived and that means the latest episode of HBO’s instant medieval fantasy hit series, Game of Thrones, adapted from the George R.R. Martin novel of the same name. This show has pretty much ruled my Sunday nights and for the past ten weeks I and a couple other writers for the site have done recaps and reviews of each episode. As great as the show has been the soundtrack to the show has been equally grand and epic in sound. Tonight’s season finale finally unleashes the finale music and, paired with the now recognizable “Main Title” music for the show, becomes the latest song to make “Song of the Day”.

I can’t pick the “Finale” by Ramin Djawadi without also including the “Main Title” music which the former is born from. Ramin Djawadi has taken the initial song, with its blending of medieval chamber sound with some Mediterrean stylings, and adds in an ominous and martial quality for the finale. It helps punctuate the season finale and how it ties up the loose ends of the premiere season’s prologue storylines and lays the foundation for what looks to be second season with the world of Game of Thrones fully at war with dangers not just from north of The Wall, but now a resurgent old royal line across the Narrow Sea.

The “Finale” doesn’t actually return to the “Main Title” motif until a third of the way through but certain notes and chords from that initial theme could be heard throughout until the finale reaches it’s final 30 seconds and the “Main Title” motif returns in a crescendo of brass, percussion and strings before finishing suddenly. It’s a testament to Ramin Djawadi that the score never dominates the show unless it’s in the intro title sequence and the end credits when the music won’t overcome the performances on the screen. Other composer might look at the opportunity to flex their musical muscle and just go full bore from beginning to end, but not this score.

It’s a good thing I bought the Game of Thrones soundtrack off of iTunes. It’s definitely joined the Conan the Barbarian and Lord of The Rings orchestral score as some of my favorites.

Review: Game of Thrones Ep. 01 “Winter Is Coming”


[some spoilers]

George R.R. Martin’s historical fantasy series, A Song of Ice and Fire, has been decades in the making and has gained such a massive and loyal following that when news arrived several years back that HBO will adapt the first book in the series, A Game of Thrones, the news was welcome with cheers and some trepidation. Cheers because finally one of the most beloved fantasy novels of the last couple decades was finally getting a live-action treatment it’s fans were clamoring for. The trepidation came from these very same fans hoping that those involved in adapting the book didn’t screw things up and ruin something very precious to them.

Showrunners David Benioff and Dan Weiss have adapted what some consider a very complex and dense fantasy novel and came up with something that stays true to the source material while still keeping things from becoming too overly complicated. The first episode is aptly titled, “Winter Is Coming” and we see the show begin with an impressive panoramic scene showing the Wall in all its imposing grandeur as several member’s of it’s Nightwatch Brotherhood venture north of it into the snow-covered, icy wasteland in search of the nomadic wildlings. Their search find them not just a tribe of wildlings (not in a condition one would consider living) and something else which their Brotherhood were created to protect the rest of the Seven Kingdoms of Westeros south of the wall from. The Others make a brief and chilling appearance in the first ten minutes of the episode to give a glimpse as to the true danger poised to strike down on Westeros.

The episode soon moves to the kingdom who stands guard just south of the Wall and whose lord, Eddard Stark, stands to be one of the first line of defense against the winter that is coming and the dangers it brings. Lord Eddard “Ned” Stark is the sort of noble, uncompromising lord that stories of chivalry have taught readers for hundreds of years, but who really is the rare gem in a sea of rough and flawed stones that make up the other lords and knights of the Seven Kingdoms. We see him tending to his castle-fortress of Winterfell as he oversees not just his growing sons and daughters, but the sudden news that his old friend and liege, King Robert Baratheon (played with gluttonous glee by Mark Addy), will be arriving with his entourage to Winterfell.

The episode is slighty a few minutes above an hour in running time and in that time Benioff and Weiss were able to introduce a multitude of characters both large and small which would remain important throughout this series’ 10-episode run. We meet the rest of the Stark clan from Ned’s loyal and down-to-earth wife Catelyn (from House Tully) to his sons, Robb, Bran, Rickon and Jon Snow (Ned’s bastard son hence the “Snow” surname). Then there are his two daughters who are sun and moon in difference with Sansa the older and more social-conscious daughter to Arya the tomboy younger sister who wishes nothing more than to learn how to be a knight. Maisie Williams as Arya Stark is a joy to watch in her brief scenes in the episode. She fully embodies the spirit of Arya which has made the character such a fan favorite since she was first introduced by Martin to readers everywhere in August 1996.

Other fine performances of note in the episode were the ones put forth by Peter Dinklage as the dwarf Lannister brother to the gleaming beauties of his twin siblings, Queen Cersei Lannister (Lena Headey in a haughty performance so similar to her Gorgo role in 300, but minus the nobility inherent in the title) and Jaime “Kingslayer” Lannister (Nicolas Coster-Waldau playing the role as a bon vivant, pretty boy knight). It doesn’t take long to see Dinklage not as a dwarf actor playing a dwarf role, but just as Tyrion the bitter, world-weary son who knows his place in the scheme of things and have accepted them thus making him one of the most honest characters in this episode to date outside of Ned Stark.

The cinematography for this first episode was stunning to say the least. From the frozen forests and domain north of the Wall shot in such stark white and blues to the lush and earthy look given to the tropical domain of the Dothraki where the surviving children of the former king of Westeros now reside looking to find allies to retake their rightful place as ruler of the Seven Kingdoms. Even Winterfell is given such loving detail in how its shot to allow it to gain a semblance of personality. A personality of a kingdom harsh and one to brook the foolhardy and soft. Winterfell looks like a place that produces hardy, fatalistic, but able men willing to do that which must be done.

For fans of the book this episode shouldn’t be too difficult to follow despite all the characters being introduced. In fact, for a first episode it really packs in the details that set’s up what will become the many different plot strands that will begin to weave itself into complex tapestry of a tale that will take audiences from the stark realm of the The Wall and Winterfell to the lush seat of power at King’s Landing to the tropical and savannah flatlands for the Dothraki realm. It’s this attention to detail that may lose some non-fans of the books as it could be too much too handle right away. But I think viewers of HBO drama series of the past should be well-versed in juggling such amounts of details right from the get-go. If loyal fans of the Wire, Oz, Deadwood, True Blood and The Sopranos can attest to it’s learning how to handle such details in stride and just let the story take them away.

“Winter Is Coming” goes a long way towards quieting any lasting trepidations fans of the novels may have of this live-action adaptation. All the hype and media ad blitz HBO has created to push this series had given it a high bar to reach before an episode had even aired, but now that the first one has aired I’m happy to say that it more than reached that high bar and looks to surpass it with each coming new episode. If there was ever a scent that should truly sell this show to fans and non-fans alike it is the final three minutes. As lurid and licentious a sequence as it may be it is also one that sets the wheels turning for the rest of the series and show that Game of Thrones is not your typical fantasy drama on TV.

As an aside, the second viewing of this episode I ended up muting the early intro sequence and just listened to German power metal band’s song about Game of Thrones…it actually fit in well according to my fantasy nerd sensibilities.